Original Run: September 24th, 1999 – April 13th, 2001
Created by: Simon Pegg, Jessica Stevenson
Directed by: Edgar Wright
Written by: Simon Pegg, Jessica Stevenson
Music by: various
Cast: Simon Pegg, Jessica Stevenson, Nick Frost, Mark Heap, Julia Deakin, Katy Carmichael, Lucy Akhurst, Anna Wilson-Jones, Bill Bailey, James Lance, Peter Serafinowicz, Michael Smiley
Big Talk, London Weekend Television, Channel 4, 14 Episodes, 25 Minutes (per episode)
“Marsha, they say that the family of the twenty-first century is made up of friends, and not relatives, and if that’s true, then you’re the best aunty I’ve ever had!” – Tim
I’m not from the UK so I didn’t know about this show until about a year after it aired. I discovered it when a friend from the UK sent me the first season to check out because he thought I’d like it. I did and it actually became one of my favorite shows of all-time and still is. But since I haven’t watched it in nearly a decade, I wanted to dust it off and revisit it. Especially, after I just revisited and reviewed the Three Flavours Cornetto Trilogy.
The show is directed by Edgar Wright and stars two of his long-time collaborators Simon Pegg and Nick Frost. It also stars Jessica Stevenson, who co-wrote the show with Pegg. The two of them had previously worked together in a short-lived show called Asylum, which Wright also created and directed.
Seeing this now, it’s very ’90s but at the same time, it’s absolutely timeless. This isn’t something I would’ve picked up on in the past but the struggles of these twentysomethings is pretty damn real and I think it’s still relatable. In fact, I guess I didn’t realize how much I related to it in my mid-to-late 20s.
While I’m younger than the cast and the age they represented when I first watched this, it was only a few years later before my experiences lined up with theirs. Also, being someone in a creative field that is both an artist and a writer, I think I relate to both of them even more, looking back at where I started and where my career and hobbies led me over the last two decades.
All that being said, I almost love this show even more now, as I realize how much heart and soul went into it and how genuine and authentic it truly is. And I think it comes from the fact that these people are also creatives and were probably going through similar struggles as the characters they wrote and played.
Beyond that, this was a unique show in how Wright didn’t shoot it like a standard sitcom but he used techniques typical to horror and sci-fi films. He went for extreme angles and quick motion, as opposed to fixed, static cameras focused on a set. Quite a bit of the show was also shot outside and Wright employed the same techniques outdoors, giving the Spaced world more energy than that of a typical show.
Also, everyone in this is perfect. It’s just really well cast and that’s not just the six core characters but also the reoccurring ones that pop in and out.
The show also goes for pretty surreal situations and humor but it works well, fits the style and isn’t overdone to where this becomes a bizarre “brainy” show that dolts pretend they like because they don’t want to appear as if they don’t “get it”.
Unfortunately, the show ended at least a season too early, as you kind of pick up on the fact that the two leads are going to fall in love, as the story rolls on. By season two, it’s regularly hinted at and even though the ending to that season was satisfying to that season’s arc, I feel like the show and its fans deserved at least one more seven episode helping before everyone moved on to things like Shaun of the Dead and Hot Fuzz.
Man, I knew I loved this show but I guess I forgot how much. And now, that love has grown even more, as I appreciate Spaced on new and deeper levels thanks to how well it has held up and how technically savvy it is. Plus, the experiences and issues these characters face are timeless and they’re presented in a way that’s kind of pure, which transcends generations and cultural changes.
Spaced, to me, is a near perfect show. I can’t call every episode a classic but they all have something really worthwhile and they all do a superb job of building up these characters, their lives together and the audience’s love for each of them.
In the end, even after two decades and a dozen watch throughs, it’s hard to say goodbye to them in that final episode.
Pairs well with: Edgar Wright and Simon Pegg’s Three Flavours Cornetto Trilogy, as well as Pegg’s other comedy series before he became a film star.
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