Release Date: September 3rd, 2021 (Venice Film Festival) Directed by: Denis Villeneuve Written by: Jon Spaihts, Denis Villeneuve, Eric Roth Based on:Dune by Frank Herbert Music by: Hans Zimmer Cast: Timothée Chalamet, Rebecca Ferguson, Oscar Isaac, Josh Brolin, Stellan Skarsgård, Dave Bautista, Stephen McKinley Henderson, Zendaya, Chang Chen, Sharon Duncan-Brewster, Charlotte Rampling, Jason Momoa, Javier Bardem, David Dastmalchian
Villeneuve Films, Legendary Entertainment, Warner Bros., 155 Minutes
Review:
“I must not fear. Fear is the mind-killer. Fear is the little-death that brings total obliteration. I will face my fear. I will permit it to pass over me and through me. And when it has gone past I will turn the inner eye to see its path. Where the fear has gone there will be nothing. Only I will remain.” – Lady Jessica Atreides
Well, the long-awaited Dune movie by Denis Villeneuve is finally here and while I tried to go into it without any expectations, I am a pretty big fan of the original novels by Frank Herbert and am one of the weirdos that likes the 1984 David Lynch adaptation while also enjoying those two Sci-Fi Channel miniseries that adapted the first three books back around the turn of the new millennium.
It’s hard to review this, however, because it is just one half of the story and it doesn’t even end at a logical point, the film just decides to stop and roll its credits. There are some logical points in the book that would’ve been much better areas to pause the film.
For those who haven’t read the book, which is most people in 2021, this will probably confuse them or piss them off. Especially, since a follow up wasn’t guaranteed. At the time of me writing this, though, the sequel was just greenlit.
So up to the point where the film just stops, I’d have to consider this the best adaptation of the book so far. Granted, it could still fall apart in the second half, which hopefully we don’t have to wait four years for.
The film, as should be expected with Villeneuve at the helm, is a visual masterpiece. However, also with Villeneuve at the helm, Dune starts to suffer, as the initial awe of the visuals starts to wear off and normalize. The movie is slow. That’s not to say that nothing happens but like Blade Runner 2049, it just takes a long time to get there. With this being nearly two and a half hours and just half the plot, I feel like this whole story could’ve been told well over three-to-four hours if it moved at a brisker pace.
As far as the acting goes, it was all good. There really wasn’t a weak link in this chain but it was also hard really getting a grasp on whether or not Zendaya was going to be able to hang, as she only shows up in the last ten minutes of the movie, apart from appearing in Paul Atreides’ dreams.
Timothée Chalamet made a solid Paul, though. I also really liked Rebecca Ferguson and Oscar Isaac. Josh Brolin and Javier Bardem both had great presence and Jason Momoa actually impressed me quite a bit, as Duncan Idaho, one of my favorite characters from the book.
Beyond that, Stellan Skarsgård completely owned the role of Baron Vladimir Harkonnen. Dave Bautista was also intimidating as hell as the Beast Rabban with one of my favorite modern character actors, David Dastmalchian, doing a f’n superb job as the Harkonnen mentat, Piter De Vries. Dastmalchian was in good company with Brad Dourif playing the role in the 1984 film but he still made the role his own, in this film, and really shined through in a unique way.
I wasn’t a big fan of the Hans Zimmer score and honestly, you barely even notice it. It’s just noise and atmosphere and the movie lacks any real themes like the 1984 version, which had incredible music.
Also, as visually impressive as this is, when I read the books, I’m pretty sure my mind is still going to visualize the David Lynch style. It’s just burnt into my memory, at this point. I can’t really say which is better, overall, because of my nostalgic love of the visuals and design of the original film but this one still looks great and really utilizes modern special effects technology exceptionally well. It greatly benefits in that regard, where David Lynch only had practical effects and physical sets to work with.
All in all, this was a good adaptation, more than anything. It’s hard to say how it will play as a total body of work, once the second half is released, but I now have fairly high hopes for the completed picture. Granted, I assume that one will also be pretty slow.
Release Date: December 16th, 2019 (Los Angeles premiere) Directed by: J.J. Abrams Written by: Chris Terrio, J.J. Abrams, Derek Connolly, Colin Trevorrow Based on: characters by George Lucas Music by: John Williams Cast: Carrie Fisher, Mark Hamill, Adam Driver, Daisy Ridley, John Boyega, Oscar Isaac, Anthony Daniels, Naomi Ackie, Domhnall Gleeson, Richard E. Grant, Lupita Nyong’o, Keri Russell, Joonas Suotamo, Kelly Marie Tran, Ian McDiarmid, Billy Dee Williams, Harrison Ford (uncredited), Billie Lourd, Greg Grunberg, Dominic Monaghan, Warwick Davis, Denis Lawson, Jeff Garlin, Kevin Smith, James Earl Jones (vocal cameo), Andy Serkis (vocal cameo), Ewan McGregor (vocal cameo), Alec Guinness (vocal cameo), Hayden Christensen (vocal cameo), Ashley Eckstein (vocal cameo), Freddie Prinze Jr. (vocal cameo), Olivia d’Abo (vocal cameo), Frank Oz (vocal cameo), Liam Neeson (vocal cameo), Jennifer Hale (vocal cameo), Samuel L. Jackson (vocal cameo), Angelique Perrin (vocal cameo)
Walt Disney Pictures, Lucasfilm, Bad Robot, 142 Minutes
Review:
*There be spoilers here!
“We had each other. That’s how we won.” – Lando Calrissian
Congratulations, Disney and Lucasfilm. You finally broke me to the point that I didn’t have the urge to see a Star Wars movie in the theater. Nope, I waited on this one because the previous few movies left such a bad taste in my mouth that I didn’t want to sit in a crowded theater with a bunch of normies clapping like seals every time there was a weak attempt at a cameo or minor victory. Also, people have been ruining the theater experience for awhile, so this film had that working against it already.
Now I figured I’d go see it once the buzz calmed down and the theaters cleared out a few weeks later but even then, it just wasn’t worth the trip or the money for me to make the effort.
Well, I finally watched it now that it’s available to rent and because this COVID-19 bullshit has us all trapped in our houses with nothing to do.
Anyway, as much as I anticipated not liking this, it was the best film of the three from the Disney produced Sequel Trilogy. Some of the more angry fans out there may think that’s crazy of me to say but I respect the effort of J.J. Abrams trying to fix the abortion that Rian Johnson created with The Last Jedi, especially with the weak skill set that Abrams has.
Honestly, they should have called this Star Wars: Episode IX – MacGuffins and Mystery Boxes but I guess that would require Abrams, Kathleen Kennedy, Bob Iger, Disney and Lucasfilm to actually understand humility and that they aren’t the great storytellers that they think they are.
Now this movie had a lot of weird shit that made certain sequences hard to get through. If I’m being honest, there aren’t really any sequences that didn’t have issues. I’ll list out some of my gripes from memory at the end of the main part of this review, as I did for some of my other Disney Star Wars reviews.
If I’m going to talk about what I liked about this film, I guess it’s that it tried really hard to give good fan service. Not so much, soulless, cheap attempts at winning me back but more like an admission that the series fucked up with the previous Rian Johnson stinker and that Abrams felt sorry and embarrassed that his larger vision for this trilogy was skull fucked in the eye by Johnson.
Rian Johnson cared more about his own ego and career than being the trusted custodian of something much larger than himself, which was created by others who were a lot more talented than he will ever be. If that’s harsh, I don’t care. Johnson didn’t care about the responsibility he signed up for, so he can deal with the repercussions of that from the fans who felt betrayed by his piss pigeon performance.
I’m glad that J.J. Abrams kicked Johnson in the nuts though. And his disdain for Johnson’s wreckage was made abundantly clear in the short scene where Luke returns, stops Rey from throwing her lightsaber away and states, “I was wrong.” Then he goes on to tell her what we all needed him to tell her in the previous film. For Luke Skywalker and Mark Hamill’s sake, I’m glad that the character didn’t go out like a weak piece of shit and was somewhat salvaged.
While on the subject of Rey, though, I still don’t understand how she is just simply the best at everything. She has an insanely weak character arc, hasn’t had anywhere near the level of adversity that Luke and Anakin had and you barely see her train at all and then she can barely deal with a fucking tiny laser drone. It’s like these modern filmmakers don’t think beyond what looks cool on the screen in a shot.
Anyway, this movie is a mess, narratively speaking. It’s really two movies wedged into one, as Abrams had to try and course correct while also coming up with a satisfying ending. That being said, he does okay in trying to achieve this but maybe this should have been longer or released as two parts. But I guess he is stuck with the numbering system and being tight within the framework of a trilogy.
Unfortunately, while we do get to see the main three characters spend some time together, it is hard to buy into their bond, as they spent the first two movies apart. I want to believe in it and I actually like the actors but this is something that needed to be done in every film. This is why people love the trinity of Luke, Leia and Han so much. But for whatever reason, Abrams, Kennedy and Iger don’t understand what worked about previous Star Wars films.
As much as my brain was picking things apart, I still found this to be the most palatable of the Disney Saga films. It’s hard to peg why but I think that Abrams genuinely wanted this to make up for the damage that’s been done and he did put his heart into it. But that also doesn’t mean that he was the right guy for the job way back when they announced him for The Force Awakens. He wasn’t and I had reservations about it back then.
In the end, I don’t know if I’ll ever watch any of these films again. If I do, it won’t be for a very long time. Maybe they’ll work better as a larger body of work but I doubt it with Rian Johnson’s big lame turd sitting smack in the middle of it. Honestly, it’s like a cat jumped on the table, took a shit in the middle of a mediocre pizza and you just decided to eat around it.
Assorted notes and gripes:
Watching the film, I was bombarded with a lot of WTF moments, these are the ones I remember. Maybe I should’ve taken notes.
-The opening crawl, immediately revealing Palpatine’s “resurrection” was cringe and the worst written opening crawl in the franchise.
-Who the fuck is manning all of Palpatine’s Star Destroyers?
-Why would the Star Destroyers break through thick ice to reveal themselves? There are hundreds of them and this seems like it would cause a lot of damage? And they’re already on a very hidden planet to begin with.
-Since Palpatine’s appearance isn’t explained but cloning is implied, am I just to assume that there’s only one Palpatine and not like 364?
-Lightspeed skipping? Really? And they land safely within a different planet’s atmosphere with every skip? Really? I’m no astrophysicist but I’d assume a planet’s atmosphere is a small percentage of a planet’s total structure and that planets themselves take up an insanely small amount of actual space in the universe, as a whole.
-“Hey Rose… you coming on the mission?” “Nah… I’m good, bro!”
-The group goes to outer space Burning Man… really?
-Don’t get me started on the jetpack trooper scene. That’s a clusterfuck of cringe and stupidity.
-I’m alright with the healing power but shouldn’t it drain Rey, even just a little bit. I mean, it fucking kills Kylo like two hours later.
-The Rey v. Kylo’s TIE Fighter scene was absolutely, unequivocally stupid. Just crush that shit with the Force, hoe!
-I guess Abrams views Droids as abused house pets.
-Gurl 1: “Not that you care but I think you’re okay.” Gurl 2: “I care.” Girl power! No lesbian kiss.
-So did C-3PO have red LED lights installed this whole time? Where were they when he was attempting to murder Jedi in Attack of the Clones?
-Rey doesn’t feel Chewie “die” on a ship that’s right in front of her. But then Rey feels that Chewie is alive when he’s much further away.
-Where’s Phasma? Is she really dead now? I thought she was Star Wars‘ version of Kenny from South Park.
-Are the Knights of Ren just laser sword thugs who don’t actually answer to Kylo Ren? Sith in training? Palpatine super soldiers? What the fuck are they?
-How does a billion year-old dagger line up with the wreckage of a Death Star that was built well after the dagger. And how was Rey lined up at the right angle and altitude to make it work? This was just a ripoff of the medallion from The Goonies and it was just stupid.
-I’ve lost count of the number of MacGuffins. I think there were five… maybe six? Is this a G.I. Joe miniseries from 1983? Nah… those were much better written.
-Weak as fuck lightsaber duels. Maybe the weakest in the entire franchise.
-Did Leia die because she called out to Kylo or was that just a perfect timing plot convenience?
-Harrison Ford? Why?
-Luke in 30 seconds was the Luke I wanted in the previous movie.
-Rey in a tiny X-Wing had to navigate through tight, dangerous, moving space corridors to reach the Palpatine planet but the Rebels’ big ass warships simply followed her path? It’s space, can’t they fly around that shit? What about the massive fucking armada of “regular people” that just shows up conveniently to win the war?
-Also, a militia of citizens overthrows a corrupt government by force. When did Hollywood become so blatantly pro-Second Amendment? I kid, Hollywood is just stupid.
-When they’re riding horses on the deck of a Star Destroyer, why doesn’t the ship just turn fucking sideways? It would’ve ended the war. One simple maneuver.
-The teleporting physical objects Force power is another lame plot convenience.
-What’s this random fucking Force Dyad thing? Abrams still thinks he’s making up stories with his toys in the bathtub.
-If Palpatine created Anakin and Anakin created Luke and Leia and Leia created Kylo Ren, all the while Rey is Palpatine’s granddaughter, isn’t their attraction kinda incest-y?
-I’d watch a Lando & Chewie in the Falcon movie.
-Why bury the lightsabers? A safe would be more secure.
-Why even take the Skywalker name and why did it take her so long to say it? Maybe because a part of her knew it was wrong to just take their name, their personal shit and Luke’s childhood home. Bitch, you ain’t in the will, that shit all goes to the state!
Rating: 6/10 Pairs well with: the other Disney era Star Wars movies.
Release Date: May 20th, 2011 (Cannes) Directed by: Nicolas Winding Refn Written by: Hossein Amini Based on:Drive by James Sallis Music by: Cliff Martinez Cast: Ryan Gosling, Carey Mulligan, Bryan Cranston, Christina Hendricks, Ron Perlman, Oscar Issac, Albert Brooks
“[on phone] There’s a hundred-thousand streets in this city. You don’t need to know the route. You give me a time and a place, I give you a five minute window. Anything happens in that five minutes and I’m yours. No matter what. Anything happens a minute either side of that and you’re on your own. Do you understand?” – Driver
Nicolas Winding Refn is a director I appreciate but have also had some issues with, as some of his films feel like style over substance and entirely miss their mark for me. That being said, this was really my introduction to Refn and upon initially seeing this, I thought it was spectacular.
It’s been awhile since I revisited it, however, and I wondered if my assessment would still be the same after having bad experiences with his films that followed it. I wondered if I might have just been captivated by the visuals and music of the picture that I gave a free pass to a film that really didn’t cut the mustard.
Well, I’m glad to say that I still think this is pretty exceptional. I think a lot of that has to do with the fact that Refn didn’t write this, unlike Only God Forgives and The Neon Demon. My other favorite film by Refn, Bronson, was co-written with another writer. So maybe Refn does his best work behind the camera, filming the stories and scripts of another writer (or co-writer that can massage out the overly pretentious crap).
Driver has one of the best opening sequences I have ever seen in the way that it builds suspense and introduces you to the main character, who remains nameless throughout the film. He’s quiet but intense and lives by a sort of code that ultimately, causes a lot of problems for himself and the few people who come into his orbit.
The film’s greatness is magnified by the performance of Ryan Gosling, who didn’t fully win me over until this role. He moves through every scene like a spectre, saying little and sort of just reacting to what happens around him. It’s a truly understated performance but it works so well for the picture’s tone and style.
There is mystery around the character, mystery around the swerves within the plot and nothing is really clear until the end and even then, you still don’t feel like you know this guy who you just spent 100 minutes with. But it’s hard not to respect him, even if he did terrible things because there’s a selflessness in his actions despite living a morally vacant and criminal life.
It’s apparent that his time with Carey Mulligan’s Irene and her son has left an impact on him that has brought him a newfound sense of morality. But ultimately, he can only respond with the tools and experiences that are most familiar to him and to the underworld he inhabits.
Despite the violence and the heinous things that happen within the film, there is a bizarre sweetness to it. There are few films that can make you feel so much for its characters when the actors’ performances are so low key.
But there are also a few actors in this who seem larger than life. Mostly, the two mob bosses played by Ron Perlman, at his slimy best, and Albert Brooks, who steals the show and whose performance here makes me wonder why he hasn’t been in a lot more movies. The dude was cold, callous but exuded a genuineness that lesser actors couldn’t have pulled off in quite the same way.
This film is greatly enhanced by the tremendous musical score from Cliff Martinez, as well as the use of synthwave music throughout the film. The music just feels perfectly married to the visual style of the film, which has a vibrant neo-noir look to it. This mixture of visual style and music can’t simply carry a picture though, as tapping this well again in Only God Forgives and The Neon Demon didn’t deliver the same results.
Drive is comprised off a lot of different elements that just came together and worked. I don’t think that it is something that can replicated easily, as Refn’s two following films showed. Here, it was just magic. And frankly, I think that Refn is better off adapting other people’s scripts or finding himself a great co-writer that can come in and make something that’s more coherent and emotional.
Rating: 9.5/10 Pairs well with: stylistically, other Nicolas Winding Refn films, other than that it is pretty unique.
Release Date: December 6th, 2018 (Singapore sneak preview) Directed by: Bob Persichetti, Peter Ramsey, Rodney Rothman Written by: Phil Lord, Rodney Rothman Based on:Spider-Man by Stan Lee and Steve Ditko, Miles Morales by Brian Michael Bendis and Sara Pichelli Music by: Daniel Pemberton Cast: Shameik Moore, Jake Johnson, Hailee Steinfeld, Mahershala Ali, Brian Tyree Henry, Lily Tomlin, Luna Lauren Velez, John Mulaney, Kimiko Glenn, Nicolas Cage, Liev Schreiber, Chris Pine, Lake Bell, Marvin Jones III, Stan Lee (cameo), Cliff Robertson (archive recording), Oscar Issac (cameo), Donald Glover (cameo)
Columbia Pictures, Sony Pictures Animation, Marvel Entertainment, Arad Productions, Lord Miller Productions, Pascal Pictures, Sony Pictures Releasing, 117 Minutes, 143 Minutes (Alt Universe Cut)
Review:
“That person who helps others simply because it should or must be done, and because it is the right thing to do, is indeed without a doubt, a real superhero.” – Stan Lee
I intended to see this in the theater but the holidays are really busy for me and I didn’t get around to it or any other movies around that time. I heard great things about this movie though, so I rented it as soon as it was available.
Full disclosure, I’m not a huge fan of animated films. At least I haven’t been in my adult life. I still love a lot of the old cartoons and anime I watched as a kid but due to the overwhelming positive fan response to this and my love of Miles Morales, I wanted to give this a chance.
Overall, it’s a mighty fine motion picture and the best Spider-Man movie since Spider-Man 2.
I thought that the CGI animation was really well done. I prefer traditional animation and have never found CGI animation to be that interesting but this shows how great this animation style can be when pushed to the max and utilized for its strengths while being meticulously crafted with heart.
The story doesn’t really follow the comics but how many comic book film adaptations do? Still, it was engaging, it captured who Miles is and it examined a lot of different aspects of heroism. I absolutely love how it presented and handled the life of an aged Peter Parker. And ultimately, the bond between Miles, Peter, Gwen Stacy and the other heroes was strong and everything human and emotional felt natural.
I was really excited to see Spider-Gwen and Spider-Ham, especially. I loved Gwen’s earliest stories and I’ve been a Spider-Ham junkie since childhood.
This also features a lot of villains and even does a gender bending twist to Doctor Octopus that worked for me.
I think that this movie definitely did exactly what it set out to do which was to launch Miles Morales into the minds of normal moviegoers and kids that don’t pick up the comics while incorporating a nice array of other Spider-heroes in a fun and unique way. It also humanizes the vilest villain and makes this a more emotional and touching movie than most of the live action Spider-Man adaptations.
I’m definitely excited for the multiple sequels and spinoffs that Sony seems to have planned for the very near future.
Rating: 8.75/10 Pairs well with: I’d assume, the future sequels and spinoffs. As well as Miles Morales Spider-Man comics.
Release Date: May 9th, 2016 (London premiere) Directed by: Bryan Singer Written by: Simon Kinberg, Bryan Singer, Michael Dougherty, Dan Harris Based on:X-Men by Stan Lee and Jack Kirby Music by: John Ottman Cast: James McAvoy, Michael Fassbender, Jennifer Lawrence, Oscar Isaac, Nicholas Hoult, Rose Byrne, Tye Sheridan, Sophie Turner, Olivia Munn, Lucas Till, Alexandra Shipp, Hugh Jackman (cameo), Caleb Landry Jones (archive footage)
Marvel Entertainment, TSG Entertainment, Bad Hat Harry Productions, Kinberg Genre, The Donners’ Company, 20th Century Fox, 144 Minutes
Review:
“[sends the world’s nuclear weapons into space] Always the same, and now all this. No more stones. No more spears. No more slings. No more swords. No more weapons! No more systems! No more! No more superpowers… So much faith in their tools, in their machines. You can fire your arrows from the Tower of Babel, but you can never strike god!” – Apocalypse
At this point, the X-Men films don’t give a crap about continuity and I don’t care that Days of Future Past was used to try and fix that. Fox still dismisses a lot of what’s happened and just does what works well for each movie as a standalone picture. Because you can’t have Angel appear as a late teen in a 2006 movie and then have him in his twenties in 1983, regardless of whatever Doctor Who timey wimey shenanigans you try to pull. But truthfully, I don’t care at this point. I sort of just see each film as its own reality where each movie just shares some similarities. Sorry, I’ve got to make it make sense for my brain or I have to just dismiss the absurdity of it.
That being said, I don’t hate this chapter in the X-Men movie franchise. In fact, I liked it quite a bit in spite of its flaws, continuity hiccups and the underwhelming way that they presented Apocalypse.
What made this film work for me was the evolution of Magneto, who is the best character in these films and who seems to be handled with great care. I don’t care so much about all the teens and the constant influx of new characters every time I blink my eyes. It’s the core characters that matter in these movies. That being said, I think McAvoy’s Charles Xavier is damn good too.
When I first saw this film in theaters, my initial reaction was worse than it is now. Having time to digest and reflect on Apocalypse, it really isn’t as bad of a movie as I thought it was at first glance. It is the weakest of the newer generation of pictures but it is certainly better than 2000’s X-Men and 2006’s X-Men: The Last Stand. Don’t even get me started on X-Men Origins: Wolverine, as I find it less enjoyable than a piranha enema.
The plot in this is a bit rushed and shaky. Apocalypse, one of the most powerful forces in the entirety of the Marvel Universe just shows up, learns all about human history by touching a TV and starts taking over the Earth and brainwashing other mutants to be his “Four Horsemen”. It was interesting that Oscar Issac played Apocalypse because it wouldn’t have really mattered who played him, as he was just a dry, one note tyrant. Frankly, he should have been the X-Men‘s version of Thanos, at least in their movie universe.
The sequence with Wolverine is, by far, the high point of the movie. Hugh Jackman only shows up for about ten minutes but it is some of the best Wolverine action ever put to celluloid. Granted, Hollywood is allergic to celluloid now.
This is an epic film but it doesn’t feel as grandiose as its predecessor. It isn’t as good as its predecessor either and I think that is why I was disappointed with it initially. But the main players in the cast add more to their stories in a good way and ultimately, this enriched the modern X-Men movie universe.
I can’t say that I’m excited about the upcoming X-Men: Dark Phoenix movie but I’ll still see it because these films still have more positives than negatives. But really, it’s just time for the X-Men movies to get a much needed reboot and join the larger Marvel Cinematic Universe.
Rating: 7.5/10 Pairs well with: The current crop of X-Men movies since James McAvoy and Michael Fassbender took over the lead roles. Also, the last two Wolverine pictures.
Release Date: December 9th, 2017 (Los Angeles Premiere) Directed by: Rian Johnson Written by: Rian Johnson Based on: characters created by George Lucas Music by: John Williams Cast: Mark Hamill, Carrie Fisher, Adam Driver, Daisy Ridley, John Boyega, Oscar Isaac, Lupita Nyong’o, Andy Serkis, Domhnall Gleeson, Anthony Daniels, Gwendoline Christie, Kelly Marie Tran, Laura Dern, Benicio del Toro, Frank Oz
Lucasfilm Ltd., Walt Disney, 152 Minutes
Review:
*Warning: there will be spoilers!
“When I found you, I saw raw, untamed power… and beyond that, something truly special.” – Supreme Leader Snoke
Well, it’s been two years since Episode VII – The Force Awakens and while I wasn’t a huge fan of that film, I hoped that its derivative nature was just to set things up for a new generation and that this chapter in the franchise would feel wholly original and tread new territory. So does it? And did I leave this film feeling as satisfied as I did with last year’s one off tale Rogue One?
The Last Jedi, for the most part, is pretty humdrum. There are a few things I like but let me run through it all.
To start, we have an okay movie with a shaky story but at least it’s not a rehash of stuff we’ve seen. Rian Johnson pretty much made this film the anti-The Force Awakens, as it doesn’t need to copy what’s been done already. Sure, there are some similarities with other Star Wars plots but nothing on the level of the grand plagiarism that was J.J. Abrams’ film, two years prior. I actually wrote about that at great length in my review about that film.
However, original or not, that doesn’t mean this is automatically great. In fact, it really isn’t.
So other than this story feeling new and fresh, I liked that Luke and Leia were both at the forefront and not just side characters. Being that this was Carrie Fisher’s last outing as Leia, I was happy to see her get to be more pivotal to the overall story in this chapter. Although, the bit where she is floating in space and uses the Force to float back to her damaged ship was damn bizarre. There were other bizarre uses of the Force in the film that kind of irked me too but this one really stood out. It just didn’t fit.
Luke was shit. I didn’t care for this older version of the character so much. I get his reasoning for why he checked out on the universe but the greatest Jedi ever shouldn’t have the emotional maturity of a nihilistic teenager. So what, his nephew lost his shit and Luke feels guilty about it. That doesn’t mean that Kylo Ren can’t be saved and that Luke doesn’t have the responsibility to try and bring him back.
Getting to the mysteries that people were speculating over for two years, I’m glad that they went the route they did. While most of my friends were entertaining every fan theory since The Force Awakens came out, I just assumed Rey and Snoke were both nobodies and their origins weren’t connected to anything significant to the overall narrative. I was right. Still, with Snoke, at least, I’d like some backstory, even if it’s just in a book or a casual mention of his connection to the Dark Side.
Snoke was also a red herring, in that he was just there for misdirection and to be a pseudo-Palpatine. His real purpose was just to be someone powerful for Kylo Ren to wipe out on his quest to rule the galaxy. And I’m glad to see him out of the way so Ren can toss General Hux, the First Order’s ginger Hitler, around like a dime store rag doll.
I did like Kylo Ren’s evolution and how he is still very much effected by things from his past and it’s his mission to annihilate those things while just looking forward. The dynamic between Ren and Rey was good and they have some solid chemistry, which will only add to the struggle of both characters’ growth in the next picture. Ultimately, when these two do have their final showdown, it should be interesting enough thanks to the seeds that were sown in this chapter. But really, this was just about the only real strength that this picture had.
Finn was a waste. His adventure was a waste and ultimately proved to be absolutely pointless. His section of the film could be removed entirely and the overall narrative and fluidity of the movie would have been much better. If they had nothing for Finn to do, they should have left him in his coma. If I were John Boyega, I’d be kind of pissed.
Poe is still here and at least he gets more to do than he did in The Force Awakens but he still doesn’t feel as pivotal to the plot as he could be. I like Oscar Issac a lot and hope that he essentially becomes the Resistance’s lead commander by the next film. He needs to be more like Han Solo in his General Solo role. But he’s not on a great trajectory when all the women constantly emasculate him for… reasons. If I were Oscar Issac, I’d be kind of pissed.
A lot of people also speculated on the returns of other characters but out of all the theories, only the Yoda one came true. He appears for a short bit just to remind Luke about the bigger picture. Sadly, he wasn’t sitting at a ghost table with ghost Kenobi, ghost Anakin and Ghost-Gon Jinn playing poker. I feel like the Yoda scene may have had more impact if the other three ghost Jedi were there too. But at least we get to see Yoda burn the ancient Jedi tree and cackle like a crackhead about it.
So a big part of the story’s premise has to deal with how the First Order are able to track the Resistance through hyperspace jumps, which was impossible before. So Snoke’s command ship and a massive fleet are trailing the Resistance, who are running out of fuel. I’m not super keen on this being the crux of the story’s framework, as it doesn’t work well for a lot of reasons.
However, the film sort of just ignores the already established physics of Star Wars hyperdrive travel. In this film, the travel feels way to quick and convenient. While this hasn’t been all that consistent in other movies, comics and books over the years, it just feels sloppily handled here. Also, the First Order’s device that tracks the Resistance looks like a giant Flux Capacitor.
There are two really fun showdowns here. One is when Kylo Ren takes Rey to Snoke. The other is when Luke shows up to stand between the First Order and the Resistance. Both were pretty unique confrontations and weren’t just simple lightsaber battles. Johnson did a decent job in writing those sequences in a way that made them different. And each one comes with a good curveball or two. The moment where Luke, all alone, stands before the First Order’s might is pretty friggin’ chilling. But then Luke is just a Force apparition and the coolness of that moment is like air seeping out of a balloon: deflated.
One thing that may create confusion is that half the time characters say “Resistance” and the other half they say “Rebels” or “Rebellion”. They still use the Rebellion logo, so why did they change to the Resistance in the first place and really, why the hell isn’t the First Order just called the Empire? That’s like admitting defeat. Just say, “Screw you, Rebels! We’re the Empire! We’re still here! You didn’t kill us with your teddy bear friends!”
I know that I am being nitpicky about some stuff but ultimately, the film has major problems.
Unfortunately, J.J. Abrams is returning to direct the still unnamed Episode IX, the final chapter of this trilogy. I really hope that his tendency to borrow entire movies is behind him and that he takes cues from… I don’t know… anything other than past Star Wars movies. No more superweapons! At least not for a really long time.
Update:
The more I think about and reflect on this film, the more I dislike it. It just has so many problems and really, it feels like the magic of Star Wars died a long time ago. Maybe it was gone when the prequels came out and I couldn’t accept it but at least those films had imagination. The Disney films rely too much on what has been established and are just cheap and nearly soulless attempts at trying to replicate the magic of the originals. I never thought that Star Wars would let me down as massively as the live-action Transformers movies did but Disney has made it so that Star Wars doesn’t feel special anymore. And frankly, I’m losing interest in this franchise that, at one point, was the biggest pop culture thing in my life.
Rating: 5/10 Pairs well with: The other Disney Star Wars films.
Also stylized as: ex_machina, EX_MACHINA Release Date: December 16th, 2014 (BFI Southbank premiere) Directed by: Alex Garland Written by: Alex Garland Music by: Ben Salisbury, Geoff Barrow Cast: Domhnall Gleeson, Alicia Vikander, Sonoya Mizuno, Oscar Isaac
Film4, DNA Films, Universal Pictures, 108 Minutes
Review:
Initially, I had planned on seeing this in the theater when it came out in the States in early 2015. For whatever reason, I never got around to it. Then it was saved on my watch list on Amazon Video for a really long time. Finally, I got around to it and I’m glad I did.
This film is the directorial debut of Alex Garland, who wrote Sunshine, 28 Days Later and Dredd – three movies I really like. I assumed that this would follow suit.
The movie stars Oscar Issac and Domhnall Gleeson, who both worked together after this in Star Wars – Episode VII: The Force Awakens. It also stars Alicia Vikander, who has worked with Gleeson in Anna Karenina.
Issac’s Nathan Bateman invites one of his company’s programmers Caleb Smith to his isolated home. Nathan tells Caleb that he has successfully built a humanoid robot with artificial intelligence. Caleb is told that he is there to test the robot, Ava. It is his job to decipher whether or not Ava is capable of having genuine consciousness. He also wants to see whether or not Caleb can relate to her, even though Caleb knows she is an artificial being. Of course, there are a lot of twists and turns and you are never really sure who has the advantage in this three-way chess game between our characters. Revealing anymore would start to spoil things.
The film really has two locations, the luscious and vast wilderness surrounding Nathan’s extremely secluded home and the home itself. The outdoors is beautiful, majestic and colorful. The indoors is dark, cold and devoid of any color other than a few lights, a few windows and a Jackson Pollock painting.
The two locations really create the idea of two worlds or two types of existences that reflect the emotional struggle of Ava, who is essentially trapped in her apartment within Nathan’s home. Ava desperately wants to see the outside world, as her entire existence has taken place within the dark, cold, colorless interior.
The film is beautiful, visually speaking. It is well shot and I really liked how a lot of the shots during Ava and Caleb’s discussions were framed, adding a lot more depth to the narrative of their relationship.
All the actors did a marvelous job with their roles. Oscar Issac was charismatic yet so unlikable in the best way possible for his character. Gleeson is really the complete antithesis of his character in The Force Awakens where he was a Hitler-esque leader in the First Order. Here, he is a sort of frail and soft character, although very likable and heroic, in a sense. Vikander fantastically plays the role of the android while having the perfect balance between naivety and cunning.
Ex Machina isn’t a great picture but it is a solid one. It doesn’t really tread new territory in regards to artificial intelligence and whether or not artificial life is really life once it is conscious and emotionally aware. However, it brings those questions back up and delivers them in a pretty refreshing way. While A.I. stories aren’t new in fiction, Ex Machina is, at least, not a direct retread of things we’ve seen. It is its own story, with its own twists and it is smartly written. It is a really good first time effort behind the camera for Garland.
*Since the second Disney Star Wars film comes out this week, I figured I’d post my review of last year’s The Force Awakens. This is taken from my previous blog.
Release Date: December 14th, 2015 (Los Angeles Premiere) Directed by: J.J. Abrams Written by: Lawrence Kasdan, J.J. Abrams, Michael Arndt Based on: characters created by George Lucas Music by: John Williams Cast: Harrison Ford, Mark Hamill, Carrie Fisher, Adam Driver, Daisy Ridley, John Boyega, Oscar Isaac, Lupita Nyong’o, Andy Serkis, Domhnall Gleeson, Anthony Daniels, Peter Mayhew, Max von Sydow, Gwendoline Christie, Greg Grunberg, Simon Pegg, Daniel Craig, Pip Torrens, Ken Leung, Frank Oz (archive recording)
Lucasfilm Ltd., Bad Robot Productions, Walt Disney, 136 Minutes
Review:
“I got a bad feeling about this.” – Han Solo
And here we are! The seventh episode of the Star Wars saga has now arrived! I have seen it! You have probably seen it! And we now know whether or not it was worth the wait, the hype and unrelenting adoration for generations to come!
So did it live up to the hype? Short answer: no. But what could live up to hype that strong? So was it better than the prequels? Yes and no but I will describe why, as I write.
It isn’t as good as the Original Trilogy and that is okay. It is still a nice addition to the overall saga despite its flaws. But I guess you just can’t keep capturing lightning in a bottle.
The problem with this film is that it is very derivative. In fact, it is basically borrowing a bunch of plot points and elements from the same saga it is a part of. This film is a rehash of A New Hope with elements of Empire Strikes Back, Return of the Jedi, the Knights of the Old Republic video game series and the Expanded Universe nine part book series Legacy of the Force.
Now I knew that this film was going to look to stories in the EU for inspiration but I didn’t know that it was essentially going to be a remake of A New Hope – extended with new stuff thrown in.
So how is it a rehash of A New Hope?
Well, a hero puts a message in a droid that needs to be delivered to the Resistance (the modern Rebellion). That hero is captured by a black clad Sith lord (or Sith wannabe, I’m not sure). The droid roams a desert planet and meets a stranger that helps it go further on its quest. The hero captured by the Sith is then rescued from the First Order’s (the modern Empire) big Star Destroyer. A new hero meets the desert stranger and they escape the desert planet in the Millennium Falcon. There is an evil General that is a prettier version of Grand Moff Tarkin. Starkiller Base (a bigger, badder version of the Death Star) blows up several planets (not just one). Some half hour filler stuff happens in a cantina full of weird aliens. Sith dude talks to a dude that is pretty much the new version of the Emperor. The heroes then end up at the Resistance base that looks reminiscent of the Rebellion base planet from A New Hope. They decide to destroy Starkiller Base. There is some father/son stuff. Han Solo has to lower the planetary shields so Starkiller Base can be attacked. X-Wings attack the base and fly through its trenches. Big explosion. Ships fly away. People holding hands. No medals handed out though. And Luke Skywalker is hanging out in Ireland and probably doesn’t even have cable. Okay, the Ireland part is new.
Wow, there are actually a lot more similarities than I thought before writing that quick recap.
The best thing that this film has going for it, is that the actors were good and the returning heroes from the Original Trilogy made an impact in the scenes where they showed up. But truthfully, this movie relied too heavily on incorporating everything it could from the Original Trilogy while ignoring the Prequel Trilogy. Furthermore, it didn’t really offer up much of anything new.
Say what you will about the quality of the Prequel Trilogy but at least George Lucas gave us a different story in every chapter. Each film, good or bad, was still something new. There were new imaginative worlds, cool alien species, cool ships, all types of new stuff to look at and experience. This film just wasn’t new and exciting. It was an amalgamation of all the good stuff that came before while trying to make you forget about the bad stuff. That isn’t always a good formula though. It certainly doesn’t work here. Additionally, the rehash of the good stuff isn’t done as well as it was the first time. So what’s the point, then?
The worlds were too similar to worlds we’ve seen already. The ships and vehicles were about the same as the old ones but with new paint schemes. It’s just all been done before and done better.
This film suffers from lazy storytelling and it lacks the imagination of George Lucas. Yes, his imagination was questionable, at times, but again, each installment of his Star Wars was something fresh. And it was his imagination that drove all of us to love the franchise in the first place.
I’m disappointed in J.J. Abrams because he claims to be a huge Star Wars fan and credits it for his journey into filmmaking. He dropped the ball but I don’t really think he’s ever had it and ran with it anyway. His first Star Trek film was also a rehash of sorts of A New Hope. His second Star Trek was a rehash of the original second Star Trek. His kid/alien movie Super 8 was a rehash of E.T. Hell, Lost was the most original thing he did but the last few seasons were awful.
This movie is the antithesis of the Prequel Trilogy. While that might seem great, it is its antithesis in a bad way. It just repackages everything we know and barely gives us anything new to sink our teeth into. If I want the Original Trilogy, I will watch the Original Trilogy. But then again, there are some people that just want the same shit over and over again and if that is you, you will love this movie. It doesn’t try to expand on anything like the Prequels did and it keeps imagination in a safe, tight jar.
This is the least ambitious Star Wars film that has ever been made. It played it safe, it was completely predictable and it didn’t present anything of value to excite you for its upcoming sequels.
The most important thing that The Force Awakens lacked, was fun. It had humor here and there but the film wasn’t a joyous experience, overall.
You see, in the Original Trilogy, Luke was our eyes and ears into a new world. He was excited and dying for adventure. Rey, this film’s equivalent to Luke, was pretty much sad and just yearning to go back to her boring shitty life, not craving adventure and actually running from it until destiny forced her to confront it.
In fact, the film was too much like Rey in that it was dark, brooding and pretty bland tonally.
The thing is, I may be coming off as harsh, but I wanted to like this movie. I have been a die hard Star Wars fan since the time of the Original Trilogy. I do like this film enough to watch it again and it is more enjoyable than the Prequels, even if it is less original, but I can’t honestly say that I like it. But I also don’t dislike it. I just happen to find myself in some weird state of limbo since leaving the theater an hour ago.
Assorted notes:
-The cinematography was weird in places and didn’t match up with the style of the previous six films.
-Abrams also talked about how he was going with more practical effects but there was still an overabundance of CGI.
-After all the hype about how bad ass and cool Captain Phasma was supposed to be, she was a non-event in this movie. She wasn’t even necessary to the plot in any way. But Abrams also needed his Boba Fett. But if he is digging up all the old actors and old plots for nostalgia sake, he could’ve just thrown Boba Fett in the movie.
-Abrams also borrows from the character of Yoda in making a tiny orange female alien that is a thousand years old. She knows the Force but is no Jedi but that doesn’t stop her from mentoring Rey, the Jedi to be. I bet in a future film, it is revealed that she had an association with Yoda.
-Snoke is this film’s Palpatine. For some reason his hologram is a giant sitting on a giant throne. Maybe he will be that big in the flesh but it just came off as weird and that throne room was a bit too much for a place he doesn’t actually sit in. I also suspect that he may be Darth Plagueis.
-I know that the Empire (now First Order) were based off of the Nazis but General Hux’s Hitler-like speech was a bit much.
-Starkiller Base (the new Death Star) is really irritating. It is technically impossible to build something like that in a planet’s surface without having an insane amount of volcanic activity. Also, it sucks power from its sun until it drains out. If that actually happened, the environment on the planet would freeze over, it wouldn’t just turn dark and snow more. And if the base can travel like the Death Star, the environment would alter so much that nothing could live on the planet. Also, the solar energy sucking thing was taken from the Star Forge superweapon in the original Knights of the Old Republic game. Plus, pulling energy like that into a planet’s atmosphere would incinerate everything.
-Finn is clumsy as hell but somehow can hold his ground against a force trained baddie. Also, it wasn’t established that he was a Jedi and therefore it bothers me that he even uses a lightsaber, not to mention that I doubt his Stormtrooper training came with fencing lessons. Also, he left the First Order because he didn’t want to kill strangers (admirable) but he had no qualms blasting his Stormtrooper brothers to bits when escaping with Poe. They are just brainwashed people like he was.
-What’s with the Stormtrooper with the anti-lightsaber weapon? Do they all have those and if so, why? There is only one Jedi in the galaxy. That’s like every cop on the street carrying a bazooka because you never know when a tank may roll into town.
-C-3PO and R2-D2 are barely in the film which misses the whole point of their characters. They are to be the observers of everything and the chroniclers of the Skywalker family saga. R2-D2 was asleep for the first two hours and ten minutes of this movie. And why did Luke leave R2-D2 behind? That was cruel.
-Han’s death was the best scene in the film. Not because I wanted to see Han die but the exchange between him and Kylo Ren was great. For only seeing these two share one scene, you could feel their love and their pain.
-Speaking of Ren, he has certain powers that seem to be greater than Darth Vader but yet he can’t build a lightsaber that isn’t crap? And yes, it still looks stupid. But it isn’t as stupid as Starkiller Base. Plus, he is a total emo bitch and nowhere near as menacing or threatening as any Sith lord before him. But his shuttle is pretty damn cool.
-Rey can’t take off in the Millennium Falcon without trashing everything in sight but she can fly it through a crashed Star Destroyer two minutes later.
-Why couldn’t Chewie drop Rey off at the top of the mountain?
-Even though the Force is what makes destiny happen, things in this film just seem too convenient. Even more convenient than all the other films. This goes back to my earlier point about lazy storytelling.
-Seeing an old planet from a previous film would’ve been nice. Jakku could’ve just been Tatooine, really.
-There should’ve been more of Poe Dameron.
-There was a complete lack of emotion and no feeling of devastation after Starkiller Base’s attack of mass destruction. It was soulless, cheap and irritating like the end of Man of Steel.
-I liked most of these new characters but I’m not completely sold on Ren.
-Rey and Finn’s relationship was a million times less painful to watch than Anakin and Padme’s.
-Leia is fucking great.
-I hope the galaxy expands out more in the next film.
Rating: 5.5/10 Pairs well with: The Disney Star Wars movies.
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Talking Pulp 
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