Published: August 11th, 2021 Written by: Mark Gruenwald, Bob Layton, David Michelinie Art by: Mark Bright, John Byrne, Kieron Dwyer, Tom Morgan
Marvel Comics, 499 Pages
The Epic Collection volume that preceded this one, laid the ground work for Steve Rogers being replaced as Captain America by John Walker, who would later become US Agent.
This volume is where Rogers goes away, Walker steps in and the series becomes really interesting, as it splits its time between the former Captain and his story, as well as the new Captain and the challenges he faces trying to fill the shoes of a man that will always be greater than him.
I enjoyed that this series kind of had a split personality for this run but it was all still tied to the core of the Captain America symbol and what it means for those who represent it and those in power who exploit it.
Where the preceding volume felt a bit “kiddie” in how it was written, the series turns pretty serious and really steps up to the plate when peeling back the layers of John Walker, Steve Rogers, both their sidekicks, the U.S. government’s involvement in all of this, as well as some important deaths and losses.
This really goes deep into the John Walker character and even though he’s been a prick up to this point and does some very dark shit, here, these issues humanize him, his situation and how he comes to the realization that even though he’s the best choice for the role of Captain America on paper, he’s still missing that x-factor that made Steve Rogers the Captain America.
The writing in this stretch of issues really went to another level, which I think was important in conveying the weight of this story. This also had real gravitas and minor characters that initially don’t seem to matter too much, mean a lot to you when certain things transpire, which I won’t spoil.
All in all, I really enjoyed the hell out of this and it’s far superior to Disney’s loose adaptation of it in The Flacon and the Winter Solider.
Original Run: March 19th, 2021 – April 23rd, 2021 Created by: Kevin Feige, Louis D’Esposito, Victoria Alonso, Nate Moore, Kari Skogland, Malcolm Spellman Directed by: Kari Skogland Written by: various Based on: Falcon by Stan Lee, Gene Colan; Bucky Barnes by Joe Simon, Jack Kirby; Winter Soldier by Ed Brubaker, Steve Epting Music by: Henry Jackman Cast: Sebastian Stan, Anthony Mackie, Wyatt Russell, Erin Kellyman, Danny Ramirez, Georges St-Pierre, Adepero Oduye, Don Cheadle, Daniel Brühl, Emily VanCamp, Florence Kasumba, Julia Louis-Dreyfus
Out of all the Marvel television shows that were originally announced for the Disney+ streaming service, this was the one I was most excited for.
That being said, I was severely disappointed and it kind of made me not really care about three of my favorite characters from the Marvel Cinematic Universe.
I don’t even know where to start with this awful mess but here I go.
I guess the biggest thing is that this show is woke as fuck, which I was pretty sure the MCU was gearing up to do with their entire franchise once Avengers: Endgame was over and they had the obvious intention of making Captain Marvel, an unlikable cunt, the focal point of the universe going forward. Now they’ve potentially switched gears due to immense backlash of the Brie Larson character and its lack of charisma or any real purpose other than trying to be a Mary Sue boss bitch. However, the suits at Disney want identity politics injected into Marvel even more so than what they’ve done with Star Wars.
Anyway, I guess the one big takeaway from this show is that I now know that Falcon is black. I never really noticed it before, so I guess it’s good that this show points it out to its audience about six times per episode.
The plot, which makes little sense, shows Falcon turn over Captain America’s shield to the US government even though Cap gave it to him because he earned it. But oh no! Falcon, who was given the endorsement from Cap himself, can’t be Captain America because he’s black. So the entire series deals with Falcon being mad that a black man can’t be Cap, even though he willingly gave that up when the torch was passed to him. So when another white dude gets named Captain America, suddenly Falcon is like, “Oh, hell no!” By the end, Falcon gets the shield back and is Captain America, so we’re right back where we started in the first place.
Additionally, whoever wrote this doesn’t understand these characters or understand actual morality. The reason I say this is because they have Falcon sympathize with the murdering terrorist girl over his own allies and against his actual mission. I get it, dude, she’s a confused teenager… but the fact of the matter is, despite whatever her fight is, she murders lots of people. But Falcon, he just wants to bring her over to the light.
Also, the terrorists have no real objective other than, “Shit’s fucked up! It’s America’s fault!” They have no plan, no actual goal, they just want to blow shit up and kill people.
Then when Falcon gives his big speech at the end, calling out politicians and leaders he blames for the terrorist girl’s tough life, he can only criticize and can’t give actual solutions. He’s just as stupid as the terrorists.
This show felt like it was written by a pissed off, rich, white teen girl that went down some social justice rabbit hole on TikTok.
Bucky had a good story when the show started but then it was dropped to deal with Falcon’s blackness. Then it was resolved at the end but you didn’t care about Bucky’s journey by that point.
Also, I was really looking forward to the return of Baron Zemo and finally seeing him in his mask. However, he only wears the mask in one episode for about five minutes.
Beyond that, Sharon Carter has a heel turn. It doesn’t make sense, it’s stupid and the only way to make it work is to reveal that she’s a Skrull. But then, the MCU fucked up the Skrulls too and made them babyfaces in Captain Marvel.
Sadly, this show is probably a clear sign of what’s to come from the MCU, which is hot garbage.
Like Disney’s Star Wars, I’m starting to lose interest with each new release. I guess I’ll have to see how bad things get with Loki when it debuts next month.
Rating: 4/10 Pairs well with: white non-binary pineapple fembots on TikTok lecturing and shaming everyone, even though they’re not old enough to get a driver’s permit.
Published: April 5th, 2017 Written by: John Byrne, J.M. DeMatteis, Mark Gruenwald Art by: Mike Zeck, various
Marvel Comics, 511 Pages
I wanted to read this beefy Epic Collection of Captain America stories, as it sets up the era where Steve Rogers quit being Cap and the role was then given to the man who would later become US Agent. With that, Rogers picks up the Nomad persona and travels the country, fighting villainy.
Those events don’t happen until the collection of issues after this one but this lays all the groundwork, introduces us to the future US Agent and gives us a solid Cap and original Nomad team-up. There are also stories featuring Scourge, Wolverine, Yellow Claw, Flag-Smasher and a great story where Cap is trapped in Red Skull’s “haunted house”. We also get the debut of D-Man and some cool Frog-Man stuff.
I loved a lot of these stories when I was a kid and it was cool reading them now, as it’s been so long since I’ve read Captain America from this era. While they’re not as great as my memory made them out to be, most of the stories here were enjoyable.
I actually forgot that Cap was already sort of a nomad before becoming Nomad. I also forgot that he had a side hustle as a comic book artist, which comes off as really odd, now that I’m reminded of that as an adult. But it does add some interesting complexity to the character and kind of shows you that there’s a certain sensitivity behind his top iconic layer.
This is really good and it’s prepped me for the US Agent stint as Cap, which I also wanted to reread, as the character is finally debuting in the Marvel Cinematic Universe, as a part of the Falcon and Winter Soldier television series.
Rating: 7.25/10 Pairs well with: other ’80s Captain America comics, especially those involving US Agent.
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