Also known as: Galveston (working title)
Release Date: September 6th, 1946
Directed by: Irving Reis, James Anderson (assistant)
Written by: John Paxton, Ben Bengal, Ray Spencer
Based on: Madman’s Holiday by Frederic Brown
Music by: Leigh Harline
Cast: Pat O’Brien, Claire Trevor, Herbert Marshall, Ray Collins
RKO Radio Pictures, 93 Minutes
“Wouldn’t it be smarter to go to Cochrane and get this thing out in the open?” – Terry Cordell, “About as smart as cutting my throat to get some fresh air.” – George Steele
I had never heard of Crack-Up until it was featured on TCM’s Noir Alley.
While not a great noir, it was certainly intense and it kept you glued to your seat, as things escalated and layers of this mystery started to be peeled back.
It stars Pat O’Brien and Claire Trevor, both of whom did quite good in this. I’ve always liked Trevor’s work, especially in noir.
The film was directed by Irving Reis, who wasn’t usually behind the camera on noir pictures and was more famous for directing films like The Bachelor and the Bobby-Soxer, The Gay Falcon, The Big Street and The Four Poster. He also didn’t have a terribly long career when compared to other well-known directors of his day but he did have a real knack for framing shots superbly and for utilizing the tools around him.
While this film does grab you quickly, it starts to taper off a bit towards the end, as it inches towards its climax. It wasn’t a big issue for me but it lost some momentum and probably could have been more effective at around 75 minutes with the final act fine tuned more.
For the time, the lighting effects were solid and I love the scene where O’Brien is watching another approaching train that he fears is going to collide with the one he’s riding on.
I loved the use of trains in the film, as well as setting some scenes in a museum while also critiquing art critics. I’m not sure if that was done in defense of art that challenges tradition or if this film wasn’t that smart. Regardless, it was interesting to see.
With lots of suspense, this is a better than average thriller that is maybe a bit too unknown and probably underrated.
Pairs well with: other RKO Radio Pictures film-noirs of the era.
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