Release Date: August 23rd, 1996 Directed by: John Frankenheimer, Richard Stanley (uncredited) Written by: Richard Stanley, Ron Hutchinson Based on:The Island of Doctor Moreau by H. G. Wells Music by: Gary Chang Cast: Marlon Brando, Val Kilmer, David Thewlis, Fairuza Balk, Temuera Morrison, Mark Dacascos, Ron Perlman
New Line Cinema, 96 Minutes
“Well, things didn’t work out. Moreau wanted to turn animals into humans and humans into gods. But it’s instinct and reason, instinct and reason. What’s reason to a dog?” – Montgomery
Well, here we are. I’ve already reviewed the other Dr. Moreau film adaptations and so I figured I’d save the best worst for last. Well, it’s considered the worst by many and in fact, it’s considered one of the worst films ever made. Well, that’s definitely not true, as there are many, many, many movies that make this thing look like a masterpiece.
The thing is, I actually kind of like this movie in spite of its issues, most of which were due to this legitimately being one of the most poorly managed productions in motion picture history.
Frankly, this is a “bad” movie but there’s so much about it that’s kind of cool and intriguing that it actually overshadows the bad shit, in my opinion.
To start, Stan Winston’s special effects in this are really good. I like how he designed the creatures and applied it, giving different humanoid animal species distinct features and fur, allowing the mind to easily differentiate between them. But the makeup also works so well in the moments where the creatures lose their humanity and slide back into their wild, animalistic tendencies.
Also, the cast is as good as it can be, all things considered. But if you want the full story of the insanity that was this production, especially regarding the personal issues between Marlon Brando and Val Kilmer, as well as the two different directors, you should watch the documentary Lost Soul: The Doomed Journey of Richard Stanley’s Island of Dr. Moreau, which I reviewed here.
At times, the acting can be a mixed bag but it’s not any worse than similar mid-’90s sci-fi productions. This has a lot of characters, more than the previous adaptations, but it does a fair job of trying to balance them, even if the movie had to shoot around their temper tantrums and bullshit.
I like some of the narrative changes but this one is the bleakest of all the films, tonally and in how it ends. Although, it works for what this story deals with and the questions it raises.
In the end, this is certainly far from great but it’s not a total dumpster fire like people have claimed for decades now.
Release Date: June 28th, 2007 (Order of the Phoenix), July 7th, 2009 (Half-Blood Prince), November 11th, 2010 (Deathly Hollows – Part 1), July 7th, 2010 (Deathly Hollows – Part 2) Directed by: David Yates Written by: Michael Goldenberg (Order of the Phoenix), Steve Kloves (Half-Blood Prince, Deathly Hollows – Part 1, Deathly Hollows – Part 2) Based on: the Harry Potter books by J.K. Rowling Music by: Nicholas Hopper (Order of the Phoenix, Half-Blood Prince), Alexandre Desplat (Deathly Hollows – Part 1, Deathly Hollows – Part 2) Cast: Daniel Radcliffe, Rupert Grint, Emma Watson, Robbie Coltrane, Michael Gambon, Maggie Smith, Alan Rickman, Ralph Fiennes, Warwick Davis, Richard Griffiths, Fiona Shaw, Tom Felton, David Bradley, Jason Issacs, Gary Oldman, Brendan Gleeson, Helena Bonham Carter, David Thewlis, Emma Thompson, Julie Walters, Jim Broadbent, Timothy Spall, John Hurt, Imelda Staunton
Heyday Films, Warner Bros., 138 Minutes (Order of the Phoenix), 153 Minutes (Half-Blood Prince), 146 Minutes (Deathly Hollows – Part 1), 130 Minutes (Deathly Hollows – Part 2)
As I said in my review of the first four Harry Potter films, the series improves as it moves on. So I was much more enthused going into the back half of the saga and especially, after the third act of The Goblet of Fire, which sets up a much darker world with the resurrection of Voldemort and the death of a teenager at his hands.
These films are really f’n good and honestly, I was never really into Harry Potter because of how wholesome and whimsical it starts out but as the kids age, that stuff sort of fades away. Sure, there are still some of those moments but it isn’t overdone to an eye-rolling level like the first two pictures, especially.
Additionally, all the kids are much better in this stretch. They feel like real friends because after years of working together, they were. Their bond feels much more real and genuine and the love they have for each other transcends the films, which is exceptionally rare for actors this young and with this little of experience, only really having the previous films in this series under their belts.
It may have been hard to see it in the first few movies but when you look at the total package from start-to-finish, these movies in regards to its young stars, were perfectly cast. It’s also kind of amazing that they were able to pull this off over eight films in a decade, keeping everyone on board. And I say that as someone that grew up loving the Narnia books and just always wanted a film series that made it to the end. None have.
What’s even more amazing is that the other kid actors who aren’t the main three, all grow and improve over time, as well. It’s actually cool seeing these characters and the actors grow up before you, onscreen. I don’t think that it’s something that could ever be pulled off again, as well and as perfectly as it was done here.
Plus, the adult actors were superb in every way. In this stretch of films, they really take a bit of a step back, as the kids emerge as the new leaders of this universe. However, the adults know how to support them in their quest to vanquish evil and reign in a new day.
I had seen all of these films previously but never did get to see the finale. Now that I have, my overall opinion on this series has changed. The finale is one of the best film series finales I have ever seen and it makes everything before it, worth it. Even the early, overly whimsical movies are justified and actually make the strength and growth of Harry, by the end, more meaningful. I mean, damn, dude was just this innocent, happy kid, despite his terrible home life, and he rose to the occasion, became a true hero and didn’t make excuses for or succumb to the hardships he faced along the way. He had doubt, he had fear but he always stepped up to do what’s right.
In the end, I love the total package of this franchise and I really should’ve seen them in the theater over the years. The Deathly Hollows – Part 2 is especially exceptional and honestly, a masterpiece for this sort of film. In the end, it’s one of the greatest finales of the epic adventure genre and a perfect conclusion.
Harry Potter and the Order of the Phoenix – Rating: 8.75/10
Harry Potter and the Half-Blood Prince – Rating: 9/10
Harry Potter and the Deathly Hollows – Part 1 – Rating: 9.25/10
Harry Potter and the Deathly Hollows – Part 2 – Rating: 10/10
Release Date: November 4th, 2001 (Sorcerer’s Stone), November 3rd, 2002 (Chamber of Secrets), May 23rd, 2004 (Prisoner of Azkaban), November 6th, 2005 (Goblet of Fire) Directed by: Chris Columbus (Sorcerer’s Stone, Chamber of Secrets), Alfonso Cuaron (Prisoner of Azkaban), Mike Newell (Goblet of Fire) Written by: Steve Kloves Based on: the Harry Potter books by J.K. Rowling Music by: John Williams (Sorcerer’s Stone, Chamber of Secrets, Prisoner of Azkaban), Patrick Doyle (Goblet of Fire) Cast: Daniel Radcliffe, Rupert Grint, Emma Watson, Robbie Coltrane, Richard Harris, Michael Gambon, Maggie Smith, Alan Rickman, Ralph Fiennes, John Cleese, Warwick Davis, Richard Griffiths, Fiona Shaw, Ian Hart, John Hurt, Julie Walters, Tom Felton, Harry Melling, David Bradley, Kenneth Branagh, Jason Issacs, Gary Oldman, Timothy Spall, David Thewlis, Emma Thompson, Robert Pattinson, Brendan Gleeson, David Tennant
1492 Pictures, Heyday Films, Warner Bros., 152 Minutes (Sorcerer’s Stone), 161 Minutes (Chamber of Secrets), 142 Minutes (Prisoner of Azkaban), 157 Minutes (Goblet of Fire)
It’s the twentieth anniversary of this film franchise, so I figured I should show it the respect it deserves for being the cultural phenomenon that it was.
Full disclosure, I’m not a big fan of this franchise like everyone else seems to be. However, that doesn’t mean that I don’t appreciate what it’s done since the first J.K. Rowling book was published. The fact that it inspired a generation of kids to enthusiastically read is a tremendous feat. Fast-forward just a quarter of a century later and people don’t have the reading comprehension to understand something the size of a tweet but I digress.
My initial issue with this film series is that I thought it was waaay too kiddie. I saw the first one when it came out on DVD and a friend rented it. However, with this film series coming out at the same time as Peter Jackson’s original The Lord of the Rings trilogy, it didn’t do this movie any favors, at least with filmgoers who were too old to have grown up with the Harry Potter novels.
Even though I’ve seen all of these movies except for the last one, and I know that they mature in tone, as the children in the story do, I still have a hard time getting through both The Sorcerer’s Stone and The Chamber of Secrets. In fact, I really had to force myself to get through them and stick with this in an effort to review this series, which is probably the last major franchise that I haven’t reviewed yet, other than the Fast &Furious movies.
A lot of people seem to love the hell out of The Prisoner of Azkaban. While the series does shift into darker themes and a more mature story, it still doesn’t quite do it for me. Granted, I loved Gary Oldman in it and it helped move things forward in a more serious way.
For me, it was The Goblet of Fire where the series really started to make me care about it on a deeper level. However, it doesn’t really kick in until the tournament starts and a still very young Harry finds himself in a competition where he could actually die.
The fact that the stakes were very high and his own mortality was on the line lets you know that everything moving forward now was going to be more serious. Where everything before this was mostly full of over-the-top wholesomeness and irritating whimsy, you now knew that these kids were going to be forced to grow up before they should have to.
Additionally, at the end of The Goblet of Fire, Voldemort, in his true form, finally appears. With that, a teen a few years older than Harry and now a friend of his, is killed by the franchise’s big villain. Harry barely escapes with the body of his friend and when he does, the entire school of young wizards are punched in the gut over what just happened and what kind of danger this poses to the world. It’s a terribly sad and gut-wrenching end to this picture.
Sadly, it takes the final act of the fourth film to actually make me want to watch the rest of them. While I love fantasy stories and magic, this just isn’t something that was made for me or my generation. However, I think that they’re all pretty good movies for the audience they were intended for. Had I been born a decade later, it’s possible that Harry Potter could be my favorite franchise like it is for so many people.
I am going into the second half of this film series with a lot of enthusiasm, though. I definitely think it’ll resonate with me more and I like that I don’t remember much about them, as I never saw the conclusion and haven’t seen the other three for probably a decade.
Harry Potter and the Sorcerer’s Stone – Rating: 6.5/10
Harry Potter and the Chamber of Secrets – Rating: 6.75/10
Harry Potter and the Prisoner of Azkaban – Rating: 7.5/10
Harry Potter and the Goblet of Fire – Rating: 8.75/10
Release Date: March 18th, 2021 Directed by: Zack Snyder Written by: Chris Terrio, Zack Snyder, Will Beall Based on: Characters from DC Comics Music by: Tom Holkenborg Cast: Ben Affleck, Henry Cavill, Gal Gadot, Amy Adams, Diane Lane, Jeremy Irons, Ezra Miller, Jason Momoa, Ray Fisher, Connie Nielsen, J.K. Simmons, Jesse Eisenberg, Joe Manganiello (uncredited), Willem Dafoe, Amber Heard, Joe Morton, Jared Leto, Robin Wright, David Thewlis, Russell Crowe, Marc McClure, Carla Gugino (voice), Billy Crudup (uncredited)
DC Entertainment, The Stone Quarry, Atlas Entertainment, Warner Bros., HBO Max, 242 Minutes
“How do you know your team’s strong enough? If you can’t bring down the charging bull, then don’t wave the red cape at it.” – Alfred Pennyworth
For years, fans of Zack Snyder demanded that Warner Bros. release The Snyder Cut of 2017’s Justice League movie. For those who have read my review of it, you already know about how much I disliked that terrible film, which was taken over and finished by Joss Whedon after Snyder left the production due to a family emergency.
Needless to say, I never wanted this movie. However, it’s release seems like a real victory for fans in a time when they’re being labeled “toxic” by Hollywood and the media outlets that suck the shit straight out of the big studios’ assholes. So despite my feelings on the theatrical version of this movie, I am happy for the fans that demanded this version of it.
That being said, this is, indeed, a much better version of the film. Granted, it’s four fucking hours long, which is way too long. This probably should’ve been cut into two parts or released as an episodic miniseries. There’s just so much material but honestly, a lot of what’s here is also unnecessary. There are so many slow motion scenes that those parts really put an exclamation point on how dragged out this movie is.
It’s also got its fair share of cringe.
The biggest instance of cringe that pops into my mind is the scene that introduces Wonder Woman. She fights some terrorists with hostages but they do this weird thing where they speed up and slow down the film for dramatic effect. It’s weird, hokey and shitty. Also, she blocks every bullet fired from a machine gun with her bracelets like she has the speed and accuracy of the Flash. They’ve basically made her a female Superman with bracelets and a lasso and it’s just sort of confusing. I get that she fits this mold in the comics but in this already established film canon, it’s like her powers have increased to that of a literal god in a very short span of time compared to the length of her life. But I can also look beyond it and sort of accept it within the framework of this movie, which wasn’t supposed to exist.
Regarding other cringe, there’s the dialogue, which often times is horrendous.
There’s also Ezra Miller, who brings down the entire production every time he shows up on screen and tries to be cute and funny but just comes off like that asshole millennial barista that thinks he’s smarter than you but you can see the cat food stains on his shirt from last night’s dinner. Ezra Miller as The Flash may be the worst casting decision in the history of mainstream superhero films.
There is some good with this picture, though.
For one, every time I see Ben Affleck as Batman, he grows on me. Affleck deserves his own Batman movie but he never got one and was instead wasted in multiple shitty DCEU movies. He could be three solo Batman pictures deep now but we’ve got to see him parade around with Ezra Miller and other superheroes that appear lame in his really cool orbit.
I also thought that Steppenwolf, the film’s primary villain was much, much better in this. He feels like a real character with a real story arc. In the theatrical version, he came across as some generic miniboss whose dungeon you could skip in Skyrim. Plus, he looks so much fucking cooler in this version.
Additionally, this film gives me what I’ve always wanted to see and that’s Darkseid on the big screen. Granted, this wasn’t released in theaters so the “big screen” was a combination of a 50 inch television and my tablet screen.
There are also some great new action sequences. I kind of liked the big battle between Steppenwolf and the Amazons, as well as the big war between Darkseid, his minions and the armies of Greek gods, Amazons and Atlanteans. It was a flashback scene but it was still damn cool. Especially, the Green Lantern stuff they added in. In a lot of ways, it reminded me of the intro to The Lord of the Rings trilogy.
I also liked that Cyborg was much more developed and didn’t just seem like a last minute addition added in to pad out the team.
The first act of the film is the worst and I felt like it moved too slow and didn’t really make me care about the movie too much. The second act, however, switched into high gear and that’s where it grabbed me as well as it could and I started to feel like I was finally getting a better, more fleshed out and worthwhile movie.
I also generally liked the third act but I thought a lot of the epilogue was unnecessary and didn’t need to be in the film. It also spends a lot of time establishing future storylines but it’s very damn likely that this will never get a sequel, as Warner Bros. were really determined not to allow this version of the film to be completed in the first place, as they want Zack Snyder to just go away now.
For those who don’t know, it was their parent company, AT&T, that forced their hand, as they needed something huge to help drive potential subscribers to their new HBO Max streaming service. This is also why this probably didn’t get a proper theatrical release.
In the end, this was still far from great and it was too damn long. However, I’d say that it’s the best DC Comics related film that Snyder has done apart from Watchmen.
Rating: 6.5/10 Pairs well with: Zack Snyder’s other DCEU films.
Also known as: The Man Who Sold the World (working title), The 5ifth Estate (alternative DVD spelling) Release Date: September 5th, 2013 (Toronto International Film Festival) Directed by: Bill Condon Written by: Josh Singer Based on:Inside WikiLeaks by Daniel Domscheit-Berg; WikiLeaks by David Leigh, Luke Harding Music by: Carter Burwell Cast: Benedict Cumberbatch, Daniel Bruhl, Anthony Mackie, David Thewlis, Alicia Vikander, Stanley Tucci, Laura Linney, Moritz Bleibtreu, Peter Capaldi, Dan Stevens, Alexander Siddig
“Man is least himself when he talks with his own person. But if you give him a mask, he will tell you the truth. Two people, and a secret: the beginning of all conspiracies. More people, and, more secrets. But if we could find one moral man, one whistle-blower. Someone willing to expose those secrets, that man can topple the most powerful and most repressive of regimes.” – Julian Assange
Wow! This movie was an utter disappointment and honestly, a fucking disaster!
I should be clear from the get go that the performances were good and the shitty end result of this picture didn’t really fall on the shoulders of the actors. Hell, this film actually has a tremendous cast and that’s why I finally decided to give it a watch despite all the bad things I’ve heard about it since it came out.
I haven’t read the books that were used to write this film’s script but I know enough of the WikiLeaks story to know that this was a lot of bullshit. Also, I’m not sure how you can take such an exciting story and turn it into something this fucking dull! I mean, it’s got to take a real cement brained dullard to make the WikiLeaks and Assange story this damn boring!
Yes, I expected it not to be up to snuff but I at least expected the cast to kind of make up for the film’s technical and narrative shortcomings. Again, the cast is good but everything else is so bad that it barely even matters that they’re there.
In fact, I have to give this film a low score and the final tally is still going to be well below average, even though I gave it two bonus points for the actors.
This was a long, sloppy, boring film. It didn’t look that great and visually came across as really pedestrian. There weren’t any shots that stand out in my mind, as everything seemed to be shot like a television show that was on a tight schedule.
I don’t know how you can make a completely uninspiring movie out of a very inspiring person. But kudos, I guess.
This is shit.
Rating: 4/10 Pairs well with: other films and documentaries about cypherpunk culture and whistleblowers.
Release Date: October 7th, 2014 (Toronto International Film Festival) Directed by: James Marsh Written by: Anthony McCarten Based on:Traveling to Infinity: My Life with Stephen by Jane Hawking Music by: Jóhann Jóhannsson Cast: Eddie Redmayne, Felicity Jones, Charlie Cox, Emily Watson, Simon McBurney, David Thewlis, Stephen Hawking (computerized voice)
Working Title Films, Dentsu Motion Pictures, Fuji Television Network, 123 Minutes
“I have loved you.” – Jane Hawking
I really wanted to see this in the theater back when it came out. I missed it but then I had it in my queue on one of the streaming services where it eventually disappeared and then fell down my memory hole. But it popped back up on something recently, so I decided to give it a watch before the opportunity passed me by again.
I’ve always been a fan of Stephen Hawking and I read A Brief History of Time back when I was in middle school and probably not fully able to grasp it. However, I’ve read it multiple times since and he’s been one of my favorite science writers alongside Carl Sagan, Neil deGrasse Tyson, Brian Greene and Michio Kaku.
The film is adapted from Jane Hawking’s book about her life alongside Stephen. While they were married and she was by his side for years, things eventually dissolved but they remained close, trusted friends despite their marriage ending and both finding love in other people.
Honestly, this is a pretty beautiful story, even if it is romanticized for a film. But it does a good job of showing how love can evolve and change over time, as people grow through life and sometimes grow apart. And sometimes one type of love can turn into a different type. I really like how this film expresses these hard truths, shows us the pain of both characters at different points but allows you to remain hopeful, as neither are bad people, they just evolve into different people with different needs. And that doesn’t mean that they have to hate one another, they can continue to love each other even after letting one another go. It’s truly sad but there is a real positive lesson and worldview within that.
The acting in this film is absolutely incredible and I’m not trying to be hyperbolic, here. Everyone in this film brought their A-game and the performances greatly enhance the end result and made this somewhat exceptional in how it handled the emotionally difficult material. Eddie Redmayne and Felicity Jones were especially great and it’s hard to not love both of them.
In stories about love dissolving and changing, it’s really hard not to paint someone as the bad guy. In that regard, this film succeeds in making you care equally for both people and what it is that each one needs.
Apart from that, this film was good in every technical area. It’s well shot, perfectly edited and paced and boasts some incredible cinematography. The score was also quite great.
Overall, I like this movie a lot. I don’t consider it a classic or anything but it achieved what it set out to do and probably exceeded it.
Rating: 8.25/10 Pairs well with: other recent biographical dramas.
Release Date: May 15th, 2017 (Shanghai) Directed by: Patty Jenkins Written by: Allan Heinberg, Zack Snyder, Jason Fuchs Based on:Wonder Woman by William Moulton Marston Music by: Rupert Gregson-Williams Cast: Gal Gadot, Chris Pine, Robin Wright, Danny Huston, David Thewlis, Connie Nielsen, Elena Anaya, Lucy Davis, Said Taghmaoui, Ewen Bremner, Eugene Brave Rock
DC Entertainment, Atlas Entertainment, Cruel and Unusual Films, Tencent Pictures, Wanda Pictures, Warner Bros., 141 Minutes
“To the war!” – Diana Prince
So far, I have not liked the DC Comics films that have been coming out as a part of their shared cinematic universe. Man of Steel was not my cup of tea, Batman v. Superman: Dawn of Justice was littered with serious issues and Suicide Squad was a complete clusterfuck of biblical proportions. Wonder Woman, however, has been receiving a ton of praise from critics and I’ve really only heard good things from those who were able to see it early. So how does it measure up?
Well, this is hands down the best DC Comics film since Christopher Nolan was making Batman movies. It blows all of their recent movies out of the water and then shoots them back down again while they are still in mid-air. And then it blows them out of the water again.
Wonder Woman is very good. It is the type of film that DC needed to get the locomotive back on its tracks. It makes me wish that the shared universe started here and we could wipe away those three previous films. And ultimately, I can only hope that this means that great things are coming in the future and that the people behind these movies have now righted the ship.
Most importantly, we now have a female superhero movie that doesn’t suck. And on that same token, it carries a strong feminist message without making itself too preachy. It has a good balance of showcasing the inequality of women during its historical era without beating it over the audience’s head like Hollywood likes to do.
When Gal Gadot was cast as Wonder Woman, I didn’t know much about her. Her casting is really what makes this picture work so well. She is perfect as Wonder Woman and showed that she had the ability to carry a huge motion picture on her back. Plus, she was the focal point in this film, the one to really turn DC’s film universe around.
Additionally, Chris Pine was a great choice for Steve Trevor. He’s starting to become a favorite of mine between this film and his ability to really nail Captain Kirk in the modern Star Trek films despite those films not feeling all that Trekish. He has a certain charm and charisma that go beyond just his looks. Plus, he has great comedic timing and delivery.
I love the music in this film much more than the other DC Comics pictures. Wonder Woman’s theme is simply bad ass. I can’t even recall what theme plays for Batman or Superman.
Now with all these positives, I do have to reel it back in a bit.
While the film was pretty good for a summer blockbuster, I don’t know if it has lasting power. It is good by comparison of what constitutes a normal tent pole film but it lacked in depth and didn’t generate the same sort of feeling you get when you know you are watching a classic for the first time.
The plot was pretty straightforward but it wasn’t all that interesting. The villain just kind of shows up at the end but the twist of who he actually is was not a surprise and I suspected it before it happened. Also, the final battle between Wonder Woman and Ares wasn’t very good. It was like a music video where the music was replaced with philosophical banter about the nature of man and it came off to make Ares look like a complete chump. Ares barely fazed Wonder Woman and she just sort of throws his lightning back at him, obliterating him. It was overly stylized visual poetry where there was no real feeling that Wonder Woman was in any real danger.
Also, for a film as long as this is, it didn’t feel like a whole lot happened. Once we get off of the magical island where the Amazons live, it is quite some time before there is any real battle. And when we finally get to that point, Wonder Woman is invincible and just crushes all the baddies, no sweat. I get that she is a god but this is why I’ve always had issues with Superman and Wonder Woman stories. They need a threat that is actually a threat and even though Wonder Woman confronts another god, she’s the “God Killer”. I kind of just hope Darkseid shows up in one of these movies soon.
Negatives aside, this film is full of a lot more positives and it is worth your time, if you are a fan of superhero flicks. It also gives little girls a film of their own because Elektra, Catwoman and so many others didn’t cut it.
Rating: 7.5/10 Pairs well with: Well, I guess the other (really shitty) DC Comics films, as of late.
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