Release Date: May 1st, 1987 Directed by: Harley Cokeliss (as Harley Cokliss) Written by: Christopher Frank, Rudy Wurlitzer (uncredited) Based on:Shotgun by William P. Wingate Music by: David Newman Cast: Burt Reynolds, Kenneth McMillan, Cynthia Gibb, Lauren Hutton, Cliff Robertson, Scott Wilson, Alex Diakun, Philip Anglim, Tracey Walter, Dennis Burkley
Orion Pictures, 92 Minutes
“I’ve got socks older than you.” – Richard Malone
While I had hoped that this would be incredibly high octane, it paled in comparison to Charles Bronson’s awesome Death Wish movies. However, it’s still a much harder movie than what Burt Reynolds typically did, so it was cool seeing him go badass vigilante in order to help a small town combat a scumbag that was trying to buy everyone out for very nefarious reasons.
This movie also had a pretty solid cast with Cliff Robertson being the villain, Scott Wilson playing a good guy mechanic and Tracey Walter a.k.a. Bob the Goon playing a total shithead that got his back blown out with one of the largest squib explosions I’ve ever seen that represented just a single bullet.
Additionally, the women in this, Cynthia Gibb and Lauren Hutton, were damn enjoyable.
This is kind of a paint-by-numbers small town protector movie, though. These things were super common back in the ’80s but also, it’s a formula that most dudes love and why shouldn’t Burt Reynolds have had his go with one?
It didn’t really offer up anything new or bold but seeing a bunch of shitheads take a bullet from an all-time masculine great like Reynolds is a treat. His rivalry with Robertson in this was pretty well managed and both men performed well with one another.
Malone is just a mindless, entertaining action movie that features an aging cool guy showing that he’s still pretty fucking cool. It’s also got a good villain, a decent supporting cast and leaves you nodding your head with the type of satisfaction only these sort of movies can bring.
Also known as: John Carpenter’s Escape from L.A. (complete title) Release Date: August 9th, 1996 Directed by: John Carpenter Written by: John Carpenter, Debra Hill, Kurt Russell Based on: characters by John Carpenter, Nick Castle Music by: John Carpenter, Shirley Walker Cast: Kurt Russell, Stacy Keach, Steve Buscemi, Peter Fonda, Georges Corraface, Cliff Robertson, Pam Grier, Valeria Golino, Bruce Campbell, Michelle Forbes, A.J. Langer, Peter Jason, Paul Bartel, Jeff Imada, Al Leong, Breckin Meyer, Robert Carradine, Shelly Desai, Leland Orser
“Got a smoke?” – Snake Plissken, “The United States is a no-smoking nation. No smoking, no drinking, no drugs. No women – unless of course you’re married. No guns, no foul language… no red meat.” – Malloy, “[sarcastic] Land of the free.” – Snake Plissken
Full disclosure, I hated this movie when it came out. And frankly, it’s still a fairly bad film for reasons I’ll get into in this review.
However, like other ’90s cringe, such as Batman & Robin, I’ve kind of accepted the movie for what it is and with that, there are things I like within it due to my evolved perspective.
But let me hammer on the negatives first.
To start, the film looks like shit. From the CGI, to digital matte paintings and other computer generated effects, this looks cheap, artificial and since 1996, has aged incredibly poorly.
The CGI effects were bad for the time even but since that technology advanced rather quickly, it all looks so much worse now. And this film is a great argument as to why practical special effects are better in a lot of ways, especially in regards to the era in which this was made.
John Carpenter has had amazing practical effects work in most of his movies before this one but I guess he had to embrace the emerging technology, despite it being a really poor choice for this picture, which should’ve been dark, gritty and real.
The film is also full of terrible dialogue for the most part. While I still love Snake and he has some solid one-liners, most of the movie’s dialogue is just shit. I think that the good actors in this also underperformed and I guess I’d have to blame Carpenter for that, as he was directing them and then accepting the takes he was getting.
Expanding on that point, though, it looks like the performers are clunkily acting off of nothing. It’s as if there was so much greenscreen work and strangely composited shots that the performances were just off and didn’t match up in the way they were supposed to. This issue could also be due to the fact that this greenscreen style of shooting was still pretty new when used this frequently in a single production.
Additionally, the story just wasn’t good or that engaging. Other than Snake, I didn’t care about any of the characters and while it was cool seeing Peter Fonda, Pam Grier, Cliff Robertson and Bruce Campbell pop up in this, they were used too sparingly.
As far as positives go, I did find the makeup and prosthetics work to be really good. But this gets back to my point earlier about the overabundance of digital effects. When Carpenter and his effects team employed practical effects in this film, they looked solid.
Also, I really liked Snake in this, as previously stated, and he got some solid, badass Snake Plissken moments that we would’ve missed out on had this film never been made. As awfully hokey as the surfing scene was, we still got to see Snake “hang ten” with Peter Fonda and then jump onto an escaping car. It was an awfully crafted sequence in the movie but it’s also hard not to love it in spite of its very apparent issues.
In the end, I don’t hate this movie, as I once did. But I do have a hard time trying to get myself to watch it. Honestly, I only watched it this time to review it.
Rating: 5.25/10 Pairs well with: its predecessor, as well as other John Carpenter sci-fi movies.
Also known as: Gore Vidal’s Best Man (complete title) Release Date: April 5th, 1964 (New York City premiere) Directed by: Frank J. Schaffner Written by: Gore Vidal Music by: Mort Lindsey Cast: Henry Fonda, Cliff Robertson, Edie Adams, Margaret Leighton, Shelley Berman, Lee Tracy, Ann Sothern, Gore Vidal (cameo, uncredited)
Millar/Turman Productions, United Artists, 102 Minutes
“Y’know, it’s not that I object to your being a bastard, don’t get me wrong there. It’s your being such a stupid bastard that I object to.” – President Art Hockstader
Today is Election Day, so I wanted to watch a film about the subject. Yesterday, I reviewed 2011’s George Clooney directed The Ides of March and was fairly disappointed by it. This film, written by the legendary Gore Vidal, was at least a better experience.
One big selling point on me choosing this film to watch was due to it coming out in ’64, a year that featured one of the most interesting presidential races of all-time and because it starred two greats: Henry Fonda and Cliff Robertson. Plus, I’ve never seen this and have been meaning to check it out for years.
While I can’t call this an impressive film, as I did anticipate it to be really good, it’s still engaging and it explores morality at the highest level of American politics in the time that this was made. Frankly, things were nowhere near as bad as they have become nearly sixty years later. But that’s okay, we lived in a politically charged and changing world back then but something about it was more wholesome and honest.
The performances in this movie were top notch but honestly, I was more captivated by the political debates and candidates’ platforms. It’s funny because the core things behind their issues aren’t that different from what we’re dealing with today. Although, in modern times, people are a lot more extreme and there is a widening divide that feels like it could lead to institutional collapse. But let’s not dwell on that.
The Best Man is thought provoking and engaging and it makes me wish that politicians in 2020 were in the game for the right reasons. Obviously, there were opportunists and assholes in 1964 but at least it felt more pure, less divided and both sides appeared as if they wanted to work together in some regard.
If anything, this film just made me yearn for a simpler, more unified time where our differences didn’t tear us apart but instead opened up genuine debate in an effort to make the world better.
Rating: 7/10 Pairs well with: other films about presidential elections.
Also known as: 3 (trailer title) Release Date: April 3rd, 2007 (Uruguay) Directed by: Sam Raimi Written by: Sam Raimi, Ivan Raimi, Alvin Sargent Based on:Spider-Man by Stan Lee, Steve Ditko Music by: Christopher Young Cast: Tobey Maguire, Kirsten Dunst, James Franco, Rosemary Harris, Thomas Haden Church, Topher Grace, Bryce Dallas Howard, J.K. Simmons, Bill Nunn, Elizabeth Banks, Ted Raimi, Bruce Campbell, Dylan Baker, Elya Baskin, James Cromwell, Willem Dafoe (cameo), Cliff Robertson (cameo), Joe Manganiello (cameo)
Marvel Entertainment, Laura Ziskin Productions, Columbia Pictures, 139 Minutes, 137 Minutes (Editor’s Cut)
“Whatever comes our way, whatever battle we have raging inside us, we always have a choice. My friend Harry taught me that. He chose to be the best of himself. It’s the choices that make us who we are, and we can always choose to do what’s right.” – Peter Parker
While this wasn’t as bad as I remembered, there are still some things that are very off about this picture.
Starting with a positive, I do like the visual tone of this film the best out of the trilogy. It abandoned that overly copper, sunset look the other ones had and most of the film takes place at night or in normal daylight.
However, the improvements in the visual look are overshadowed by the film’s very shoddy CGI effects. It’s kind of baffling but this is the worst looking film of the three when it comes to digital effects. I’m not sure if the studio cut some corners or were rushed but most action heavy CGI sequences looked like a video game. It was distracting and pulled you out of the magic.
I think it’s possible that they overextended themselves in trying to include both Venom and The Sandman, as it’s damn near impossible to create those characters, in all their glory, without the use of CGI. In fact, their battles in the film needed to be larger than life spectacles.
Now the problem isn’t the use of either villain but it’s the use of both of them at the same time. Plus, Harry Osborn also becomes the new Green Goblin.
This picture suffers across the board because trying to wedge in three villains just didn’t work from a narrative standpoint and it forced the effects artists to focus their efforts into multiple effects heavy characters.
Now the film did a superb job with The Sandman’s story and if this movie just focused on him, it could’ve actually been incredible. The Sandman gets thrown to the side at multiple points throughout the movie though, as they then have to rush through Venom’s origin in the most half-assed way possible. Then they have to deal with Harry and his Goblin thing, Peter and Mary Jane’s relationship issues, introducing Gwen Stacy and even having Peter turn into an emo douche because I guess that’s what the Venom symbiote does in the movie universe.
The narrative is disjointed as hell but where it’s good, it’s great. But every time you really get into a portion of the story, it shifts gears or throws something stupid at you. The misfires and shifts are pretty maddening, especially when there are things in the film that work and come across as spectacular. It’s like you can see the real love for these characters rise up like cream to the top but then the filmmakers stir the coffee again. By the third act, they just keep throwing hot coffee in your face.
In a nutshell, this is a clusterfuck but it’s a clusterfuck that has greatness in it. I still like the movie despite its massive flaws and for fans of Harry Osborn, his journey comes to a beautiful end. With it, the film hits you right in the feels, as you feel the pain that Peter and Mary Jane share over the loss of their dear friend and how wrecked their own relationship has become.
The film does leave you with some hope but the ending is still kind of a downer. Granted, they planned a followup (or three) to this film but those movies never happened.
In the end, this movie was a weird end to the film series. I know it wasn’t intended to be the send off for these characters but it left the film series in a strange, uncertain place. I would’ve liked to have seen this cast get to make at least one more picture but that ship has sailed.
Maybe a comic book sequel could work but with the comic industry being in the shitter, waiting to be flushed, that’s probably wishful thinking. Plus, they’ve already rebooted the film series twice since this came out.
Rating: 7.5/10 Pairs well with: the other two films in this mostly great series.
Also known as: Spider-Man: No More, Spider-Man 2: Lives, The Amazing Spider-Man (working title), Spider-Man 2.1 (recut version) Release Date: June 25th, 2004 (Lithuania) Directed by: Sam Raimi Written by: Alvin Sargent, Alfred Gough, Miles Millar, Michael Chabon Based on:Spider-Man by Stan Lee, Steve Ditko Music by: Danny Elfman Cast: Tobey Maguire, Kirsten Dunst, James Franco, Rosemary Harris, Alfred Molina, Donna Murphy, J.K. Simmons, Bill Nunn, Elizabeth Banks, Ted Raimi, Bruce Campbell, Dylan Baker, Daniel Gillies, Vanessa Ferlito, Elya Baskin, Hal Sparks, Joel McHale, Emily Deschanel, Joey Diaz, Chloe Dykstra, John Landis (cameo), Willem Dafoe (cameo), Cliff Robertson (cameo), Phil LaMarr (uncredited), Peyton List (uncredited)
Marvel Entertainment, Laura Ziskin Productions, Columbia Pictures, 127 Minutes, 135 Minutes (extended cut)
“We need a hero, couragous sacrificing people, setting examples for all of us. Everybody loves a hero, people line up for ’em, cheer for them, scream their names, and years later tell how they stood in the rain for hours just to get a glimpse of the one who told them to HOLD ON a second longer. I believe theres a hero in all of us, that keeps us honest, gives us strength, makes us noble. And finally gets us to die with pride. Even though sometimes we have to be steady and give up the thing we want most, even our dreams.” – May Parker
I always thought of Spider-Man 2 as the superior film between the first two. However, having revisited them for the first time in over a decade, I think they break even. And that’s a good thing, as the first was a wee bit better than I remembered and this one was just about the same.
I like the story and the stakes in the first one better but this film has what I consider to be one of the greatest moments in superhero film history, if not the greatest.
That moment comes at the end of the train battle where Spider-Man exposes himself to the people on the train while he is risking his own life to save them from a horrible death. Those people, in a very powerful moment, stand up for Spidey and vow to protect his identity. Shit gets me misty… every fucking time.
The rest of the film is pretty great too and while I get bored with there being a lot of romance in superhero films, Sam Raimi did a stupendous job with these pictures, as he truly captures the emotions and the heartbreak of the characters, showing both sides of the equation equally and fairly.
A lot of the credit also has to go to Tobey Maguire and Kirsten Dunst, who played these roles greatly while also having incredible chemistry. Sure, their story gets a bit fucked up in the third film but I’ll review that one in about a week.
Another thing I like about the film is how Raimi foreshadows things to come. Spider-Man is exposed to the public, which sort of foreshadows his identity becoming known to his love Mary Jane and his best friend Harry Osborn, who has vowed to get revenge on Spider-Man for the accidental death of his father.
It also foreshadows stories to come after this film by including Dr. Curt Connors, the man who would become The Lizard, as well as J. Jonah Jameson’s son, who would become Man-Wolf. Granted, Raimi never got to explore these characters more, as Spider-Man 4 and the films following it were eventually cancelled after the third movie misfired pretty hard.
It also felt like the groundwork was being laid for a Sinister Six story, which would become a focal point of The Amazing Spider-Man films that followed but that series was also cancelled in favor of another reboot that brought Spidey into Disney’s Marvel Cinematic Universe via Captain America: Civil War and his own solo films and guest appearances that followed.
Anyway, getting back on the topic of this film, my only real criticisms of it are the same as the previous one and that’s the visual style of it and how it looks overly copper. Granted, that feels like it is less of a problem here and the visual aesthetic was a bit more fine tuned and natural looking.
Apart from that, I just don’t like Dr. Octopus as much as I liked the Green Goblin. Both characters had weird designs and outfits in these movies but with the films being so good, you quickly look passed that. But Octopus feels kind of generic and uninspiring. While I like Alfred Molina in the role, I felt like he needed more meat to chew on and a much better look. In the end, however, you do really sympathize with him when he realizes what he’s done and decides to undo his work in an effort to save New York City and redeem himself in the eyes of Peter Parker, a kid he likes and respects.
Wrapping up two movies, this picture has an absolutely perfect ending. If the series ended here, it probably would’ve been remembered even more fondly but we did get that third film that derailed everything and it sort of left a stink on top of the series. Plus, after this, it would’ve felt almost criminal not to continue on.
Rating: 9/10 Pairs well with: the other two films in this mostly great series.
Also known as: Spider-Man: The Motion Picture (working title) Release Date: April 30th, 2002 (Philippines premiere) Directed by: Sam Raimi Written by: David Koepp Based on:Spider-Man by Stan Lee, Steve Ditko Music by: Danny Elfman Cast: Tobey Maguire, Willem Dafoe, Kirsten Dunst, James Franco, Cliff Robertson, Rosemary Harris, J.K. Simmons, Joe Manganiello, Bill Nunn, Elizabeth Banks, Ted Raimi, Bruce Campbell, Randy Savage, Octavia Spencer, Macy Gray, Lucy Lawless, Jim Norton
Marvel Entertainment, Laura Ziskin Productions, Columbia Pictures, 121 Minutes
“Remember, with great power comes great responsibility.” – Uncle Ben
Spider-Man blew my mind when it came out in 2002, as the vast majority of comic book movies before it were terrible. Also, Marvel didn’t have a good track record up to this point, other than 2000’s X-Men, which was just one movie that seemed to have taken a step in the right direction.
Sam Raimi made magic, however, and seeing this for the first time in a very long time, I’ve got to say that the magic is still there. Frankly, I loved this movie in 2002 and I love it now in 2020.
Side note: how the hell is this 18 years-old already?
From top to bottom, this is a solid picture. Sure, I have some issues with the creative direction but it achieved what it set out to do, which was to tell a great origin story, close to the source material, and to entertain and give fans something spectacular.
On top of that, it’s well acted, everyone plays their parts well and even if Tobey Maguire wasn’t 100 percent perfect as Spider-Man or Peter Parker, it’s hard not to love him and become invested in his journey. I’m from the camp that really liked Tobey Maguire and I still think he’s the best live-action Spider-Man, overall.
I also thought that Willem Dafoe was genius casting as Norman Osborn a.k.a. the Green Goblin. While I’m not a fan of the Goblin’s suit in the movie, as a character, his was pretty close to perfect. It actually kind of sucks that they only really got to use him in one film but the story that emerged from his demise makes up for it, as these movies become just as much about Harry Osborn’s journey, as they are Peter Parker’s.
This is just so well crafted and executed that it set the bar really high for the series. It would actually be eclipsed by the second movie, which I once considered a near masterpiece. We’ll see how I still feel about it in another week or so. Let’s try not to talk about the third film until I review that one. I have a feeling that time did it some favors in spite of its creative misfires.
Anyway, the emotional high points of this movie still hit me right in the feels and regardless of having seen this multiple times, it’s all still very effective. The Uncle Ben stuff really feels like a punch to the gut, even if you know it’s coming and you’ve already experienced it.
Apart from the Goblin costume, my only real gripe about the movie is the overly copper look to it. It’s not terrible but I’m not a fan of everything sort of looking like it was shot at sunset, excluding the night scenes. This just feels really filtered and overly vivid. It’s an obvious creative choice but it’s not one that makes the visual presentation look more like the comics. Well, maybe the comics of the time but it kind of detracts from what could’ve been a more colorful, more cheerful look to the film, more akin to the classic artwork and tone of Steve Ditko.
One thing that really stood out to me quite a bit was Danny Elfman’s score. What happened to movie scores? There really aren’t very many that are that memorable in modern times and this one just really points that out, as it’s dynamic, energetic, fun and I’d say, by this point, iconic. While it’s not on the level of Elfman’s Batman scores, it feels more refined and complex and it doesn’t come off as derivative of his older work, which some of his scores do.
Spider-Man still is one of the best superhero movies ever made. I think it’ll maintain that status forever, as it helped push Marvel properties down the right cinematic path and it exceeded 2000’s X-Men by quite a bit.
Rating: 9/10 Pairs well with: the other two films in this mostly great series.
Release Date: December 6th, 2018 (Singapore sneak preview) Directed by: Bob Persichetti, Peter Ramsey, Rodney Rothman Written by: Phil Lord, Rodney Rothman Based on:Spider-Man by Stan Lee and Steve Ditko, Miles Morales by Brian Michael Bendis and Sara Pichelli Music by: Daniel Pemberton Cast: Shameik Moore, Jake Johnson, Hailee Steinfeld, Mahershala Ali, Brian Tyree Henry, Lily Tomlin, Luna Lauren Velez, John Mulaney, Kimiko Glenn, Nicolas Cage, Liev Schreiber, Chris Pine, Lake Bell, Marvin Jones III, Stan Lee (cameo), Cliff Robertson (archive recording), Oscar Issac (cameo), Donald Glover (cameo)
Columbia Pictures, Sony Pictures Animation, Marvel Entertainment, Arad Productions, Lord Miller Productions, Pascal Pictures, Sony Pictures Releasing, 117 Minutes, 143 Minutes (Alt Universe Cut)
“That person who helps others simply because it should or must be done, and because it is the right thing to do, is indeed without a doubt, a real superhero.” – Stan Lee
I intended to see this in the theater but the holidays are really busy for me and I didn’t get around to it or any other movies around that time. I heard great things about this movie though, so I rented it as soon as it was available.
Full disclosure, I’m not a huge fan of animated films. At least I haven’t been in my adult life. I still love a lot of the old cartoons and anime I watched as a kid but due to the overwhelming positive fan response to this and my love of Miles Morales, I wanted to give this a chance.
Overall, it’s a mighty fine motion picture and the best Spider-Man movie since Spider-Man 2.
I thought that the CGI animation was really well done. I prefer traditional animation and have never found CGI animation to be that interesting but this shows how great this animation style can be when pushed to the max and utilized for its strengths while being meticulously crafted with heart.
The story doesn’t really follow the comics but how many comic book film adaptations do? Still, it was engaging, it captured who Miles is and it examined a lot of different aspects of heroism. I absolutely love how it presented and handled the life of an aged Peter Parker. And ultimately, the bond between Miles, Peter, Gwen Stacy and the other heroes was strong and everything human and emotional felt natural.
I was really excited to see Spider-Gwen and Spider-Ham, especially. I loved Gwen’s earliest stories and I’ve been a Spider-Ham junkie since childhood.
This also features a lot of villains and even does a gender bending twist to Doctor Octopus that worked for me.
I think that this movie definitely did exactly what it set out to do which was to launch Miles Morales into the minds of normal moviegoers and kids that don’t pick up the comics while incorporating a nice array of other Spider-heroes in a fun and unique way. It also humanizes the vilest villain and makes this a more emotional and touching movie than most of the live action Spider-Man adaptations.
I’m definitely excited for the multiple sequels and spinoffs that Sony seems to have planned for the very near future.
Rating: 8.75/10 Pairs well with: I’d assume, the future sequels and spinoffs. As well as Miles Morales Spider-Man comics.
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