Also known as: Paranoia (alternative title), Lobotomie (Canada, French title)
Release Date: January, 1990 (Avoriaz Fantastic Film Festival)
Directed by: Adam Simon
Written by: Charles Beaumont, Adam Simon
Music by: Peter Rotter
Cast: Bill Pullman, Bill Paxton, Bud Cort, George Kennedy, Nicholas Pryor, Patricia Charbonneau
Concord Pictures, New Horizons, 85 Minutes
“My brains are individuals – they’re special – they’re unique.” – Dr. Rex Martin
This film stars two of my favorite Bills but I had never seen it until now. I remember seeing the VHS box art at my local video stores though. It just never appealed to me back in the day and my appreciation for Bills Pullman and Paxton hadn’t completely blossomed in 1990.
Overall, this was a decent picture. I liked seeing both Pullman and Paxton in it, along with Bud Cort, who stole the scenes he was in, and the great George Kennedy. I also enjoyed Patricia Charbonneau, who I mostly only know as the kind scientist from RoboCop 2 but I was crushing hard on her in that movie when I was a wee little lad.
Anyway, this is a weird, trippy movie with a lot of mystery. Mostly, the story is a slow burn that builds up at the right speed but delivers just an okay conclusion.
This is one of those mindfuck movies though and they were really common at the time but unfortunately, this doesn’t come close to the better ones like Jacob’s Ladder or From Beyond.
The plot follows a neurosurgeon (Pullman) that specializes in brain malfunctions that cause mental illnesses. His high school buddy (Paxton), a yuppie businessman from a company called Eunice, asks for help in delving into the brain of a genius mathematician that turned into a psychotic. Really, they are trying to pry into his brain to reveal corporate secrets but the neurosurgeon starts to be effected by the horrors in the mind of the mathematician.
I wouldn’t call the ending satisfactory but the story was interesting enough to keep one engaged up to that point. But most of these mindfuck movies never really deliver anything profound and usually flounder at the climax.
This is a film that steadily builds suspense but comes up short in its final delivery. There’s nothing profound here and really nothing new either.
But this is carried by the performances of its leads and for that, it’s probably worth a watch for fans of this genre.
Pairs well with: Altered States, From Beyond, Re-Animator and Jacob’s Ladder.
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