This was a paperback book I had when I was a kid and it may have actually been the first Batman comic that I read, as I got this when I was really young.
This paperback is a collection of a three-issue comic book miniseries of the same name. Except, here, the comic is in black and white and reformatted to fit this medium, having just one-to-three panels per page.
The Untold Legend of the Batman is a bit strange, as its details differ from the continuity of the actual comic book series. Events in Batman’s past are slightly altered but it was still a fun read and the origin of the Caped Crusader wasn’t so different that it wrecked anything. At worst, it’s still more accurate than many of the film and television versions of the hero’s backstory.
I really dug the art in this, especially with it being presented in black and white, as it allowed the linework of both John Byrne and Jim Aparo to really standout on its own.
This was a really fast read but it was still worth hunting down and giving it a look again.
Published: May 15th, 2018 Written by: Steven Grant, Len Wein, Marv Wolfman Art by: Will Blyberg, Steve Erwin, Gabriel Morrissette
DC Comics, 196 Pages
The last volume of Deathstroke: The Terminator really took the wind out of my sails. However, this chapter in the series was a return to form.
This gets back to being a little smaller in scale and more like a street level story, which is where I like my Deathstroke stories to be. I don’t mind them getting somewhat grandiose but the third volume was too over-the-top and crammed full of ’90s comic book cliches.
Here, we see the Pat Trayce version of the Vigilante come back into the story and I didn’t realize how much I liked her until she was absent from the last installment.
This also felt fresh and I think a lot of that had to do with the writing. While Deathstroke is Marv Wolfman’s creation, we also got scripts from the great Len Wein, as well as Steven Grant. These two kept things pretty consistent with the better parts of the Deathstroke series, thus far. They understood the character, the tone and also did a superb job with not just Deathstroke but the other core characters, as well.
I also really liked the art and while it has been good since this series started, it stood out to me a bit more here. Although, some of the new one-off characters looked a bit wonky. But, it was the ’90s and new comic book characters often times looked goofy for the sake of unrestrained edginess.
In the end, this reinvigorated my love of this series and I can’t wait to get into volume five.
Rating: 8.5/10 Pairs well with: the other volumes in the original Deathstroke: The Terminator series from 1991 to 1996.
Published: October 3rd, 2018 Written by: Gerry Conway, Chris Claremont, Gary Friedrich, Tony Isabella, Roy Thomas, Len Wein, Marv Wolfman Art by: Gene Colan, Ross Andru, John Buscema, Dick Giordano, Don Heck, Mike Ploog, Gil Kane (cover) Based on:Dracula by Bram Stoker, Frankenstein by Mary Shelley
Marvel Comics, 512 Pages
Over the last few months, I’ve been reading a lot of the ’70s Marvel Comics stuff. I dabbled in some of these stories when I was a kid but they were before my time and weren’t as easy to get when I really started collecting comics circa 1990. Plus, my attention, at that time, was focused on superhero stuff, as well as G.I. Joe.
I enjoyed the first volume in this massive collections of The Tomb of Dracula, so naturally I wanted to check out this one too. In the end, I liked this one even more. I think a lot of that has to do with this taking place more in the modern world, which allowed Marvel’s incarnation of Dracula to interact with some of Marvel’s famous superheroes.
In this collection we get to see Dracula meet Spider-Man, Werewolf by Night and Marvel’s version of Frankenstein’s Monster. We also get a small cameo by the Human Torch, as well as the debut of Dracula’s daughter, Lilith. This even had a swashbuckling tale in it.
Now this had a ton of different writers and artists, as it bounces around to different titles that featured Dracula, at the time. Despite this, the book feels consistent, which is a testament to how great Marvel’s editorial was in the ’70s. As far as that company has fallen in recent years, they wouldn’t be able to pull this feat off in 2020.
Most of the stories here were good, it was an energetic read with great art by several legends and it is a fantastic example of ’70s Marvel horror at its finest.
Rating: 7.5/10 Pairs well with: the other Marvel Dracula stories, as well as other ’70s Marvel horror titles.
Release Date: November 4th, 2014 Music by: Lauren Pardini, Daniel Sternbaum Cast: Axel Alonso, Hayley Atwell, Gerry Conway, Louis D’Esposito, Alan Fine, Seth Green, Clark Gregg, Jimmy Kimmel, Stan Lee, Ralph Macchio, Todd McFarlane, Patton Oswalt, Nicole Perlman, Joe Quesada, Peter Sanderson, Jim Shooter, Kevin Smith, Jim Starlin, Emily VanCamp, Len Wein, Ming-Na Wen
ABC Studios, Disney, Marvel, 42 Minutes
I recently reviewed a short, made-for-TV documentary on Disney+ called Assembling a Universe. That one was a piece on how Disney and Marvel assembled a movie franchise based off of Marvel’s rich treasure trove of characters and stories.
This short documentary is kind of more of the same but it focuses mostly on the comic books themselves and how Marvel grew into what it is today.
Like the previous documentary, which came out earlier in the same year, this one is really just a marketing tool to try and get people to go see their movies. It’s made by Disney, Marvel and ABC, all of whom are essentially the same company, so this is made to sort of pimp themselves out.
Ultimately, this is an autobiographical puff piece. That doesn’t mean that there aren’t things of value in it. It’s informative and gives you a good amount of info to start with for those interested in Marvel’s history but there are much better documentaries, books and magazine articles on the subject.
Rating: 6/10 Pairs well with:Assembling a Universe and Empire of Dreams.
Published: August 15th, 2017 Written by: various Art by: various
DC Comics, 318 Pages
I’ve read a bunch of these Batman Arkham collections and I’m glad DC Comics is still putting one out a few times per year. If you remember those old collections like The Greatest Joker Stories Ever Told or The Greatest Batman Stories Ever Told, these are similar and are always focused on one character: a Batman villain.
Now I say that these are focused on one villain but this installment is a bit different, as it features Clayface, which there have been multiple versions of over the years and all of them are pretty unique.
What I really loved about this is that it gives us the first appearances of every Clayface in regular Batman canon. Hell, it even gives us the story of the Mud Pack, which was a villain team comprised of multiple Clayfaces.
The Clayface that most people are familiar with is the original, Basil Karlo. He was the one featured in Batman: The Animated Series in the ’90s and has monopolized Clayface’s comic book appearances since.
However, I loved seeing all the different versions here. My favorite story and now my favorite Clayface is the third version a.k.a. Preston Payne. I knew of him but never got to read his debut until now. His look and armored suit were badass and his story was fantastic thanks to the great Len Wein. As much as I like Karlo, I’d love to see Payne make a real comeback.
Overall, this was a pretty cool collection. Most of these are stories I’ve never read but they also gave me better clarity on the bizarre history of the Clayface moniker.
Rating: 8/10 Pairs well with: Other Batman Arkham collections, as well as Clayface-centric stories.
Release Date: May 12th, 1989 Directed by: Jim Wynorski Written by: Neil Cuthbert, Grant Morris Based on:Swamp Thing by Len Wein, Bernie Wrightson Music by: Chuck Cirino Cast: Louis Jourdan, Heather Locklear, Sarah Douglas, Dick Durock, Monique Gabrielle
“Immortality? Yuck! What did you do, sell your soul to the devil?” – Abby Arcane, “More like a lease with an option to buy.” – Dr. Anton Arcane
A friend of mine thought I was harsh on the first Swamp Thing and its director, Wes Craven. But my opinions are my opinions. He was also confused as to why I remembered this one more fondly.
Well, having now seen it again, the first time in about three decades, I still have the same opinion. While this is far from a classic and a pretty mediocre comic book adaptation, it’s still a fun, stupid, popcorn movie.
What makes this one work better for me, which seems to be why others dislike it, is the added comedy element. It’s not trying to take itself too seriously. This film is pretty self-aware, so it hams it up.
I think that the first one was made in an effort to be taken seriously. Craven has only successfully achieved that with the first A Nightmare On Elm Street, his reinvention New Nightmare and his voodoo thriller, The Serpent and the Rainbow.
Jim Wynorski, this film’s director, seems like the just wanted to have a good time making something somewhat lighthearted and goofy in a charming way. The scenes with the kids in this movie are hysterical and they’re more brilliant than anything in the first flick.
I also like that this is Dick Durock’s second time playing the title character and he seems a lot more comfortable and is allowed to let his personality come through. I also liked the return of Louis Jourdan’s Dr. Anton Arcane, even though he got killed in the first picture. This is a wacky, over the top, sci-fi movie… so why couldn’t he come back?
The supporting cast was also decent. Sure, the acting here shouldn’t be used as an example for students in drama class but everyone in the movie looked like they were having a ball and there were three pretty enchanting women in this between Sarah Douglas, Monique Gabrielle and Heather Locklear, who was surprisingly the one I found least attractive. Sarah Douglas has had my heart since Superman II and Monique Gabrielle became the woman of my dreams once I saw her shooting a machine gun.
In conclusion, I guess I understand why most people like the original more but fuck it, this is a lot more fun, has extra babes, extra cheese, extra charm, better effects and two kid actors that should’ve got their own spinoff movie trying to photograph cryptids in the swamp.
Rating: 5.5/10 Pairs well with: the first Swamp Thing movie, as well as the TV show that came just after this film.
Release Date: February 19th, 1982 Directed by: Wes Craven Written by: Wes Craven Based on:Swamp Thing by Len Wein, Bernie Wrightson Music by: Harry Manfredini Cast: Louis Jourdan, Adrienne Barbeau, Ray Wise, Dick Durock, David Hess
“A man who loves, gives hostages to fortune.” – Dr. Anton Arcane
Other than A Nightmare On Elm Street and The Serpent and the Rainbow, I’m not a big fan of Wes Craven and actually think he’s one of the most overrated horror directors of all-time for a guy considered to be a legend.
Sure, that statement probably pisses off some fans of ’80s and ’90s horror but would you rather I lie?
Swamp Thing is another example of why I don’t like Craven.
It’s boring, dopey and looks like shit. And frankly, Swamp Thing is such a rich and cool character that this should have been a really easy movie to make even with a scant budget.
Hell, you’ve got Ray Wise, Adrienne Barbeau, Louis Jourdan and Dick Durock, who would at least become a great Swamp Thing once the television show debuted in 1990.
I mean, this motion picture had the benefit of fascinating and marvelous source material, as well as a more than capable cast. But it just kind of sucks and the few things that should be somewhat endearing just don’t hit their mark in a way that lets them rise above the muck. Hell, I’m a sucker for nostalgia, even stuff I didn’t necessarily like from my childhood but revisiting this Craven flick was something I kind of put off and dreaded. But I had a friend that wanted to revisit it, so I got lured in.
And with that being said, many consider the sequel to be worse but I’m actually kind of looking forward to rewatching that one because from memory, there was more that I liked in that one.
Rating: 4.75/10 Pairs well with: it’s sequel and the original Swamp Thing television show.
Original Run: May 31st, 2019 – current Created by: Gary Dauberman, Mark Verheiden Directed by: Len Wiseman Written by: various Based on:Swamp Thing by Len Wein, Bernie Wrightson Music by: Brian Tyler Cast: Crystal Reed, Virginia Madsen, Andy Bean, Derek Mears, Henderson Wade, Maria Sten, Jeryl Prescott, Jennifer Beals, Will Patton, Kevin Durand, Ian Ziering
Big Shoe Productions, Atomic Monster Productions, DC Entertainment, Warner Bros. Television, 10 Episodes, 52-60 Minutes (per episode)
At the time of this writing, only two episodes have aired and the show has already been cancelled. Honestly, that’s kind of infuriating, as this is a damn good show from just the small sample size I’ve seen, thus far.
Where Titans got off to a pretty rough start, between Doom Patrol and Swamp Thing, it looks like the DC Universe streaming service has quickly righted the ship and is making some damn good television.
At this point, I’m pretty sure that the service is in serious trouble and it is close to coming to an end, as it isn’t selling enough subscriptions and this solid show, only the service’s third, had its production closed down early, midway through its tenth out of the planned fifteen episodes. Additionally, it was then cancelled just after the pilot aired. Then DC Universe claimed it had something to do with North Carolina taxes, the State of North Carolina said that wasn’t true and then someone who worked on this show said that Warner Bros. (DC’s parent company) was sold to AT&T and they didn’t have faith in Swamp Thing.
Whatever the reason, DC Universe has been managed like a bastard child and everything surrounding it seems like a big corporate clusterfuck.
So I was really looking forward to this show, as I love the character and have fond memories of the Swamp Thing movies of the ’80s, as well as the old television show that used to air on the USA Network, back when I was in middle school.
Additionally, this show assembled a solid cast with Crystal Reed, who I thought was stellar as Sofia Falcone on Gotham, as well as Derek Mears as Swamp Thing, Virginia Madsen, Will Patton and Jennifer Beals. Also, a nice surprise in episode two is the addition of Ian Ziering, as the man that becomes another DC hero, Blue Devil.
What really makes this show work is that it commits itself to being straight horror, at least in these earliest episodes. We have some scenes that are very reminiscent of John Carpenter’s The Thing and it is actually quite glorious and impressive.
The show also is very dramatic but thus far, it’s all pretty good, the story is compelling and I’m already invested in the lives of the main characters. So much so, that it’s kind of depressing that I will only ever see ten episodes.
It’s hard to do a proper, thorough review and I usually wait until a new show has at least given us a full season but maybe if more people express their excitement and enthusiasm over this show, more people will give it a shot and maybe, just maybe, Warner Bros. could find a way to save it.
Rating: 9/10 Pairs well with: the other DC Universe shows: Doom Patrol and Titans.
Published: August 22nd, 2012 – February 27th, 2013 Written by: J. Michael Straczynski, Len Wein, John Higgins Art by: John Higgins, Adam Hughes, Laura Martin Based on:Watchmen by Alan Moore
DC Comics, 103 Pages
I’m almost through all of these Before Watchmen collections. While they’ve all been pretty good, this is one of the ones that fell just a bit short for me.
I still enjoyed it but it was slow and just wasn’t as interesting as the origins of some of the other characters. But Dr. Manhattan, as a a literal god, isn’t that interesting of a character.
My hopes for this were high though, as I’ve typically dug the comics written by J. Michael Straczynski and this also had the assistance of Len Wein and John Higgins, who did a lot of the art.
The problem with this story is that it didn’t feel like it had enough meat and potatoes to fill up four issues. But I guess they wanted to give Dr. Manhattan a story that was long enough to be equal to the other main Watchmen characters.
This was just lacking the depth and the intrigue I got from some of the better stories like Silk Spectre, The Comedian and Rorschach’s.
Still, for the Watchmen completist and for those who want to understand the characters better, this is certainly not a waste of time.
Rating: 7.25/10 Pairs well with: other Before Watchmen stories, as well as Watchmen and Doomsday Clock.
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