Release Date: June 30th, 1967
Directed by: Roger Corman
Written by: Howard Browne
Music by: Lionel Newman, Fred Steiner
Cast: Jason Robards, George Segal, Ralph Meeker, Bruce Dern, Jack Nicholson (uncredited), Jean Hale, Jan Merlin, Clint Ritchie, David Canary, Harold J. Stone, Frank Silvera, Joseph Campanella, John Agar, Joseph Turkel, Alex Rocco, Leo Gordon, Dick Miller (uncredited), Jonathan Haze (uncredited), Paul Frees (narrator)
20th Century Fox, 100 Minutes
“Wanna know something Jack? I like a guy who can use his head for something beside a hatrack!” – Al Capone
This is definitely in the upper echelon of Roger Corman’s motion pictures. Since I hadn’t seen it until now, it was a pleasant surprise and it actually shows how good of a filmmaker he was in spite of his rapid paced productions while doing everything on the cheap.
The St. Valentine’s Day Massacre is one of Corman’s more serious films. There are no monsters, ghosts or sci-fi shenanigans, this is just a gritty, hard-nosed gangster movie that features a damn good cast with Jason Robards at the forefront, as the world’s most famous real life gangster, Al Capone.
The cast also features several Corman regulars like Bruce Dern, Jack Nicholson, Dick Miller, Leo Gordon and Jonathan Haze. Beyond that, we also get a young Alex Rocco, as well as Frank Silvera, Joe Turkel and John Agar. This is a movie full of iconic character actors who benefit greatly from the type of characters this picture needed to make it something special and authentic.
At its core, this really feels like an exploitation picture due to the level of violence in it yet it plays like more serious cinematic art. Now I can’t quite put it on the same level as the first two Godfather films but I’d say that it is actually a lot better and more impressive than the standard gangster films that existed before it. It is also somewhat surprising that this was put out by a major studio, 20th Century Fox, as opposed to being released by Corman’s regular studio at the time, American International Pictures.
Man, I enjoyed this a lot. There are a lot of characters but they’re not hard to keep track of and this moves at such a brisk pace, it’s over before you know it. Also, 100 minutes for Corman is pretty much an epic, as he tends to like that 65-85 minute mark.
I feel as if this is a flick that has been somewhat forgotten and lost to time, as it came out well after the gangster genre peaked and a few years before it made a comeback. It’s weirdly sandwiched between the two greatest eras of the genre and despite it having a hard edge, it’s groundbreaking feats were quickly overshadowed and surpassed by films of the early ’70s like The Godfather and Chinatown.
Pairs well with: other gangster and crime films of the ’60s and ’70s, as well as Roger Corman’s more dramatic work like The Intruder and The Trip.
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