Film Review: Pirates of the Caribbean: At World’s End (2007)

Also known as: P.O.T.C. 3 (promotional abbreviation), Pirates 3 (informal short title), Pirates of the Caribbean 3 (working title)
Release Date: May 19th, 2007 (Anaheim premiere)
Directed by: Gore Verbinski
Written by: Ted Elliott, Terry Rossio
Based on: Pirates of the Caribbean by Walt Disney, characters by Ted Elliott, Terry Rossio, Stuart Beattie, Jay Wolpert
Music by: Hans Zimmer
Cast: Johnny Depp, Orlando Bloom, Keira Knightley, Geoffrey Rush, Stellan Skarsgård, Bill Nighy, Chow Yun-fat, Jonathan Pryce, Jack Davenport, Kevin R. McNally, Lee Arenberg, Mackenzie Crook, Naomie Harris, Tom Hollander, Keith Richards

Second Mate Productions, Jerry Bruckheimer Films, Walt Disney Pictures, 169 Minutes, 128 Minutes (censored Chinese version)

Review:

“You will listen to me! Listen! The other ships will still be looking to us, to the Black Pearl, to lead, and what will they see? Frightened bilgerats aboard a derelict ship? No, no they will see free men and freedom! And what the enemy will see, they will see the flash of our cannons, and they will hear the ringing of our swords, and they will know what we can do! By the sweat of our brow and the strength of our backs and the courage in our hearts! Gentlemen, hoist the colors!” – Elizabeth Swan

One of the three films had to be the worst one of the original trilogy and well, this is it. Regardless of that fact, it’s still one hell of an adventure movie that hits the right notes and sends these characters off with a well-deserved bang.

Had this been the actual end, people would’ve had a much brighter and appreciative view of the Pirates of the Caribbean film franchise. However, Disney’s gotta be Disney and they couldn’t leave well enough alone and stop while they were ahead.

Regardless of the films that followed, this was a close to prefect ending to the original three pictures and it brings everything full circle in a great way and finished the job of developing the main characters stupendously, making them some of the greatest characters in motion picture history, especially in regards to blockbuster cinema.

Johnny Depp’s Captain Jack Sparrow is just as good as ever but the real treat of this movie is seeing the story of Will Turner and Elizabeth Swan come to a close. Sure, they have a cameo years later, but this really ends their story, as I’m assuming the cameo won’t lead to anything now that Disney wants to do a female reboot of the franchise. *cough* Good luck with that, Disney.

I liked seeing how the characters of Will and Elizabeth evolved from children in the beginning of the first movie, to a solid, badass couple that essentially saved the oceanic world by the end of this picture. It’s especially great seeing how perfect Elizabeth evolved, as she leaves this chapter as an incredibly strong, independent woman that an entire armada saw as a real leader.

The original Pirates trilogy should be a primer on how to make a great female character that isn’t a cookie cutter Mary Sue. Maybe J. J. Abrams and Rian Johnson should’ve watched these films before farting out the Disney Star Wars trilogy.

Anyway, this is the most over-the-top, insane Pirates movie of the lot but it all leads to an incredible final battle that sees the Black Pearl and the Flying Dutchman go to all out war while being sucked down into Calypso’s maelstrom a.k.a. a massive whirlpool. 

I also really liked how they explored Bill Nighy’s Davy Jones even more, getting into his personal turmoil that shaped him into a monster and set him off on an extremely dark path. His story is handled with such great care, though, that it’s hard not to relate to him and his pain. But it’s also fantastic finally seeing him meet his end.

Additionally, I loved how this movie built up the already established mythos and expanded the Pirates universe pretty immensely. I didn’t necessarily dig every new thing they tried to do but it worked for this story and how it ended.

The thing that hits me the hardest in these films, however, is the story of James Norrington. What a fantastic and spectacular character arc! The guy goes through so much over the course of the three films, trying to do what he thinks is right, only to sacrifice himself, quite selflessly and courageously, for the woman he loves but knows he can never have. I fucking love that guy and he doesn’t get enough respect due to how he’s never really the biggest thing onscreen.

In the end, this is one solid movie (and trilogy) that is probably much better than it should have been. I have to tip my hat to Gore Verbinski’s superb direction, as well as just how great the actors were. I wish we could have more Pirates movies as good as the first three but that ship has most assuredly sailed.

Rating: 9.25/10
Pairs well with: the other Pirates of the Caribbean movies, especially the original trilogy.

Film Review: Pirates of the Caribbean: Dead Man’s Chest (2006)

Also known as: Pirates of the Caribbean 2 (working title), P.O.T.C. 2 (promotional abbreviation), Pirates 2 (informal short title)
Release Date: June 24th, 2006 (Anaheim premiere)
Directed by: Gore Verbinski
Written by: Ted Elliott, Terry Rossio
Based on: Pirates of the Caribbean by Walt Disney, characters by Ted Elliott, Terry Rossio, Stuart Beattie, Jay Wolpert
Music by: Hans Zimmer
Cast: Johnny Depp, Orlando Bloom, Keira Knightley, Stellan Skarsgård, Bill Nighy, Jonathan Pryce, Jack Davenport, Kevin R. McNally, Lee Arenberg, Mackenzie Crook, Naomie Harris, Tom Hollander, Geoffrey Rush (uncredited) 

Second Mate Productions, Jerry Bruckheimer Films, Walt Disney Pictures, 151 Minutes

Review:

“There will come a time when you have a chance to do the right thing.” – Elizabeth Swan, “I love those moments. I like to wave at them as they pass by.” – Jack Sparrow

Man, this movie was so good and I found myself asking myself, “Why the hell don’t you fire up these movies more often, dummy?!”

While the first Pirates of the Caribbean flick is the best of the lot, this one is still a damn fine adventure movie with the right balance of swashbuckling, really cool lore and fun, complex characters that have immense chemistry with one another and superhuman levels of pure, unadulterated charisma.

The only real downside of this film is that Barbosa is only in it for about 5 seconds but if I’m being honest, you really don’t notice because everything before that ending cliffhanger is great.

The film picks up where the last one left off and we see Will Turner and Elizabeth Swan have their wedding day ruined by a government douchebag that wants to have them executed for helping Captain Jack Sparrow escape at the end of the first movie. This sets Will on a mission to find Jack Sparrow and to retrieve his magic compass for the shitty bureaucrat.

Pirates films can’t be that simple though, so we see our characters chase multiple MacGuffins for multiple reasons and we get a well-layered plot where everyone wants this film’s treasures for their own reasons. Jack wants to escape the curse of Davy Jones, Will wants to save Elizabeth and his father, Elizabeth wants to save Will, Norrington wants to redeem himself and Barbosa’s former stooges just want the treasure because they’re f’n pirates.

The film also introduces Bill Nighy as the physical embodiment of Davy Jones, one of the coolest onscreen villains in motion picture history, as well as the kaiju-like beast, The Kraken.

I’ve heard some people complain that the plot is too complex and hard to follow but I disagree. Each character is well-defined and their personal motivations are made pretty clear. And even though you feel you know them and understand them, there are still some surprises, twists, turns and double-crosses that only enrich the story and the series as a whole.

The film also has incredible special effects and it’s obvious that Disney didn’t waste a penny making this movie. Just the amount of time that had to go into Davy Jones and his crew must’ve been insane and a really painstaking process. But that hard work and time paid off, as the effects are near perfect and help to make this a more fantastical picture than the previous one.

This chapter in the series also brought in Hans Zimmer to score the music. While he uses the iconic themes of the previous movie, he builds off of them and provides his own brilliant original compositions that don’t betray the work done by the previous composer and in fact, enhances it.

There are so many stellar sequences in this film but the three-way sword fight between Jack, Will and Norrington is, hands down, one of the greatest swashbuckling moments in motion picture history.

Additionally, the whole cannibal island segment of the film was cinematic perfection. While it does get pretty slapstick-y, it doesn’t feel out of place or too hokey. I’ve said elsewhere that Depp’s Sparrow is his generation’s version of Chaplin’s The Tramp and that comparison seemed even more clear to me after revisiting this chapter.

Dead Man’s Chest is a great film. While it falls short of The Curse of the Black Pearl, it does so just barely. In fact, the only thing that really works against it is that it’s the first part of a two-parter and isn’t its own self-contained story.

Rating: 9.5/10
Pairs well with: the other Pirates of the Caribbean movies, especially the original trilogy.

Film Review: Pirates of the Caribbean: The Curse of the Black Pearl (2003)

Also known as: Pirates of the Caribbean (working title), P.O.T.C. (promotional abbreviation)
Release Date: June 28th, 2003 (Disneyland premiere)
Directed by: Gore Verbinski
Written by: Ted Elliott, Terry Rossio, Stuart Beattie, Jay Wolpert
Based on: Pirates of the Caribbean by Walt Disney
Music by: Klaus Badelt
Cast: Johnny Depp, Geoffrey Rush, Orlando Bloom, Keira Knightley, Jonathan Pryce, Jack Davenport, Kevin R. McNally, Lee Arenberg, Mackenzie Crook, Zoe Saldana

Jerry Bruckheimer Films, Walt Disney Pictures, 143 Minutes

Review:

“This is the day you will always remember as the day you almost caught Captain Jack Sparrow!” – Jack Sparrow

I’ve wanted to revisit the original Pirates of the Caribbean trilogy for quite some time but as is apparent for those of you who read this site regularly, I watch a lot of stuff and usually cover film series in their entirety with one review per week scheduled in before moving on to another franchise. So since I had a lot on the docket before these pictures, it took some time to catch up and get reacquainted with them. Especially, since I’ve been working through all the major comic book movie film series.

I’ve also already reviewed the Pirates films after the original trilogy.

Revisiting this one was a lot of fun, though. I’ve always considered it the best film of the lot and I still think that’s true. It’s pretty much a perfect adventure movie that really hearkens back to the great swashbuckling films of yore, as well as the live-action blockbusters Disney made in the ’50s and ’60s.

This is highly energetic from start to finish without a dull moment or a wasted frame of film. And while the plot takes many twists and turns, this still feels less complicated than the other Pirates pictures. The objective of the film is made clear and this rich world is established and built up in a pretty effective way.

The film is well-balanced on every level between it’s world building, it’s character development, the adventure itself, the supernatural and fantastical elements, the comedic and jovial tone, as well as its big action sequences.

I generally enjoy Gore Verbinski’s directorial work but this is still his magnum opus. That doesn’t necessarily mean he peaked early, it just means that the guy has immense talent and he really made an exceptional film really early on in his career. Frankly, I’m surprised that he doesn’t actually direct films more often than he does.

Johnny Depp is the scene stealer in this picture but that should come as no surprise, considering how talented the guy has been from day one. Also, for younger fans, it may be hard to envision a world before Captain Jack Sparrow but seeing this character come to life back in 2003 was an incredible experience. Truthfully, no one else could have given us this Jack Sparrow and the character very much is Johnny Depp’s regardless of what was on paper before he took the role.

Orlando Bloom and Keira Knightley are also solid but my favorite person besides Depp is Geoffrey Rush. It’s like he was born to play a bastard of a pirate. His character, Hector Barbosa, is my favorite in the film series, as he has an incredible story arc despite his “death” in this picture. He grew to become just as important to these films as Depp’s Sparrow and he also became a more fleshed out, complex character with each new chapter in the film series.

Moving beyond the acting and directing, the film has incredible special effects that have aged pretty well, as we’re nearly twenty years into the future from when this was first released. God, that’ll make anyone feel old.

Out of all the movies in the series, this has the best story and it’s the best picture of the lot. It’s a movie that succeeded in what it set out to do and it’s perfect in every way.

I only wish it would’ve brought the swashbuckling genre back to prominence beyond just its own sequels.

Rating: 10/10
Pairs well with: the other Pirates of the Caribbean movies, especially the original trilogy.

Vids I Dig 338: Filmento: ‘Pirates of the Caribbean: At World’s End’: How to Build the Perfect Action Sequence

From Filmento’s YouTube description: With Birds of Prey Harley Quinn failing at being an impostor Jack Sparrow, let’s travel back in time to take a look at the real Captain Jack Sparrow, this time in the trilogy conclusion, At World’s End. While this movie might not be the most flawless movie overall, when it comes to the maelstrom ship battle action sequence at the very end with the Black Pearl going against the Flying Dutchman and Davy Jones, it does shine bright. Not only is it a great action set-piece, it’s one of the greatest action set-pieces of all time. In today’s Film Perfection, let’s see what narrative elements it uses to make that happen. For a brief moment, let’s return to a better time when Johnny Depp was still Captain Jack Sparrow and things were great. Here’s hoping for one more, Pirates of the Caribbean 6 with him.

Vids I Dig 189: Filmento: ‘Pirates of the Caribbean: Dead Man’s Chest’: How to Build the Perfect Plot

From Filmento’s YouTube description: Turns out Pirates of the Caribbean: Dead Man’s Chest is the original Avengers Infinity War, in more ways than one. But if there is a single thing that connects these two films the most, it’s the incredibly strong way they handle plot. In today’s family friendly episode of Film Perfection let’s return to the one and only Jack Sparrow (and not the Dead Men Tell No Tales impostor Jack Sparrow) and Pirates 2 to see what plot is exactly and how to handle it properly. And returning is all we can do, because looks like Pirates of the Caribbean 6 isn’t coming fellas/fellarettes.

TV Review: Carnival Row (2019- )

Original Run: August 30th, 2019 – current
Created by: Rene Echevarria, Travis Beacham
Directed by: various
Written by: various
Based on: A Killing On Carnival Row by Travis Beacham
Music by: Nathan Barr
Cast: Orlando Bloom, Cara Delevingne, Simon McBurney, Tamzin Merchant, David Gyasi, Andrew Gower, Karla Crome, Arty Froushan, Indira Varma, Jared Harris, Alice Krige

Siesta Productions, Legendary Television, Amazon Studios, 8 Episodes (so far), 5-67 Minutes (per episode)

Review:

It took a few episodes for this show to kind of hit any sort of stride. Around episode three or so, I thought I would like it, as it was coming together in an interesting way.

However, I couldn’t finish the first season and it was only eight episodes.

The problem with this show is not that it deals with political and social issues, it’s that it bashes you in the face with them, again and again. It’s so heavy-handed that I don’t even know how it can physically lift its arms to hit its audience and clobber them with narratives and tropes that feel extremely outdated and tired.

That being said, the acting is pretty damn good and this is a really good looking show in regards to its atmosphere, special effects and its rich world. But all that is destroyed by its predictable and tiresome agenda.

Carnival Row is a show that thinks its audience is stupid. It thinks it needs to spell everything out for you constantly because you’re not smart enough to connect dots and understand metaphors. It has to hold your hand like you’re an idiot toddler and drag you through its woke muck.

This feels like it was written by first year film school students with an axe to grind but their professor was too scared to tell them that they’re making trash because college kids today will just get them fired with a hashtag whether or not there is actually just cause in doing so.

Color me disappointed. I saw the trailer, thought this looked really interesting and I was on a high after Amazon Studios just gave us The Boys. Also, I like Orlando Bloom, Cara Delevingne and Jared Harris. But they aren’t able to make this even remotely palatable in its full form.

Rating: 4/10
Pairs well with: other modern fantasy television, none of which I’m crazy about.

Film Review: The Lord of the Rings: The Return of the King (2003)

Release Date: December 1st, 2003 (Wellington, New Zealand premiere)
Directed by: Peter Jackson
Written by: Fran Walsh, Philippa Boyens, Peter Jackson
Based on: The Return of the King by J.R.R. Tolkien
Music by: Howard Shore
Cast: Elijah Wood, Ian McKellen, Liv Tyler, Viggo Mortensen, Sean Astin, Cate Blanchett, John Rhys-Davies, Billy Boyd, Dominic Monaghan, Orlando Bloom, Hugo Weaving, Andy Serkis, David Wenham, Karl Urban, Miranda Otto, Bernard Hill, Ian Holm, Christopher Lee (Extended Edition only), Brad Dourif (Extended Edition only), Bruce Spence (Extended Edition only), Sean Bean (Extended Edition only)

New Line Cinema, WingNut Films, The Saul Zaentz Company, 201 Minutes, 254 Minutes (DVD Extended Edition), 263 Minutes (Blu-ray Extended Edition), 192 Minutes (DVD Widescreen Edition)

Review:

“Hold your ground, hold your ground! Sons of Gondor, of Rohan, my brothers! I see in your eyes the same fear that would take the heart of me. A day may come when the courage of men fails, when we forsake our friends and break all bonds of fellowship, but it is not this day. An hour of wolves and shattered shields, when the age of men comes crashing down! But it is not this day! This day we fight! By all that you hold dear on this good Earth, I bid you stand, Men of the West!” – Aragorn

Having taken a break from seeing this for several years helped me look at this film, and the two before it, much more objectively. I loved this film when it came out and I watched the Extended Editions of all three films almost monthly for a few years. But I actually haven’t seen this now since before the first Hobbit movie came out in 2012.

My biggest takeaway from seeing it now is that this is a perfect film, at least in the form of the Extended Edition. There’s nothing I would change, add or take away from it. It is a great adaptation that took a few liberties but all those liberties worked and made this a richer story in a cinematic sense.

The acting is superb and everyone in this film was at the top of their game. But really, there are two actors who carried this film, Viggo Mortensen and Sean Astin. Mortensen was the perfect choice for Aragorn and if you aren’t willing to follow him into battle after watching this movie, you might be dead inside.

However, Sean Astin is the real star of this chapter in the franchise. As Samwise Gamgee, he is the true hero that sees things through. When Frodo, the one chosen to bear the burden of the ring is emotionally and physically drained, it is Sam who carries on, getting Frodo to the finish line by literally carrying him on his back up a flaming volcano. It’s one of the most badass and touching moments in motion picture history and really, all the credit has to go to Astin for just how damn good he was in this film. Where the hell was the Oscar nomination? I know that this was nominated for eleven Academy Awards and won all eleven but it was short one for Astin’s performance.

I also can’t deny the greatness that was Ian McKellen’s Gandalf in this chapter.

The special effects are still top notch and at the time that this came out, this film had the best effects of all-time. Everything was great over the course of all three movies but the grandiose scale of this epic picture called for a massive amount of effects work. Everything was executed masterfully and it’s almost unbelievable to think that these movies came out just a year apart from each other.

This is a story about friendship, honor and loyalty and it’s hard to think of a better example of these things in any other film. The Return of the King knocks it out of the park in that regard and is pretty inspirational because of it. It taps into the best qualities of human nature, overcomes immense adversity and sees hope and goodness succeed in the face of enormous and seemingly unconquerable darkness.

Again, The Return of the King is a pillar of perfection. It’s so good that I wish I could give it an 11 out of 10 rating.

Rating: 10/10
Pairs well with: the other two Lord of the Rings films, as well as The Hobbit trilogy.

Film Review: The Lord of the Rings: The Two Towers (2002)

Release Date: December 5th, 2002 (New York City premiere)
Directed by: Peter Jackson
Written by: Fran Walsh, Philippa Boyens, Stephen Sinclair, Peter Jackson
Based on: The Two Towers by J.R.R. Tolkien
Music by: Howard Shore
Cast: Elijah Wood, Ian McKellen, Liv Tyler, Viggo Mortensen, Sean Astin, Cate Blanchett, John Rhys-Davies, Billy Boyd, Dominic Monaghan, Orlando Bloom, Christopher Lee, Hugo Weaving, Sean Bean (Extended Edition), Andy Serkis, David Wenham, Brad Dourif, Karl Urban, Miranda Otto, Bernard Hill

New Line Cinema, WingNut Films, The Saul Zaentz Company, 179 Minutes, 235 Minutes (DVD Extended Edition), 228 Minutes (Blu-ray Extended Edition), 171 Minutes (DVD Widescreen Edition)

Review:

“From the lowest dungeon to the highest peak I fought with the Balrog of Morgoth… Until at last I threw down my enemy and smote his ruin upon the mountain side… Darkness took me, and I strayed out of thought and time… The stars wheeled overhead, and every day was as long as a life age of the earth… But it was not the end. I felt life in me again. I’ve been sent back until my task is done.” – Gandalf

I have seen all of these movies probably a dozen times but it has been several years now since revisiting them. From memory, I always thought of The Two Towers as the weakest of the trilogy but it is still a masterpiece and a perfect film for what it is: a bridge between the beginning and the end.

It also ups the ante quite a bit and is more epic in scale, as the two final battles alone are bigger than anything we saw in the first film, apart from the intro that showed the fall of Sauron millennia earlier.

But, really, the climax to this motion picture is absolutely amazing. If you are a fan of epic battles, this does not disappoint. If you are a fan of fantasy, this should definitely satisfy your palate.

All the key players are back and that includes Sean Bean’s Boromir, who died in the previous movie. Granted, he is only in a couple of flashbacks in the Extended Edition but it’s great to see him and to get more context in regards to how Gondor is run and the relationship between Boromir, Faramir and their father.

The return of Gandalf and the shift in power away from Saruman and to him is a really great moment that helps turn the tide towards the light. Ian McKellan was superb and his character’s evolution was incredible. The continuation of his battle with the Balrog is one of my favorite cinematic moments of all-time.

It is Viggo Mortensen who steals the show, however. While he was great in the first picture and was perfectly cast, he truly shines here and anyone watching this film would want to follow him, which is great considering what his role is in the goings on of Middle Earth and how this series ends in the following film.

If you are going to watch these films, you should always watch the Extended Editions, as they provide more story, better context and a heftier helping of the meat and potatoes. The Extended Edition of The Two Towers offers a lot of extra footage that isn’t in the original theatrical version. It isn’t so much that it makes it a different film but it certainly makes it a better one.

The Two Towers is perfect. It is a masterpiece like the other two pictures in the trilogy. It is the weakest, sure, but I’d rather be the weakest film in this trilogy than the best film in the Transformers series.

Rating: 10/10
Pairs well with: the other two Lord of the Rings films, as well as The Hobbit trilogy.

Film Review: The Lord of the Rings: The Fellowship of the Ring (2001)

Release Date: December 10th, 2001 (London premiere)
Directed by: Peter Jackson
Written by: Fran Walsh, Philippa Boyens, Peter Jackson
Based on: The Fellowship of the Ring by J.R.R. Tolkien
Music by: Howard Shore
Cast: Elijah Wood, Ian McKellen, Liv Tyler, Viggo Mortensen, Sean Astin, Cate Blanchett, John Rhys-Davies, Billy Boyd, Dominic Monaghan, Orlando Bloom, Christopher Lee, Hugo Weaving, Sean Bean, Ian Holm, Andy Serkis, Sala Baker, Peter Jackson (cameo)

New Line Cinema, WingNut Films, The Saul Zaentz Company, 178 Minutes, 208 Minutes (DVD Extended Edition), 228 Minutes (Blu-ray Extended Edition), 171 Minutes (DVD Widescreen Edition)

Review:

“[Gandalf is standing on the bridge, in front of the Balrog] You cannot pass! I am a servant of the Secret Fire, wielder of the Flame of Anor. The dark fire will not avail you, Flame of Udun! Go back to the shadow. You shall not pass!” – Gandalf

This was a definite treat to revisit, especially since I just revisited The Hobbit trilogy beforehand. I wanted to watch them in chronological order for the first time but having now seen this again, a film I have probably seen a dozen times already, I have an even greater appreciation for it, as it’s truly perfection.

Unlike those Hobbit movies, The Fellowship of the Ring and its two sequels, didn’t have identity issues. It has a consistent tone throughout and it knows exactly what it needs to be and how to accomplish that. This was Peter Jackson at his absolute best and this is a timeless movie and will continue to be for generations.

Being that this was the first major live action adaptation of J.R.R. Tolkien’s work, makes its level of perfection something truly special and a feat that proves that the impossible can be possible. I should state, though, that the Soviets and the Finnish did their own live action adaptations before this but no one has really seen them and they weren’t done with the resources and budget that allowed this story to really live and breathe the right way.

I’ve tried to think of negatives for the sake of this review but the acting is superb, the directing and cinematography are flawless and the special effects are better than anything else that predates this film. Also, the issues that exist with The Hobbit films don’t exist with this one.

We have real human beings in prosthetics and makeup as the orcs and goblins. Also, the film isn’t afraid to rely on some other practical effects. Sure, there is CGI galore but the film doesn’t default to it and it’s why this looks better than The Hobbit films, which started coming out 11 years later.

The best thing about this film is its spirit. You immediately care about these characters, all of them, they mesh well pretty exceptionally, and none of them look stupid like most of the dwarves in The Hobbit. Gimli, the main dwarf in this story, looks like a real character and not a cartoon caricature.

Also, you care about the journey and how it is taking a toll on everyone in the party. You feel their emotions, their stress and their burden in seeing things through no matter what the cost.

The action is stupendous and the big battle at the end of the film is incredible. Also, the wizard battle between Gandalf and Saruman is incredibly badass.

Howard Shore, who scored all of these Tolkien pictures, did a much better job at creating the themes for these films than The Hobbit trilogy. The music here hits the right notes and it’s all become pretty iconic.

There is a reason why this film gave birth to Tolkien Fever in the early 2000s. Everything about it was just right and it was a real example of filmmaking and storytelling perfection.

Rating: 10/10
Pairs well with: the other two Lord of the Rings films, as well as The Hobbit trilogy.