Also known as: Deadly Terror (working title)
Release Date: December 29th, 1993
Directed by: Rachel Talalay
Written by: William Davies, William Osborne
Music by: Graeme Revell
Cast: Karen Allen, Chris Mulkey, Ted Marcoux, Wil Horneff, Jessica Walter, Rick Ducommun
Twentieth Century Fox, 95 Minutes
“Excuse me… a little stiff. Caught a bitch of a virus.” – Computer Ghost of Karl
I never had much urge to see this way back when it was a current movie. Even though I was a fan of horror and cyberpunk concepts, I knew that it was directed by the same woman that did Freddy’s Dead, which murdered that once great franchise. I also figured that this would be full of computer graphics fuckery and that’s probably why she was hired, after she gave us that abysmally bad CGI 3D sequence in that previous movie.
However, I’m also a fan of the worst ’80s and ’90s cheese, especially in the realms of horror and sci-fi, so I figured that I’d finally give this a watch, as it’s on HBO Max. Plus, it starred Karen Allen and Chris Mulkey and I like both of them quite a bit.
So to be upfront, I didn’t hate this and even though it was a bad movie, there was enough to enjoy in it and the “virtual reality” stuff was every bit as awful and wonderful as it is in other movies from the same era like The Lawnmower Man and Brainscan.
The CGI is primitive as hell and it dates the movie but seeing it in the 2020s, nearly thirty years later, makes it much cooler than it would have been experiencing it back then. Frankly, it made me really nostalgic for this stuff and the early days of computer animation, the Internet and the sort of unknown wonderous world of what technology could be.
I even enjoyed the pixilated killer ghost whenever he appeared in the real world and thought that they utilized the CGI well for what they were trying to achieve.
So the story is about a serial killer that works in a computer and software shop. He steals the address books of clients after his boss uses them to show those clients how his address book software works on common PCs. The killer takes out everyone on the address books before finally killing the person who owns it. However, he is killed in a car crash. Upon getting an MRI, weird shit happens to the power at the medical facility and he is essentially copied onto a hard drive and is essentially now a digital copy of the killer’s brain (and I guess soul) that can travel the Internet and effect any electronics he possesses.
While it’s an interesting concept, I feel like you could easily just trap him in a toaster, unplug him and toss it into the furnace. Also, he is able to manipulate electronics in impossible ways, like using a small microwave to essentially turn an entire large kitchen into a microwave oven.
Plot holes, plot conveniences and ridiculousness aside, some of the kills in this movie are really damn good, such as the microwave kill. The killing sequences also have a bit of a Final Destination vibe to them, as you know the person will die but it’s interesting seeing how it’s all going to unfold. Kind of like watching a Rube Goldberg machine of death.
In the end, though, this is still pretty bad. Most people will hate it and dismiss it as unpalatable schlock but for me, it had enough cool stuff in it to hold my attention and to make me appreciate the effort.
You must be logged in to post a comment.