Original Run: April 3rd, 2010 – December 25th, 2013 Created by: Sydney Newman, C. E. Webber, Donald Wilson Directed by: various Written by: various Music by: Murray Gold Cast: Matt Smith, Karen Gillan, Arthur Darvill, Jenna Coleman, Alex Kingston
BBC, 44 Episodes, 45-77 Minutes (per episode)
When the era of the Tenth Doctor came to an end, it was a hard day. But then Matt Smith came on board as the Eleventh Doctor and right out the gate, even if I didn’t love him as much as David Tennant, he was, in many ways, an incredible Doctor.
I think the thing that makes this era of Doctor Who so damn good, is that the show had new blood calling the shots behind the scenes. Russell T. Davies moved on, the reigns were given to Steven Moffat and he did a great job in the first few seasons as show runner. Granted, his era went on for too long and it was pretty lackluster by the end but in the first two seasons of the Matt Smith era, almost every episode seemed to hit the right chords.
Additionally, this era had my favorite Doctor/companion relationship with Matt Smith’s Doctor and Karen Gillan and Arthur Darvill as the Ponds, Amy and Rory. Also, add in the great performances by Alex Kingston and this group of friends had the best ensemble chemistry out of any Doctor/companion/ensemble lineup in history. And really, it is absolutely the strength of that ensemble that makes this era so f’n spectacular.
Now once the Ponds leave the show and Jenna Coleman comes in as Clara, things sort of fall apart. Coleman was actually fun, in the beginning, and I liked her storyline up until Smith left Doctor Who behind. However, the second half of Smith’s final season, which focused on the Doctor and Clara instead of the Doctor and the Ponds, felt like a dark time in the show. I wasn’t sure why, at the time, but the tone was changing, leading up to Peter Capaldi’s run as the Twelfth Doctor and the era where the show really fell apart for me. In fact, it never really recovered after the exit of the Ponds, except for a handful of Kingston episodes after that.
Had the Eleventh Doctor’s run not have been so dark and almost depressing in the last eight or so episodes, it could have equaled and maybe surpassed Tennant’s run, overall.
Rating: 8.75/10 Pairs well with: The Ninth, Tenth and Twelfth Doctors’ runs.
Also known as: Terminator 5 (informal title) Release Date: June 21st, 2015 (Berlin premiere) Directed by: Alan Taylor Written by: Laeta Kalogridis, Patrick Lussier Based on: characters by James Cameron, Gale Anne Hurd Music by: Lorne Balfe Cast: Arnold Schwarzenegger, Jason Clarke, Emilia Clarke, Jai Courtney, J.K. Simmons, Dayo Okeniyi, Matt Smith, Courtney B. Vance, Lee Byung-hun
“God damn time traveling robots! Covering up their god damn tracks! I knew it.” – Detective O’Brien
*Written in 2015.
What a shitty movie. But it was, at certain moments, a fun movie.
To start, Terminator and Terminator 2: Judgment Day are classics and close to perfect blockbuster films. They are a measuring stick. However, just like every other film in the Terminator franchise after T2, this one doesn’t measure up.
Terminator 3: Rise of the Machines was horrendous, Terminator Salvation was dog shit and this one fits right alongside those two films. I would say that Terminator Genisys is the better of the bad films in the series and it at least attempts to be more inventive and original than the other bad sequels.
The saving grace of this film is Arnold Schwarzenegger. He is great as always in this role, he seems comfortable as this character and his wit and humor are perfect. Granted, the one liners and quips aren’t as great as they were in T2 but maybe that is because T2 is the first time anyone experienced a humorous T-800 and it has been a staple in pop culture now for 24 years. I loved every time that the T-800 was on screen in this film but he was underutilized and overshadowed by the other iconic characters, who were generally portrayed poorly.
Another positive is Jai Courtney, who I enjoyed in something for the first time. Playing Kyle Reese isn’t an easy task and he did fall short of living up to the iconic status Michael Biehn gave to that role. That’s not Courtney’s fault, however, and no one else that has taken on that role has succeeded. I didn’t hate him in this, so I guess that’s a plus.
Jason Clarke was okay as John Connor but I don’t even know who John Connor is anymore and I have watched all the films and portions of the television show featuring the character. The problem is that John Connor isn’t a character people can relate to, as every time you see him, he is played by a different actor – seven, in fact, and that isn’t even counting video games or infant actors. And every actor plays him completely different. Clarke plays it safe and gives us a generic sort of future hero turned suped-up robo-villain. Yes, John Connor is the villain. That plot point was ruined in the trailer and would have been a much bigger and better reveal had the studio not spoiled their own film with desperate marketing.
Emilia Clarke, who I don’t think is related to the aforementioned Jason Clarke, plays Sarah Connor. Clarke, who is most famous for sad eyes, great boobs and playing with dragons, walked into a role that set her up to fail. I wouldn’t say that she is a great actress by any means, at least she hasn’t wowed me yet, and her portrayal of Sarah Connor didn’t help her case. I can’t blame her though, as she had immense shoes to fill with what Linda Hamilton did with the role. Clarke just couldn’t pull off that badass bitch shtick anywhere near as close as Hamilton did.
Now J.K. Simmons, let’s talk about him. The guy is great in everything he does, whether as J. Jonah Jameson in the original Spider-Man films or as the guy in the Farmers Insurance commercials. He was awesome in this film but like Schwarzenegger, was a bright spot that was underutilized.
I was glad to see Matt Smith find work in a big film now that his Doctor Who run has ended. He was barely in the film but he was in a pretty pivotal role, even if that role evolved into being the face and shape of Skynet’s evil yet lame A.I. – now renamed Genisys, which was just some Trojan horse in the guise of a smartphone app everyone in the film was obsessing over.
And that brings me to the plot. While the film took a different route, it was pretty weak. There were multiple timelines, shifting timelines, lots of time traveling and the T-800 giving clunky explanations of the science in the film. It is just one of those movies where you need to embrace suspension of disbelief and just not think too hard about it. Just roll with it or you’ll go mad. Although, I wouldn’t mind seeing Schwarzenegger giving physics talks or having a science show where he explains complex concepts poorly.
Also in the realm of bad science was the physics of the film. Just watch the big helicopter battle, which is the major action sequence before the big climax. Actually, just watch the whole film, there are several times you’ll see things happen that are physically impossible. And why did they have to flip the school bus? And it would never flip like that. Ever since the infamous semi-flipping scene in 2008’s The Dark Knight, blockbusters have been trying to recreate that magic moment.
The special effects in this film are a combination of spectacular and atrocious. The scene with the MRI machine ripping apart John Connor was beautiful and just looked amazing. Then there was the helicopter chase scene that looked like a bad cartoon, completely ignoring physics, plausibility and came off as rushed and unrefined.
I thought the score was pretty good but the iconic Terminator theme never blasted through the theater speakers in its full glory. Well, not until the credits rolled. Talk about a wasted opportunity.
The problem with this film and all the films and television shows in this franchise after Terminator 2: Judgment Day, is that there isn’t a real continuity from film to film. The plots completely shift things around, the actors are never the same and you just don’t care about these characters or events because everything that happens in these movies is easily wiped away and rewritten with each new installment. It makes all the previous work sort of moot. It also disrespects what the previous filmmakers have done before it.
At face value, this is mediocre film with some good effects that is a fun ride. But it is a “one and done” fun ride. I’ll never have the urge to watch this again, as I have never watched any film in this franchise more than once since T2. For the record, I watch T2 almost annually, if not more so.
I had higher hopes for Terminator Genisys, especially since James Cameron, the director of the first two films and the creator of the franchise, gave this one the thumbs up. But maybe, like John Connor, he’s no longer the hero.
Rating: 5.25/10 Pairs well with: The other Terminator movies but is better paired to the films after Terminator 2 a.k.a. the shitty ones.
This is a hard list to compile, as I haven’t disliked a single Doctor in the long history of Doctor Who. However, some were better than others and this is my attempt to quantify that in some fashion.
Just because someone ranks in at the bottom spot, doesn’t mean they weren’t worthy of the role. The people behind the show have always done a great job in finding people that fit The Doctor.
Some of the ones at the bottom are also only there because they made only a few appearances and didn’t have the time to really shine in the role over a season or more.
1. Fourth Doctor (Tom Baker)
2. Tenth Doctor (David Tennant)
3. Third Doctor (Jon Pertwee)
4. Twelfth Doctor (Peter Capaldi)
5. Fifth Doctor (Peter Davison)
6. Seventh Doctor (Sylvester McCoy)
7. Eleventh Doctor (Matt Smith)
8. Second Doctor (Patrick Troughton)
9. Ninth Doctor (Christopher Eccleston)
10. Sixth Doctor (Colin Baker)
11. First Doctor (William Hartnell)
12. Movie Doctor (Peter Cushing)
13. Eighth Doctor (Paul McGann)
14. War Doctor (John Hurt)
Release Date: May 20th, 2014 (Cannes) Directed by: Ryan Gosling Written by: Ryan Gosling Music by: Johnny Jewel Cast: Christina Hendricks, Saoirse Ronan, Iain De Caestecker, Matt Smith, Eva Mendes, Ben Mendelsohn, Barbara Steele
Bold Films, Marc Platt Productions, Phantasma, Warner Bros. Pictures, 95 Minutes
Ryan Gosling was never an actor I cared for either way. He did some decent indy films but was mostly associated with romance flicks and being a former member of the Mickey Mouse Club alongside Britney Spears, Christina Aguilera and Justin Timberlake. He was a guy that was just kind of there and not really on my radar.
Then he starred in Nicolas Winding Refn’s Drive and I was pretty intrigued by him. No, not like all those ladies who swoon over The Notebook but because there was just something about his presence in that film, despite him being a very quiet character.
He went on to do some other really interesting films and also worked with Refn again in the polarizing Only God Forgives. So when, shortly after seeing that movie, I heard that Gosling was writing and directing something, I was pretty intrigued. I’d had hoped that some of what he learned working with the accomplished Refn, would rub off.
Initially, Lost River was met with a lot of negative reviews. It was kind of off-putting when I saw the critical response to the film, after it was shown at Cannes. However, Refn’s Only God Forgives was lambasted by many and I liked that film regardless of the critical consensus. I also don’t take critics responses too seriously and some of the best films, historically speaking, were trashed when they first came out.
While I really liked Gosling’s Lost River, I don’t see it as being a historically important film. That is, unless Gosling goes on to make some really amazing films and this one goes on to be remembered as his first in a line of visual stunning and trippy pictures.
Lost River is kind of an homage of Refn’s visual style, which Gosling probably became comfortable with mimicking after being immersed in it while filming two visually alluring films. It also has a sort of David Lynch bizarreness to it.
One thing that must be pointed out, is that the music was great. Johnny Jewel developed a really good score for this picture and it blended well, weaving in and out of this well-balanced mixture of darkness and vibrant colors.
The acting in the picture is solid but the characters, although relatable, don’t at all feel fleshed out enough. I thought Matt Smith, most famous for being the bow-tie-wearing eleventh Doctor in the Doctor Who franchise, was pretty stellar as the unstable, creepy and appropriately named Bully. He was just an evil and extremely violent force of nature that had a very threatening and terrifying presence every time he was on-screen. Saoirse Ronan and Iain De Caestecker did a pretty fine job with their roles too. However, as much as I have always loved Christina Hendricks, her character felt the flattest, even though she had some of the most interesting material in the film.
Lost River is a pretty uncomfortable movie that reflects some really dark parts of life but it also never dismisses hope or a way out for its characters. It is beautiful to look at and it is interesting enough to keep you engaged for an hour and a half.
The critics can obviously say what they want, but for a directorial debut, Ryan Gosling gave us a real human story with a good message that was visually fulfilling. While this didn’t knock the ball out of the park, it was pretty deep in the outfield. For a debut film, there aren’t very many directors that can say that.
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