Also known as: Boys Will Be Boys (working title)
Release Date: August 15th, 1984
Directed by: Gene Wilder
Written by: Gene Wilder, Yves Robert, Jean-Loup Dabadie
Based on: Pardon Mon Affaire (or An Elephant Can Be Extremely Deceptive) by Yves Robert
Music by: John Morris, Stevie Wonder
Cast: Gene Wilder, Charles Grodin, Joseph Bologna, Judith Ivey, Michael Huddleston, Kelly LeBrock, Gilda Radner, Michael Zorek, Thom Mathews (uncredited)
Orion Pictures, 87 Minutes
“Now listen here, Teddy Bear. Four weeks ago, I met a cute, available, old-fashioned guy who liked horse riding. In one month you got married, you had two daughters and you can’t ride a horse to save your life!” – Charlotte
This is a remake of a French film from the ’70s that I have never seen. Although, I’ve seen this a few times but it’s been years.
I liked it as a kid because it featured Kelly LeBrock, who I was crushing on hard because of Weird Science. As an adult, I love Gene Wilder in everything and revisiting this came with extra things to enjoy that were no longer overshadowed by LeBrock’s incredible beauty.
The Woman In Red was also written and directed by Wilder and also featured his real life wife, the legendary Gilda Radner. Additionally, we get Charles Grodin, whose blind guy prank in the restaurant is still one of the funniest comedy scenes in history.
While this film deals with some clunky storytelling and some clunky editing, it’s still a fun, lighthearted movie that suspiciously paints Gene Wilder, as some sort of heartthrob. But then, many of his films did and I think that’s part of their charm. Plus, if humor is indeed the way to a woman’s heart, I guess there aren’t many better at that than Wilder.
It’s still funny seeing him successfully woo a woman of Kelly LeBrock’s stature but that’s also part of the humor. The scene between the two on horses, as well as their bedroom scene, is hilarious to watch not just from the humorous banter but also because of the physical differences between LeBrock’s supermodel hotness and Wilder’s small size, as well as his awkward, bumbling antics.
Gilda Radner really stands out in this too, in a supporting role. Initially, she thinks that Wilder is trying to woo her and with that, we get a whole subplot about her getting revenge on him each time they cross paths.
All in all, The Woman In Red is just goofy and charming in that patented Gene Wilder way. It’s not a comedy classic or anything but it’s goofy and entertaining and really, that’s all it needs to be.
Pairs well with: other comedies with Gene Wilder.
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