Published: June 24th, 2014 Written by: Geoff Johns Art by: Dale Eaglesham
DC Comics, 128 Pages
After watching the first season of Stargirl on HBO Max, I figured that I’d give some of her more notable comics a read. Being that I really like Justice Society stuff and hadn’t read any in quite awhile, I figured I’d start with this.
The story starts with old Justice Society members trying to recruit new heroes, most of whom are descendants of previous members and have inherited their powers.
Because of that, Vandal Savage is using a team of Nazi supervillains to kill superheroes and their families in an effort to snuff out these bloodlines. However, he doesn’t see the bigger picture, which reveals itself by the end of this short story arc.
I’m a fan of Geoff Johns and dig so much of his DC Comics work. His Green Lantern run brought me back to comics on the DC side after a hiatus of about a decade, back in the mid-’00s.
Keeping with Johns’ style, this was a hell of a lot of fun to read and he once again showed that he’s really good at balancing a large ensemble of characters and letting them all develop and grow, despite having limited time to focus on each one.
This was an energetic and cool comic.
Frankly, I liked it enough to buy the next three volumes to read in the very near future.
Published: October 8th, 2013 Written by: Geoff Johns, Richard Donner Art by: Adam Kubert
DC Comics, 252 Pages
I wanted to read this because it was the first official comic book appearance of General Zod, the made-for-the-big-screen villain from the first two Superman movies by Richard Donner.
What makes this even cooler is that Donner worked on this story with Geoff Johns.
This collection is actually two separate stories. However, they both feature Zod with the first one being primarily about the character and his introduction into DC Comics canon. The second story primarily features Brainiac as the antagonist.
Ultimately, this was a really good read and one of my favorite Superman trade paperbacks of recent memory. Both stories were solid and they actually connect in a way that makes wedging both of them together, a more enjoyable, overall narrative.
I thought that Donner and Johns came up with a pretty satisfying story to introduce Zod and his family. I also thought that the Adam Kubert art was top notch but I’ve also always loved all the Kuberts.
If you grew up with the two Donner Superman films like I did, this should definitely peak your interest. It’s a worthwhile story that was both engaging and entertaining while also being a great homage to Donner’s Superman film work.
Rating: 7.75/10 Pairs well with: other Superman comics featuring General Zod.
Published: 1985-1986 Written by: Marv Wolfman Art by: George Perez
DC Comics, 359 Pages
Crisis On Infinite Earths is one of DC Comics’ sacred cows. Yet, I’ve never had much urge to read it because my experience reading massive DC Comics crossovers has never been that great.
But now I have read it because I felt like it was long overdue and because this is a storyline that is referenced a lot, still to this day, thirty-five years later.
The first problem with this story might be apparent by the number of tags at the top of this post. It’s overloaded with so many characters that it is mostly a convoluted clusterfuck of biblical proportions.
In fact, this post may be the record holder for the number of tags I had to add to it. And frankly, that’s not all the characters, just the ones I know because two-thirds of the characters here are generic one-offs or so minute to the DC universe that they aren’t worth noting.
Now I know that some people love the splash pages from this series, as they showcase dozens (if not over a hundred) different characters all in one giant image. If I’m being honest, I’ve always disliked them and they are why I never really wanted to read this. Most of the action is minimal and many of these scenes are just characters standing around. They lack the energy that a splash page needs and look more like they belong in a Where’s Waldo? book. And I don’t say that to come off as a dick because I almost always love George Perez’s art. This just seems like DC management telling Perez to squeeze in as many characters as artistically possible. It’s hard on the eyes and it’s shit.
Another big problem with this twelve issue story arc is that every moment feels larger than life. Well, when everything is so big and grandiose, that becomes normal and status quo. You can’t possibly go bigger and with everything being so big from start to finish, none of it is memorable. It’s just a busy, stressful read without allowing the reader to catch their breath and reflect on what’s happened. It’s kind of like a Michael Bay movie. Throw so much intense shit at the audience, don’t let them stop and think and they’ll just move from point A to point B to point C and so on, forgetting everything that happened two points prior.
This event was made in an effort to sort of reset the DC universe. Honestly, all it does is make a giant fucking mess of things and splatters the mess all over everything it touches.
The plot doesn’t make sense, I’m not sure what exactly changed and with so many universes crashing together into one, it’s not properly organized and then re-established in any sort of way that a reader can follow. If this was supposed to be a jumping on point for readers in 1986, I don’t know how they made sense out of any of it and then knew which characters to follow.
The main reason for the previous sentence is that this is so overloaded with people that you don’t get to really know any of them. There is no character development and this is written in a way that it assumes the reader knows all about every character in the story. For a seasoned comic book reader like myself, who has been reading comics for three and a half decades, I was lost and didn’t know who half of the low tier characters were.
Crisis On Infinite Earths should have been written as a Justice League story with some inclusion of the Fawcett Comics characters and the Golden Age DC heroes. All the third tier and lower characters could have made cameos but even then, they don’t really need to.
I really hoped that this was going to pleasantly surprise me but it hurt my head.
It was too much, too big and too long.
Rating: 4/10 Pairs well with: mid-’80s DC Comics titles, as well as all the other massive DC crossover events.
Published: November 22nd, 2017 – December 18th, 2019 Written by: Geoff Johns Art by: Gary Frank, Brad Anderson Based on:Watchmen by Alan Moore
DC Comics, 456 Pages
Well, Doomsday Clock has finally ended! This twelve issue series wasn’t supposed to stretch out for over two years but it did. I’m glad that I didn’t start reading it until it was over, as I would’ve forgotten all the details due to the delays and the dozens of other comics I would’ve read between each issue.
Now that it’s all out, I finally read it: binging through it in two days.
I guess my first thoughts on it are that it is underwhelming and that it doesn’t justify its need to exist.
I had always been against new Watchmen stories without the involvement of Alan Moore. My mind changed, however, when I read some of the Before Watchmen stories from a couple years ago.
They made me see Watchmen the same way I see other comic book properties and that’s as a sort of modern mythology that is told and retold by countless others, each bringing something new and unique to the table. Superman and Batman have had countless writers and many of them have evolved and grown the character in great ways beyond their original concept. Granted, some writers have gravely failed too.
Generally, I like Geoff Johns’ work, so I wan’t against the idea of him tackling the Watchmen property.
Ultimately, though, this took too long to come out, especially with how sloppily put together it feels.
This is one of those stories where it feels like a lot happened but also like nothing happened.
It tries to merge the Watchmen universe with the DC universe but it doesn’t work. But I’m also over the crossover trope of using inter-dimensional portals or a superbeing that basically acts as a super-dimensional portal. That being said, I don’t know how else to bring these universes together but that also makes me ask why they had to try it in the first place?
Watchmen is very much its own thing, as is DC. Hell, Marvel is also its own thing in that same regard and whenever they tried to crossover Marvel and DC, which happened multiple times, it always felt forced, clunky and weird.
The only real highlight of this was seeing how certain characters from different universes would interact with one another but honestly, none of it was as cool as I felt it should have been and it all felt pretty pointless and made me realize how bad the Rebirth era of DC Comics has been – well, for the most part, as I liked some titles in the last few years.
In the end, this doesn’t feel any different than one of any of the dozen indie publisher crossovers that pit Green Lanterns against Ghostbusters, Ninja Turtles, Transformers, Star Trek crews or the apes from Planet of the Apes. While those crazy crossovers are neat to a point, they’ve been done to death in recent years. And despite this being better written and having better art than the other franchise mashups, it feels like DC Comics were really late to the party and didn’t even realize that it was over.
Rating: 6/10 Pairs well with:Watchmen and the Before Watchmen stuff, as well as just about everything under the DC Rebirth banner.
Published: October 25th, 2016 Written by: various Art by: various
DC Comics, 394 Pages
I love when DC Comics puts out massive compilations like this that celebrate big moments from the entire history of a character. Being that I never really read a lot of really old Aquaman stuff made this a big treat.
This goes all the way back to the earliest stories and gives us a good selection of tales from just about every era and decade since.
There are modern stories here but this focuses mostly on the old stuff. Especially first appearances (or very early appearances) of key characters from the Aquaman mythos. We see the debuts of the original Aquagirl, Aqualad, Ocean Master, Mera and some very early encounters with Oceanus and Black Manta.
We also get a lot of cameos from Aquaman’s Justice League allies from different eras. This has lots of cameos but all the stories are very Aquaman-centric, as opposed to wedging in Justice League stories where Arthur Curry isn’t the primary focus.
This is a thick, solid volume. It’s a bit pricey but I got the digital version of it really cheap during an Aquaman sale on Comixology. I think I paid less than $5, which to me, was an absolute steal.
If you want to know more about the Aquaman character’s history, this is a great starting point.
Rating: 9/10 Pairs well with: other recent DC Comics compilations celebrating milestone anniversaries.
Published: June 12th, 2018 Written by: Scott Snyder Art by: Greg Capullo
DC Comics, 204 Pages
I didn’t read this as it came out. I also was much more frugal about how much I spent on comics at the time. I’m less frugal now, as I’m spending more time reviewing them. And to be honest, while this is $30 for the collected edition at my local comic shop, I found this on a brief Comixology sale for $5.99. So at that price, I figured I’d give it a go. If I ended up really liking it, I would’ve gone back to buy the single issues. But I didn’t really like it all that much. I’ll explain.
To start, I typically like Scott Snyder’s writing, especially in regards to anything with Batman in it. As far as Greg Capullo goes, he is one of my favorite artists of the last few decades. So seeing them reunite for this was definitely a selling point, even if what I knew about the project’s story didn’t peak my interest.
The biggest problem with Metal is the same problem with most mega events in comics, it is chock full of so many characters that the plot loses fluidity and the story seems to placate more to wedging in as many cameos as possible, as opposed to keeping the train on the rails.
This wasn’t a bad idea for a story but it should have been kept fairly simple. People just kept showing up on nearly every page, though, and it becomes distracting. New twists and turns are thrown in as often as characters and this just loses its focus. It also introduces a whole horde of villains, most of whom will just be one-offs in this story anyway. But this reads more like a sketchbook than a coherent story. What I mean by that, is that this feels like Capullo trying to fit in every cool design that he wasn’t able to wedge into Spawn throughout his run on the book in the ’90s.
Another thing I didn’t like was how wordy this was. While there are good action scenes, sometimes these characters felt like they weren’t surrounded by villains but instead, were surrounded by word balloons, trying to wedge their way into the panels and asphyxiate the characters. The word balloons were the real villains of the story. At least, that should be a twist whenever this gets a sequel.
I did like how the ending looked into the future as a way to tell you what stories would be coming out from DC Comics over the following year. But, at the same time, this was disappointing to some degree, as a main reason why I picked this up was to see the introduction of DC’s “New Age of Heroes”. I always see mentions that this is where they debuted but their appearance here is limited to one panel where we see into the future.
Anyway, this at least kept my attention over the six issues, even if they felt like twelve due to the dialogue and having so much detail to drink in. I wouldn’t say that this is a waste of time and I can see where this will be a lot of people’s cup of tea. It just wasn’t my cup of tea, really. But I also don’t regret reading it simply because I liked seeing Capullo have fun and get really creative with the art and character design.
Rating: 6/10 Pairs well with: Any other DC Comics mega event of the last decade or so.
Original Run: January 21st, 2016 – present Created by: Greg Berlanti, Marc Guggenheim, Andrew Kreisberg, Phil Klemmer Directed by: various Written by: various Music by: Blake Neely Cast: Victor Garber, Brandon Routh, Arthur Darvill, Caity Lotz, Franz Drameh, Ciara Renée, Falk Hentschel, Amy Pemberton, Dominic Purcell, Wentworth Miller, Matt Letscher, Maisie Richardson-Sellers, Nick Zano, Neal McDonough, John Barrowman
Berlanti Productions, DC Entertainment, Warner Bros., 33 Episodes (so far), 42-45 Minutes (per episode)
*originally written in 2016.
With the success of Arrow and The Flash, the CW had to put out another superhero show in that universe. Plus, those worlds were getting too big and they needed a place to ship off some of those characters. So why not make them into a team.
Add in time travel and we’ve essentially got a superhero version of Doctor Who. It also doesn’t hurt that they added a fan favorite actor from Doctor Who lore to lead this team through time and space.
The premise of the show is interesting but ultimately, we are left with the weakest of CW’s DC Comics television series. The show is enjoyable and it has some good moments but it all just feels like filler and the threat, as great as it is, just doesn’t seem that threatening overall.
Vandal Savage, who was introduced in a crossover event on The Flash and Arrow, is the main villain of the series. The problem with the show is that they either kill him or nearly kill him almost every episode but for some reason he keeps coming back or isn’t killed because the writers have to stretch him out over the whole twenty episode campaign. He just feels like a total pushover instead of the immortal evil bad ass he should be. And the characters’ motivation when they don’t finally just pull the trigger is laughable and some of the worst writing ever.
None of these people seem stable or even rational enough to pull off this very important mission. I also find it hard to believe that in all of space and time, this motley crew is the best that Rip Hunter could assemble for a mission that is sold as the most important mission in the entirety of this universe.
I enjoy Arthur Darvill as Rip Hunter and I have always been a fan of Brandon Routh’s Atom and Caity Lotz’s version of the Canary. Even the Prison Break reunion of Wentworth Miller and Dominic Purcell as Captain Cold and Heatwave is pretty enjoyable. Firestorm is okay and Hawkgirl is somewhat interesting but all in all, this crew just doesn’t hold it together as an ensemble.
It feels like a forced union, which it is in reality and in fiction, but there should still be more chemistry. It’s chemistry that has worked so well for The Flash and Arrow. That magic just isn’t recreated here. And maybe the writers, between three shows, are stretched too thin.
This isn’t a show that I plan to give up on. Depending upon what they do for the second season, this show could turn it around. I’d like to see more characters rotated in and out of this group as the show goes on. I think that would work at keeping it fresh. It may also solve the chemistry problem.
Some of these characters are great but after seeing them full-time, they may play better on a part-time basis.
Original Run: October 7th, 2014 – present Created by: Greg Berlanti, Andrew Kreisberg, Geoff Johns Directed by: various Written by: various Music by: Blake Neely Cast: Grant Gustin, Candice Patton, Danielle Panabaker, Rick Cosnett, Carlos Valdes, Tom Cavanagh, Jesse L. Martin, Keiynan Lonsdale, Victor Garber, Franz Drameh, Robbie Amell, Dominic Purcell, Wentworth Miller, Peyton List, John Wesley Shipp, Amanda Pays, Tom Felton
Bonanza Productions, Berlanti Productions, DC Entertainment, Warner Bros., 69 Episodes (so far), 40 Minutes (per episode)
*originally written in 2015.
In sixth grade, my favorite television show was The Flash. It was cancelled after one year but it was still the best comic book series put to television at the time. Well, 24 years later, the Flash returned to television again in another self-titled series.
The modern version of The Flash is a spin-off of CW’s Arrow. It goes on to further expand the DC Comics television universe and mythos and has thus, spun-off its own show debuting in the fall called Legends of Tomorrow.
Having now completed the first season of The Flash, I figured it was time to review it.
In short, this is the greatest comic book television show of all-time. Yes, Daredevil, which just debuted a month ago on Netflix is amazing. This however, this is lightning in a bottle – pun intended.
Something about The Flash is just magical. I can admit, maybe I am affected by nostalgia for my love of the original Flash series from years ago. And maybe that is magnified by the fact that the new Flash show features the stars of the original show. The thing is, everyone else I have talked to that has watched this show, regardless of their knowledge of the series from 1990, is pretty much in agreement that this is simply great.
Sure, the acting isn’t always fantastic, there is that typical CW romance thing going on and often times, the villains can be cheesy. But this is a television show based on comic books and if it took itself too seriously, it would be a train wreck like Gotham. (updated 2017 note: Luckily Gotham fixed that.)
The thing this show has going for it is heart. You can’t not care about these characters, their motivations and their world. When I watch Gotham, I really don’t care about anyone on that show. The Flash is the most human and heartfelt superhero show currently on television, if not of all-time.
The story arc of the first season was well orchestrated and ended perfectly. Everything throughout the year was well paced and while it fell victim to the “monster of the week” formula at times, it built a much larger universe and everything had a point to it. There wasn’t a lot of filler unlike a lot of episodes of Arrow this past season.
Where The Flash goes from here is anyone’s guess. I hope the momentum maintains going forward and that the show doesn’t go off the rails, as its predecessor Arrow has recently. I also hope that the quality isn’t effected by the new spin-off series. We shall see but the future looks bright.
Having now gotten through three seasons, the show unfortunately becomes redundant and derivative of its previous seasons. It sucks that it sort of nosedives, even if you still care about the people on the show. Season four I hope gets back to form. And we really don’t need another speedster as the season’s major villain.
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