Release Date: April 25th, 2009 (Tribeca Film Festival)
Directed by: Ti West
Written by: Ti West
Music by: Jeff Grace
Cast: Jocelin Donahue, Tom Noonan, Mary Woronov, Greta Gerwig, Dee Wallace, A.J. Bowen, Lena Dunham (voice)
Constructovision, RingTheJig Entertainment, Glass Eye Pix, MPI Media Group, Dark Sky Films, Gorgon Video, 95 Minutes
“During the 1980s over 70% of American adults believed in the existence of abusive Satanic Cults… Another 30% rationalized the lack of evidence due to government cover ups… The following is based on true unexplained events…” – title card
This was recently featured on Joe Bob Briggs’ The Last Drive-In and he called it one of the best horror films of the last few decades. He’s not wrong.
I hadn’t seen this since it came out and the first time I watched it, it didn’t grab me. The problem though, is that I was drunk at a party with a bunch of other drunk people watching horror movies. Despite loving the fact that this had Tom Noonan and Mary Woronov in it, I never had much urge to revisit it.
I’m glad that I got a second chance to see it though, as I loved it. And I think I loved it for the reasons that most people seem to not like about it.
It’s slow but it’s wonderfully slow. Some people get bored with this old school way of building up suspense but if you just sit through this, uninterrupted by drunk degenerates around you, it pulls you in, tightens its grip and doesn’t let go until its ready to throw the kitchen sink right at your face.
The payoff in this film is well worth the wait and even if Sam, the victim in the film, gets free of her bonds way too easily, the final sequence in this film is pretty damn satisfying. Granted, it does go for a Rosemary’s Baby ending and I thought that was a bit derivative but the movie still has a hell of an effect on the psyche in that final act.
One thing that really is the glue in this picture is the sound. Between the score by Jeff Grace and the little bumps and scratches you hear throughout the creepy house, you can’t help but to be on edge and to feel yourself in Sam’s shoes.
This is one of those cerebral horror movies. Not in a way that makes you think too hard and takes you on a mindfuck of a journey but in a way that takes over your senses and sort of throws you to the wolves right when it is damn good and ready.
Perfect pacing, incredible sound management and the cast was damn good.
Pairs well with: good, old school horror films of the late ’60s through early ’80s: The Changeling, Rosemary’s Baby, The Omen, The Exorcist and The Shining for example.
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