Also known as: Bill & Ted 3 (informal title) Release Date: August 27th, 2020 (Malaysia) Directed by: Dean Parisot Written by: Chris Matheson, Ed Solomon Music by: Mark Isham Cast: Keanu Reeves, Alex Winter, Kristen Schaal, Samara Weaving, Brigette Lundy-Paine, Anthony Carrigan, Erinn Hayes, Jayma Mays, Holland Taylor, Kid Cudi, William Sadler, Jillian Bell, Hal Landon Jr., Beck Bennett, Amy Stoch, George Carlin (posthumous cameo), Kelly Carlin, Dave Grohl (cameo), “Weird Al” Yankovic (cameo), Guillermo Rodriguez (cameo)
“Seriously, Uncle Ted. When did you get so excellent on Theremin? Your playing rivaled, and I’m not kidding, Clara Rockmore!” – Thea
Man, I really wanted to like this movie. I even went as far as to try and convince myself it was good and was going to pan out okay in the end. It didn’t. In fact, it pretty much killed that part of me that wants another one of these vanity, nostalgia projects to succeed.
Well, I guess Cobra Kai is just a once in a lifetime miracle. But maybe that’s because it wasn’t about vanity and it was just about bringing to life a good, fresh idea without trying to replicate what came before it.
As far as Bill & Ted stories go, this is just more of the same but it feels like a really weak attempt at taking the framework that came before it and just trying to paint-by-numbers while changing a few details.
In the case of this movie, we’re rounding up musical legends from history, while also seeing Bill & Ted travel back to hell as well as alternate futures where they confront different versions of their older selves. So there’s two adventures but it essentially takes the two adventures from the two previous movies and mashes them together in a way.
The journey to round up musicians is undertaken by Bill & Ted’s daughters, who are named after them and act too much like them that they just come across as gender swapped caricatures. Now I can’t trash their performances, as both girls were charismatic and likable but it just felt like the writers would rather lean on familiarity than trying to create characters that were more unique and didn’t just worship and emulate their dads on every level.
In regards to the first two movies, they always felt like a perfect story with a great, definitive ending. This film undoes that by retconning the ending and pretty much ignoring it and the newspaper headlines that appeared in the credits. Granted, the writers claim that they didn’t write those headlines and they were made as jokes by the people who did the credits. Still, fans, for decades, have kind of taken them as canon and why shouldn’t they?
In this film, we learn that Bill & Ted are old losers and that they’re incapable of fulfilling their destiny. What we also learn, is that it actually isn’t their destiny and, as is the trend with many modern sequels and reboots, the men are dumb idiots and its the female characters that have to come in and save the day. It’s not that I have a problem with female heroes, I just have a problem with downgrading already established heroes and brushing them aside because Hollywood feels guilty about shitting on women for years. Even though we’ve had women heroes and badasses for decades. But I digress.
This film was underwhelming and a disappointment. I wouldn’t call it intentionally “woke” but I do think it’s a product of its time and that it was influenced by the shitty, mundane art of the modern era. These characters and the fans deserved better.
At the same time, I don’t hate this film. It exists, it’s okay, not great and I don’t have to watch it again. Honestly, as a long-time fan of the film series, I’m just always going to see the first two movies as the complete story. It always was before this and that shouldn’t change just because ’80s nostalgia is in and the entertainment industry has to milk its teats until they bleed.
And of course, Rotten Tomatoes likes this.
Rating: 5.5/10 Pairs well with: its two predecessors, as well as the animated series and really awful live-action show.
Original Run: September 22nd, 2014 – current Created by: Bruno Heller, Danny Cannon Directed by: various Written by: various Music by: Graeme Revell Cast: Ben McKenzie, Donal Logue, David Mazouz, Zabryna Guevara, Sean Pertwee, Robin Lord Taylor, Erin Richards, Camren Bicondova, Cory Michael Smith, Victoria Cartagena, Andrew Stewart-Jones, Anthony Carrigan, John Doman, Jada Pinkett Smith, Morena Baccarin, BD Wong, James Frain, Jessica Lucas, Chris Chalk, Drew Powell, Nicholas D’Agosto, Michael Chiklis, Maggie Geha, Benedict Samuel, David Zayas, Cameron Monaghan, Richard Kind, Natalie Alyn Lind, Peyton List, Crystal Reed, Alexander Siddig
Primrose Hill Productions, DC Entertainment, Warner Bros. Television, 66 Episodes (thus far), 42 Minutes (per episode)
*originally written in 2015, near the end of season 1, plus additional updates written later.
I was going to wait until the end of the first season before reviewing this show, as I do with most new shows. I just can’t get that far and don’t think that waiting till the season ends will change my assessment. I’ve tried desperately to get this to work for me. I’ve tried a hell of a lot harder than most of my friends and Batman fans, who all gave up on this a long time ago. I saw some promise here and there but this show fails in just about every way. In short: it is pretty goddamned awful (*note: I no longer feel this way as revealed in the final update).
There are actually only a few things that this show has going for it but I’ll get to those shortly.
If you barely know anything about the Batman mythos and you find pleasure in watching mediocre cookie cutter detective shows, I can see where you might find this watchable. However, if you are a Batman fan and love and respect the franchise, this is a very painful experience.
On one hand, the producers are trying to spoon feed the audience with fan service in every episode but it is forced, poorly executed and unnecessary. In fact, it feels as if the producers read a couple Wikipedia articles about Batman and thought they had an intimate grasp. And the way they handle certain characters, goes to show that they don’t understand them at all. At times it just feels like a cruel joke and it is Fox trolling the shit out of their audience.
For instance, Edward Nygma doesn’t need to speak in riddles every scene, Harvey Dent doesn’t need to display a split personality every other appearance, you don’t need to have constant Joker teases across multiple unrelated scenarios, you don’t need to show a little ginger girl playing with plants every time she’s on screen and Selina Kyle doesn’t need to parkour off of every object whenever she makes an entrance. I also don’t need to be reminded every five minutes about how Jim Gordon is a good cop and every other cop on the force is tainted by something. It is fucking overkill.
The acting is questionable, the writing is more often than not atrocious and despite the over abundance of horribly executed fan service, the show is just plain stupid on its own. It is an obvious attempt at being a cash cow and a ratings grabber and somehow it has worked in that regard, as it is coming back for a second season.
The whole premise of the show makes it a failure from the get-go.
To start, the worst part about most live-action superhero adaptations is the origin. The audience usually finds themselves roughing it through the early bits in an effort to get to the comic book action. Also, how many times has Batman’s origin been told? Now we are given a show that is an overly extended version of the lamest part of Batman’s tale. Who knows how long this could stretch: ten seasons, maybe? Hell, one has been enough.
The other main part of the show, is Jim Gordon trying to “save the city” and destroy corruption. Well, he’s doomed to fail because if he were to succeed, why would Gotham City need the Batman?
As far as characters, Bruce Wayne is okay and I like him being a little shit challenging authority and taking on the evil adults of his world but it isn’t enough to anchor a need for him on this show. Selina Kyle is awful and pretty much a caricature that just happens to look like a young Michelle Pfeiffer. The Poison Ivy character is unimportant and so far useless. All the villains who show up are poorly done and easily defeated. Barbara Kean is the worst character on television. Where did Renee Montoya go? Fish Mooney is sometimes great but mostly terrible. However, I don’t blame these actors, I blame the atrocious writing.
When it comes to positives, Robin Lord Taylor is amazing as the Penguin. In fact, at first, I hated that he was way too skinny to be the Penguin but he’s so good in the role that I don’t care. He is by far, the most interesting part of the show. Almost as good as Taylor is Donal Logue as Harvey Bullock. Then again, when isn’t Logue anything short of great? Ben McKenzie does a solid job as Jim Gordon and I do like Cory Michael Smith as Nygma, the man who will become the Riddler – even though the writers force riddles into every situation he finds himself in. Lastly, Sean Pertwee makes a fine Alfred Pennyworth and is my favorite live action incarnation of the character. Pertwee also looks a lot like his father in his older age and seeing him in action reminds me of the Third Doctor from the classic Doctor Who series.
The show is often times too distracted by its own mess and diverts away from characters with potential to focus on too many small parts in a machine that is too large for its own good. When the show is at its strongest is when the Penguin is on screen, Alfred is kicking ass or when it focuses more heavily on the crime families of Gotham City. The episodes pitting Sal Maroni against Carmine Falcone with a little Fish Mooney and the Penguin mixed in are the best that this series has offered up so far.
I still watch this show because I want to buy into it, I just can’t. The good parts keep me engaged but they are too far and few between. I don’t believe that the show will get better but there is enough good stuff to expand on and save it from being the generally uninteresting mess it is currently. But I probably won’t watch the second season on a weekly basis, as I do now. I’ll wait a year for it to be over with and then binge watch it over a weekend. If it picks up steam and corrects itself, consider me reinvested. If not, I’ll find better ways to spend my time.
Season 2 of Gotham has been infinitely better than the first. The shows is finding its footing and it now knows what it is trying to be. I like that it is creating its own world and veering away from being trapped by the expectations from an already established Batman mythos. The show is doing its own thing and honestly, at this point, I wouldn’t be surprised if Bruce Wayne is killed off before even becoming Batman.
At the end of Season 3, the show has corrected a lot of its early mistakes.
Cameron Monaghan, who plays Jerome Valeska, who may or may not be the Joker but is probably the Joker, is the best version of Batman’s greatest villain I have ever seen in a live-action story. The kid is magnificent and really captures the magic of the comic book version of the legendary character better than anyone I have ever seen. Yes, he’s better than Heath Ledger and he has the same spirit as Mark Hamill who has voiced the character for decades.
Additionally, the show just becomes more interesting as it rolls on, even though it has some dumb plot threads. But when you don’t take this show seriously and just embrace its insanity, it works.
Most of the villains have evolved solidly, especially the Penguin and the Riddler. I also really liked the Mad Hatter story, as well as the plots that focus on Hugo Strange.
Gotham is far from a perfect show but it bounced back, in my opinion. It also works if you just take it for what it is and don’t try to force it into the box that is the already established comic book mythos. I see it now as an Elseworlds Tale, which is a title DC Comics gives to their stories that take place in different realities.
I’m glad I stuck with it as long as I did. For others who have, their dedication has paid off.
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