From Filmento’s YouTube description: We got a new teaser for Matt Reeves’ The Batman starring Robert Pattinson and it looks amazing. But more than great, it also looks and feels familiar — like Batman’s very own murder mystery detective thriller with The Riddler in vain of David Fincher’s Se7en. Plus, @The Film Theorists also made the same point in a great new video titled “Film Theory: This is NOT A Batman Movie! (The Batman Trailer 2021)”. And so, let’s take a look at 1995’s Seven starring Brad Pitt and Morgan Freeman to find out what makes it the greatest detective movie of all time and what the Batman needs to do to reach the same level. In this episode of Film Perfection, let’s see what makes a great detective thriller.
Release Date: May 19th, 1989 (Cannes) Directed by: Spike Lee Written by: Spike Lee Music by: Bill Lee, Public Enemy Cast: Danny Aiello, Ossie Davis, Ruby Dee, Richard Edson, Giancarlo Esposito, Spike Lee, Bill Nunn, John Turturro, John Savage, Roger Guenveur Smith, Rosie Perez, Joie Lee, Steve White, Martin Lawrence, Robin Harris, Paul Benjamin, Frankie Faison, Samuel L. Jackson, Steve Park, Frank Vincent, Nicholas Turturro, Miguel Sandoval
40 Acres and a Mule Filmworks, Universal Pictures, 120 Minutes
In the summer of 1989 I was in Brooklyn visiting family for a few weeks. Being a big film buff, even at ten years-old, I had already seen every big summer movie that year. My cousin was driving us around and he asked if I wanted to see a movie. I did. He asked what I wanted to see. Thinking he would say “no”, I still replied “Do The Right Thing.” Being the cool nineteen year-old kid that he was, he smirked and said, “Well, alright.”
Leading up to my seeing Do The Right Thing in a movie theater in Brooklyn, not far from where the movie took place, I was mesmerized by the trailers and footage I saw on television. Living in Southwest Florida, I didn’t have a lot to do during summer days, except hang with friends, play video games or watch TV. I often times spent hours watching a cable channel called Movietime, which was actually E! Entertainment Television before it re-branded itself. On that channel, they always showed trailers, over and over again, and also went behind the scenes on films in development or coming out. It was a cool channel that taught a young film fan a lot about the industry and art he loved. But it is there, where I saw trailers and other footage for Do The Right Thing. Something about it just drew me in.
I always cherished the experience of seeing this film, so close to where it was made, at a time when I hadn’t quite experienced a real adult film in the theater. It was exciting but at the same time, it was a lot more than that. Do The Right Thing had a profound effect on me and how I saw other people. When I watch it now, much later in life, it is a reminder of that experience and the lessons I learned from it. It also is one of the first films that I saw to really cultivate my love for the art of motion pictures and filmmaking itself. This, alongside Cinema Paradiso, made me see movies differently.
Having just revisited Do The Right Thing for the first time in several years, it is kind of sad. Not because of the film itself but because it took away some of my optimism in regards to people. When I saw it was a kid, I truly believed that society was headed in the right direction. I thought that as time rolled on, the struggle of black people and the prejudices in America would improve. Yet, this film is almost thirty years old and its message is maybe even more relevant today than it was in 1989. Will it be even more relevant in another 30 years?
Spike Lee did a fantastic job with Do The Right Thing and it is, still to this day, my favorite Lee film (Malcolm X is a very close second). Maybe it is due to the experience it gave me when I should have been too young to have to see the world for what it is. But out of all his films, this one has the strongest message not just for African-Americans but for all Americans. And again, it is still a message that needs to be heard today.
The cinematography is stellar. The film really captures the people, the scenery and Brooklyn life in that era. The technique of using first-person perspective, which gets more prevalent as the film progresses and racial tensions increase, is masterfully shot and presented. The breaking of the fourth wall, as characters’ inner monologues come to life, directed at the audience, is effective in understanding their deepest inner prejudices and in helping escalate the tension from a narrative standpoint.
The use of Public Enemy’s “Fight The Power” throughout the film is perfect and really gives an anthem to the attitudes of many of the characters. It represents, what this film, at its core, is all about. The character of Radio Raheem was the perfect vessel within the film to deliver the song to the masses, as he walked up and down the street, all day, blasting the song from his radio. He wasn’t just a vessel for the message though, he was also a symbol, a physical embodiment of it. Bill Nunn did a fine job as Raheem and made him into an iconic figure for many.
There are several really standout performances in the film. I think a lot of props need to go to Giancarlo Esposito as Buggin’ Out. Most people know Esposito as the villainous Gus from Breaking Bad. It was his role in this film, that put him on the map for me. Then years later, when I did see him on Breaking Bad, playing one of the greatest villains in television history, I was ecstatic because this was a guy who I had followed since seeing him on the big screen as a ten year-old in a Brooklyn movie theater. I’ve always thought Esposito was an underutilized actor but those who regularly work with him know his talent. In Do The Right Thing, Esposito is so committed to the role that he really stands out above everyone else. And we’re talking about a movie that has Samuel Jackson, Rosie Perez, John Turturro, Robin Harris, Frankie Faison, Ossie Davis, Danny Aiello, Martin Lawrence, Frank Vincent and so many other faces that own the screen when they are on it.
Roger Guenveur Smith’s performance as Smiley is also superb. You couldn’t not feel for the guy and when he lost his shit, you were right there with him. It’s also heartbreaking to see how others in the film treat him, even his friends, due to his handicap. Smith has played a lot of great characters over the years but Smiley is the one I most fondly remember.
There are few films that illustrate a sense of human brotherhood as much as Do The Right Thing. While it shows cultural clashes and tensions boiling over into violence, it also provides hope and displays a lot of wisdom. Most of the characters try to maintain order but the few who keep pushing each other bring the whole neighborhood to its breaking point. And then the cops show up to screw it up even more.
Do The Right Thing isn’t just a great film, it is an important film, maybe even more so today than in 1989.
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