Also known as: Border Patrol, Wetbacks (working titles)
Release Date: October 28th, 1949
Directed by: Anthony Mann
Written by: John C. Higgins, George Zuckerman
Music by: Andre Previn
Cast: Ricardo Montalban, George Murphy, Howard Da Silva, James Mitchell, Charles McGraw
Metro-Goldwyn-Mayer, 94 Minutes
“What is cheaper than time, señor? Everybody has the same amount.” – Zopilote
This isn’t my favorite film-noir by Anthony Mann but it is still a quality film that rivals his other ones.
A very young Ricardo Montalban is the star here, and man, he shines like a supernova and really carries this badass movie on his shoulders.
What’s unique about this, is that it takes place on the Mexican border and was mostly filmed in the wilderness in the desert areas of Southern California and the northern portion of the Baja Peninsula in Mexico. The location shooting made this majestic and added some gravitas to the already heavy and serious proceedings.
The plot is about a gang that smuggles Mexican farm workers across the border into California. The gang ends up killing the immigrants, which leads to federal investigators going undercover to destroy the gang. With typical noir twists, the agents end up having to fight the gang leader for their own survival.
Montalban and George Murphy were both superb as the agents seeking justice, while Howard Da Silva was a perfect, sinister heavy, out for their blood.
The film is certainly intense and it has a gritty realism to it, even for its time, where many big studio motion pictures had a lot of visual luster and prestige. But Mann was perfect at achieving his vision in a time where his stylistic choices weren’t common.
Border Incident has stupendous cinematography and lighting. Mann was a master of mise-en-scène and this motion picture is just further proof of that. The use of natural lighting was especially impressive in the outdoor scenes. Mann knew how to manufacture doom and gloom, visually.
I really liked this film and I believe that is the last of Mann’s noir pictures for me to review. That’s kind of sad and I put this one off for awhile because of that.
Pairs well with: other Anthony Mann film-noir pictures: T-Men, Desperate, He Walked by Night, Raw Deal and Side Street.
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