Comic Review: Daredevil – Epic Collection: Heart of Darkness

Published: September 20th, 2017
Written by: Ann Nocenti, Mike Baron, Gerry Conway, Gregory Wright
Art by: John Romita Jr., Mark Bagley, Cam Kennedy, Rick Leonardi

Marvel Comics, 482 Pages

Review:

This covers a big chunk of the Ann Nocenti run, which ends about midway through the Daredevil – Epic Collection volume after this one.

I liked this about the same as I did the previous one, which kicked off the Nocenti era.

This collection of stories is a departure from what’s typical for the Daredevil character but I like that a lot, as it makes this era stand out with the character facing off against fantastical threats and also generally being outside of Hell’s Kitchen and New York City.

The big arc at the end of this stretch brings back Blackheart, in his second story, as well as his father, the more famous and more dangerous, Mephisto. I like the whole Daredevil vs. Mephisto thing, as it is just a cool test for the hero and there’s obvious similarities.

Overall, this was a great read and it reminds me of why I fell in love with this comic, in this era.

Rating: 9/10

Comic Review: Thor: The Deviants Saga

Published: July 25th, 2012
Written by: Robert Rodi
Art by: Stephen Segovia

Marvel Comics, 114 Pages

Review:

I missed this back when it came out but I looked forward to reading it, as I loved the original Thor and Eternals mega-event from the ’70s and because this came out on the heels of a great Thor run by J. Michael Straczynski (reviewed here).

However, I was pretty underwhelmed by this and even though it featured a pretty cool battle or two, the story had really disjointed pacing.

Sometimes this dragged and then sometimes it felt rushed.

It’s not a bad story and I did enjoy it for the most part but it also seems pretty forgettable and lacks the impact that previous Thor/Eternals stories have had.

This also features Ka-Zar, which was cool, as I enjoy that character, but it just seemed like a glorified cameo the writer wanted to work in.

The art in this is really good and it represents a time when Marvel was still giving work to the best artists out there. Tonally, it felt like everything else that branched out of the Straczynski run.

All in all, if you’re actually an Eternals fan, this isn’t a bad read and considering there isn’t a lot of Eternals material, compared to other Marvel heroes and teams, I guess you take what you can. Although, the important Eternals don’t even show up until the end.

Rating: 6/10

Comic Review: Daredevil – Epic Collection: A Touch of Typhoid

Published: January 13th, 2016
Written by: Ann Nocenti, Mike Baron, Fabian Nicieza
Art by: John Romita Jr., Ron Lim, Steve Ditko, Whilce Portacio

Marvel Comics, 465 Pages

Review:

The first issue of Daredevil that I ever picked up came from his stretch, collected here. This also covers about the first half of Ann Nocenti’s incredible Daredevil run. A run that sold me on the hero and made his comics ones that I would pickup monthly for years.

Other than the Typhoid Mary-centered issues, this is the first time that I’ve really reread Nocenti’s Daredevil material since the late ’80s/early ’90s.

Overall, this era is fucking great and if I’m being honest, I actually like it on the same level, if not more, than the Frank Miller era before it. While this can read lighter than Miller’s run, it still gets really damn dark and stays true to the core of what Daredevil became because of Miller.

What makes this even better and also keeps the tone right is the art by John Romita Jr. Even though I didn’t know it in 1989, when I first got hooked, Nocenti and Romita Jr. were one of the best creative duos of the time and certainly a better combination of writer and artist than Marvel has put together in modern times.

In my opinion, this is still Romita Jr.’s best work and the legacy he should hang his hat on. And yes, I say that knowing that he still works, today.

As far as the stories go, this starts with the debut of Typhoid Mary, which I’ve reviewed on its own (see here), but it also goes into some follow up stories with her character. This also happens during the major Inferno crossover event and sees Daredevil tie-up with demons and even Mephisto. In fact, the Mephisto-centric issue is one of the greatest Christmas comics ever produced.

This is just great. It’s one of the best stretches of my favorite comic book series. Revisiting it now didn’t leave me disappointed.

Rating: 9/10

Comic Review: X-Force – Epic Collection: Under the Gun

Published: March 22nd, 2017
Written by: Rob Liefeld, Fabian Nicieza, Todd McFarlane, various
Art by: Rob Liefeld, Greg Capullo, Todd McFarlane, Mike Mignola, Mark Pacella, Darick Robertson, Terry Shoemaker, various 

Marvel Comics, 463 Pages

Review:

Man, oh, f’n man… it’s been ages since I’ve read the Rob Liefeld era of X-Force. When I was a kid, I thought that this was the greatest new series Marvel had but I also think I was convincing myself of that, as Rob Liefeld was a hot commodity and I was also a fan of The New Mutants, which this was born out of. Besides, there was just so much hype at the time and I was at a pretty impressionable age.

Reading this now, I still found it really enjoyable and was surprised that I liked it as much as I did.

However, I also know that the story essentially came from Liefeld like bullet points and then it was handed to ace writer Fabian Nicieza, who actually wrote all the dialogue and massaged Liefeld’s notes into a usable script. After Liefeld left the series to co-found Image Comics, Nicieza stayed on as the writer and worked with other greats like Greg Capullo and Mike Mignola.

Now looking at the other side of this, creatively, the art isn’t great and even if I loved Liefeld when I was in 7th grade, I see the issues with his art much more clearly now. However, I don’t want to shit all over the guy like everyone else has done for years. I just notice the issues he has with anatomy and perspective.

It’s worth mentioning, though, that the art did improve once Liefeld stepped away, which happened about two-thirds into this collection.

As far as the story goes, I really got reinvested in this and want to keep reading it. Possibly beyond where I stopped when I was buying this month-after-month, which was about four or five years into the series.

Additionally, this also reminded me of how much I liked some of the long forgotten characters that were so cool in 1991. Characters like G.W. Bridge, Garrison Kane and the other people associated with them and Cable’s past.

Rating: 7.5/10

Comic Review: Wolverine: The Jungle Adventure

Published: 1989
Written by: Walt Simonson
Art by: Mike Mignola

Marvel Comics, 49 Pages

Review:

I have never read this comic and for that, I feel ashamed.

I love Wolverine, especially his solo adventures of this era, and The Jungle Adventure just features him and Apocalypse duking it out in the Savage Land. Well, there is a big twist to that fight but yes, Apocalypse is in this.

Also, it’s really damn cool seeing a Wolverine comic drawn by Mike Mignola, which wouldn’t have meant as much to elementary school me in 1989. However, I like looking at Mignola’s earlier work and seeing how its grown and evolved since, as he has one of the most unique and patented art styles in comics.

This is also written by Walter Simonson, who did a lot of great comics that I’ve loved for decades. Many of which I’ve returned to and re-read multiple times.

Additionally, this was one of those Marvel graphic novel one-shots. Those always had a harder edge to them, as they did things that they couldn’t do in the regular monthly comics.

All that being said, this is a near perfect storm of a lot of great things coming together in a very satisfying way.

This is a quick but engaging read. However, I still took my time with it as I wanted to absorb Mignola’s art.

In the end, this is now one of my favorite Marvel one-shot releases during their ’80s and ’90s graphic novel run. 

Rating: 8.25/10

Comic Review: Stars Wars – Omnibus: Quinlan Vos: Jedi In Darkness

Published: February 5th, 2015
Written by: Pat Mills, John Ostrander
Art by: Ramon F. Bachs, Christian Dalla Vecchia, Jan Duursema, Davide Fabbri, Guy Major
Based on: Star Wars by George Lucas

Dark Horse, Marvel Comics (reprinted), 509 Pages

Review:

Outside of the Star Wars films, Quinlan Vos is my favorite character. I first came across him during the Clone Wars era of the Dark Horse Star Wars comics between 2002 and 2005.

I guess, technically, he is in The Phantom Menace even though he is just a background character in one scene and originally, he was just some random dude that the character was later based off of. But he was set to appear in Revenge of the Sith and even got a name drop in the movie but his scene was left out of the film. Although, that scene did make it into the novelization.

This beefy collection of issues collects his earliest comic stories and I had fun reading this, as these were stories I missed, as they predate his Clone Wars tales.

While I didn’t like these as much as the Clone Wars stuff, which saw Vos infiltrate the Sith and stand alongside Count Dooku, I did enjoy these stories because it gives Vos’ backstory and shows you where he came from, who he is and also establishes his relationship with his padawan Aayla Secura.

Vos always interacted with the seedier parts of the Star Wars universe and that’s one of the things I always liked about him and his stories. In a lot of ways, he feels like Star Wars‘ version of ’80s Wolverine. He’s down to do dirt if he has to and you never really know if he’s truly a hero. Vos walks on the line and if anyone crosses him, they’re probably going to regret it.

Ultimately, this really reignited my love for this era of Star Wars in the comics and I really want to go back and read the Clone Wars stuff again. Maybe I will, in the near future.

Rating: 7.5/10

Comic Review: Nick Fury, Agent of S.H.I.E.L.D – Masterworks, Vol. 3

Published: February 15th, 2018
Written by: Jim Steranko, Gary Friedrich, Roy Thomas, Archie Goodwin, Ernie Hart, Steve Parkhouse
Art by: Jim Steranko, Frank Springer, Herb Trimpe, Barry Windsor-Smith, Dick Ayers, Sal Buscema

Marvel Comics, 309 Pages

Review:

I started with Masterworks, Vol. 3 because it is a collection of what’s considered to be the most beloved work featuring Nick Fury, as the solo star of his own stories.

This also takes the character, puts him in S.H.I.E.L.D. and makes him a cool, hip superspy, as opposed to a military hero on the battlefields of war.

Marvel, like everyone else at the time, wanted to capitalize off of the ’60s spy craze that started with the first James Bond film, Dr. No in 1962. That movie inspired its own sequels, a slew of rip-offs, parodies, pulp novels and comics. So, instead of creating a new character, Marvel reworked one that was already pretty popular but existed in a genre that was drying up.

A lot of this is written and has art done by Jim Steranko. A lot of people worked on the issues in this collection, though, but Steranko is the guy that has always been given most of the credit for this groovy reinvention of Nick Fury.

Tapping into the ’60s era spy genre, this is trippy and colorful and it stands out in a really unique way when compared to the other Marvel titles of the time. I love the hell out of the art and the style in these comics and it’s why I’ve picked up a lot of the single issues, over the years.

I was never as captivated by the stories, as much as I was by the visuals, however. But the stuff featuring Nick Fury fighting Hydra and the multi-issue arc pitting him against the Hate-Monger were really damn enjoyable.

I never got to read all of these issues and experience the bigger picture. I’m glad that I finally did, though, as it’s really different than what was the standard ’60s Marvel fare. Plus, it’s also infinitely better than anything Marvel’s doing these days.

Rating: 7.75/10

Comic Review: Thor by Kieron Gillen

Published: April 17th, 2019
Written by: Kieron Gillen
Art by: Doug Braithwaite, Richard Elson, Niko Henrichon, Jamie McKelvie, Billy Tan, Mico Suayan (cover)

Marvel Comics, 312 Pages

Review:

This stretch of Thor follows the incredible J. Michael Straczynski run and also happens alongside the Siege event.

Sadly, I wasn’t quite ready for Straczynski to hand over the reins, as he hadn’t finished the big plot threads that he started. However, Kieron Gillen did a pretty good job picking up where Straczynski left off while also having to work around Brian Michael Bendis’ Siege.

I thought that this was consistent with Straczynski’s tone and style. Although, the latter issues and Siege stuff started to go in different directions art-wise. None of it was bad but I found some sections to have too much contrast with the rest of the book.

The early parts of this deal with Doctor Doom’s plot against Asgard and you have a pretty good fight between Thor and Doom, who is wearing The Destroyer like a mecha-suit.

After there is closure from the Doom stuff, this shows the Siege event from different perspectives and then follows the fallout from that event, which shows Asgard get wrapped up in a plot by Mephisto.

While I enjoyed this pretty thoroughly, it didn’t “wow” me on the level of the Straczynski stories. Still, it also doesn’t torpedo what Straczynski created with his new take on this small pocket of the Marvel universe.

Rating: 8/10

Comic Review: Captain America – Epic Collection: Streets of Poison

Published: June 17th, 2015
Written by: Mark Gruenwald, D.G. Chichester, Randall Frenz, Fabian Nicieza, Dann Thomas, Roy Thomas
Art by: Larry Alexander, Mark Bagley, Ron Frenz, Don Hudson, Ron Lim, Mike Manley, Chris Marrinan, Jim Valentino, Ron Wilson

Marvel Comics, 493 Pages

Review:

I really liked the Streets of Poison storyline when I was a kid. I was also really pumped to jump right into this Epic Collection, as the previous one was pretty exceptional.

However, this didn’t read as good as it did when I was eleven years-old but lots of things don’t and that also doesn’t mean this was bad.

I like this era of Captain America and revisiting it makes me appreciate it even more, even if it’s not as perfect as I remembered it.

This kicks off with the Streets of Poison arc, which is highlighted by a fight between Red Skull and the Kingpin. I thought that this rivalry between the two villains and everything leading up to their fight was really solid. You had Crossbones trying to take out Kingpin with Bullseye trying to take out Red Skull and the two assassins having their own fight. Additionally, Captain America fights both of them as well.

My only real gripe about the story was how being exposed to drugs altered Cap’s behavior pretty immensely. It bonded with the super solider serum in his body and the only way to cure Cap was to remove his blood and fix the serum. However, Cap, being strongly anti-drug after this experience, rejected the serum and decided to move forward as a normal man and not the creation of a drug he took back in the 1940s.

Following Streets of Poison, we got the story of the Serpent Society abducting Diamondback and trying her for her crimes against the Society. King Cobra and his minions rule against Diamondback harshly but she survives her execution when Cap finds her. Diamondback’s allies within the Serpent Society leave the group as well and they start to establish themselves as a new heroic group.

There are a couple single issue stories weaved into the bigger tapestry, here. None of them were bad and they honestly just showed how solid the writing at Marvel was in this era.

Rating: 8.5/10