From Filmento’s YouTube description: A year has passed since the great battle of One Marvelous Scene vs One DC-sastrous Scene. And now, my fellow film youtubers — led by mighty formidable channels like of NandovMovies, Hello Future Me, Lessons From The Screenplay, CinemaWins and Schaffrillas Productions — are once again joining forces to create a movement of connected content, this time in form of One X-cellent Scene where they look at positive moments in the X-Men franchise. And since I once again was left out of the fun in a way that brought up my deepest childhood insecurities, I’ll be creating my own movement where we’ll be looking at negative moments in the Fox-Marvel Universe… starting with Josh Trank’s (Fox’s) Fantastic Four, aka Fant4stic, aka one of the biggest disasters/box office flops/worst movies to come out of that universe.
Release Date: August 4th, 2015 (New York City premiere) Directed by: Josh Trank Written by: Jeremy Slater, Simon Kinberg, Josh Trank Based on:Fantastic Four by Stan Lee, Jack Kirby Music by: Marco Beltrami, Philip Glass Cast: Miles Teller, Michael B. Jordan, Kate Mara, Jamie Bell, Toby Kebbell, Reg E. Cathey
Marvel Entertainment, Constantin Film, Marv Films, Robert Kulzer Productions, TSG Entertainment, Kinberg Genre, 20th Century Fox, 100 Minutes
*originally written in 2015.
“There is no Victor… there is only Doom!” – Victor Domashev
This film has been panned by fans for months, even though it just now came out. Critics have also been panning it now for about a week. So is this film the big shitfest that many people have anticipated?
Well, the photo I used in this review was the most exciting I could find of this film and it is pretty boring and uninspiring (*I replaced this with the poster). But I do like looking at Kate Mara – there she is, to the left. I’m not sure why but something about her is alluring. But I’m a guy and pretty is a weakness for us.
No matter what though, this film can’t be as bad as all of its predecessors, right? This is the third attempt at a live action Fantastic Four film. They should’ve gotten things right on this attempt, right?
The answer is “no.”
But let me start by saying that this film is not as horrible as many people want you to believe. It certainly isn’t worth the 4.4 on IMDb or the 3/10 on JoBlo. It isn’t as bad as other awful comic book films – the worst that come to mind being Catwoman and Elektra. This film was better than the previous Fantastic Four films. Granted, not by much but at least they didn’t fight a hungry fucking space cloud or Doctor Doom on a flying surfboard.
Sure, the final battle in this movie was also horrible, I can’t excuse it. The barren rocky world they were on and the fact that Doctor Doom acted like a false god while telekinetically altering the topography of this planet was reminiscent of the final battle from Star Trek V: The Final Frontier, which if you remember, was the absolute worst Star Trek film featuring the original cast. Except, that film was more imaginative and had more soul than this new Fantastic Four. This film had no soul. And if it had a soul, it’d be the soul of a manila folder. Because those are the boringest damn things I can think of.
I don’t hate this movie but more likely than not, I will never watch it again and I hope a sequel is never made. I didn’t like the direction, the dialogue must have been written by a middle school kid and the acting was mostly crap. The sets were boring, the effects were boring, the characters were boring, their costumes were boring and being that bored with everything got pretty boring. If anything, this film was a fantastic bore.
Doctor Doom looked like a humanoid creature made of garbage collected after a rave at a tin foil factory. He also had ridiculous powers that allowed him to telekinetically make people’s heads explode like the aliens from Mars Attacks when they were confronted with Slim Whitman music. Doom could also move the Earth. He was like that shitty villain from season four of Heroes but with godlike powers added in. I’m not even really sure what the hell Doom was – before or after the transformation.
I’m kind of all over the place with this review, as the film was all over the place. My brain is scrambled from this film. Also, my popcorn was shitty.
Anyway, I am already pretty damn bored talking about this boring turd. So I’m going to go get drunk now and hope that the bourbon erases this experience from my memory.
Release Date: December 5th, 2005 (New York City premiere) Directed by: Peter Jackson Written by: Fran Walsh, Philippa Boyens, Peter Jackson Based on:King Kong by James Creelman, Ruth Rose, Merian C. Cooper, Edgar Wallace Music by: James Newton Howard Cast: Naomi Watts, Jack Black, Adrien Brody, Thomas Kretschmann, Colin Hanks, Jamie Bell, Evan Parke, Andy Serkis
What a disappointment this was. I never wanted to watch it but I did in an effort to review it, as I am revisiting all the King Kong films before the new one is released in a few weeks.
I was a big Peter Jackson fan when this came out and I had always loved King Kong movies. However, when seeing the trailer for this in 2005, I just wasn’t interested in it. Watching it now, I found it incredibly hard to sit through the 200 minute mess. Yes!… 200 minutes!
Coming off of the heels of his great adaptation of The Lord of the Rings, Peter Jackson had Hollywood in the palm of his hand. His special effects studio also proved that Lucasfilm wasn’t the only kid on the block, anymore.
To put it bluntly, this film is awful. The story is a rehash of what we’ve already seen in two better King Kong films. There really is nothing new to this movie, compared to the previous 1976 remake or the 1933 original, except some characters have altered because even though this is a film that takes place in the 1930s, it has to placate to the overabundance of animal rights activists in the world today.
The character of Ann Darrow had to love Kong, right? She couldn’t just flat out be terrified of the beast like she was in 1933, correct? I mean, the most hardcore animal rights activist would be shitting their pants in the clutches of Kong. But this change in the Darrow character, I guess, somehow justified this movie being well over three hours long. Had she just screamed and Kong just grunted, we would have had another Kong film that ran around two hours. Peter Jackson can’t have that! Hell, he turned each Lord of the Rings book into four hour epics and one Hobbit book into three four hour epics.
I remember not being blown away by the special effects when I saw footage of this in 2005. At this point, they look really outdated. The Lord of the Rings films, which predate this, still look really solid for the most part. King Kong, especially the island stuff, looks terrible. It is a fast-paced visual mess. It looks like a bunch of CGI creatures were thrown into a blender while action figures of our heroes dance in front of the high speed churning concoction.
Most of the action is nonsensical and just stupid. For an example of this, look at the scene where Adrien Brody is covered in bugs and Jamie Bell assists him by firing a machine gun at him. Also, the film completely disregards basic biology and physics. I get that you have to suspend disbelief for a film like this to work but King Kong asks you to completely suspend logic and accept stupidity.
The special effects sequences were too abundant. They all just blend together in a horrid mess. Also, the heroes don’t even get to the island for 45 minutes or so. If they shaved off a lot of unimportant things in the long intro and then scaled back on the action stuff, the film could have reasonably been a two hour movie, which it should have been.
Also, the tribal people in this picture are way too terrifying. They were literally a tribe from a horror movie and were definitely too scary for a movie that should have been family friendly and was marketed as such. The tribe also didn’t have a look and feel consistent with the already well established King Kong mythos.
I also hated Naomi Watts’ screaming. It was awful and never seemed to stop.
There are a few positives, though.
The first was Jack Black. I thought he did a tremendously good job as Carl Denham, my favorite character from the original 1933 version.
Also, Andy Serkis was great as Kong. Then again, when isn’t he stellar at playing motion capture characters? He’s the reason why an Oscar should be created for motion capture acting.
Another positive was the last twenty minutes of the film. The finale was pretty great, even if you had to painfully sit through the first three hours. The sequence of Kong on top of the Empire State Building fighting for his survival was pretty heart-wrenching. In fact, I was surprised that I was so taken aback by it, considering the awfulness of the preceding three hours. I credit that to the greatness that is Andy Serkis.
As bad as 1986’s King Kong Lives is considered to be, I think it is better than this film. Sure, that is a bold statement but it at least felt more plausible and it wasn’t a 200 minute bore.
I really have no urge to ever watch this again, where I revisit the other Kong films every few years.
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