Release Date: June 30th, 1951
Directed by: Alfred Hitchcock
Written by: Raymond Chandler, Whitfield Cook, Czenzi Ormonde
Based on: Strangers On a Train by Patricia Highsmith
Music by: Dimitri Tiomkin
Cast: Farley Granger, Ruth Roman, Robert Walker, Patricia Hitchcock
Transatlantic Pictures, Warner Bros., 101 Minutes
“I may be old-fashioned, but I thought murder was against the law.” – Guy Haines
Alfred Hitchcock was a bit derailed before the release of Strangers On a Train. While he had had an incredibly successful career up until this point, his previous two films were box office duds. Those pictures were Under Capricorn and Stage Fright. Strangers On a Train got the auteur director back on track, however, and it really set the stage for what was to come with a string of incredible pictures throughout the 1950s and into the 1960s.
This is also a Hitchcock picture that falls into the film-noir style. It even stars Farley Granger, a guy who worked in several notable noir movies: They Live by Night, Side Street, Edge of Doom and Hitchcock’s own Rope.
Alongside Granger are Robert Walker and Ruth Roman, a woman who does not fit the typical Hitchcock female lead archetype, which were almost always stunning blonde women. Hitchcock had reservations about using Roman and he also didn’t feel like Granger was believable as the type of man another man would become infatuated with.
Speaking of which, this is a film with very well hidden gay undertones in it. Robert Walker’s psychotic Bruno Antony was infatuated with Granger’s Guy Haines. While it isn’t explicitly stated, when you understand that this was an adaptation of a Patricia Highsmith story, it makes that aspect of the men’s relationship much more apparent. She was known for writing about gay characters and obsessive infatuation in her novels, even if they did come out in a time when the subject was incredibly taboo. It is very clear though when you see later adaptations of her work like The Talented Mr. Ripley, Carol, Ripley’s Game, Ripley Under Ground and The American Friend.
The story starts with Guy, on a train, as he is approached by Bruno, a complete stranger. Bruno has a weird obsession with the young man and it doesn’t take long to realize that the guy is off his rocker. Bruno suggests that he kills Guy’s soon to be ex-wife and in exchange Guy kills Bruno’s father. It will be a perfect set of murders as neither man has a real motive to kill their victims or any personal association with them. Guy continues to try and dismiss Bruno but Bruno follows though and murders Guy’s wife. He then becomes enraged when Guy doesn’t seem like he wants to return the favor and thus, begins to blackmail Guy and try to pin the murder on him.
Strangers On a Train is a dark and twisted movie that showcases the great and intelligent Highsmith story with respect and care. It is a film that has a lot of talent in front of and behind the camera. Superb direction, stellar photography and believable actors that pull you along for this wild and intense ride. Hitchcock was the “Master of Suspense” and this movie is a perfect example of how the director earned that moniker.
There are some incredible shots in this movie. Most notably, the scene where Guy’s wife is being strangled to death and you see it from the perspective of a reflection in the lens of her glasses, lying on the ground. The special effects shot of the carousel spinning wildly out of control is another great shot and in fact, that whole big finale is a visual delight.
Strangers On a Train is not my favorite Hitchock motion picture but it is really high up on my list of his best.
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