Release Date: November 30th, 1993 (Washington DC premiere) Directed by: Steven Spielberg Written by: Steven Zaillian Based on:Schindler’s Ark by Thomas Keneally Music by: John Williams Cast: Liam Neeson, Ben Kingsley, Ralph Fiennes, Caroline Goodall, Jonathan Sagall, Embeth Davidtz
“It’s Hebrew, it’s from the Talmud. It says, “Whoever saves one life, saves the world entire.”” – Itzhak Stern
Schindler’s List is nearly thirty years-old but I hadn’t seen the movie until now. I knew the story of Schindler but I also had assumptions about this movie that I found out weren’t entirely true after having finally watched it.
I expected this to be immensely depressing and also very, very long. The combination of those two things is why I could never get myself to sit down and watch it.
Additionally, based off of the footage I had seen over the last few decades, I assumed this was going to focus on the actual horrors of the Holocaust primarily and that the story would be pretty minimal. I was glad to learn that this has a very layered and deep story, more so than I could have anticipated.
Sure, I assumed it would be superbly acted and it most definitely is. Liam Neeson is incredible, as are Ben Kingsley, Ralph Fiennes and Embeth Davidtz. Yet I was still blown away and surprised by how good their performances were and I was much more moved by that than the specific horrors that happen in the movie. It’s those performances that kept the horrors and tragedy grounded and genuine.
I thought that this was going to be more docu-drama than a narrative driven, performance driven motion picture.
This may also be Steven Spielberg’s best work behind the camera, as some of the shots aren’t just incredible but they’re almost otherworldly. I love that he did this in black and white, which makes it kind of timeless, but also makes it tonally darker.
I really enjoyed John Williams’ beautiful score and it is certainly one of the greatest things he has done in his long career, as a composer who has probably made more memorable movie themes than any other.
The subject matter, here, is really hard to digest. However, this is a story that should be known by everyone. We can’t forget these atrocities because we’re doomed to repeat them in the future, as insane and implausible as that may sound.
After watching this and Grave of the Fireflies just a few days apart, I really need something uplifting because that was a lot of dark human shit that I had to experience in a short span.
Also known as: Planet Krull, Dragons of Krull, Dungeons and Dragons, Krull: Invaders of the Black Fortress, The Dungeons of Krull (alternative titles) Release Date: July 29th, 1983 Directed by: Peter Yates Written by: Stanford Sherman Music by: James Horner Cast: Ken Marshall, Lysette Anthony, Freddie Jones, Francesca Annis, Trevor Martin (voice), David Battley, Bernard Bresslaw, Alun Armstrong, Liam Neeson, Robbie Coltrane
Barclays Mercantile Industrial Finance, Columbia Pictures, 116 Minutes
“We all risk our lives on this journey. My risk is no greater than yours.” – Ynyr
While I saw Krull a few times as a kid, as it was on either HBO, Showtime or Cinemax, I haven’t seen it since then and most of it was wiped from my memory, other than its visual aesthetic and the sequence with flaming horses that run at super speeds across the wilderness.
It’s a pretty cool film, though. I actually dug it quite a bit and while some special effects look pretty dated, it’s really top notch shit for the time. I was actually impressed by a lot of it and the general aesthetic and vibe of the movie was truly magical in that unique ’80s fantasy flick sort of way.
I also enjoyed the lead, Ken Marshall, quite a lot and wished he had gone on to be a bigger star than he was. He had charisma and conveyed a real sense of adventure that really should’ve seen him get more roles like this. Hell, even a sequel or two to this would’ve been cool.
The film also has several other talented actors, such as Freddie Jones. But what’s really neat is that it features two guys I wouldn’t have known when seeing this as a kid, as they were still pretty unknown and that’s Liam Neeson and Robbie Coltrane.
The movie also feels like a sort of hybrid between Star Wars and Conan the Barbarian, as it features science fiction elements mixed with sword and sorcery. It’s a nice mix that works well and I’ve always like movies that sort of cross genres this way.
There’s a lot of fun stuff in this from the villain, the villain’s teleporting fortress, the spider-lady, the cyclops ally and a lot of the creatures and big action sequences. There’s so much awesomeness in this movie that it’s easy to see why I loved it so much as a kid. Plus, the hero has a really f’n cool weapon.
The acting is on the level one should expect, as it’s not great but it’s good enough and the actors hammed it up in the right way while also being convincing as badasses fighting all sorts of threats in a sword and sorcery realm.
Krull is a cool picture if you’re into these sort of things. It seems to have been somewhat forgotten over the years but it is one of the better sci-fi and fantasy movies of its time.
Rating: 7.5/10 Pairs well with: other sword and sorcery or fantasy adventure films of the ’80s.
Also known as: Arkham, Gotham, Batman 3 (working titles), Magnus Rex (fake working title), TDKR (informal short title) Release Date: July 16th, 2012 (New York City premiere) Directed by: Christopher Nolan Written by: Jonathan Nolan, Christopher Nolan, David S. Goyer Based on: characters by DC Comics Music by: Hans Zimmer Cast: Christian Bale, Michael Caine, Gary Oldman, Morgan Freeman, Anne Hathaway, Tom Hardy, Marion Cotillard, Joseph Gordon-Levitt, Matthew Modine, Ben Mendelsohn, Burn Gorman, Juno Temple, Cillian Murphy, Liam Neeson, Nestor Carbonell, Desmond Harrington, Thomas Lennon, William Devane
DC Entertainment, Legendary Entertainment, Warner Bros., 164 Minutes
“There’s a storm coming, Mr. Wayne. You and your friends better batten down the hatches, because when it hits, you’re all gonna wonder how you ever thought you could live so large and leave so little for the rest of us.” – Selina Kyle
Where I’ve seen the first two films in this trilogy at least a dozen times each, I’ve only seen this one once: in the theater. If I’m being honest, I didn’t have much urge to see it again after my initial experience. But I’ll explain why as I roll on and review it.
I was pretty excited for this film but I also knew that it would be damn hard to top The Dark Knight or to try and replicate its greatness. Well, I wasn’t wrong. And while this isn’t a bad movie, it’s certainly the weakest of the trilogy and just falls flat when compared to the other two pictures.
To start, I was a bit perplexed when I first heard that Bane was going to be the big bad of the movie. I don’t necessarily have a problem with Bane but after following The Joker and Two-Face, I felt like the third film should’ve featured more of the old school villains, as opposed to bringing in a more modern one that is kind of boring by comparison. I mean, a Christopher Nolan movie featuring The Riddler, The Penguin or hell, even The Mad Hatter, could’ve been really intriguing.
What we got instead was pretty much a rehash of the threat and the plot of the first movie: Batman Begins. In fact, in this film, Bane is even tied to the same villainous organization of that film. We also get a curveball where we find out he really isn’t the big bad but that just kind of makes the overall story even more redundant.
I guess I understand why Nolan chose Bane, as he wanted to try and keep his Batman films grounded in reality as much as one can with a comic book property but seeing a secret Illuminati-type group descend upon Gotham City with the hopes of using a superweapon to destroy it is derivative of the director’s own work.
Now we do get Catwoman in the film but she is written to be the most sterile and boring version of the character I’ve ever seen. Sure, Anne Hathaway is stunning but for whatever reason, Catwoman just doesn’t feel sexy or believable as someone that can ensnare Bruce Wayne/Batman. She just isn’t interesting and it’s hard to imagine her as someone that could pull Bruce’s heart out of the pain it still feels, eight years after the death of Rachel.
Hell, Bruce’s little romantic moments with Miranda/Talia seem more genuine and their relationship isn’t supposed to be the one the audience is pulling for even before the big plot twist reveals itself.
The film’s overall story is trying to be as good of a thriller as the previous two. It just isn’t and that’s the real issue with it. While I do want to see the heroes beat the baddies and win out in the end, the film just comes off as repetitive and dull. It feels like a weak copy of the first two pictures with a much slower pace and a broken back side quest that slows the movie to a halt. I just can’t get as into it as I did the other movies.
Now I get that “breaking the Bat” and dropping him into a hole was about building him back up to make him stronger and that we needed to get him out of Gotham so that Bane could grow his power but it’s a half-assed recreation of the Knightfall plot. This story also only seems to borrow from it because it was Bane’s most iconic moment and biggest temporary victory in the comics. And with Batman overcoming his incredible injury and then climbing out of a hole deemed “impossible” to escape, it all kind of wrecks Nolan’s strive for realism. You can’t simply punch a popped disc back into someone’s spine.
I also hated the film’s ending but I think I’m done harping on the negatives, as I probably sound like I dislike this quite a bit, when I actually don’t.
The film is well-acted and that’s what really makes this work where it does.
I really dug Tom Hardy as Bane, even if his voice has become a social meme. I also just loved seeing the regular cast get back together for one more adventure. Bale, Caine, Freeman and Oldman are all so great in these roles and I loved the final act of the film where we get to see Oldman’s Commissioner Gordon get very involved. My only complaint about Caine’s Alfred is I didn’t like how Bruce pushed him away and left him without much to do in the second half of the film.
Additionally, I really enjoyed Marion Cotillard as the character who would reveal herself as Talia al Ghul. I only wish that we would have gotten to see her be more of a badass but her big reveal comes at the end of the movie and she’s not around much longer after that. Not having a Talia versus Selina fight was a missed opportunity.
The film also boasts great cinematography but why would anyone expect any less from Nolan at this point? I liked the brighter look of the town, especially in the third act, and how a lot of the film happens in daylight.
The final act, which sees Batman and the GCPD bring the fight to the League of Shadows in the streets was superb and chilling. Watching Batman and the cops take it to the villainous terrorists head-on was incredible and the best moment in the film. Watching Batman and Bane fight in a sea of people was also damn spectacular.
All in all, this is still one of the greatest superhero movies ever made. It just happens to be the worst of its trilogy and if I’m being honest, it felt like Christopher Nolan and the writers were just tired and wanted to move on to the next phase of their lives.
However, even if someone else would have to step in and do it, I’d rather see this film series continue, as opposed to seeing Warner Bros. keep trying to reboot Batman. Just let Nolan produce and pick the best creative team to help build off of his vision. I mean, a Joseph Gordon-Levitt Nightwing movie in this cinematic universe would certainly get my money.
Rating: 8.25/10 Pairs well with: the other two films in The Dark Knight Trilogy.
“Look, I run a show here. It’s a lot of smoke and noise and it’s strictly for the suckers. I’ve been pulling one kind of scam or another since I was your age, and if there’s one thing I know it’s how to spot the genuine article because that’s what you’ve got to watch out for. Not the cops, you can always get around the cops. But the one thing you can never, ever get around is the genuine article, and you, kid, are the genuine article.” – Jonas
I saw this movie once a really long time ago but I really liked it and had been meaning to revisit it at some point. It’s just one of those films that slipped down the memory hole. But when I reviewed My Blue Heaven, I discovered that I hadn’t yet reviewed any of Steve Martin’s work, which was surprising due to how much I love the guy. So when I went down the list of his films, this one immediately popped out as one I needed to revisit as soon as possible.
I’m really glad that I did, as it’s held up pretty well and I’m honestly not sure why this isn’t considered one of Steve Martin’s best from the general critical consensus.
This is a film that really shows Martin’s dramatic range while still allowing him to be comedic. But this is a more serious picture than his most popular ones. Just being a few years removed from Parenthood, however, Martin was able to kind of build off of that film’s more serious tone and deliver another well-balanced performance that is both campy and real.
In this, he plays a professional conman that is running around America as a faith healer. He tries to justify his massive con by pointing out that his work, despite its dishonesty, does in fact help people because he makes them believe it. But ultimately, the story and the people he encounters on this stop of his journey, make him see himself and his work differently.
Martin is surrounded by a solid, very capable cast made up of Debra Winger, Liam Neeson, M. C. Gainey, Meat Loaf, a very young Philip Seymour Hoffman and an even younger Lukas Haas. But everyone in this film brings it. Plus, seeing the relationship blossom between Neeson’s Sheriff character, who wants to expose Martin’s preacher as a fraud, and Debra Winger, Martin’s trusted assistant, is really well orchestrated and executed.
The film lets you know that Steve Martin’s Jonas Nightingale is a pretty scummy guy from the get go but it still allows him to win you over and lure you in regardless of how he capitalizes off of very poor people’s naivety. You still fall for the guy even knowing the con and once you actually get to know him, you understand that his life has been pretty shitty too. It doesn’t excuse his poor life decisions but it allows you to understand where they came from and hope that he somehow finds a better path because he does touch people and could actually do some good in the world.
In its simplest form, this is a movie about redemption and I love redemption stories. It’s far from the greatest redemption story ever told but it is still a very enjoyable one that features a complex and charismatic character that you kind of want to root for in spite of his selfish, predatory nature.
Rating: 7.25/10 Pairs well with: other Steve Martin comedies with a high emphasis on drama.
Also known as: Batman 5 (working title), Batman: Intimidation (script title), The Intimidation Game (fake working title) Release Date: May 31st, 2005 (Tokyo premiere) Directed by: Christopher Nolan Written by: Christopher Nolan, David S. Goyer Based on: characters by DC Comics Music by: Hans Zimmer, James Newton Howard Cast: Christian Bale, Michael Caine, Gary Oldman, Morgan Freeman, Liam Neeson, Katie Holmes, Cillian Murphy, Tom Wilkinson, Rutger Hauer, Ken Watanabe, Mark Boone Junior, Jack Gleeson, Richard Brake
DC Comics, Syncopy, Warner Bros., 140 Minutes
“But I know the rage that drives you. That impossible anger strangling the grief, until the memory of your loved one is just… poison in your veins. And one day, you catch yourself wishing the person you loved had never existed, so you would be spared your pain.” – Henri Ducard
When this first came out on DVD, I watched it almost weekly for a few years. I loved this film and to me, at least at the time, it was the greatest Batman film ever made. Hell, before the DVD release, I think I saw this at least three times in the theater.
I would end up liking The Dark Knight even more but the Nolan trilogy started with this film and it was a great introduction to his more serious and realistic Batman film series.
In retrospect now, I like the 1989 Batman slightly better but it’s magic was undone by the later films that followed and even though it took eight years, Batman Begins was the cinematic reboot that we needed after the Schumacher Batman pictures.
This film is so good, as are the ones that follow, that I’ve kind of accepted that no one will ever make a Batman film series as great. Frankly, these are the best films that Christopher Nolan has made and while the first film in a trilogy can often times feel like a practice run, this one is fairly close to perfect.
My only real gripe about it is that the pacing feels a bit disjointed at times. But there is also a lot of story and a lot of characters to balance here. I think that Nolan got much better with that in the next film. These aren’t things that break the film in any way but if I can’t give this a perfect score, I feel that I should explain why.
This is still energetic and every scene feels necessary. But it also feels like so much was wedged into it that it could’ve actually benefited from an extra 20-30 minutes. And that’s not something I’m usually a fan of, as I love 90 minute running times and this picture is already well over two hours. But when a film is this good, I never seem to mind that it requires more of my time.
Nolan got the best possible performances out of all of the actors involved and everyone in this is absolutely perfect. This was well cast and even Katie Holmes, who was replaced in the sequel, pulled off the best performance of her career. Normally, I wouldn’t put her at the same level as everyone else in this movie but she held her own and I was disappointed that she was recast in The Dark Knight.
In closing, this is a stellar motion picture where everything just works in the right way from the direction, cinematography, acting, the musical score by Hans Zimmer and the great character development.
Rating: 9.5/10 Pairs well with: the other two films in The Dark Knight Trilogy.
From The Critical Drinker’s YouTube description: So I missed this one at the cinema (lucky me), but I guess it’s time to review another failed attempt to restart an old franchise. Join me as I explore the failure of Men in Black International.
Also known as: Dirty Harry in The Dead Pool (poster title), Dirty Harry 5 (alternative title) Release Date: July 13th, 1988 Directed by: Buddy Van Horn Written by: Steve Sharon, Durk Pearson, Sandy Shaw Based on: characters by Harry Julian Fink, R.M. Fink Music by: Lalo Schifrin Cast: Clint Eastwood, Patricia Clarkson, Liam Neeson, Evan Kim, David Hunt, Michael Currie, Michael Goodwin, Jim Carrey, Marc Alaimo, Justin Whalin, Guns N’ Roses (cameo)
Malpaso Productions, Warner Bros., 91 Minutes
“Well, opinions are like assholes. Everybody has one.” – ‘Dirty’ Harry Callahan
This is it, the fifth and final Dirty Harry movie. It’s also the one that most people seem to like the least. However, I like it a tad bit more than the fourth film, Sudden Impact.
While far from great, I like this movie because it features an interesting plot, even if it’s not executed greatly. Also, the car chase scene with the remote control bomb car blew my mind, as a kid, and I still love the hell out of that whole sequence 32 years later.
Clint Eastwood is still great as Dirty Harry and this movie feels like it fits better within the series, as a whole, where the previous movie took him out of San Francisco and made him do cop work while essentially on vacation.
I like his energy, here, and at this point, the character is really just an extension of Eastwood and he can coast through this thing on auto pilot and still nail it.
This movie also benefits from having a young but capable Liam Neeson, alongside Patricia Clarkson and a very young and not so comedic Jim Carrey. I really dig the hell out of Carrey in this and even if his performance isn’t anything close to perfect, he did show that he was capable of acting beyond the requirements of his earlier comedic roles.
This film is short and sweet, just being around ninety minutes and not over two hours like the drawn out chore that was Sudden Impact. It’s action packed, moves briskly and doesn’t waste time on trying to make a more complex plot. These films don’t need to be that, they just need to kick ass, take names and then kick more ass.
I feel like the ’80s Dirty Harry pictures can’t really compete with the solid ’70s ones. However, this is still a better than decent ’80s action flick that knew how to get to the point while amassing a respectable body count in the process.
Rating: 6.5/10 Pairs well with: the other Dirty Harry movies, as well as the Death Wish series.
Release Date: December 16th, 2019 (Los Angeles premiere) Directed by: J.J. Abrams Written by: Chris Terrio, J.J. Abrams, Derek Connolly, Colin Trevorrow Based on: characters by George Lucas Music by: John Williams Cast: Carrie Fisher, Mark Hamill, Adam Driver, Daisy Ridley, John Boyega, Oscar Isaac, Anthony Daniels, Naomi Ackie, Domhnall Gleeson, Richard E. Grant, Lupita Nyong’o, Keri Russell, Joonas Suotamo, Kelly Marie Tran, Ian McDiarmid, Billy Dee Williams, Harrison Ford (uncredited), Billie Lourd, Greg Grunberg, Dominic Monaghan, Warwick Davis, Denis Lawson, Jeff Garlin, Kevin Smith, James Earl Jones (vocal cameo), Andy Serkis (vocal cameo), Ewan McGregor (vocal cameo), Alec Guinness (vocal cameo), Hayden Christensen (vocal cameo), Ashley Eckstein (vocal cameo), Freddie Prinze Jr. (vocal cameo), Olivia d’Abo (vocal cameo), Frank Oz (vocal cameo), Liam Neeson (vocal cameo), Jennifer Hale (vocal cameo), Samuel L. Jackson (vocal cameo), Angelique Perrin (vocal cameo)
Walt Disney Pictures, Lucasfilm, Bad Robot, 142 Minutes
*There be spoilers here!
“We had each other. That’s how we won.” – Lando Calrissian
Congratulations, Disney and Lucasfilm. You finally broke me to the point that I didn’t have the urge to see a Star Wars movie in the theater. Nope, I waited on this one because the previous few movies left such a bad taste in my mouth that I didn’t want to sit in a crowded theater with a bunch of normies clapping like seals every time there was a weak attempt at a cameo or minor victory. Also, people have been ruining the theater experience for awhile, so this film had that working against it already.
Now I figured I’d go see it once the buzz calmed down and the theaters cleared out a few weeks later but even then, it just wasn’t worth the trip or the money for me to make the effort.
Well, I finally watched it now that it’s available to rent and because this COVID-19 bullshit has us all trapped in our houses with nothing to do.
Anyway, as much as I anticipated not liking this, it was the best film of the three from the Disney produced Sequel Trilogy. Some of the more angry fans out there may think that’s crazy of me to say but I respect the effort of J.J. Abrams trying to fix the abortion that Rian Johnson created with The Last Jedi, especially with the weak skill set that Abrams has.
Honestly, they should have called this Star Wars: Episode IX – MacGuffins and Mystery Boxes but I guess that would require Abrams, Kathleen Kennedy, Bob Iger, Disney and Lucasfilm to actually understand humility and that they aren’t the great storytellers that they think they are.
Now this movie had a lot of weird shit that made certain sequences hard to get through. If I’m being honest, there aren’t really any sequences that didn’t have issues. I’ll list out some of my gripes from memory at the end of the main part of this review, as I did for some of my other Disney Star Wars reviews.
If I’m going to talk about what I liked about this film, I guess it’s that it tried really hard to give good fan service. Not so much, soulless, cheap attempts at winning me back but more like an admission that the series fucked up with the previous Rian Johnson stinker and that Abrams felt sorry and embarrassed that his larger vision for this trilogy was skull fucked in the eye by Johnson.
Rian Johnson cared more about his own ego and career than being the trusted custodian of something much larger than himself, which was created by others who were a lot more talented than he will ever be. If that’s harsh, I don’t care. Johnson didn’t care about the responsibility he signed up for, so he can deal with the repercussions of that from the fans who felt betrayed by his piss pigeon performance.
I’m glad that J.J. Abrams kicked Johnson in the nuts though. And his disdain for Johnson’s wreckage was made abundantly clear in the short scene where Luke returns, stops Rey from throwing her lightsaber away and states, “I was wrong.” Then he goes on to tell her what we all needed him to tell her in the previous film. For Luke Skywalker and Mark Hamill’s sake, I’m glad that the character didn’t go out like a weak piece of shit and was somewhat salvaged.
While on the subject of Rey, though, I still don’t understand how she is just simply the best at everything. She has an insanely weak character arc, hasn’t had anywhere near the level of adversity that Luke and Anakin had and you barely see her train at all and then she can barely deal with a fucking tiny laser drone. It’s like these modern filmmakers don’t think beyond what looks cool on the screen in a shot.
Anyway, this movie is a mess, narratively speaking. It’s really two movies wedged into one, as Abrams had to try and course correct while also coming up with a satisfying ending. That being said, he does okay in trying to achieve this but maybe this should have been longer or released as two parts. But I guess he is stuck with the numbering system and being tight within the framework of a trilogy.
Unfortunately, while we do get to see the main three characters spend some time together, it is hard to buy into their bond, as they spent the first two movies apart. I want to believe in it and I actually like the actors but this is something that needed to be done in every film. This is why people love the trinity of Luke, Leia and Han so much. But for whatever reason, Abrams, Kennedy and Iger don’t understand what worked about previous Star Wars films.
As much as my brain was picking things apart, I still found this to be the most palatable of the Disney Saga films. It’s hard to peg why but I think that Abrams genuinely wanted this to make up for the damage that’s been done and he did put his heart into it. But that also doesn’t mean that he was the right guy for the job way back when they announced him for The Force Awakens. He wasn’t and I had reservations about it back then.
In the end, I don’t know if I’ll ever watch any of these films again. If I do, it won’t be for a very long time. Maybe they’ll work better as a larger body of work but I doubt it with Rian Johnson’s big lame turd sitting smack in the middle of it. Honestly, it’s like a cat jumped on the table, took a shit in the middle of a mediocre pizza and you just decided to eat around it.
Assorted notes and gripes:
Watching the film, I was bombarded with a lot of WTF moments, these are the ones I remember. Maybe I should’ve taken notes.
-The opening crawl, immediately revealing Palpatine’s “resurrection” was cringe and the worst written opening crawl in the franchise.
-Who the fuck is manning all of Palpatine’s Star Destroyers?
-Why would the Star Destroyers break through thick ice to reveal themselves? There are hundreds of them and this seems like it would cause a lot of damage? And they’re already on a very hidden planet to begin with.
-Since Palpatine’s appearance isn’t explained but cloning is implied, am I just to assume that there’s only one Palpatine and not like 364?
-Lightspeed skipping? Really? And they land safely within a different planet’s atmosphere with every skip? Really? I’m no astrophysicist but I’d assume a planet’s atmosphere is a small percentage of a planet’s total structure and that planets themselves take up an insanely small amount of actual space in the universe, as a whole.
-“Hey Rose… you coming on the mission?” “Nah… I’m good, bro!”
-The group goes to outer space Burning Man… really?
-Don’t get me started on the jetpack trooper scene. That’s a clusterfuck of cringe and stupidity.
-I’m alright with the healing power but shouldn’t it drain Rey, even just a little bit. I mean, it fucking kills Kylo like two hours later.
-The Rey v. Kylo’s TIE Fighter scene was absolutely, unequivocally stupid. Just crush that shit with the Force, hoe!
-I guess Abrams views Droids as abused house pets.
-Gurl 1: “Not that you care but I think you’re okay.” Gurl 2: “I care.” Girl power! No lesbian kiss.
-So did C-3PO have red LED lights installed this whole time? Where were they when he was attempting to murder Jedi in Attack of the Clones?
-Rey doesn’t feel Chewie “die” on a ship that’s right in front of her. But then Rey feels that Chewie is alive when he’s much further away.
-Where’s Phasma? Is she really dead now? I thought she was Star Wars‘ version of Kenny from South Park.
-Are the Knights of Ren just laser sword thugs who don’t actually answer to Kylo Ren? Sith in training? Palpatine super soldiers? What the fuck are they?
-How does a billion year-old dagger line up with the wreckage of a Death Star that was built well after the dagger. And how was Rey lined up at the right angle and altitude to make it work? This was just a ripoff of the medallion from The Goonies and it was just stupid.
-I’ve lost count of the number of MacGuffins. I think there were five… maybe six? Is this a G.I. Joe miniseries from 1983? Nah… those were much better written.
-Weak as fuck lightsaber duels. Maybe the weakest in the entire franchise.
-Did Leia die because she called out to Kylo or was that just a perfect timing plot convenience?
-Harrison Ford? Why?
-Luke in 30 seconds was the Luke I wanted in the previous movie.
-Rey in a tiny X-Wing had to navigate through tight, dangerous, moving space corridors to reach the Palpatine planet but the Rebels’ big ass warships simply followed her path? It’s space, can’t they fly around that shit? What about the massive fucking armada of “regular people” that just shows up conveniently to win the war?
-Also, a militia of citizens overthrows a corrupt government by force. When did Hollywood become so blatantly pro-Second Amendment? I kid, Hollywood is just stupid.
-When they’re riding horses on the deck of a Star Destroyer, why doesn’t the ship just turn fucking sideways? It would’ve ended the war. One simple maneuver.
-The teleporting physical objects Force power is another lame plot convenience.
-What’s this random fucking Force Dyad thing? Abrams still thinks he’s making up stories with his toys in the bathtub.
-If Palpatine created Anakin and Anakin created Luke and Leia and Leia created Kylo Ren, all the while Rey is Palpatine’s granddaughter, isn’t their attraction kinda incest-y?
-I’d watch a Lando & Chewie in the Falcon movie.
-Why bury the lightsabers? A safe would be more secure.
-Why even take the Skywalker name and why did it take her so long to say it? Maybe because a part of her knew it was wrong to just take their name, their personal shit and Luke’s childhood home. Bitch, you ain’t in the will, that shit all goes to the state!
Rating: 6/10 Pairs well with: the other Disney era Star Wars movies.
Release Date: October 5th, 2017 (New York Film Festival) Directed by: Susan Lacy Cast: Steven Spielberg, George Lucas, Francis Ford Coppola, Martin Scorsese, Brian De Palma, Richard Dreyfuss, John Williams, J.J. Abrams, James Brolin, Bob Balaban, Tom Hanks, Drew Barrymore, Peter Coyote, Leonardo DiCaprio, Harrison Ford, Oprah Winfrey, Frank Marshall, Christian Bale, Liam Neeson, Ralph Fiennes, Ben Kingsley, Laura Dern, Jeff Goldblum, Robert Zemeckis, Cate Blanchett, Holly Hunter, Dustin Hoffman, Daniel Day-Lewis, Sally Field, Tom Cruise, Eric Bana, Daniel Craig
This was a pretty stellar documentary for fans of not just Steven Spielberg but filmmaking and film history in general.
It reminded me a lot of the 2001 documentary Stanley Kubrick: A Life In Pictures, in that this spent a lot of time breaking down most of the key movies in Spielberg’s oeuvre.
Every segment here was rich, detailed and featured interviews with some major directors, actors and producers. But the film also gets into Spielberg’s personal life and how real life experiences influenced his movies.
This was a lengthy documentary, just as the Kubrick one was and rightfully so. In fact, this could have been the length of a ten part, two hour apiece Ken Burns documentary and I still would have been fully engaged.
Spielberg’s career has been long and full of at least a dozen classic films that will be remembered forever. Each segment could’ve been it’s own documentary film and it actually kind of sucks that a few films were mentioned but not given as much detail, most notably A.I.: Artificial Intelligence, the Jurassic Park sequels and some of his production work like Back to the Future.
Still, this is pretty thorough and there is so much to unpack and take away from this. It is one of the best documentaries on a filmmaker’s life and career.
Rating: 9/10 Pairs well with: other documentaries on specific directors but this reminded me a lot of Stanley Kubrick: A Life In Pictures.
I haven’t watched these films in a few years. I catch glimpses of them from time to time as I am flipping through channels on cable but it has been at least five years since I’ve sat down and watched this trilogy in its entirety.
It is universally agreed upon that this trilogy was not on par with the original trilogy and many people have griped about these three films for well over a decade now. I knew they weren’t as good but I used to try and defend them, as I could look passed their faults because at least they were new Star Wars movies.
Having had a lot of time away from this series and being less enthusiastic than I probably should be about the upcoming Disney films, I can no longer defend the prequels in good conscience. They are what essentially killed the Star Wars magic inside of me, even if I didn’t want to see it at the time.
But let me address each one individually.
Star Wars: Episode I – The Phantom Menace (1999):
Release Date: May 25th, 1999 Directed by: George Lucas Written by: George Lucas Music by: John Williams Cast: Liam Neeson, Ewan McGregor, Natalie Portman, Jake Lloyd, Ian McDiarmid, Anthony Daniels, Kenny Baker, Pernilla August, Frank Oz, Samuel L. Jackson, Ahmed Best, Ray Park, Terence Stamp, Keira Knightley, Peter Serafinowicz, Sofia Coppola, Warwick Davis
Lucasfilm Ltd., 20th Century Fox, 133 Minutes
“I have a bad feeling about this.” – Obi-Wan Kenobi
The Phantom Menace is a bad film, plain and simple.
There are only a few good things even worth mentioning as positives.
To start, Liam Neeson and Ewan McGregor were great as Qui-Gon Jinn and Obi-Wan Kenobi. Also, Darth Maul is the most bad ass looking Sith of all-time. Unfortunately, Darth Maul has little screen time and meets his demise before this film is over and Qui-Gon and Obi-Wan have to share most of their scenes with any combination of the characters Jar Jar Binks, Anakin Skywalker and Padmé Amidala. All three of those characters, in this film and really all of the films, were mostly unbearable.
This installment into the Star Wars mega franchise was too full of political nonsense and pointless babble about stuff no one cares about. Sure, we’d like to know how the Galactic Empire came to be and how the Sith rose to power and conquered the Jedi but we didn’t need endless diatribes about details no one even remotely wanted to follow.
Also, take into account what this franchise was before this movie. You have now replaced terrifying and cool Storm Troopers with anorexic and bumbling Battle Droids. You replaced Rebel soldiers with thousands of Jar Jars and armed them with bubbles. You replaced X-wing Starfighters and TIE Fighters with awfully designed Naboo Starfighters and Vulture Droids. You replaced desolate and wild worlds with the Singapore Botanical Gardens. Everything about this film was wrong: in tone, in characters, in design, in total execution.
It was corny, cheesy, way too child friendly and full of more annoyances than things that are actually cool.
Fuck pod racing. Fuck midichlorians.
There really is nothing I like about this film other than the few things mentioned around paragraph two. And even then, they certainly aren’t enough to save this movie.
Rating: 6.5/10 Pairs well with: This specific Star Wars trilogy of films.
Star Wars: Episode II – Attack of the Clones (2002):
Release Date: May 12th, 2002 (Tribeca) Directed by: George Lucas Written by: George Lucas, Jonathan Hales Music by: John Williams Cast: Ewan McGregor, Natalie Portman, Hayden Christensen, Ian McDiarmid, Samuel L. Jackson, Christopher Lee, Anthony Daniels, Kenny Baker, Frank Oz, Jimmy Smits, Temuera Morrison, Joel Edgerton, Rose Byrne, Ahmed Best, Pernilla August, Liam Neeson
Lucasfilm Ltd., 20th Century Fox, 142 Minutes
“I’ve got a bad feeling about this.” – Anakin Skywalker
Attack of the Clones may be even worse than The Phantom Menace.
This film offers up a lot of the same as the previous. Luckily though, Jar Jar Binks has pretty limited screen time, as the backlash of that character was tremendous. In fact, I’ll be shocked if future Star Wars films even remotely show a Gungan.
The cool thing about this film is the inclusion of Jango Fett and the origin of his son, the uber popular and awesome Boba Fett. Also, Christoper Lee, one of my three favorite actors of all-time, shows up as the Sith Lord, Count Dooku.
This film should have been awesome. Well, for the first time ever, we get to see what happens when an army of Jedi fights together. While it was visually cool to see a bunch of Jedi light up a few dozen lightsabers, it happened against Battle Droids. You know, those clumsy metal comedians that the idiotic Gungans beat in the previous film. Somehow, now, they present a challenge to the best Jedi in the galaxy. Am I missing something here?
Also, one thing that has always bothered me about the Star Wars films was the ambiguous travel times. Never is it as much of a continuity problem, as it is here.
Look at the timeline of people traveling to Geonosis. Yoda shows up five minutes after Mace Windu, even though they both left Coruscant at the same time and Yoda had to make a pit stop at Kamino to pick up the Clone Army. Anakin and Padmé got there not too long before Windu because they knew Windu would not make it in time to stop Kenobi’s execution. However, Windu walks up just as the attempt at execution is going down. And Windu was walking casually slow. Had he tried not to look so cool, he could’ve probably beat the clock for sure.
This movie is a mess. Hayden Christensen and Natalie Portman’s acting during the Anakin and Padmé romance scenes was beyond painful to watch.
Rating: 5.5/10 Pairs well with: This specific Star Wars trilogy of films.
Star Wars: Episode III – Revenge of the Sith (2005):
Release Date: May 15th, 2005 (Cannes) Directed by: George Lucas Written by: George Lucas Music by: John Williams Cast: Ewan McGregor, Natalie Portman, Hayden Christensen, Ian McDiarmid, Samuel L. Jackson, Christopher Lee, Anthony Daniels, Kenny Baker, Frank Oz, Jimmy Smits, Peter Mayhew, Ahmed Best, Temuera Morrison, Joel Edgerton, Bruce Spence, Keisha Castle-Hughes, James Earl Jones, Bai Ling (scenes cut)
Lucasfilm Ltd., 20th Century Fox, 140 Minutes
“Oh, I have a bad feeling about this.” – Obi-Wan Kenobi
The third and final movie in the prequel trilogy is the best of the three. However, it still isn’t very good by Star Wars standards.
In this one, we see Anakin’s destiny reach full climax as, by film’s end, he becomes the iconic Darth Vader. Of course, the path to full Vaderdom is just more of the same bullshit that we’ve had to endure over multiple films now. And Hayden Christensen continues to give a wooden performance accented by Natalie Portman, who doesn’t even want to be there and Ewan McGregor, who is trying to be passionate with the shitty lines George Lucas gave him to speak.
This film solidifies just how stupid the Jedi Council is or just how bad of a writer that George Lucas is. Why are only two Jedi sent to rescue the Supreme Chancellor who is held hostage over Coruscant, the capital of the galaxy? I mean, there is a Jedi Temple full of Jedi below, even if many are off fighting on other planets. And why did Yoda and Obi-Wan not tag team Palpatine and then Anakin? And somehow, Yoda and Obi-Wan fought their battles at the same time, even though they took off for them simultaneously but one was down the street and the other was on the other side of the galaxy. Again, ambiguous travel times.
Count Dooku dies too early. General Grievous is a dumb villain and it is clear that instead of having long lasting iconic bad guys like Darth Vader, Lucas would rather give us Maul then Dooku then Grievous in an effort to sell more toys. Sacrifice the story, sell more shit.
Fuck this movie too.
Rating: 7.5/10 Pairs well with: This specific Star Wars trilogy of films.
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