Also known as: Boy Rents Girl (alternative title) Release Date: August 14th, 1987 Directed by: Steve Rash Written by: Michael Swerdlick Music by: Robert Folk Cast: Patrick Dempsey, Amanda Peterson, Dennis Dugan, Tina Caspary, Darcy DeMoss, Cort McCown, Eric Bruskotter, Courtney Gains, Seth Green, Ami Dolenz
Apollo Pictures, Silver Screen Partners III, Touchstone Pictures, 94 Minutes
“What happened to us? We were all friends in elementary.” – Ronald Miller, “That’s because we were all forced to be in the same room together. But, hey, Junior high, high school. Forget it. Jocks became Jocks. Cheerleaders became cheerleaders. We became us. I like us.” – Kenneth Wurman
I always had a soft spot for this ’80s teen comedy but I guess I never realized how good it is when compared to all of the other films like it. Outside of the work of John Hughes and Fast Times at Ridgemont High, this one is probably the best of the lot.
This is a movie that carries a real message and does a fantastic job of delivering that message through the journey of its main character.
It’s also a message that’s timeless and maybe even more relevant today, as so many young people are willing to give anything just for their fifteen seconds of fame. Social media has probably just made this more of an issue, as “going viral” is a lifegoal of too many young people.
The story is about a geek named Ronald that has a hard time understanding why half of his friends from elementary school became the cool kids in high school and why he and his other buds are dorks, pushed away from the cool circle. He is also crushing hard on the most popular girl in school. When she finds herself in a bad financial situation, he bails her out. But he does so with the agreement that she’ll date him for a month, as he believes it will make him cool.
Of course, things can’t be that simple. While he does become “cool”, he turns his backs on his geeky friends and even breaks the heart of the popular girl he was in love with in the first place. As the story rolls on, his ruse is exposed and everything backfires. With that, he has to find a way to be himself, fix his old friendships and earn back the cool girl, who fell in love with the sweet guy she knows is inside Ronald.
As a young person, I got the message of the film loud and clear and it’s a simple one but this movie does a pretty good job of letting it play out in a lot of different ways, showing how it effects Ronald in every facet of his life, as well as the other kids around him.
Additionally, I think it’s a good message. High school aged kids generally want the same thing Ronald wanted but it’s important to understand the cost and what being “cool” actually means.
While this doesn’t have the magic of John Hughes best pictures, I think it is as well written as his high school movies and that’s why I consider it to be in the same ballpark of quality for ’80s teen comedies.
I like Patrick Dempsey in this but it’s Amanda Peterson that stole the show for me. I wish she had gotten better work after this film but she retired from acting in the mid-’90s, moved back home to Colorado and her life tragically went to shit until she died of an overdose in 2015.
Sorry to end this on a sad note but it’s kind of a punch to the gut when watching this film, knowing what happened to the high school goddess in real life.
Rating: 7.75/10 Pairs well with: other ’80s teen comedies.
I was a senior in high school when the first Scream came out. It was huge, especially due to kids my age. Well, mostly kids who were never really into horror or girls who were too terrified to watch something actually scary. This isn’t me taking shots at the film, it is just the reality of it.
Scream changed the horror genre forever. The problem, is that it essentially ruined it. I’ll explain more as I go on but let me get to my thoughts on each film.
Release Date: December 18th, 1996 (Los Angeles premiere) Directed by: Wes Craven Written by: Kevin Williamson Music by: Marco Beltrami Cast: David Arquette, Neve Campbell, Courteney Cox, Matthew Lillard, Rose McGowan, Skeet Ulrich, Drew Barrymore, W. Earl Brown
Woods Entertainment, Dimension Films, 111 Minutes
“What’s your favorite scary movie?” – Ghostface
I didn’t like this film the first time I saw it when it came out. I thought it was cheesy, not scary and full of too many recognizable stars. Although, everyone else in the theater seemed to be terrified when Drew Barrymore got murdered in the beginning. But then, the audience for Scream is not the real horror fan audience. At least not by 70s, 80s and 90s standards.
The problem with having recognizable stars in horror, as well as a decent budget, is that it feels less real and authentic. It is similar to the use of bad CGI for blood splatter and monster effects in horror now. It separates you from the film by constantly reminding you that you are watching a production. I’m going to feel more for some girl I’ve never seen before, who I have only witnessed going through the horror on screen, than I will some girl that was whiny and moody on Party of Five for several years before this movie came out. Or a cast member of Friends who I would’ve loved to see killed off, yet somehow she survived to be in all four films.
Ghostface, the slasher in these films, is not scary. Maybe he was to the teen audience of 1996 but being a teen at that time, I thought he was shit. The mask is goofy, the cloak looks like it was stolen from the Spencer’s Halloween display and the wavy knife looked like something gimmicky that came with a 80s G.I. Joe toy.
The film was too polished, and just looked too Hollywood. Craven, before this, had been known for his grittiness.
The slasher genre and horror, in general, were pretty much ruined when the characters started discussing the rules of slasher films. The film parodied the genre it was in and put on blast the unspoken rules of horror. Maybe perceived as smart and cool at the time, and maybe it was just Craven’s way of saying “fuck you” to his competition, this approach killed horror going forward. Yes, Wes Craven, a guy who modernized horror in the 70s and 80s, killed it in the 90s.
Due to its success, Scream went on to kill horror even further. It was mimicked by every studio, horror was now free of sex, gore was minimal, it became PG-13 to pull in more teens, known stars were cast, budgets swelled and the rest is history.
Today, I don’t hate Scream. Even with how it altered everything, it is better than the modern horror films we’re stuck with. While Scream was the start of something bad, year after year, that bad has gotten worse. And that wasn’t Craven’s intention. I think he was really just focused on an idea and a concept. That concept ended up bringing an end to his own career, other than pumping out Scream sequels that got worse as time went on.
Scream 2 (1997):
Release Date: December 10th, 1997 (Hollywood premiere) Directed by: Wes Craven Written by: Kevin Williamson Music by: Marco Beltrami Cast: David Arquette, Neve Campbell, Courteney Cox, Sarah Michelle Gellar, Jamie Kennedy, Laurie Metcalf, Jerry O’Connell, Jada Pinkett, Liev Schreiber, Rebecca Gayheart, David Warner, Omar Epps, Portia de Rossi, Luke Wilson, Heather Graham, Tori Spelling, Joshua Jackson, Marisol Nichols
Konrad Pictures, Craven-Maddalena Films, Dimension Films, 120 Minutes
Scream 2 was a step down from the original but I like that Liev Schreiber got to be a bigger character. I was also glad they killed off Jamie Kennedy. And Aunt Jackie from Roseanne is in it.
The problem with Scream 2, which is made more than obvious in the opening scene, is that it feels like it has to compensate for its lack of black actors in the first film. In fact, the first film really featured no black actors and was thus, accused of being another “whitewashed” slasher picture.
Some people have criticized Jada Pinkett’s monologue about race in slasher films but I enjoyed it. She wasn’t wrong. And at least Craven put it in there to address some of these issues that were brought up after the success of the original film. Although, it did feel like overcompensation.
The film isn’t as good as the first. The reveal of who the killer is this time, is pretty underwhelming. The formula ran it’s course in the first movie and we were stuck with a picture where we were treading the same water without any new scenery. The ending brings with it a twist but it is more of a head-scratcher than a shocking reveal. It also starts the trend of building up a bigger backstory that isn’t necessary.
Neve Campbell’s mom was a slut and her sluttiness is a key factor into why her daughter and her friends have to suffer. And in the third film, her legacy of sluttiness goes back even further.
Scream 3 (2000):
Release Date: February 3rd, 2000 (Westwood premiere) Directed by: Wes Craven Written by: Ehren Kruger Music by: Marco Beltrami Cast: David Arquette, Neve Campbell, Courteney Cox, Patrick Dempsey, Scott Foley, Lance Henriksen, Matt Keeslar, Jenny McCarthy, Emily Mortimer, Parker Posey, Deon Richmond, Patrick Warburton
Konrad Pictures, Craven-Maddalena Films, Dimension Films, 117 Minutes
The third film ended the trilogy. Well, it was supposed to be a trilogy, where the fourth film years later, was to be the start of a second trilogy. The second trilogy never happened, so we ended up with a single quadrilogy. But, at the time, this was treated as the third and final act.
This was also, by far, the worst movie in the series. It takes the parodying itself shtick to the max. It takes place mostly on a Hollywood set where it gives you a movie within the movie, which is a tactic that is more annoying than clever.
Scream 3 adds the awful Jenny McCarthy to the cast, the typically cool Patrick Dempsey and the indy sweetheart Parker Posey. I almost feel bad seeing Posey plying her trade in this shit picture.
The killer reveal is stupid. It fleshes out the backstory more than anyone needs in a slasher film and the bad guy’s motivations are recycled horror trope schlock. There is nothing imaginative or original about any of this.
This film also loses sight of its whole purpose. In trying to be a clever series in constantly referring to the rules of horror, this one breaks its own rules – or it just doesn’t truly understand them. Especially in regards to what they say about the final film in trilogies, Scream 3 proves that these films have no balls. This is obvious when characters establish that “all bets are off” and “no one is safe”, yet for the third consecutive film, every major character survives. Additionally, the horror gore factor it tries to sell in the film is minimal, the sex factor in horror that this film constantly makes reference to, is nonexistent and everyone who understands the rules, continues to make the same dumb mistakes.
And the sole black character is reduced to a caricature but at least they didn’t “whitewash” this one after meeting their quota in part two.
Scream 4 (2011):
Release Date: April 11th, 2011 (TCL Chinese Theatre premiere) Directed by: Wes Craven Written by: Kevin Williamson Music by: Marco Beltrami Cast: David Arquette, Neve Campbell, Courteney Cox, Emma Roberts, Hayden Panettiere, Anthony Anderson, Alison Brie, Adam Brody, Rory Culkin, Marielle Jaffe, Erik Knudsen, Mary McDonnell, Marley Shelton, Nico Tortorella, Anna Paquin, Kristen Bell
Oh, there’s Emma Roberts! Why’s she in every thing horror-esque, lately? I don’t dislike her but I’m getting tired of seeing her play the same roles again and again. She’s actually okay and I’m certainly not as sick of her as I am of her Aunt Julia.
Anyway, here we go, years later. The main cast is still alive. Surprise, they live through the end because again, the Scream franchise has no balls.
There’s a bunch of false curveball beginnings to the film, all movies within the movie, which has gotten tiresome with the Scream series. I mean, fuck, has Wes Craven completely run out of ideas? Hire new writers, bro.
This film tries to establish the “new” rules of horror, as it takes place a decade after the previous film. Except, everyone knows that the new rules post-Scream are horrible and the genre has gotten awful.
The killers are predictable. More so than previous films, actually. The two killer formula has been used to death in this series and was only somewhat effective the first time around.
Also, from what I remember, no black people in this one. But there is the reference to gay people surviving horror movies and then a bad in-movie joke where a character being stabbed to death, claims he’s gay in hopes of getting a free pass. I’m not standing on a politically correct soapbox here but Craven isn’t doing himself any favors trying to branch out beyond his audience of straight white teens. I get the attempt at humor but it was juvenile and not that funny.
I’m getting tired of talking about these movies now.
In the end, this film sucks. Although it doesn’t suck as bad as Scream 3.
Also known as: Larry Cohen’s The Stuff Release Date: June 14th, 1985 Directed by: Larry Cohen Written by: Larry Cohen Music by: Anthony Guefen, Richard Seaman (jingles) Cast: Michael Moriarty, Andrea Marcovicci, Garrett Morris, Paul Sorvino, Danny Aiello, Rutanya Alda, Scott Bloom, Brian Bloom, Patrick Dempsey (uncredited), Mira Sorvino (uncredited)
New World Pictures, 87 Minutes
“The name’s Mo Rutherford. They call me that ’cause when people give me money, I always want mo’.” – David ‘Mo’ Rutherford
The Stuff was a film that flew under the radar when it came out in 1985. Its theatrical release was very limited. Also, when it was released in New York City, a hurricane hit on that day and newspapers weren’t able to be delivered. Apparently, as the director Larry Cohen claims, the film had good reviews that never made it into the audience’s hands. In 2017, the film does hold a 70 percent critics’ rating at Rotten Tomatoes.
There was also probably some genre confusion about the film. While it appears to be a horror film in all its marketing material, which it is, the film is also a satirical comedy that pokes fun at the health fads of the 1980s, which saw a huge influx of “diet”-branded foods hit the market that people jumped on like hotcakes covered in crack cocaine.
I never even heard of this film until the early 1990s and I was a kid that spent a great deal of time in video stores, wherever I went. I think that most people discovered this later, as it has since developed a pretty large cult following.
One thing this film has, is pretty brilliant special effects. Different substances were used throughout the movie to represent “The Stuff”, as it moved and attacked people. The scene with a lake of “The Stuff” was done by superimposing imagery and using animation techniques. It came off great for a film from this era with a very small budget. Also, the rotating bedroom set used in two scenes of the original A Nightmare On Elm Street is used in The Stuff to recreate the same effect but instead of blood crawling up the walls, we get homicidal marshmallow goo.
The effects that were especially cool where when people’s bodies started to rip apart and ooze out “The Stuff”. The scene, at the end, where Garrett Morris’ head starts to tear apart is a fantastic practical effect and still pretty horrifying.
Now the acting is far from commendable but this picture does feature the always great Garrett Morris as well as Danny Aiello and Paul Sorvino. Also, Michael Moriarty’s “Mo” is an entertaining character.
The Stuff is a fun movie and it is hokey in all the right ways. I’d almost like to see a sequel that is sort of the reverse of this that pokes fun at all the anti-GMO hysteria and the religiously pro-organic people.
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