Also known as: Newark (working title)
Release Date: September 22nd, 2021 (UK, Ireland)
Directed by: Alan Taylor
Written by: David Chase, Lawrence Konner
Based on: The Sopranos by David Chase
Music by: Peter Nashel
Cast: Alessandro Nivola, Leslie Odom Jr., Jon Bernthal, Corey Stoll, Michael Gandolfini, Billy Magnussen, Michela De Rossi, John Magaro, Ray Liotta, Vera Farmiga, Michela De Rossi, Joey Diaz, Michael Imperioli (narrator)
Chase Films, HBO Films, 120 Minutes
“[to Tony] Look, you want to be a civilian, I appreciate that. I’m all for it. But pay attention to me for once, okay? You take the speakers, right? At the same time, you promise yourself these speakers are it. Now, you say to yourself, “This is the last time I’m ever gonna steal something.” And you stick to it. It’s that simple.” – Richard ‘Dickie’ Moltisanti
Well, the wait is over. And it was a long wait, as talk of a prequel film (or series) to The Sopranos kicked off as soon as the show ended its lengthy run in 2007.
I’m not really sure whether or not this should’ve been a theatrical movie or just relegated to HBO like the Deadwood film was. Reason being, this feels like a television movie and plays more like a two-part pilot to a series than it does a standalone picture.
That’s not to say that I didn’t like it, I mostly did. However, it felt kind of small and contained and it just looked like a high end television production, which despite all the talent and effort of those involved, it just didn’t have that cinematic quality it needed to deserve a spot on the theatrical big screen.
Everyone was pretty excited to see James Gandolfini’s son Michael step into his late father’s most iconic role of Tony Soprano. I think that he did a pretty good job as the young Soprano. He actually doesn’t pop up until the midpoint of the movie, though, as an even younger actor played the even younger Tony Soprano in the first half. I also feel like the production was mindful in not overusing Michael Gandolfini, as this was his first big test in acting. He has a presence, sure, but this also isn’t really his story.
The film primarily follows the life of Christopher Moltisanti’s father, Richard ‘Dickie’ Moltisanti, played by Alessandro Nivola. Overall, it’s a pretty good tale and it helps to setup things for the television series. Most importantly, through the events that happen in and around Dickie’s life, you learn the real story about what happened, as opposed to the events that were told to us in The Sopranos, many of which were never given full context because some details, as we know now, were secrets certain characters took to their graves.
I guess the one big thing that this movie does, is that it will now give you a different lens to look through when you revisit The Sopranos and see certain characters or hear the family history.
In the end, this was good but it didn’t quite live up to the hype. But then again, that’s a hard thing to live up to when fans have been begging for more stories for nearly a decade and a half and the source material was so good that it transformed television forever.
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