Also known as: Cheech and Chong Join the Army (original script title) Release Date: June 26th, 1981 Directed by: Ivan Reitman Written by: Dan Goldberg, Harold Ramis, Len Blum Music by: Elmer Bernstein Cast: Bill Murray, Harold Ramis, Warren Oates, P. J. Soles, Sean Young, John Candy, John Larroquette, John Diehl, Judge Reinhold, Joe Flaherty, Dave Thomas, Bill Paxton
Columbia Pictures, 106 Minutes, 122 Minutes (extended cut)
Review:
“Who’s your friend? Who’s your buddy? I am, aren’t I? You’re crazy about me, aren’t you?” – John Winger
This is considered one of the all-time great Bill Murray comedies. While I do like it, it was never really at the top of my list. I’m not quite sure why, as it also features Harold Ramis, John Candy, John Larriquette, Judge Reinhold, Joe Flaherty and Dave Thomas: all comedy legends I love.
Stripes is funny and amusing but from a narrative standpoint, it always felt kind of sloppy and pointless. Sure, these new recruit losers (mainly Murray and Ramis) do rise to the occasion and become heroes for a day, however, things in this movie just sort of happen without much purpose.
I get it, though, this is sort of just a goofy, mindless comedy. However, I guess I hold these guys and director Ivan Reitman to a higher standard because they’ve made much better films.
Without Bill Murray and someone as great as Ramis to play off of in nearly every scene, this would be reduced down to just a run of the mill screwball comedy like Meatballs or Porky’s.
I also know that Reitman probably didn’t have much of a budget to work with but this picture looks more like a television movie than a cinematic one. However, the film’s success did pave the way for the Ghostbusters movies, which are, to this day, my favorite comedy films of all-time.
Stripes is a movie that I still watch about twice a decade, as I can put it on and not think. But ultimately, it’s just never been as beloved by me as it seems to be by many others.
Rating: 6.5/10 Pairs well with: other Bill Murray films of the ’80s, as well as comedy pictures directed by Ivan Reitman and John Landis.
Release Date: December 19th, 1986 Directed by: Frank Oz Written by: Howard Ashman Based on:Little Shop of Horrors by Howard Ashman, The Little Shop of Horrors by Roger Corman, Charles B. Griffith Music by: Miles Goodman (score), Alan Menken (songs) Cast: Rick Moranis, Ellen Greene, Vincent Gardenia, Steve Martin, James Belushi, John Candy, Christopher Guest, Bill Murray, Levi Stubbs (voice), Tichina Arnold, Tisha Campbell, Michelle Weeks, Vincent Wong
The Geffen Company, 94 Minutes, 102 Minutes (original cut)
Review:
“Does this look “inanimate” to you, punk? If I can move and I can talk, who’s to say I can’t do anything I want?” – Audrey II
I used to watch this quite a lot when I was a kid. It was always on cable and I liked everyone in it, so when channel surfing in the late ’80s, I often times stopped when this was on.
Oddly enough, I haven’t seen it since the ’80s but I’ve always meant to go back and revisit it, especially since I love the original Roger Corman film and revisit that one every five years or so.
This version of the story was actually an adaptation of the off-Broadway musical, which was inspired by the Corman film from 1960. I’ve never seen the musical on-stage and there are some story differences but it’s something I’d like to see, even if it’s just on television, assuming there’s a version I can watch.
Anyway, back to this film.
This will always hold a nice spot in my heart because it features two I guys I really enjoy, especially when together, Rick Moranis and Steve Martin. This also sprinkles in Bill Murray, Jim Belushi, John Candy and Christopher Guest. Needless to say, it’s chock full of great ’80s comedic talent.
I also dig the hell out of Ellen Greene and Vincent Gardenia, who rounded out the cast nicely and played their parts perfectly.
The real gem of this picture, though, is the monster, Audrey II. The monster evolves into a massive, talking, man-eating venus flytrap. Audrey II is actually an alien trying to kickoff a full alien invasion but to do so, he needs to grow and to do that, he needs human blood.
What makes the monster so cool is two things, the first of which is the voice acting of Levi Stubbs, the lead vocalist of the Four Tops. Stubbs was stupendous and he made Audrey II one of the coolest villains in ’80s cinema.
The second thing is the practical effects, animatronics and puppeteering that brought the giant plant to life. This isn’t some CGI bullshit that takes you out of the movie, this is a real, physical beast that was live and on the set, interacting with the actors on film. The character just looks great, moves great and it’s incredibly easy to suspend disbelief and get caught up in this bonkers movie.
The real cherry on top of it all is the music. It’s great and I say that as someone that usually turns away from musicals because it’s the one genre that doesn’t really resonate with me. For me to care about a musical, it’s got to work on a level beyond that and attract me to it with some sort of cool twist. This picture does that well and I honestly don’t simply see it as a musical.
In the end, I’m glad that I finally revisited Little Shop of Horrors and it somewhat exceeded the expectations my memory had for it.
Rating: 8/10 Pairs well with: the original film, as well as other comedies featuring Rick Moranis, Steve Martin and John Candy.
Release Date: May 14th, 2019 (Cannes) Directed by: Jim Jarmusch Written by: Jim Jarmusch Music by: SQÜRL Cast: Bill Murray, Adam Driver, Tilda Swinton, Chloe Sevigny, Steve Buscemi, Danny Glover, Caleb Landry Jones, Rosie Perez, Iggy Pop, Sara Driver, RZA, Carol Kane, Selena Gomez, Tom Waits
Animal Kingdom, Film i Väst, Kill the Head, Focus Features, 104 Minutes
Review:
“That girl is half Mexican. I know because I love Mexicans.” – Officer Ronnie Peterson
Jim Jarmusch is really hit or miss for me.
Overall, I’d say this was a miss but it did keep my interest because one thing I usually like about Jarmsuch’s films are the characters and their conversations. However, while that is good and engaging the first time around, it doesn’t necessarily make a film worth revisiting.
The Dead Don’tDie is pretty much what one would expect from a Jarmusch film about zombies.
It’s weird, it’s quirky and there’s not much else there. In fact, the only real glue that holds this flimsy house of cards together is the cast and their interactions.
While Jarmusch can be labeled as weird, this film seems to embrace its weirdness a little too much. In this film, shit is weird just to be weird.
For instance, you have Tilda Swinton’s character who is a female Scottish samurai that you later find out is an alien when a UFO randomly appears to take her home in the middle of a zombie fight. Why? What’s the point? Why was she there? Jarmusch doesn’t care, so why should we?
You also have a moment at the end where the characters break the fourth wall for no reason other than creating a nonsensical plot twist in an effort to maximize on the weird. It actually broke the film for me and made it irreparable where, up to that point, I kind of accepted it in spite of its goofy faults.
Additionally, characters are introduced, relationships are established and not a whole lot comes out of any of it. There isn’t a satisfactory payoff and you’re just left scratching your head for a lot of it. I mean, you want to like characters and you kind of do but none of it matters because we’re all fucked and no one really has a plan, including the cops.
Is this supposed to be a critique on authority or society? I mean, haven’t we gotten that with just about every zombie movie ever made? From Jarmusch, a guy that has made some solid, critically acclaimed films, I guess I expected more than this. For the zombie subgenre of horror, I definitely wanted more than this, as zombies have been done to death, pun intended, and just being weird shouldn’t fly and shouldn’t get you a free pass.
I also feel like this awkward style of comedy dialogue is well past its expiration date.
Rating: 5/10 Pairs well with: other Jim Jarmusch films, as well as other zombie comedies.
Also known as: Zombieland 2 (working title, unofficial title) Release Date: October 9th, 2019 (Taiwan) Directed by: Ruben Fleischer Written by: Rhett Reese, Paul Wernick, Dave Callaham Music by: David Sardy Cast: Woody Harrelson, Jesse Eisenberg, Emma Stone, Abigail Breslin, Rosario Dawson, Zoey Deutch, Avan Jogia, Luke Wilson, Thomas Middleditch, Bill Murray (cameo), Al Roaker (cameo)
2.0 Entertainment, Columbia Pictures, Pariah, 99 Minutes
Review:
“[first lines] Welcome to Zombieland. Back for seconds? After all this time? Well, what can I say, but thank you. You have a lot of choices when it comes to zombie entertainment, and we appreciate you picking us.” – Columbus
Being that my fairly recent rewatch of the original film showed me that it didn’t age well, I wasn’t super gung ho to see its sequel, ten years later.
However, after being somewhat annoyed by the opening narration, which itself felt dated, I was at least pleasantly surprised to discover that I mostly liked this movie, even though it didn’t need to exist and didn’t do much to justify it being made.
I’ll admit, I liked all these characters from the first movie and it was cool checking in on them a decade later. You’re quickly filled in on what has happened in the time that’s passed but there isn’t really anything unexpected other than Little Rock being college aged and having the feeling that she needs to leave the nest and have her own experiences. This of course leads to the adventure in this film, as the other three set out to find her, after she takes off.
There are other new characters introduced and they’re all pretty decent, except for the douche from Berkeley but then again, you’re supposed to hate him.
At its core, this is really just more of the same with some weird subplot about a hippie commune full of pacifists that have somehow survived more than a decade into a zombie apocalypse, living in an unsafe high-rise with loud music, firework shows and no weapons. But hey, this is comedy, so whatever, right?
I liked the addition of Rosario Dawson and Zoey Deutch to the cast. I don’t like that they left Zoey behind with the dumb hippies though, as she’s probably just going to die.
Anyway, I’d probably say that this is fairly consistent with the first movie and rate it the same. It didn’t blow my socks off but it was a decent escape from the very real COVID-19 drama for 99 minutes.
Rating: 6.75/10 Pairs well with: the first Zombieland film and possibly the series, but I haven’t watched it yet.
Also known as: Scrooge: A Christmas Carol (original script title) Release Date: November 17th, 1988 (Los Angeles premiere) Directed by: Richard Donner Written by: Mitch Glazer, Michael O’Donoghue Based on:A Christmas Carol by Charles Dickens Music by: Danny Elfman Cast: Bill Murray, Karen Allen, John Forsythe, Bobcat Goldthwait, Carol Kane, Robert Mitchum, Michael J. Pollard, Alfre Woodard, John Glover, David Johansen, Mary Ellen Trainor, Mabel King, John Murray, Wendie Malick, Brain Doyle-Murray, Lee Majors (cameo), Miles Davis (cameo), Robert Goulet (cameo), Paul Shaffer (cameo), Buddy Hackett, Mary Lou Retton, Jamie Farr, Anne Ramsey, Logan Ramsey, Delores Hall, Joel Murray
“That’s the one good thing about regret: it’s never too late. You can always change tomorrow if you want to.” – Claire Phillips
Scrooged is my favorite Christmas movie that doesn’t fit in the action or horror genres, even though it has a wee bit of those two things. It’s a comedy starring the legendary Bill Murray and it was directed by Richard Donner, coming off of Lethal Weapon, Ladyhawke and The Goonies.
The film also has an all-star cast comprised of a few legends, a few solid character actors and the always lovely Karen Allen and Alfre Woodard.
It’s a modernized adaptation of Charles Dickens’ most famous story, A Christmas Carol. Bill Murray essentially plays Ebeneezer Scrooge but in this story, he’s named Frank Cross and he is the president of a major television network, stressed out over the live televised adaptation of A Christmas Carol that he is producing.
As can be expected with adaptations of this story, Cross is visited by three ghosts: The Ghost of Christmas Past, The Ghost of Christmas Present and The Ghost of Christmas Future. He is taken on a journey through his life and is shown his fate if he doesn’t wise up and change his ways.
There aren’t any shocking twists or deviations from the traditional story structure of A Christmas Carol, other than setting it in contemporary times and modifying some of the smaller details to fit what was ’80s pop culture society.
The film has a good bit of crude humor but it’s nothing that’s off putting or that takes away from the spirit of Dickens’ classic story. In fact, I love the update and frankly, for the time that this came out in and the inclusion of Murray, this was probably the most palatable version of the story that had been adapted. It’s not strict to the source material but it benefits because of that while keeping the original plot structure intact.
Scrooged may feel dated to some and like a product of its time but it is a classic Christmas film for many, myself included, and it doesn’t get old. I think a lot of that has to do with the charisma supernova that is Bill Murray while the kind nature of Karen Allen, as well as the fantastic cast around Murray, make this something unique, special and entertaining.
Plus, there is just something perfect about Danny Elfman’s score in this film. It sets the tone for the picture immediately and it just accents and enhances the movie like a great musical score should.
Rating: 8.75/10 Pairs well with: other great non-traditional Christmas movies of the ’80s like Trading Places, National Lampoon’s Christmas Vacation,Die Hard, Gremlins and Lethal Weapon.
From the Midnight’s Edge YouTube description: December 9th saw the release of the first trailer for Jason Reitman’s Ghostbusters Afterlife, the sequel to the original movies which also negates the original Paul Feig’s remake from 2016.
While he is not in the trailer, Bill Murray is by all accounts in the movie – but there was a lot of back and forth involved in making that happen! Murray always delivers great performances IF he does show up on set, and that is a big “if”.
In this retrospective minidocumentary, we look back at the history of Ghostbusters, and Bill Murray’s troubled relationship with the franchise.
Original Run: December 4th, 2015 Directed by: Sofia Coppola Written by: Sofia Coppola, Mitch Glazer, Bill Murray Music by: Paul Shaffer, various Cast: Bill Murray, Michael Cera, George Clooney, Miley Cyrus, David Johansen, Jenny Lewis, Dimitri Dimitrov, Rashida Jones, Amy Poehler, Chris Rock, Maya Rudolph, Jason Schwartzman, Paul Shaffer, Julie White, Phoenix
American Zoetrope, Departed Productions, Jax Media, South Beach Productions, Netflix, 1 Episodes, 56 Minutes
Review:
*Written in 2015.
Who doesn’t love Bill Murray? And who doesn’t love Christmas? Well, terrorists… probably.
I was really excited when Netflix dropped the first trailer for A Very Murray Christmas. It looked interesting enough and featured a comedic legend that might as well be a god, as far as I am concerned. It also featured a slew of other talented people and Miley Cyrus. I kid, Miley doesn’t bother me like she bothers lame people.
I had hopes that this would be great and maybe start a new annual tradition with future installments to the series each Christmas. But to be frank, I’m fine with just the one special.
It wasn’t anything great or that spectacular. Murray is in a depressed mood for much of the special and only seems to come alive for a few seconds at a time. While some scenes, like the ones with Chris Rock, played really well, most just didn’t hit their mark.
This special, like all Christmas specials, is about finding that Christmas spirit and enjoying the day and the things that you hold dear. The execution just seemed half-assed and the sequences weren’t all that interesting.
Murray didn’t look like he was enjoying himself and everything just felt thrown together.
Although it was nice seeing him onscreen with David Johansen again. He was the lead singer of the protopunk band The New York Dolls, also the pop artist Buster Poindexter and starred alongside Murray in Scrooged as the Ghost of Christmas Past.
Rating: 5/10 Pairs well with:Scrooged and that’s about it but Scrooged is much better and a lot less depressing.
Also known as: Ghostbusters (original title), Ghostbusters 3 (working title), Flapjack (fake working title) Release Date: July 9th, 2016 (TCL Chinese Theatre premiere) Directed by: Paul Feig Written by: Katie Dippold, Paul Feig Based on:Ghostbusters by Ivan Reitman, Dan Aykroyd, Harold Ramis Music by: Theodore Shapiro Cast: Melissa McCarthy, Kristen Wiig, Kate McKinnon, Leslie Jones, Chris Hemsworth, Neil Casey, Andy Garcia, Charles Dance, Ed Begley Jr., Michael McDonald, Zach Woods, Toby Huss, Bill Murray (cameo), Dan Aykroyd (cameo), Ernie Hudson (cameo), Sigourney Weaver (cameo), Annie Potts (cameo), Ivan Reitman (cameo), Ozzy Osbourne (cameo), Al Roker (cameo), Chris Gethard (cameo)
Columbia Pictures, Village Roadshow Pictures, The Montecito Picture Company, Feigco Entertainment, Pascal Pictures, Ghost Corps, Sony Pictures Releasing, 116 Minutes
Review:
“I will not let the 12-year reputation of this fine institution be besmirched by you!” – The Dean
I was a massive fan of the original Ghostbusters movies. However, even with rumors of a Ghostbusters 3 for years, I never really wanted a follow up. It had been such a long time since the second film and franchise movies that go on multiple decade hiatuses never seem to recapture the magic. The sequel idea was eventually abandoned in favor of this reboot, however. But still, I didn’t want it.
The only way that I thought a modern Ghostbusters could work is if it was to introduce a new generation and for it to exist in the same universe with the original guys passing the torch so that they could finally retire. Instead, this was just a flat out reboot with no continuity shared with the original two films.
But then there was also the gender twist element to this film. It seemed to be the latest Hollywood franchise to do a full gender swap for the sake of just swapping gender. Do I care that these four characters are women? No. But Hollywood (and all of entertainment, really) is sort of forcing diversity on the masses just because they can and apparently we’re all sexist, racist, homophobes if we don’t just accept what they are making the new normal.
In any event, this film came out with a lot of backlash because people are sick of the forced diversity shtick. Was that fair to the actresses in the film? Probably not. I felt that it should stand on its own merits but I also wanted to separate myself from all the social and political commentary for a long while before giving it a fair shot.
Let me first say that this sequel was unnecessary. Had it been made to build off of the already existing mythos and served to enrich it, then that would have made this more worthwhile and given it a point beyond just appearing like Hollywood attempting to gender swap fan favorite characters.
The thing is, I like most of the people in this film and that’s the main reason why I wanted to finally check it out. That being said, I enjoyed these women, their characters and I also thought that most of the supporting cast were better than decent. I also enjoyed the cameos from the original Ghostbusters cast members.
In the end, this film worked for me. There are several reasons for this but the biggest positive was that the writers didn’t try to just rehash what the first film was. This movie had it’s own original story with some cool ideas that served the narrative well. I liked the story, I thought it was pretty creative and even if the villain was weak when compared to Gozer and Vigo, his plan was still interesting and worthy of a first outing for this team of Ghostbusters.
Additionally, this film had a lot of fan service moments. They weren’t necessary or even really expected but the studio did a good job of not using these elements to sell the film in trailers. These surprises weren’t spoiled ahead of time for me and I was glad to see them worked into the movie, especially that major homage to The REAL Ghostbusters cartoon series.
I also loved the special effects and the whole visual style of the movie. The ghosts looked cool and there was a great variety of ghost styles. While the “ghosts unleashed on Manhattan” segment from the original film is one of the best moments in film history, I felt that this film’s take on that beloved moment was executed spectacularly.
The only ghost I really wasn’t a fan of was the demon dragon thing and the whole segment trying to capture it at the rock concert was one of the film’s lower points. But surprisingly, there weren’t a lot of other low points.
I was pretty sure I wouldn’t hate this like many people seem to. But I also didn’t expect to like it all that much either. I was lukewarm to this film and didn’t have the biggest urge to see it. I’m glad that I did though. It was entertaining enough, made me laugh a few times and I wouldn’t mind seeing a sequel even though they probably won’t make one and will most likely just reboot the film series again, sometime down the road. That one will probably star four overweight paraplegic lesbian Fijians, one of which will be Muslim too.
But seriously, social political agenda aside, this made me laugh and had some good positives.
Also, Andy Garcia’s mayor character was damn good.
Rating: 6.25/10 Pairs well with: Just about any other Melissa McCarthy movie, as well as Ghostbusters, Ghostbusters II and Bridesmaids.
Release Date: September 5th, 2014 (TIFF) Directed by: Theodore Melfi Written by: Theodore Melfi Music by: Theodore Shapiro Cast: Bill Murray, Melissa McCarthy, Naomi Watts, Jaeden Lieberher, Chris O’Dowd, Terrence Howard, Reg E. Cathey
Chernin Entertainment, Crescendo Productions, The Weinstein Company, 102 Minutes
Review:
“You need to defend yourself, or you get mowed down.” – Vincent, “I’m small, if you haven’t noticed.” – Oliver, “Yeah, so was Hitler.” – Vincent, “That’s a horrible comparison.” – Oliver, “Indeed. Making a point, though.” – Vincent
*Written in 2014.
I finally got around to catching this film.
I’m a huge Bill Murray fan but then again, who isn’t? I’m not a fan of Melissa McCarthy though, so I found going into this to be a bit of a double-edged sword.
Well, as expected, Murray was pretty damn awesome. This is one of my favorite dramatic roles that he has played and he still brought the comedy where it was needed. His character was also a bit of a departure from what one is used to in a Murray performance.
In modern years, Bill Murray has essentially played Bill Murray. In this film, as Vincent, he was a pretty complex character that was more than just another Bill Murray caricature. He was a hard edged Vietnam veteran with a strong Brooklyn accent and a backstory that was heartbreaking and heartwarming as it unfolded throughout the movie.
Melissa McCarthy also impressed me in this film. I have to give her props on her mostly dramatic performance and I hope to see more acting from her like this. My issue with her in the past, is that she came off as the female Chris Farley. Everything about her career revolved around comedy based off of her weight. I just find that to be a low form of comedy and not that funny. Additionally, where she isn’t a walking fat joke, she fills the void with lewdness and crassness that has become the norm in modern comedy but just goes to show how shitty modern comedy has become.
Jaeden Lieberher, who plays the boy in the film, acted really well for a kid with a pretty small filmography thus far. His character befriends the grumpy and mean Vincent and it is the relationship between these two that propels this film.
Chris O’Dowd plays a teacher/priest that goes on to expand his acting chops and gives us another great and witty character. Vincent’s pregnant Russian hooker girlfriend is played by Naomi Watts and she is pretty hilarious here. I didn’t even realize it was her until about halfway through the film. Terrence Howard plays an asshole bookie but is almost a forgettable and unnecessary character.
This is a really good picture for Theodore Melfi, a first time feature film director. It’ll be interesting to see what he does next, as this was a stellar first effort. Melfi, with the help of this great cast, gave us one of the best films of the year, in my honest opinion.
Rating: 8.5/10 Pairs well with: Some of Bill Murray’s other films like The Life Aquatic, Broken Flowers and Lost In Translation.
Release Date: September 25th, 2009 (Austin Fantastic Fest) Directed by: Ruben Fleischer Written by: Rhett Reese, Paul Wernick Music by: David Sardy Cast: Woody Harrelson, Jesse Eisenberg, Emma Stone, Abigail Breslin, Bill Murray, Amber Heard
Relativity Media, Pariah, Columbia Pictures, 88 Minutes
Review:
“Are you fucking with me?” – Tallahassee, “Uh, no. You should actually limber up as well. Especially if we’re going down that hill. It is very important.” – Columbus, “I don’t believe in it. You ever see a lion limber up before it takes down a gazelle?” – Tallahassee
I know that a lot of people absolutely love this film. I like it too but I wouldn’t say that I love it. In fact, I haven’t seen it since it was in theaters. I just never really felt like watching it again until now.
To start, the cast is great and I like the chemistry between all of them. But let’s be honest, Woody Harrelson is the scene stealer and the real star of the picture, even though this boasts the talents of three young stars who would all have great careers beyond this movie: Jesse Eisenberg, Emma Stone and Abigail Breslin. But even when the legendary Bill Murray shows up for a cameo, Harrelson steals that scene as well.
But it is the characters that make this movie work so well. They all just gel and you genuinely care about them, even though you just get to scratch the surface with this quartet at only an 88 minute running time.
I guess the only really big negative about this film is the finale. The girls decide to go to an amusement park for fun, albeit when it’s dark out in a world that is plagued by zombies and no security guards. Somehow, the park has power, the girls turn all the lights and rides on and are suddenly shocked when they are immediately overwhelmed by zombies.
Before this idiotic outing, the film spent an hour showing that these girls were smart and cunning con artists. So their complete stupidity to set up the big final battle is just baffling as all hell. And while I can suspend disbelief, I can’t ignore blatant and colossal idiocy.
And how the hell did they control the rides while riding them? Carnival rides aren’t automated, they have operators that hit buttons on a control panel to start and stop the ride. In the real world, one would have to ride while the other one had to hit the buttons on the control panel. I mean, despite the cool fact that we got to see zombie mayhem in a theme park, the set up and reasoning behind the sequence is asinine and ludicrous.
But the movie is supposed to be fun and I get that but I can never accept the rampant stupidity of the characters in the last twenty minutes.
All that being said, there isn’t a whole lot here that’s unique. There are zombies and you have to survive. There really isn’t anything about this movie to make it special and there isn’t an original twist that allows it to be its own thing in a genre that ran its course a long, long time ago. I mean, you could say that comedy is the twist but this is far from being the first zombie comedy.
I guess the only thing that works is that I like the characters and the actors. Well, I’m not a big Eisenberg fan but he was fine in this role, as it’s sort of the type of character I imagine him being. Woody Harrelson is, by far, the real highlight and the Bill Murray cameo is a lot of fun.
Rating: 6.75/10 Pairs well with:Shaun of the Dead, Coooties, Scouts Guide to the Zombie Apocalypse
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Talking Pulp 
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