Also known as: A Chip Off the Old Blob (script title), Beware the Blob, Son of Blob, Son of the Blob, The Blob Returns (alternative titles) Release Date: June 10th, 1972 (San Antonio, TX premiere) Directed by: Larry Hagman Written by: Anthony Harris, Jack Woods, Richard Clair, Jack H. Harris Music by: Mort Garson Cast: Robert Walker Jr., Carol Lynley, Godfrey Cambridge, Gwynne Gilford, Richard Stahl, Richard Webb, Marlene Clark, Gerrit Graham, J. J. Johnston, Danny Goldman, Dick Van Patten, Cindy Williams, Burgess Meredith (uncredited), Sid Haig (uncredited)
Jack H. Harris Enterprises, 87 Minutes
“Hippie, schmippie!” – Unidentified Rabblerouser
This is a strange fucking movie.
That doesn’t mean that I didn’t like it, though.
I mostly found it entertaining and amusing but taking the concept of The Blob and making a sequel that’s a comedy was an odd choice. But I get it, the monster is basically just killer toxic snot.
While the humor is borderline slapstick and lowest common denominator stuff, it’s still funny because the actors really committed to some of the more absurd things and it just worked because of that.
This also featured some notable people with a very young Gerrit Graham, Burgess Meredith as an old hippie, Cindy Williams of Laverne & Shirley fame, Dick Van Patten and Sid Haig in a small role.
Still, at its core, this is a really goofy movie and it doesn’t really add anything new to The Blob concept other than comedy and drug use.
Release Date: July 7th, 1976 Directed by: Vincent McEveety Written by: Arthur Alsberg, Don Nelson, Ted Key Music by: Robert F. Brunner Cast: Don Knotts, Edward Asner, Gary Grimes, Tim Conway, Harold Gould, Ronnie Schell, Tom Bosley, Louise Williams, Dick Butkus, Dick Van Patten, Bob Crane, Johnny Unitas, Richard Kiel, Stu Nahan
Walt Disney Productions, 96 Minutes
“Ready, Gus. Oich!” – Andy Petrovic
I was an avid viewer of just about every live-action Disney film put out from the ’50s up through the early ’90s. I had the Disney Channel, in its original subscription form, back in the late ’80s and a bit beyond. So stuff like this was on my television all the time. It’s also hard not to be an old school Disney nut when raised in Florida.
Still, this movie remained unknown to me until I got Disney+ and saw it available on there. Since I had never seen it and since I love Don Knotts, I had to check it out.
Unfortunately, Don Knotts isn’t in the movie anywhere near enough. He plays the wacky coach of a loser football team but most of the film focuses on Andy and his field goal kicking mule.
This is one of many Disney animal movies, as well as one of many Disney sports films. It’s cool seeing the two things come together though, as the concept, at least by this point, hadn’t been done to death courtesy of the Air Bud franchise and it’s 97 sequels and spinoffs.
At its core, this film is lighthearted and positive. It’s also got a lot of slapstick humor and some seriously good physical gags. My favorite sequence in the film features Tom Bosley and his buddy trying to capture Gus, the mule, in a supermarket. It plays like a live-action Road Runner cartoon, as the bumbling goofs continue to get upstaged and made into fools.
I can’t really say much on the sports elements of the film other than you have to turn your brain off because this is, after all, a movie about a mule playing in the National Football League.
While the team in the movie is fictitious, I liked that this was made with help from the NFL and featured some of the iconic teams, as well as former players and legends in various roles.
Gus isn’t a bad movie but it’s far from great. It’s one of the more enjoyable Disney animal comedies of the ’70s but for most people, this will probably come across as a very dated relic that will just be dismissed as stupid schlock.
And it could’ve used a lot more Don Knotts.
Rating: 5.5/10 Pairs well with: other wacky live-action Disney movies featuring animals.
Also known as: Make Room! Make Room! (working title) Release Date: April 18th, 1973 (Los Angeles premiere) Directed by: Richard Fleischer Written by: Stanley R. Greenberg Based on:Make Room! Make Room! by Harry Harrison Music by: Fred Myrow Cast: Charlton Heston, Leigh Taylor-Young, Edward G. Robinson, Chuck Connors, Joseph Cotton, Brock Peters, Dick Van Patten
Metro-Goldwyn-Mayer, 97 Minutes
“I know, Sol, you’ve told me a hundred times before. People were better, the world was better…” – Detective Thorn
As a big fan of ’70s era science fiction, it’s probably a crime that I hadn’t seen Soylent Green until now. I’ve had the film spoiled for me my entire life, as the last line of the film was a meme decades before memes existed. And frankly, knowing the big twist ending didn’t do much to make me want to actually sit through the picture in an effort to learn what I already knew. In fact, I knew the meme before I even knew it was from a movie.
All that being said, had I known that Edward G. Robinson was in this and that it was his final film, I probably would’ve watched it sooner. I’ve always loved and admired the man’s work, especially his range, as he can go from the vile, intimidating gangster type to the sweet, kind patriarch type without being typecast as one in favor of the other. The guy is a legend and he was one of the top actors of his generation, even if he’s mostly forgotten today by modern audiences.
This stars Charlton Heston and while I also like the hell out of that guy, at this point, he felt like he was just playing a version of himself. That’s not entirely a bad thing but he’s a better actor than he appeared to be in this era, where he didn’t seem to add much flourish to his roles, he just played them straight and went full Heston.
Apart from the two great leads and the twist ending, there isn’t much here to set the film apart from other ’70s dystopian movies and I’d have to say that the best of the decade is lightyears ahead of this film, which is pretty slow moving and a bit drab.
It has some definite highpoints and it explores a few cool ideas but I’d rather watch something like Logan’s Run, or hell, even the visually similar Conquest of the Planet of the Apes, which despite being the fourth film in that series, was pretty damn cool.
Soylent Green isn’t as action heavy as I had hoped and the fascist dystopian nightmare only goes street level in one scene, really.
By the time you do get to the end, regardless of knowing the big reveal, it all seems kind of pointless. So what, society is being force fed something terrible by their government? What do you think big government will lead to?
In a nutshell, this is well acted and it is shot beautifully with some solid cinematography but it doesn’t bring much of anything worthwhile to the dystopian subgenre of sci-fi other than a big gross out reveal at the end. I’m not sure how the film compares to the novel but I hope that the book had more to offer for its readers.
Granted, I do like the metaphorical ending of Robinon’s character’s life in the movie but I wouldn’t call that an intentional artistic choice. The filmmakers probably didn’t know the guy would actually die before the film’s release. In fact, it’s been said on record that Robinson knew he was terminally ill but that the filmmakers did not. He died twelve days after the film wrapped.
Rating: 7/10 Pairs well with:The Ωmega Man, Logan’s Run, Westworld and other ’70s science fiction.
Also known as: Planet Moron (working title), Spaceballs: The Video (video box title), Mel Brooks’ Spaceballs (Germany) Release Date: June 24th, 1987 Directed by: Mel Brooks Written by: Mel Brooks, Ronny Graham, Thomas Meehan Music by: John Morris Cast: Mel Brooks, John Candy, Rick Moranis, Bill Pullman, Daphne Zuniga, Dick Van Patten, George Wyner, Joan Rivers (voice), Michael Winslow, John Hurt (cameo), Jim J. Bullock, Ronny Graham, Leslie Bevis, Rudy De Luca, Dom DeLuise (voice), Stephen Tobolowsky, Robert Prescott, Rick Ducommun, Tim Russ, Tony Cox
Brooksfilms, Metro-Goldwyn-Mayer, 96 Minutes
“What’s the matter, Colonel Sandurz? Chicken?” – Dark Helmet
I’ve been on a Mel Brooks kick, as of late. I’ve also been irritated with modern Star Wars shit. So I figured I’d go back and revisit Spaceballs, as it is a much better Star Wars movie than anything we’ve gotten in the last few years.
Well, it isn’t really a Star Wars film, it is a parody of the Original Trilogy, as well as some other sci-fi franchises like Star Trek, Aliens and Planet of the Apes, but it feels more consistent with the things I love about Star Wars than anything Disney has done, except for Rogue One.
Mel Brooks was the master of parody and he arguably lost his touch after this film but he was still on his A-game when he crafted this.
The thing that this film really has going for it is the cast. Brooks was perfect as always but it was cool seeing him ham it up with Rick Moranis and the inclusion of John Candy was great. Bill Pullman really stood front and center and carried the picture on his back. And that’s not to take anything away from the comedic actors, again, they were superb. Pullman had a certain panache and command of the screen when he was center stage and he’s really the star of the picture.
I also liked Daphne Zuniga as the princess and Joan Rivers as the voice of her robot sidekick, essentially a female C-3PO. You also have a lot of cameos and small parts for other well-known comedians and Brooks regulars, all of whom leave their mark.
This movie is hysterical if you love Brooks, Candy and Moranis. It’s certainly ’80s mainstream humor and it does feel a bit dated but it is a comedy classic in the same vein and style of Brooks’ Young Frankenstein and Blazing Saddles.
Plus, if you are a fan of the massive sci-fi franchises of the ’60s, ’70s and ’80s, then you’ll enjoy this even more.
This is a solid example of how to do a parody film, which in this day and age, seems like a lost art.
Rating: 8.5/10 Pairs well with: The original Star Wars trilogy, as well as the Mel Brooks classics: Young Frankenstein and Blazing Saddles.
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