Film Review: Shang-Chi and the Legend of the Ten Rings (2021)

Also known as: Steamboat (working title)
Release Date: August 16th, 2021 (Hollywood premiere)
Directed by: Destin Daniel Cretton
Written by: Dave Callaham, Destin Daniel Cretton, Andrew Lanham
Based on: Marvel Comics
Music by: Joel P. West
Cast: Simu Liu, Awkwafina, Meng’er Zhang, Fala Chen, Florian Munteanu, Benedict Wong, Michelle Yeoh, Ben Kingsley, Tony Leung, Tim Roth (voice, uncredited), Mark Ruffalo, Brie Larson

Fox Studios Australia, Marvel Studios, Walt Disney Pictures, 132 Minutes

Review:

“I was hired to play a terrorist. And then turns out they were actually terrorists, the producer got blown up by Iron Man, and I was arrested!” – Trevor Slattery

So this is now the third Marvel movie that I haven’t seen in the theater following Captain Marvel and Black Widow. And like with those other two, I’m glad I didn’t waste money on this because it’s a so far below where the MCU was at its peak that it’s almost sad to see where it’s all going now.

To start, I thought Simu Liu was fine as the title character and I like Michelle Yeoh, Tony Leung and Ben Kingsley in pretty much everything but I’ve never seen someone suck the fucking air out of the room like awkward ass Awkwafina.

Christ, man… she’s the worst actress I’ve seen sine Rob Zombie’s wife. I also heard she’s a comedian but every joke this “Asian Jeff Gordon” threw at us, landed flatter than steamrolled pancake. She just wrecks nearly every scene she is in and she is in most of them. The fact that she sounds like an 82 year-old woman is also really distracting. But let me not just single her out because she’s not the only negative thing in this picture.

To start, I get that this story centers around China but the use of subtitles to open the film with all the fantastical backstory, wasn’t necessary. This is an American movie and Marvel shit is heavily geared towards kids. Five year-old Timmy ain’t reading that shit and no one in the theater wants to listen to his mom trying to audibly read it out loud to him and the dozen other kids. But Disney obviously did this to pander to China, who didn’t even want this movie because it was “offensive”, starred an “ugly” lead from their perspective, and was obvious pandering. It nearly wasn’t released but once it was, it didn’t do well there and Disney, as is becoming the norm lately, were left with egg on their face.

The film also suffers from trying way too hard to be cool. It starts with the shitty rap music used to introduce the main character, which just plays as a cheap attempt at old Disney execs trying to come off as hip. Then there is the friends hanging out in San Francisco sequence, which comes off as cringe CW teen drama bullshit. Then it just continues to try and double down on modern urban music over a traditional score… well, at least for the first half because the second half is almost a different movie altogether.

Getting back to pandering, the film tries to do it with the woke crowd but also fails in that regard. One thing that really sticks out is when Shang-Chi’s sister talks about how her dad wouldn’t let her train with the men, so she watched them and taught herself better. Then, in the next scene, she grabs her dad’s shoulder and gets taken down in one fucking move. It was embarrassing (see for yourself).

So then we meet Ben Kingsley, the fake Mandarin from Iron Man 3, and the second half of the movie starts, which goes from urban kung fu flick to fantastical, mythological kung fu flick. I like the second half better and thought that the film started to pull something worthwhile together before it decided to shit all over itself, again.

To get to fantasy China, though, they had to take an ancient passageway through a magical forest. However, they had to use a BMW, in what felt like a blatant advert, to move fast enough to “stay in the pocket” of trees opening a rapidly moving, little clearing. If they didn’t stay in the pocket, the trees would’ve apparently ate them. What’s really baffling about this and, as we’ve seen with The Rise of Skywalker, Disney doesn’t expect its audience to think about the details. But we’re not all as fucktarded as the “creatives” at Disney. If we were, we might not think that this is really stupid because BMWs didn’t exist in ancient China and horses wouldn’t have moved fast enough to “stay in the pocket”. But whatever, just watch the movie like a brainless consumer.

Once we get to fantasy China, we get lots of fancy CGI creatures that look cool but also make the film kind of overly fantastical and cartoony, after we just spent an hour watching a generic Iron Fist episode set in a realistic, urban atmosphere. It’s kind of jarring to the senses but it’s also where this story begins to find its own unique space within the larger MCU.

We meet Shang-Chi’s aunt, Awkwafina makes more bad jokes, Ben Kingsley is just there, and they all start training for the big showdown with Shang’s evil dad, who should’ve just been the real Mandarin operating in the shadows but he’s instead just a generic Asian crime lord with fancy bracelets called the “Ten Rings” but unlike the comic, aren’t actually rings, they’re bracelets.

Anyway, Shang-Chi’s official superhero costume looks like some club shirt he bought on Etsy for $65 that will fall apart after one rave. His sister’s outfit is about the same, and everything just sort of looks generic and like a Canadian television production.

The fight breaks out, it’s alright but eventually we get a big battle between two large ass dragons. So the movie has two dragons in it but neither of them are Fin Fang Foom?! Fuck you, Disney. Talk about a wasted opportunity.

So one dragon is basically Falcor from The NeverEnding Story with red streaks down its body and the other is just some generic, multi-armed abomination of a dragon that looks like it was designed by my nephew Max, who is repeating third grade this year.

The good guys win and Wong from Doctor Strange shows up to introduce them to Captain Marvel and Hulk, who is back to being Banner with no explanation, and they discover that the Ten Rings, now in Shang’s possession, are sending out some beacon. Whatever. I don’t care about the future of the MCU anymore.

All in all, I thought this was okay. It’s better than Black Widow and Captain Marvel but it’s definitely a bottom five MCU movie. It probably would’ve been better if Awkwafina was nowhere near this thing and if the writers actually read a comic book before “adapting” this character and this pocket of the Marvel universe.

Rating: 5.5/10

Vids I Dig 700: The Critical Drinker: Marvel Phase 4 – Who Cares?

Vids I Dig 203: Filmento: Why ‘Captain Marvel’ Failed Where ‘Wonder Woman’ Worked

From Filmento’s YouTube description: Brie Larson’s Captain Marvel didn’t seem to enthrall everyone. It was a functional film, but comparing it to DC’s first female led comic-book film of Wonder Woman, Captain Marvel seemed to be pretty forgettable. In today’s episode of One Versus One, let’s find out what core differences there are between these two female superhero movies, and why Captain Marvel became forgettable while Wonder Woman despite its flaws is memorable. It’s Marvel vs DC, Captain Marvel vs Wonder Woman. Here’s how not to adapt a movie.

Vids I Dig 054: MauLer: ‘Captain Marvel’: An Unbridled Meh

Taken from MauLer’s YouTube description: Well, it looks as if the MCU has outdone itself, like this ended up being double the length of the normal rant breakdowns but there is so much to lay out. Hope you enjoy it, folks.

Film Review: Scott Pilgrim Vs. The World (2010)

Also known as: Scott Pilgrim’s Precious Little Life (working title)
Release Date: July 27th, 2010 (Canada – Fantasia International Film Festival)
Directed by: Edgar Wright
Written by: Michael Bacall, Edgar Wright
Based on: Scott Pilgrim by Bryan Lee O’Malley
Music by: Nigel Godrich
Cast: Michael Cera, Mary Elizabeth Winstead, Kieran Culkin, Chris Evans, Anna Kendrick, Alison Pill, Brandon Routh, Jason Schwartzman, Brie Larson, Aubrey Plaza, Mae Whitman, Ellen Wong, Nelson Franklin, Thomas Jane, Clifton Collins Jr., Bill Hader (voice)

Universal Pictures, Marc Platt Productions, Big Talk Productions, 112 Minutes

Review:

“When I’m around you, I kind of feel like I’m on drugs. Not that I do drugs. Unless you do drugs, in which case I do them all the time. All of them.” – Scott Pilgrim

I haven’t watched this since it came out in theaters. From memory, I liked it at the time but strangely, I’ve never felt the urge to rewatch it until now, nine years later. And that was mainly just to review it, as I’m a fan of Edgar Wright’s work and Scott Pilgrim still seems to be beloved by comic book fans after all this time.

Well, I didn’t really enjoy it as much as I had hoped. Maybe I’m older, or since I’ve seen this, I sort of know what to expect from it so the razzle dazzle doesn’t awe me as it once did or maybe it just isn’t a good movie as far as its story, characters and purpose goes.

To start, this is an amazing looking picture on its surface. I really dig that the filmmakers committed to the bit and gave us a true live action version of the comic without trying to rework it into something more realistic. The special effects are spectacular, the musical numbers are cool and this film is really impressive in that regard. I love it for its style and how it is all conveyed on screen.

However, the whole story is focused on one of the worst romances I have ever had to sit through in a film. Scott is obsessed with Ramona, but she acts like that girl who is too cool for everyone at all the parties she feels the need to keep going to. But really, she’s just a broken person with bad hair that delivers packages for Amazon Canada like a total twentysomething normie just trying to pay for hair dye, thrift shop clothes, avocado toast and her 1/9th of the rent.

Still, her personality is off putting as fuck but then so is Scott’s, as he just acts like whatever he thinks she wants and he even treats his current girlfriend like shit and doesn’t really seem to know who he is, what he wants or where he’s going. He just knows that he’s obsessed over some hipster douche with weird hair and now has to fight a bunch of her exes in order to maybe date her. But she is so indifferent and noncommittal for almost the entire picture that Scott just comes off as a dopey puppy that needs to have his heart crushed.

Normally I wouldn’t be so harsh on something like this but it is this budding relationship that is the framework for the entire narrative. Sad pussy puts it all on the line for salty nihilist weirdo bitch that kinda maybe likes him right this minute but has no idea how she will feel in five minutes.

There is no lesson to be learned on this journey.

I’ve never read the comic because I don’t have much interest in it but I hope the relationship in the source material isn’t this shallow and stupid.

The only reason why this doesn’t get a terrible rating from me is that the visuals and the style of this film are so alluring and perfectly presented in the film medium that the picture does put me in awe in that regard. This is a really cool and fun movie to look at and I dig the music. The surface is superb, it just turns to crap when you get past the polish, bright lights and groovy tunes.

Rating: 6/10
Pairs well with: Edgar Wright’s Shaun of the Dead, Hot Fuzz and The World’s End, as well as the Kick Ass movies and Zombieland.

Film Review: Captain Marvel (2019)

Release Date: February 27th, 2019 (London premiere)
Directed by: Anna Boden, Ryan Fleck
Written by: Anna Boden, Ryan Fleck, Geneva Robertson-Dworet, Nicole Perlman, Meg LeFauve
Based on: Captain Marvel by Stan Lee, Gene Colan, Carol Danvers by Roy Thomas, Gene Colan
Music by: Pinar Toprak
Cast: Brie Larson, Samuel L. Jackson, Ben Mendelsohn, Djimon Hounsou, Lee Pace, Lashana Lynch, Gemma Chan, Annette Bening, Clark Gregg, Jude Law, Mckenna Grace, Kelly Sue DeConnick (cameo)

Marvel Studios, Walt Disney, 124 Minutes

Review:

“You are Carol Danvers. You were the woman on that black box risking her life to do the right thing. My best friend. Who supported me as a mother and a pilot when no one else did. You were smart, and funny, and a huge pain in the ass. And you were the most powerful person I knew, way before you could shoot fire through your fists.” – Maria Rambeau

This was the first Marvel Cinematic Universe movie that I didn’t see in the theater. Frankly, it looked boring and unimaginative and it really has nothing to do with the controversies surrounding the film regardless of what side of the argument your fanboy/girl heart lies on.

Seeing it now, I wasn’t wrong.

This is a drab, mostly pretty boring film. Also, it looks cheap compared to other Marvel movies. This looks more like an episode of a CW superhero show than a film produced by Disney and Marvel. And it’s kind of underwhelming and depressing, really. Especially since this had its fair share of outer space stuff, which Marvel has handled exceedingly well with Thor: Ragnarok and both Guardians of the Galaxy outings.

I think part of the problem is that this film had too many creatives trying to steer the ship. It had two directors and five writers. Fuck, guys… just pick a team of a few people like your best movies and let them make the magic happen. Films made by committees rarely wow anyone.

In regards to Brie Larson, she is, as I’ve said in reviews of other films, a charisma vacuum. She makes charismatic actors around here give uncharismatic performances. Sam Jackson and Jude Law are typically very charismatic and fun to watch. Here, they’re about as entertaining as sleeping dogs.

Throughout this entire film, Brie was told that she’s too emotional yet she barely shows any actual emotion and just delivers her lines with a blank face in monotone. She also does this juvenile smirk all the time that just makes her look like a middle aged soccer mom thinking that she’s still youthful, cute and wishes she was still in high school so she could cozy up to the mean girls.

If this film wasn’t part of the larger MCU canon, it would have come and gone and been completely forgotten already. It’s not even bad to where people can talk for years about how much of a shitshow it was like Catwoman. But this is the future that Disney apparently wants and between this dead on arrival, boring ass film and the slapped together, clusterfuck that Avengers: Endgame was, makes me think that the MCU‘s expiration date was 2019, just a year after it celebrated it’s 10th anniversary.

Usually for a film of this caliber, I’d have a lot more to say. But there isn’t much to talk about with this one. It’s a waste of time, it carries an obvious agenda with it and like things that are trying to be political statements, it fails at conveying that message in a meaningful or genuine way.

Plus, everyone and their mother has torn this film apart already. I don’t think it’s as bad as many people do but it’s certainly a soulless, unemotional, pointless film more concerned with its place in history and trying to challenge societal ideals in the laziest way possible than it is trying to be a fun, escapist piece of entertainment.

But hey, this isn’t as bad as Joss Whedon’s Avengers: Age of Ultron, which still takes the cake as Marvel’s worst. I would put this in my bottom two or three though.

Rating: 5/10
Pairs well with: Everything else in the MCU, I guess.

Film Review: Avengers: Endgame (2019)

Release Date: April 22nd, 2019 (Los Angeles premiere)
Directed by: Anthony Russo, Joe Russo
Written by: Christopher Markus, Stephen McFeely
Based on: The Avengers by Stan Lee, Jack Kirby
Music by: Alan Silvestri
Cast: Robert Downey Jr., Chris Evans, Chris Hemsworth, Chris Pratt, Mark Ruffalo, Scarlett Johansson, Jeremy Renner, Paul Rudd, Brie Larson, Sebastian Stan, Anthony Mackie, Don Cheadle, Jeremy Renner, Chadwick Boseman, Elizabeth Olsen, Tom Holland, Benedict Cumberbatch, Danai Gurira, Letitia Wright, Dave Bautista, Zoe Saldana, Josh Brolin, Tom Hiddleston, Benedict Wong, Pom Klementieff, Karen Gillan, Vin Diesel, Bradley Cooper, Gwyneth Paltrow, William Hurt, Cobie Smulders, Samuel L. Jackson, Ross Marquand, Jon Favreau, Marisa Tomei, Evangeline Lilly, Michael Douglas, Michelle Pfeiffer, Linda Cardellini, Tessa Thompson, Rene Russo, John Slattery, Tilda Swinton, Hayley Atwell, Natalie Portman, Taika Waititi, Angela Bassett, Frank Grillo, Robert Redford, Ty Simpkins, James D’Arcy, Ken Jeong, Yvette Nichole Brown

Marvel Studios, Walt Disney Studios, 181 Minutes

Review:

“You could not live with your own failure, and where did that bring you? Back to me.” – Thanos

*There be spoilers here! But I kept it as minimal as possible.

Here we are… the end.

Well, it’s the end of an era but not the end of the Marvel Cinematic Universe. Although, this may be the end for me, as there isn’t much else I’m looking forward to from the MCU after Endgame. Granted, there hasn’t been much news on what’s coming next, either.

But anyway, how was this film? The big, badass finale to a 22 movie franchise?

It was good but it wasn’t anything close to stellar.

My biggest issue with it was that it was a pretty big clusterfuck that had too many parts to try and balance. Where the previous film Infinity War did that just fine, Endgame had so many more extra layers thrown on top of it that it was overkill. I mean every single character that had any sort of significant impact on MCU storylines over 22 films ended up shoehorned into this thing. Even Natalie Portman, who wanted nothing to do with these movies after being in two of them and dialing in a mediocre performance both times.

Also, the time travel element to the story did a bunch of things that didn’t make sense and they also pissed on Back to the Future because it’s easier to shit on a classic (and its fictitious application of quantum physics) than to actually write a coherent time travel story of your own. Endgame opted to go the lazy Doctor Who “timey wimey” route than to concern itself with paradoxes and all that other catastrophic nonsense. They even kill a version of a character from the past and it in no way effects the present version of that same character.

The big battle at the end was the most epic thing that the Marvel Cinematic Universe has done but what should have felt like Marvel’s version of The Return of the King felt more like Ready Player Two. It was a CGI shitfest and I’m not even sure how Spider-Man was web-swinging on a large, open battlefield where the only objects above him were fast moving spaceships going in the opposite of the direction he was swinging in. But whatever, physics is hard, brah.

I liked that this film gave us some closure for some major characters. Granted, I’m not all that happy with what that closure was but like Chris Evans and Robert Downey Jr., I’m also very, very tired of this franchise. I feel like Endgame really is a jumping off point for fans that have rode this train for 11 years that feel like they need a break. I feel like I need a break and even if my mind was made up before this film, Endgame really solidified it.

Although, I am a bit excited for whatever happens with the Guardians of the Galaxy and Thor. As for the rest of the characters and their films, I don’t really care. I think I’m only really enthused about cosmic Marvel and not Earth Marvel, at this point.

Almost all of the acting was damn good, especially in regards to Robert Downey Jr., Karen Gillan, Jeremy Renner and Scarlett Johansson.

Brie Larson on the other hand is a fucking charisma vacuum and every time she was on screen, I felt like I was looking at a first time community theater actress trying to play Nurse Ratched. And the Justin Bieber makeover was terrible. That scene where she blew up the ship and floated there, victoriously, just made me yearn for someone, anyone else to be in that role. My brain immediately thought, “Man, imagine if that was Charlize Theron, the theater would’ve just erupted instead of everyone just sitting here sucking loudly on empty soda cups.” I’m not wrong, I rarely ever am.

Anyway, the movie was messy but it had some really good moments. But this isn’t a movie that can stand on its own. You need the previous 21 films for context or all of this would be lost on you. Sure, it’s emotional and some bits are powerful but without 11 years of context, the weight isn’t there. And I prefer to judge films on their own merits as a sole body of work and not as an episode of a TV show or a chapter in a book. But at the same time, there is no way you can recap everything before this, as this film series is now too damn big.

Well, it’s over I guess. In 2008, it was hard imagining this day. But here it is. And I’m tired.

Rating: 7.75/10
Pairs well with: Everything in the MCU before this film, as it all leads up to this one.

Film Review: Don Jon (2013)

Release Date: January 18th, 2013 (Sundance)
Directed by: Joseph Gordon-Levitt
Written by: Joseph Gordon-Levitt
Music by: Nathan Johnson, Malcolm Kirby Jr.
Cast: Joseph Gordon-Levitt, Scarlett Johansson, Julianne Moore, Rob Brown, Glenne Headly, Brie Larson, Tony Danza, Paul Ben-Victor

Voltage Pictures, HitRecord Films, Ram Bergman Productions, Relativity Media, 90 Minutes

Review:

*written in 2013.

“There’s only a few things I really care about in life. My body. My pad. My ride. My family. My church. My boys. My girls. My porn.” – Don Jon

Funny that I watched this yesterday after writing my last big article Modern Porn Is Bullshit. It was totally a coincidence. Anyway, on with the review.

Joseph Gordon-Levitt has been proving himself to be quite the actor over the last few years. With Don Jon he goes beyond that, showing off his writing and directing chops for the first time. For a debut, it was a pretty good film. It was also smart of him to cast Scarlett Johansson as his love interest. Shit, I would’ve done the same but made her commit to some nudity. I kid… or do I?

Anyway, this film follows a Jersey brah who has a severe porn addiction. He meets the love of his life and she’s kind of a bitch that is repulsed by porn. Frankly, I knew girls like this and it made me stop going to church. As a 30+ year-old man that hangs around 25+ year-old women, I don’t know of any that are this repulsed by some filmed sex acts.

That being said, I found Johansson’s character to be somewhat unbelievable, especially considering her overtly sensual and sultry nature in the film. To put it simply, she was ready and willing to put out and put out a lot after the first fifteen minutes of the film. Her reaction to catching her boyfriend rubbing one out to porn was hilarious… in a bad way.

Weirdly, after finding Johansson’s character to be poorly written with insane motivations, I did find Joseph Gordon-Levitt’s role to be pretty awesome. He owned the part and did a fantastic job. I guess this is what can happen when you write your own material. He really hit the mark though and the fact that he was also directing this film, didn’t seem to hinder his performance.

The other bright spot of the film was Tony Danza as Joseph Godon-Levitt’s dad. Dude was brilliant and I loved seeing him back on the screen because he’s still got it. Glenne Headly as his mother was also pretty awesome. I’ve loved her ever since Dirty Rotten Scoundrels.

Getting to the story, it was fairly bland overall and I found it mostly uninteresting. I really didn’t care about Johansson’s character and obtaining and keeping her was the primary plot device of the film. She was a bitch, unreasonable and a controlling douche. Joseph Gordon-Levitt needed to snap out of her spell after her first bullshit meltdown. And that’s my main problem with the film. But, then again, some guys can’t save themselves.

This isn’t a bad movie, I enjoyed it for the most part but I wasn’t as invested in it as I had hoped. I love Joseph Gordon-Levitt’s body of work and was excited to see how he did as a director. In that role, I feel that he succeeded overall. As a writer, well… I’m going to wait and see what he does next.

Rating: 5.75/10