Also known as: Léon (original title), The Professional (alternative title) Release Date: September 14th, 1994 (France, Mexico) Directed by: Luc Besson Written by: Luc Besson Music by: Eric Serra Cast: Jean Reno, Natalie Portman, Gary Oldman, Danny Aiello, Michael Badalucco
Gaumont, Les Films du Dauphin, Columbia Pictures, 110 Minutes
“I don’t wanna lose you, Léon.” – Matilda, “You’re not going to lose me. You’ve given me a taste for life. I wanna be happy. Sleep in a bed, have roots. And you’ll never be alone again, Matilda. Please, go now, baby, go. Calm down, I’ll meet you at Tony’s in an hour, I love you, now go, go now.” – Léon
While I need to rewatch The Fifth Element in the very near future because I surprisingly haven’t reviewed it yet, I’d have to say that Léon: The Professional is probably my favorite Luc Besson movie.
I first saw this when it came out to rent on VHS and upon seeing it, I had wished that I actually got to experience it on the big screen.
The four main actors in this are phenomenal. Jean Reno is perfectly cast and this is still the greatest thing that I’ve seen him do. Natalie Portman proved, at a very young age, that she had what it took to carve out a pretty stellar career, which she has. Gary Oldman absolutely shined as the movie’s antagonist and came across as a legitimately intimidating, psychotic, piece of shit. Danny Aiello wasn’t in the picture for more than a few scenes but he came across as the real veteran, making those who shared scenes with him even better. I especially liked the exchange between Aiello and Portman.
What’s really odd for me, at least, is that I’ve never been a big Portman fan and I think a lot of that stems from what felt like disinterest in some of the roles she’s played like in the Star Wars and Thor movies she’s done. But here, she is impressive and fully displayed her talent and how good she can be when she cares about the material she has to work with.
This is a violent but tender movie and the fact that it is able to balance the two things so perfectly is what makes it really damn good.
Additionally, the hitman stuff comes across as authentic and genuine. I love the opening of the movie, which shows you how great Léon is at his job. The action is intense and, at times, over the top and stylized for a greater cinematic effect but everything in the movie still feels real and plausible.
I also like the coming of age stuff and how Matilda is entering her teen years, having to deal with that, while also having to survive her family being murdered and essentially being on the run from a very dangerous madman with a police force at his disposal.
There are just a lot of layers to this movie but everything comes together so wonderfully. The fact that it’s so well acted and meticulously directed also makes it a film worthy of its strong cult status.
Release Date: December 6th, 1995 (Burbank premiere) Directed by: Michael Mann Written by: Michael Mann Music by: Elliot Goldenthal Cast: Al Pacino, Robert De Niro, Tom Sizemore, Diane Venora, Amy Brenneman, Ashley Judd, Mykelti Williamson, Wes Studi, Ted Levine, Jon Voight, Val Kilmer, Dennis Haysbert, William Fichtner, Natalie Portman, Tom Noonan, Kevin Gage, Hank Azaria, Danny Trejo, Henry Rollins, Tone Loc, Ricky Harris, Jeremy Piven, Xander Berkeley, Martin Ferrero, Bud Cort (uncredited)
Forward Pass, New Regency Productions, Warner Bros., 170 Minutes
“You know, we are sitting here, you and I, like a couple of regular fellas. You do what you do, and I do what I gotta do. And now that we’ve been face to face, if I’m there and I gotta put you away, I won’t like it. But I tell you, if it’s between you and some poor bastard whose wife you’re gonna turn into a widow, brother, you are going down.” – Vincent Hanna, “There is a flip side to that coin. What if you do got me boxed in and I gotta put you down? Cause no matter what, you will not get in my way. We’ve been face to face, yeah. But I will not hesitate. Not for a second.” – Neil McCauley
I saw this movie in the theater on a date during my junior year of high school. I think that my then-girlfriend was really annoyed because she wanted something “long and boring” so that we could fool around in the back row. Unfortunately, for her… this movie grabbed my attention and I couldn’t look away from it from start-to-finish.
Heat just clutches onto you immediately with the armored truck heist and how shit in that heist goes sideways, even though the criminal gang does successfully pull it off. The whole sequence was just absolute perfection, though, and it set a really, really high bar for the rest of the picture. However, that high bar would be surpassed with the bank robbery that starts the third act of the movie.
Never has there been a better bank robbery sequence on-screen. At least, I’ve never seen one and I’ve seen many. It’s just cinematic perfection. I love the way it’s shot, the way everything played out, the lack of any music and the absolute intensity of the rapid gunfire, as the criminals and the cops turn downtown Los Angeles into a literal warzone for several minutes. The tension building of the robbery itself, just before the bad guys hit the streets, was incredible!
Apart from these stupendous heist sequences, the film is full of great scene after great scene. Credit really should go to everyone involved in the movie, though.
The cast is one of the most talented ever assembled in this movie’s era and the direction by Michael Mann was damn near perfect. Mann’s pacing, visual style and tone all closely matched what he did with the original Miami Vice television series and the film Manhunter. While this lacked the ’80s panache it was still very stylized and just felt like a more refined and updated version of what I see as the patented Michael Mann style.
For a film that’s just under three hours, there isn’t really a dull moment in this thing. Every scene matters and even the most minute shit ends up having some sort of impact on the story or the characters within.
As I’m getting older, my attention span is getting worse and sometimes, sitting down to watch a movie this long is a real turnoff. I’m also surrounded by distractions and it’s hard to give a lengthy picture like this my full attention. However, Heat is so damn solid, all the way through, that it’s damn near impossible not to get lost in it.
And when you get to that first scene between Pacino and De Niro, you will feel chills. I still do and I’ve probably seen this a half dozen times over the years.
Release Date: December 11th, 2005 (Austin Butt-Numb-A-Thon) Directed by: James McTeigue Written by: The Wachowskis Based on:V for Vendetta by Alan Moore, David Lloyd Music by: Dario Marianelli Cast: Hugo Weaving, Natalie Portman, Stephen Rea, John Hurt, Stephen Fry, Rupert Graves
Anarchos Productions Inc., DC/Vertigo Comics, Medienboard Berlin-Brandenburg, Fünfte Babelsberg Film GmbH, Silver Pictures, Virtual Studios, Warner Bros., 132 Minutes
“People should not be afraid of their governments. Governments should be afraid of their people.” – V
While this is a film that kind of blew me away in early 2006, when it hit regular theaters, it doesn’t have quite the same effect on me now. Maybe it’s because I’m older and my views on the world have evolved, allowing me to see through the simplistic, good versus evil formula that this story employs.
It’s still a damn good movie and it’s hard not to pull for the heroes as they stick it to real fascism in an Orwellian type of world but its solutions to the problem aren’t really solutions and they’re kind of juvenile and reckless.
And honestly, is it really a film about smashing fascism or is it a film about a guy simply out for personal revenge and using his theatrics to inspire regular people to put themselves in danger in an effort to get him what he selfishly wants?
Either way you chop it up, it’s still an entertaining film that leaves the audience with a lot to ponder and for fans to discuss till the end of time. Hopefully, those can be rational discussions as we now live in a world where shitbirds want to burn everything down because, “ermahgerd ferscism ers baaahd!”
The film is perfectly acted and I’m saying that as one who rarely likes Natalie Portman. She is great in this and so is everyone else. Hugo Weaving is the real glue that holds it all together, though, and he was able to give the performance of a lifetime while fully obscured by a mask and a cloak.
Since it’s been so long since I’ve seen this, I forgot how much it deviated from the original story and after having recently read it, I’m not sure why, as the structure and story of the comic seemed more effective to me. Some of these alterations are major, like all the TV station stuff. I guess it makes sense for the film but it wasn’t necessary in the grander scheme of things and it makes me wish that this were more of a beat-for-beat adaptation like Watchmen mostly was.
This is a story that would probably work better as a television series. Granted, nowadays it’d be butchered and reworked into some sort of weird amalgamation of shit like the Watchmen TV series but the comic is paced in a way that would work better in an episodic format over ten or so episodes.
As a film, however, this mostly works. I feel like it succeeded at generating the emotion and weight that it needed but some things were left out and could have made it even more effective.
In the end, it’s still solid, looks great and it showcased incredible acting performances from its stars.
Rating: 8/10 Pairs well with: the comic it’s based on, as well as all the Watchmen comics and film.
Release Date: April 22nd, 2019 (Los Angeles premiere) Directed by: Anthony Russo, Joe Russo Written by: Christopher Markus, Stephen McFeely Based on:The Avengers by Stan Lee, Jack Kirby Music by: Alan Silvestri Cast: Robert Downey Jr., Chris Evans, Chris Hemsworth, Chris Pratt, Mark Ruffalo, Scarlett Johansson, Jeremy Renner, Paul Rudd, Brie Larson, Sebastian Stan, Anthony Mackie, Don Cheadle, Jeremy Renner, Chadwick Boseman, Elizabeth Olsen, Tom Holland, Benedict Cumberbatch, Danai Gurira, Letitia Wright, Dave Bautista, Zoe Saldana, Josh Brolin, Tom Hiddleston, Benedict Wong, Pom Klementieff, Karen Gillan, Vin Diesel, Bradley Cooper, Gwyneth Paltrow, William Hurt, Cobie Smulders, Samuel L. Jackson, Ross Marquand, Jon Favreau, Marisa Tomei, Evangeline Lilly, Michael Douglas, Michelle Pfeiffer, Linda Cardellini, Tessa Thompson, Rene Russo, John Slattery, Tilda Swinton, Hayley Atwell, Natalie Portman, Taika Waititi, Angela Bassett, Frank Grillo, Robert Redford, Ty Simpkins, James D’Arcy, Ken Jeong, Yvette Nichole Brown
Marvel Studios, Walt Disney Studios, 181 Minutes
“You could not live with your own failure, and where did that bring you? Back to me.” – Thanos
*There be spoilers here! But I kept it as minimal as possible.
Here we are… the end.
Well, it’s the end of an era but not the end of the Marvel Cinematic Universe. Although, this may be the end for me, as there isn’t much else I’m looking forward to from the MCU after Endgame. Granted, there hasn’t been much news on what’s coming next, either.
But anyway, how was this film? The big, badass finale to a 22 movie franchise?
It was good but it wasn’t anything close to stellar.
My biggest issue with it was that it was a pretty big clusterfuck that had too many parts to try and balance. Where the previous film Infinity War did that just fine, Endgame had so many more extra layers thrown on top of it that it was overkill. I mean every single character that had any sort of significant impact on MCU storylines over 22 films ended up shoehorned into this thing. Even Natalie Portman, who wanted nothing to do with these movies after being in two of them and dialing in a mediocre performance both times.
Also, the time travel element to the story did a bunch of things that didn’t make sense and they also pissed on Back to the Future because it’s easier to shit on a classic (and its fictitious application of quantum physics) than to actually write a coherent time travel story of your own. Endgame opted to go the lazy Doctor Who “timey wimey” route than to concern itself with paradoxes and all that other catastrophic nonsense. They even kill a version of a character from the past and it in no way effects the present version of that same character.
The big battle at the end was the most epic thing that the Marvel Cinematic Universe has done but what should have felt like Marvel’s version of The Return of the King felt more like Ready Player Two. It was a CGI shitfest and I’m not even sure how Spider-Man was web-swinging on a large, open battlefield where the only objects above him were fast moving spaceships going in the opposite of the direction he was swinging in. But whatever, physics is hard, brah.
I liked that this film gave us some closure for some major characters. Granted, I’m not all that happy with what that closure was but like Chris Evans and Robert Downey Jr., I’m also very, very tired of this franchise. I feel like Endgame really is a jumping off point for fans that have rode this train for 11 years that feel like they need a break. I feel like I need a break and even if my mind was made up before this film, Endgame really solidified it.
Although, I am a bit excited for whatever happens with the Guardians of the Galaxy and Thor. As for the rest of the characters and their films, I don’t really care. I think I’m only really enthused about cosmic Marvel and not Earth Marvel, at this point.
Almost all of the acting was damn good, especially in regards to Robert Downey Jr., Karen Gillan, Jeremy Renner and Scarlett Johansson.
Brie Larson on the other hand is a fucking charisma vacuum and every time she was on screen, I felt like I was looking at a first time community theater actress trying to play Nurse Ratched. And the Justin Bieber makeover was terrible. That scene where she blew up the ship and floated there, victoriously, just made me yearn for someone, anyone else to be in that role. My brain immediately thought, “Man, imagine if that was Charlize Theron, the theater would’ve just erupted instead of everyone just sitting here sucking loudly on empty soda cups.” I’m not wrong, I rarely ever am.
Anyway, the movie was messy but it had some really good moments. But this isn’t a movie that can stand on its own. You need the previous 21 films for context or all of this would be lost on you. Sure, it’s emotional and some bits are powerful but without 11 years of context, the weight isn’t there. And I prefer to judge films on their own merits as a sole body of work and not as an episode of a TV show or a chapter in a book. But at the same time, there is no way you can recap everything before this, as this film series is now too damn big.
Well, it’s over I guess. In 2008, it was hard imagining this day. But here it is. And I’m tired.
Rating: 7.75/10 Pairs well with: Everything in the MCU before this film, as it all leads up to this one.
Release Date: December 12th, 1996 (Hollywood premiere) Directed by: Tim Burton Written by: Jonathan Gems Based on:Mars Attacks by Topps Music by: Danny Elfman Cast: Jack Nicholson, Glenn Close, Annette Bening, Pierce Brosnan, Danny DeVito, Martin Short, Sarah Jessica Parker, Michael J. Fox, Rod Steiger, Tom Jones, Lukas Haas, Natalie Portman, Jim Brown, Lisa Marie, Sylvia Sidney, Jack Black, Christina Applegate, Pam Grier, Paul Winfield, Joe Don Baker, O-Lan Jones, Ray J, Joseph Maher, Frank Welker (voice)
Tim Burton Productions, Warner Bros., 107 Minutes
“They blew up Congress! Ha ha ha ha!” – Grandma Florence Norris
While this isn’t one of Tim Burton’s most popular films, it is one of my favorites and I feel like it missed its mark because it’s not the type of film that would resonate with most people.
Mars Attacks! came out in late 1996, not too long after Independence Day ruled American culture that same summer. Maybe people were confused that this was a ripoff of it or that one big alien invasion movie was enough to digest but either way, I don’t think people realized that this was vastly different and sort of a parody of the genre while also being an incredible live action adaptation of the Mars Attacks trading cards that Topps put out in the 1960s. It’s like those who were kids in the ’60s no longer cared and the teens of the ’90s didn’t know the reference.
Still, this is a hilarious romp starring dozens of top notch celebrities where not a single one of them is actually safe. I mean, these Martians murder Congress, the President and even try to crush a troop of Cub Scouts with the Washington Monument. They are sick, sadistic and really, just friggin’ awesome. They are also voiced by Frank Welker, the guy who gave life to Megatron from the original and still greatest Transformers cartoon.
By the star power that this movie has, it’s clear that Hollywood got the joke and appreciated it even if audiences didn’t flock to see this. Still, it wasn’t a massive failure, by any means. It did fairly well but not as well as what Warner Bros. was probably hoping for with Tim Burton being a mega earner for the studio. While it took some time, the film did earn back the $100 million that was put into it. It was considered a box office bomb in the United States but it fared much better internationally.
This is one of the most hysterical films of the ’90s put out by a major studio. The humor is perfect, the tone is great and it pokes fun at so many different facets of Americana that it almost feels like it was written by Trey Parker and Matt Stone.
The special effects look dated but they looked sort of cheesy in the mid ’90s. The film was supposed to have a hokey, old school vibe to it though. Really, the effects are great and they work for what this picture is. It’s not Independence Day and didn’t need to take itself as seriously in the visual effects department.
From a stylistic standpoint, the film really has a timeless feel to it. It merges modern style with ’50s and ’60s style in a seamless way that gives this film a magical quality.
Additionally, this picture boasts one of my favorite Danny Elfman scores of all-time. The theme is powerful and perfect and really fits that old school Elfman sound. Frankly, watching this film makes me appreciate and miss the quality of Burton and Elfman’s old school collaborations.
What really resonates with me is how this film balances comedy with how dark it actually is. It’s an absurd picture in the best way possible and shows that Tim Burton really has a dark sense of humor. Well, Beetlejuice was really effective in showing that aspect of Burton as well.
Mars Attacks! was underappreciated when it came out in 1996. It is still underappreciated today, as people that like to list out their favorite Tim Burton films always have this near the bottom of the list. Like I said, it isn’t for everyone but Burton fans, who understand Burton’s influences, should really love this picture.
Rating: 8.25/10 Pairs well with: Tim Burton’s Ed Wood, Joe Dante’s Matinee and alien invasion B-movies of the ’50s.
Release Date: October 22nd, 2013 (London premiere) Directed by: Alan Taylor Written by: Christopher Yost, Stephen McFeely, Christopher Markus, Don Payne, Robert Rodat Based on:The Mighty Thor by Stan Lee, Larry Lieber, Jack Kirby Music by: Brian Tyler Cast: Chris Hemsworth, Tom Hiddleston, Christopher Eccleston, Natalie Portman, Stellan Skarsgård, Idris Elba, Kat Dennings, Rene Russo, Anthony Hopkins, Ray Stevenson, Tadanobu Asano, Jaimie Alexander, Adewale Akinnuoye-Agbaje, Zachary Levi, Alice Krige, Chris O’Dowd, Richard Brake, Benicio del Toro (cameo), Chris Evans (cameo)
Marvel Studios, Walt Disney Studios, 112 Minutes
“I will tell Father you died with honor.” – Thor, “I didn’t do it for him.” – Loki
Unlike the other films in the Marvel Cinematic Universe that I have revisited lately, Thor: The Dark World wasn’t as good as my memories of it.
I do remember being pretty fond of it when it came out but it just doesn’t seem to fit well within the overall MCU when you take what came after it into context. Sure, it gives us the red Infinity Stone but not much else here is all that important. But I guess seeing Thor and Loki play off of one another is always, at the very least, amusing.
In the end, this is the worst of the three Thor movies. But it is not all that bad. It’s certainly better than The Incredible Hulk and Avengers: The Age of Ultron. It’s just a film that wasn’t all that necessary. The relationship between Thor and Jane doesn’t matter after this movie, the secondary characters are sort of forgotten except for Dr. Erik Selvig (Stellan Skarsgård), who at least makes one more appearance.
This was just a movie where no one really seemed to be all that into it except for the actors playing Asgardians. Hemsworth was great as Thor, Hiddleston is perfection as Loki and Odin is a commanding Odin. Natalie Portman obviously didn’t want to be in this and acted as such. Christopher Eccleston, who I was excited about seeing as the villain, just dialed in his performance and is one of the most forgettable MCU villains to date.
The film was dry, mostly boring and even the fantasy worlds that they traveled to weren’t very imaginative or fun. Other than Asgard, all the other realms in this just looked as bland, dry and awful as a sand sandwich.
The Earth stuff was all overcast and rainy. I know that this takes place in London but c’mon… the magical realms were dark desert; Earth was grey industrial wetness. This isn’t an exciting film to look at.
While I guess it was about time for Marvel to introduce the Infinity Stones (or at least more than one), there are better ways this could have been done. Sure, I wanted a second Thor movie and it would have been a good place to bring in a new Stone but the execution here was lackluster. This whole thing should have been rewritten.
For a film about traversing through magical realms, outer space and battling fantastical shit, Thor: The Dark World felt very small and confined.
Rating: 6.75/10 Pairs well with:Thor, The Avengers and Thor: Ragnarok
Release Date: April 17th, 2011 (Sydney premiere) Directed by: Kenneth Branagh Written by: Ashley Edward Miller, Zack Stentz, Don Payne, J. Michael Straczynski, Mark Protosevich Based on:The Mighty Thor by Stan Lee, Larry Lieber, Jack Kirby Music by: Patrick Doyle Cast: Chris Hemsworth, Tom Hiddleston, Natalie Portman, Stellan Skarsgård, Colm Feore, Idris Elba, Kat Dennings, Rene Russo, Anthony Hopkins, Ray Stevenson, Tadanobu Asano, Josh Dallas, Jaimie Alexander, Clark Gregg, Samuel L. Jackson, Jeremy Renner
Marvel Studios, Paramount Pictures, 114 Minutes
“I never wanted the throne, I only ever wanted to be your equal!” – Loki
As I am reworking my way through all of the Marvel Cinematic Universe films in preparation for Avengers: Infinity War, in about a month, I was really looking forward to revisiting the first Thor.
While I thought that Thor: Ragnarok was maybe the best Marvel film to date, a part of me wanted to go back and watch the two Thor pictures before it. Sure, I knew they wouldn’t be as good as Ragnarok but I absolutely adore Hemsworth’s Thor more than any other hero in the larger Avengers franchise. And yeah, I’ve been a massive Robert Downey, Jr. fan my entire life.
It’s not just Hemsworth’s Thor that makes these films a really fun experience though. A lot of credit has to go to Tom Hiddleston’s Loki, who is, by far, the best villain in the Marvel Cinematic Universe. Granted, he’s not a total villain and may be more of an ally in the films now but he was certainly an evil force in the early films. No other villain has had his presence, his charisma and his longevity. Every other villain is essentially a one-off castaway. There’s a reason as to why Hiddleston doesn’t simply disappear like all the others.
The Thor movies also have an incredible ensemble of people. But then they also have Natalie Portman, who I’ve never been much of a fan of and frankly, she didn’t really enjoy doing these movies anyway and more or less didn’t want to do the second one and got herself written out of the third. But the loss of Portman also caused Kat Dennings to be written out. Really, she was more entertaining and probably would’ve worked better as Thor’s girl because the banter between the characters would have been more fun than the boring and lazy Portman.
Anyway, we see Thor banished from Asgard because he pissed off Odin, his father. He has to prove himself and his worth in order to be allowed back into his home realm. He meets Jane, a scientist, and her crew. Thor’s first mission is to retrieve his magic hammer, Mjolnir. He then must fight Destroyer and eventually confront his brother Loki, who has deceived him throughout the events of the story.
We get the return of Clark Gregg’s Agent Coulson, as well as a cameo by Sam Jackson’s Nick Fury and the debut of Jeremy Renner’s Hawkeye.
This feels like a smaller film than what Marvel puts out now. But I like the smaller feel. The world of heroes hadn’t yet expanded to where it would, a few films after this one. This is a cozy origin tale and really is a stark contrast to what we would all see in Thor: Ragnarok. Plus, the Asgard side of the story is broad enough to not feel like you have cabin fever sitting in a small desert town the entire movie.
Rating: 7.75/10 Pairs well with:Thor: Dark World and Thor: Ragnarok. Also, The Avengers, as that’s the next time that Thor would show up.
I haven’t watched these films in a few years. I catch glimpses of them from time to time as I am flipping through channels on cable but it has been at least five years since I’ve sat down and watched this trilogy in its entirety.
It is universally agreed upon that this trilogy was not on par with the original trilogy and many people have griped about these three films for well over a decade now. I knew they weren’t as good but I used to try and defend them, as I could look passed their faults because at least they were new Star Wars movies.
Having had a lot of time away from this series and being less enthusiastic than I probably should be about the upcoming Disney films, I can no longer defend the prequels in good conscience. They are what essentially killed the Star Wars magic inside of me, even if I didn’t want to see it at the time.
But let me address each one individually.
Star Wars: Episode I – The Phantom Menace (1999):
Release Date: May 25th, 1999 Directed by: George Lucas Written by: George Lucas Music by: John Williams Cast: Liam Neeson, Ewan McGregor, Natalie Portman, Jake Lloyd, Ian McDiarmid, Anthony Daniels, Kenny Baker, Pernilla August, Frank Oz, Samuel L. Jackson, Ahmed Best, Ray Park, Terence Stamp, Keira Knightley, Peter Serafinowicz, Sofia Coppola, Warwick Davis
Lucasfilm Ltd., 20th Century Fox, 133 Minutes
“I have a bad feeling about this.” – Obi-Wan Kenobi
The Phantom Menace is a bad film, plain and simple.
There are only a few good things even worth mentioning as positives.
To start, Liam Neeson and Ewan McGregor were great as Qui-Gon Jinn and Obi-Wan Kenobi. Also, Darth Maul is the most bad ass looking Sith of all-time. Unfortunately, Darth Maul has little screen time and meets his demise before this film is over and Qui-Gon and Obi-Wan have to share most of their scenes with any combination of the characters Jar Jar Binks, Anakin Skywalker and Padmé Amidala. All three of those characters, in this film and really all of the films, were mostly unbearable.
This installment into the Star Wars mega franchise was too full of political nonsense and pointless babble about stuff no one cares about. Sure, we’d like to know how the Galactic Empire came to be and how the Sith rose to power and conquered the Jedi but we didn’t need endless diatribes about details no one even remotely wanted to follow.
Also, take into account what this franchise was before this movie. You have now replaced terrifying and cool Storm Troopers with anorexic and bumbling Battle Droids. You replaced Rebel soldiers with thousands of Jar Jars and armed them with bubbles. You replaced X-wing Starfighters and TIE Fighters with awfully designed Naboo Starfighters and Vulture Droids. You replaced desolate and wild worlds with the Singapore Botanical Gardens. Everything about this film was wrong: in tone, in characters, in design, in total execution.
It was corny, cheesy, way too child friendly and full of more annoyances than things that are actually cool.
Fuck pod racing. Fuck midichlorians.
There really is nothing I like about this film other than the few things mentioned around paragraph two. And even then, they certainly aren’t enough to save this movie.
Rating: 6.5/10 Pairs well with: This specific Star Wars trilogy of films.
Star Wars: Episode II – Attack of the Clones (2002):
Release Date: May 12th, 2002 (Tribeca) Directed by: George Lucas Written by: George Lucas, Jonathan Hales Music by: John Williams Cast: Ewan McGregor, Natalie Portman, Hayden Christensen, Ian McDiarmid, Samuel L. Jackson, Christopher Lee, Anthony Daniels, Kenny Baker, Frank Oz, Jimmy Smits, Temuera Morrison, Joel Edgerton, Rose Byrne, Ahmed Best, Pernilla August, Liam Neeson
Lucasfilm Ltd., 20th Century Fox, 142 Minutes
“I’ve got a bad feeling about this.” – Anakin Skywalker
Attack of the Clones may be even worse than The Phantom Menace.
This film offers up a lot of the same as the previous. Luckily though, Jar Jar Binks has pretty limited screen time, as the backlash of that character was tremendous. In fact, I’ll be shocked if future Star Wars films even remotely show a Gungan.
The cool thing about this film is the inclusion of Jango Fett and the origin of his son, the uber popular and awesome Boba Fett. Also, Christoper Lee, one of my three favorite actors of all-time, shows up as the Sith Lord, Count Dooku.
This film should have been awesome. Well, for the first time ever, we get to see what happens when an army of Jedi fights together. While it was visually cool to see a bunch of Jedi light up a few dozen lightsabers, it happened against Battle Droids. You know, those clumsy metal comedians that the idiotic Gungans beat in the previous film. Somehow, now, they present a challenge to the best Jedi in the galaxy. Am I missing something here?
Also, one thing that has always bothered me about the Star Wars films was the ambiguous travel times. Never is it as much of a continuity problem, as it is here.
Look at the timeline of people traveling to Geonosis. Yoda shows up five minutes after Mace Windu, even though they both left Coruscant at the same time and Yoda had to make a pit stop at Kamino to pick up the Clone Army. Anakin and Padmé got there not too long before Windu because they knew Windu would not make it in time to stop Kenobi’s execution. However, Windu walks up just as the attempt at execution is going down. And Windu was walking casually slow. Had he tried not to look so cool, he could’ve probably beat the clock for sure.
This movie is a mess. Hayden Christensen and Natalie Portman’s acting during the Anakin and Padmé romance scenes was beyond painful to watch.
Rating: 5.5/10 Pairs well with: This specific Star Wars trilogy of films.
Star Wars: Episode III – Revenge of the Sith (2005):
Release Date: May 15th, 2005 (Cannes) Directed by: George Lucas Written by: George Lucas Music by: John Williams Cast: Ewan McGregor, Natalie Portman, Hayden Christensen, Ian McDiarmid, Samuel L. Jackson, Christopher Lee, Anthony Daniels, Kenny Baker, Frank Oz, Jimmy Smits, Peter Mayhew, Ahmed Best, Temuera Morrison, Joel Edgerton, Bruce Spence, Keisha Castle-Hughes, James Earl Jones, Bai Ling (scenes cut)
Lucasfilm Ltd., 20th Century Fox, 140 Minutes
“Oh, I have a bad feeling about this.” – Obi-Wan Kenobi
The third and final movie in the prequel trilogy is the best of the three. However, it still isn’t very good by Star Wars standards.
In this one, we see Anakin’s destiny reach full climax as, by film’s end, he becomes the iconic Darth Vader. Of course, the path to full Vaderdom is just more of the same bullshit that we’ve had to endure over multiple films now. And Hayden Christensen continues to give a wooden performance accented by Natalie Portman, who doesn’t even want to be there and Ewan McGregor, who is trying to be passionate with the shitty lines George Lucas gave him to speak.
This film solidifies just how stupid the Jedi Council is or just how bad of a writer that George Lucas is. Why are only two Jedi sent to rescue the Supreme Chancellor who is held hostage over Coruscant, the capital of the galaxy? I mean, there is a Jedi Temple full of Jedi below, even if many are off fighting on other planets. And why did Yoda and Obi-Wan not tag team Palpatine and then Anakin? And somehow, Yoda and Obi-Wan fought their battles at the same time, even though they took off for them simultaneously but one was down the street and the other was on the other side of the galaxy. Again, ambiguous travel times.
Count Dooku dies too early. General Grievous is a dumb villain and it is clear that instead of having long lasting iconic bad guys like Darth Vader, Lucas would rather give us Maul then Dooku then Grievous in an effort to sell more toys. Sacrifice the story, sell more shit.
Fuck this movie too.
Rating: 7.5/10 Pairs well with: This specific Star Wars trilogy of films.
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