Published: May 17th, 2016
Written by: Jeff Parker
Art by: Jonathan Case
Based on: Batman (’60s TV Series) by William Dozier, ABC
DC Comics, 184 Pages
This is it, the final collected volume in the Batman ’66 run of comics. It’s a sad, sad day. But, there are some crossover titles featuring Batman ’66 and other TV shows from that era, which I will have to read. But for now, let’s see if the final collection in the series was a worthy finale.
Well, one cool thing about this final volume, is that it introduces us to more classic Batman villains that weren’t originally a part of the Batman television show from the ’60s. In volume three we got Harley Quinn and in volume four we got Two-Face. Here we get even more: Solomon Grundy, Clayface, Poison Ivy, Bane, Scarecrow and Killer Croc.
The first story in this book is called The Short Halloween, which is a play on words of the famous story arc The Long Halloween. This tale is about two mean trick or treaters dressed as the Joker and the Penguin, who are going around robbing kids of their candy. A young boy and his little sister go out as Batman and Robin in an effort to stop the dastardly villains. It’s a very short but cute story where the real Caped Crusader and the Boy Wonder make an appearance at the end.
Following that story, we see the origin of the Batman ’66 version of Solomon Grundy, who is resurrected from beyond the grave by Hilda, the witch grandmother of Marsha Queen of Diamonds. After that is a third short story that takes Batman ’66 villain False Face and establishes him as Basil Karlo a.k.a. Clayface, who is a big time comic book villain that hadn’t yet appeared in any Batman ’66 related stories.
We then get a story revolving around Carolyn Jones’ Marsha Queen of Diamonds but Hilda isn’t there, probably because she had just been in the Grundy story. Then we get our second Harley Quinn tale in the Batman ’66 universe, which also has a one panel Cesar Romero Joker cameo. Then we get to see the Joker, the Frank Gorshin Riddler, the Burgess Meredith Penguin and the Eartha Kitt Catwoman team up and hold an advertising agency hostage in a story that just features Batgirl as the hero and parodies the television show Mad Men.
The next story is one of my favorite in the Batman ’66 franchise, it is the debut and origin story of Poison Ivy. The story started with the “murder” of Milton Berle’s Louie the Lilac, who you find out, is actually just in a catatonic state due to a poisonous plant concoction. Batman and Robin investigate and fall into the clutches of Ivy. The Ivy character is well written here and she is handled in a way that really fits the Batman ’66 style.
Next up, we are introduced to the Batman ’66 version of Bane, who is in league with the Riddler and comes to Gotham City as a lucha libre star. He crushes his opponents and believes that he breaks Batman’s back ala the classic Knightfall story arc. Bane returns to his home country as its ruler but Batman, Robin and Batgirl show up to change his plans.
We then get two shorter stories, each introducing us to two other classic villains yet to appear in the Batman ’66 franchise: Scarecrow and Killer Croc. Both are pretty straightforward and quick tales but it would have been cool to see them get more fleshed out had this series continued on.
Then we get a tale that features the first comic book appearance of Shelley Winters’ Ma Parker. Alongside her are a team of villains comprised of Killer Croc, Solomon Grundy and Killer Moth, in his only Batman ’66 appearance. The Julie Newmar Catwoman enters the story in the second half.
Lastly, we come to the grand finale of the entire Batman ’66 series with a story called Main Title. This awesome and incredible final issue is a recreation of the opening credits to the Batman show. So we get an actual narrative and see all (or most) of the Batman villains make a cameo as they try to overtake Batman and Robin. This whole fight takes place in a movie studio in a green screen room, explaining the green background in the classic show’s opening credits sequence. This was a pretty creative send off for this series and brought things full circle.
Initially, I thought that I wouldn’t like this volume in the series as much as the others because it had such a high emphasis on wedging in as many new villains as it could. However, every story was well crafted and served a purpose. This actually ended up being my favorite of the five volumes. As a fan of the 1960s Batman televison show, this was as perfect as a comic book can get featuring this particular pocket of the Batman universe.
Pairs well with: The rest of the Batman ’66 comic collections.
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