Published: 2005-2006 Written by: Geoff Johns Art by: Phil Jimenez
DC Comics, 241 Pages
I hated Crisis On Infinite Earths but I had hoped that this more modern version of it would’ve been more to my liking. I guess it is better but not by much because it falls victim to the same bullshit.
It’s overloaded with characters to the point that it’s difficult to follow and it just becomes a mega clusterfuck, trying to be larger than life while wedging a fuck ton of characters into double splash pages.
DC likes doing these big events that try to “reset” the multiverse and all they do is become overly complicated messes that ignore their own established rules because new writers don’t have time to read the old stuff or pay attention to it. In Geoff Johns’ defense, the event this is a spiritual sequel to was a convoluted shitstorm, so I don’t blame him for paying it no real mind.
If I’m going to try and look at the positives, there is really only one: the art by Phil Jimenez. It’s spectacular and it is lively and even if I don’t enjoy the story, it’s hard not to get caught up in the absolute beauty of Jimenez’s work. It’s stunning and even on those overcrowded splash pages, he fills the space magnificently and dynamically.
Apart from that, there’s not much to say. This isn’t as messy as its predecessor but it is still an over-sized shit meatball.
Rating: 5/10 – because of the art more than anything else. Pairs well with: other massive DC Comics events that are overloaded with characters.
Published: 1985-1986 Written by: Marv Wolfman Art by: George Perez
DC Comics, 359 Pages
Crisis On Infinite Earths is one of DC Comics’ sacred cows. Yet, I’ve never had much urge to read it because my experience reading massive DC Comics crossovers has never been that great.
But now I have read it because I felt like it was long overdue and because this is a storyline that is referenced a lot, still to this day, thirty-five years later.
The first problem with this story might be apparent by the number of tags at the top of this post. It’s overloaded with so many characters that it is mostly a convoluted clusterfuck of biblical proportions.
In fact, this post may be the record holder for the number of tags I had to add to it. And frankly, that’s not all the characters, just the ones I know because two-thirds of the characters here are generic one-offs or so minute to the DC universe that they aren’t worth noting.
Now I know that some people love the splash pages from this series, as they showcase dozens (if not over a hundred) different characters all in one giant image. If I’m being honest, I’ve always disliked them and they are why I never really wanted to read this. Most of the action is minimal and many of these scenes are just characters standing around. They lack the energy that a splash page needs and look more like they belong in a Where’s Waldo? book. And I don’t say that to come off as a dick because I almost always love George Perez’s art. This just seems like DC management telling Perez to squeeze in as many characters as artistically possible. It’s hard on the eyes and it’s shit.
Another big problem with this twelve issue story arc is that every moment feels larger than life. Well, when everything is so big and grandiose, that becomes normal and status quo. You can’t possibly go bigger and with everything being so big from start to finish, none of it is memorable. It’s just a busy, stressful read without allowing the reader to catch their breath and reflect on what’s happened. It’s kind of like a Michael Bay movie. Throw so much intense shit at the audience, don’t let them stop and think and they’ll just move from point A to point B to point C and so on, forgetting everything that happened two points prior.
This event was made in an effort to sort of reset the DC universe. Honestly, all it does is make a giant fucking mess of things and splatters the mess all over everything it touches.
The plot doesn’t make sense, I’m not sure what exactly changed and with so many universes crashing together into one, it’s not properly organized and then re-established in any sort of way that a reader can follow. If this was supposed to be a jumping on point for readers in 1986, I don’t know how they made sense out of any of it and then knew which characters to follow.
The main reason for the previous sentence is that this is so overloaded with people that you don’t get to really know any of them. There is no character development and this is written in a way that it assumes the reader knows all about every character in the story. For a seasoned comic book reader like myself, who has been reading comics for three and a half decades, I was lost and didn’t know who half of the low tier characters were.
Crisis On Infinite Earths should have been written as a Justice League story with some inclusion of the Fawcett Comics characters and the Golden Age DC heroes. All the third tier and lower characters could have made cameos but even then, they don’t really need to.
I really hoped that this was going to pleasantly surprise me but it hurt my head.
It was too much, too big and too long.
Rating: 4/10 Pairs well with: mid-’80s DC Comics titles, as well as all the other massive DC crossover events.
Published: November 22nd, 2017 – December 18th, 2019 Written by: Geoff Johns Art by: Gary Frank, Brad Anderson Based on:Watchmen by Alan Moore
DC Comics, 456 Pages
Well, Doomsday Clock has finally ended! This twelve issue series wasn’t supposed to stretch out for over two years but it did. I’m glad that I didn’t start reading it until it was over, as I would’ve forgotten all the details due to the delays and the dozens of other comics I would’ve read between each issue.
Now that it’s all out, I finally read it: binging through it in two days.
I guess my first thoughts on it are that it is underwhelming and that it doesn’t justify its need to exist.
I had always been against new Watchmen stories without the involvement of Alan Moore. My mind changed, however, when I read some of the Before Watchmen stories from a couple years ago.
They made me see Watchmen the same way I see other comic book properties and that’s as a sort of modern mythology that is told and retold by countless others, each bringing something new and unique to the table. Superman and Batman have had countless writers and many of them have evolved and grown the character in great ways beyond their original concept. Granted, some writers have gravely failed too.
Generally, I like Geoff Johns’ work, so I wan’t against the idea of him tackling the Watchmen property.
Ultimately, though, this took too long to come out, especially with how sloppily put together it feels.
This is one of those stories where it feels like a lot happened but also like nothing happened.
It tries to merge the Watchmen universe with the DC universe but it doesn’t work. But I’m also over the crossover trope of using inter-dimensional portals or a superbeing that basically acts as a super-dimensional portal. That being said, I don’t know how else to bring these universes together but that also makes me ask why they had to try it in the first place?
Watchmen is very much its own thing, as is DC. Hell, Marvel is also its own thing in that same regard and whenever they tried to crossover Marvel and DC, which happened multiple times, it always felt forced, clunky and weird.
The only real highlight of this was seeing how certain characters from different universes would interact with one another but honestly, none of it was as cool as I felt it should have been and it all felt pretty pointless and made me realize how bad the Rebirth era of DC Comics has been – well, for the most part, as I liked some titles in the last few years.
In the end, this doesn’t feel any different than one of any of the dozen indie publisher crossovers that pit Green Lanterns against Ghostbusters, Ninja Turtles, Transformers, Star Trek crews or the apes from Planet of the Apes. While those crazy crossovers are neat to a point, they’ve been done to death in recent years. And despite this being better written and having better art than the other franchise mashups, it feels like DC Comics were really late to the party and didn’t even realize that it was over.
Rating: 6/10 Pairs well with:Watchmen and the Before Watchmen stuff, as well as just about everything under the DC Rebirth banner.
Published: December 26th, 2017 Written by: various Art by: various
DC Comics, 219 Pages
Out of all the Batman Arkham collections, this was the one I was least enthused about reading and I was kind of confused as to why Joker’s Daughter even got a greatest hits trade paperback when there were other more deserving Bat-villains worthy of a collection first. Hell, this came out before the Penguin one!
Anyway, she’s never been a major villain and I wouldn’t even rank her as a C-list character. She had an interesting run in the ’70s, disappeared, then reappeared more recently because… well, I don’t know. She’s just not that interesting.
While I feel like she could be made interesting, she just hasn’t been given anything worthwhile to do since her ’70s run where she had the schtick of playing the daughter of all the main Bat-villains. She’s also not actually the Joker’s daughter, she’s Duela Dent, the daughter of Two-Face.
This collection features just about every story with the character, as there aren’t that many to begin with. The only thing from memory that this was missing was her appearances in the Red Hood/Arsenal series.
It was kind of cool, however, seeing her earliest stories because it was very much a product of its time. None of this was great or all that good but if you have a thing for really obscure characters, it’s worth checking out, I guess. But there are so many other volumes in this collection that really make this one seem unnecessary.
Rating: 5.5/10 Pairs well with: Other Batman Arkham collections.
Original Run: May 31st, 2019 – current Created by: Gary Dauberman, Mark Verheiden Directed by: Len Wiseman Written by: various Based on:Swamp Thing by Len Wein, Bernie Wrightson Music by: Brian Tyler Cast: Crystal Reed, Virginia Madsen, Andy Bean, Derek Mears, Henderson Wade, Maria Sten, Jeryl Prescott, Jennifer Beals, Will Patton, Kevin Durand, Ian Ziering
Big Shoe Productions, Atomic Monster Productions, DC Entertainment, Warner Bros. Television, 10 Episodes, 52-60 Minutes (per episode)
At the time of this writing, only two episodes have aired and the show has already been cancelled. Honestly, that’s kind of infuriating, as this is a damn good show from just the small sample size I’ve seen, thus far.
Where Titans got off to a pretty rough start, between Doom Patrol and Swamp Thing, it looks like the DC Universe streaming service has quickly righted the ship and is making some damn good television.
At this point, I’m pretty sure that the service is in serious trouble and it is close to coming to an end, as it isn’t selling enough subscriptions and this solid show, only the service’s third, had its production closed down early, midway through its tenth out of the planned fifteen episodes. Additionally, it was then cancelled just after the pilot aired. Then DC Universe claimed it had something to do with North Carolina taxes, the State of North Carolina said that wasn’t true and then someone who worked on this show said that Warner Bros. (DC’s parent company) was sold to AT&T and they didn’t have faith in Swamp Thing.
Whatever the reason, DC Universe has been managed like a bastard child and everything surrounding it seems like a big corporate clusterfuck.
So I was really looking forward to this show, as I love the character and have fond memories of the Swamp Thing movies of the ’80s, as well as the old television show that used to air on the USA Network, back when I was in middle school.
Additionally, this show assembled a solid cast with Crystal Reed, who I thought was stellar as Sofia Falcone on Gotham, as well as Derek Mears as Swamp Thing, Virginia Madsen, Will Patton and Jennifer Beals. Also, a nice surprise in episode two is the addition of Ian Ziering, as the man that becomes another DC hero, Blue Devil.
What really makes this show work is that it commits itself to being straight horror, at least in these earliest episodes. We have some scenes that are very reminiscent of John Carpenter’s The Thing and it is actually quite glorious and impressive.
The show also is very dramatic but thus far, it’s all pretty good, the story is compelling and I’m already invested in the lives of the main characters. So much so, that it’s kind of depressing that I will only ever see ten episodes.
It’s hard to do a proper, thorough review and I usually wait until a new show has at least given us a full season but maybe if more people express their excitement and enthusiasm over this show, more people will give it a shot and maybe, just maybe, Warner Bros. could find a way to save it.
Rating: 9/10 Pairs well with: the other DC Universe shows: Doom Patrol and Titans.
Published: November 21st, 2018 – December 12th, 2018 Written by: James Tynion IV Art by: Daniel Sampere, Juan Albarran, Brad Anderson, Adriano Lucas, various (covers)
DC Comics, 53 Pages
This story is a two issue arc in Justice League Dark issues five and six. It takes place immediately after The Witching Hour crossover event and is a small filler story leading into the next larger arc. However, this also adds a lot of context to the series and where it is headed.
If you are a fan of Detective Chimp, than this story will not disappoint. It gives his story more depth, more weight and sets up the possibility that he may disappoint his team in the future. It also deals a lot with his inner struggle and how he’s been thrust into a role he’s not confident in having.
Also, this story features Blue Devil, who I have always thought of as a pretty cool character, even if he doesn’t show up very much.
James Tynion is just on his A-game, right now. While this isn’t my favorite arc in this series, it certainly isn’t a letdown. It’s a worthwhile, quick read that fits nicely within the rest of the series and gives you a bit of a breather after the intensity of the first two stories we just read through.
Additionally, the art in all these books is stupendous and I’ve had to buy all the regular issues and the variants because I can’t say “no” to those incredible variant covers.
Rating: 7.5/10 Pairs well with:The Witching Hour crossover that precedes this and the original Justice League Dark series.
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