Also known as: Border, Ripper (alternative German titles)
Release Date: May 16th, 1984 (Cannes)
Directed by: Abel Ferrara
Written by: Nicholas St. John
Music by: Dick Halligan, Joe Delia
Cast: Tom Berenger, Billy Dee Williams, Jack Scalia, Melanie Griffith, Michael V. Gazzo, Rossano Brazzi, Rae Dawn Chong, Janet Julian, John Foster, Maria Conchita Alonso, Joe Santos, Ola Ray, Tracy Griffith, Jan Murray
Rebecca Productions, Zupnik-Curtis Enterprises, Twentieth Century Fox, 95 Minutes
“[as Rossi drives off] There’s nothing I hate more than guineas in Cadillacs.” – Al Wheeler
I never saw this film but man, it was pretty damn cool. But when it stars Tom Berenger and Billy Dee Williams as two badasses at odds but hunting the same scumbag, why wouldn’t it be pretty damn cool?
It also stars Melanie Griffith during the best era of her career, just before things took off for her. The reason I like this era for her is that she did a lot of really cool flicks between this, Brian De Palma’s Body Double and the dystopian cyberpunk delight, Cherry 2000.
Griffith plays a stripper being hunted by a slasher type serial killer but she’s also joined by other good up-and-coming actresses also playing her stripper pals. Alongside her we get to see Rae Dawn Chong and Maria Conchita Alonso, two women that would go on to have a pretty good run throughout the ’80s and into the early ’90s.
At it’s core, this is a slasher flick. However, it’s not really a horror movie, as much as it is a crime thriller. It’s directed by Abel Ferrara, who previously directed the cult classic Driller Killer but would later go on to do The King of New York and Bad Lieutenant. This movie actually feels like a natural bridge between his gore littered slasher flick and his more serious crime dramas. Honestly, it mixes the best of both worlds and in my opinion, is probably Ferrara’s best movie even though most people have slept on it – myself included, until now.
If I’m being completely honest, I’ve actually never been a big fan of Ferrara’s work but this film is pretty solid. Granted, I need to revisit The King of New York, as it’s been a few decades since I’ve seen it.
Fear City is just energetic, provocative and ballsy. That’s what I love about it. It’s similar to the tone of a lot of the action movies that Cannon Films was putting out in the ’80s. It has that unapologetic grittiness to it with just a thick layer of cool.
I wish Abel Ferrara had made more movies like this.
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