Also known as: The Mummy 2 (working title) Release Date: April 29th, 2001 (premiere) Directed by: Stephen Sommers Written by: Stephen Sommers Based on: characters by Stephen Sommers, Lloyd Fonvielle, Kevin Jarre Music by: Alan Silvestri Cast: Brendan Fraser, Rachel Weisz, John Hannah, Arnold Vosloo, Oded Fehr, Patricia Velásquez, Freddie Boath, Alun Armstrong, Dwayne “The Rock” Johnson, Adewale Akinnuoye-Agbaje
“[to Rick] My friend, there is a fine line between coincidence and fate.” – Ardeth Bay
Let me start by saying that this is not as good as its predecessor, 1999’s The Mummy. That’s probably not a shock, though, as generally everyone agrees with that, critics included.
However, I will also say that this was better than I remembered it being and I think that fun adventure movies were in such abundance in this era that I may have taken it for granted.
My only big gripe with this movie is how atrocious the CGI was on the Scorpion King character at the end of the film. It looks like they took The Rock straight out of WWF SmackDown! 2: Know Your Role for the PlayStation 1 and added pinchers to his hands. Man, I remember it being atrocious in 2001 and it looks even worse now. What’s really odd about it, is that most of The Mummy effects looked pretty good and held up fairly well. Even the worst CGI effects are still somewhat passable.
I thought that the story was just okay but I did like that Patricia Velásquez actually had a bigger role and I liked the material they came up with for her past connection to Rachel Weisz’s Evie. I also like that this allowed Evie to hold her own in the action sequences and that she was no longer just a typical damsel in distress.
I wasn’t crazy about the kid being added to the proceedings, as kid actors can wreck a movie and honestly, his scenes are mostly annoying. I’d hate to blame the kid, specifically, and I think it has more to do with the script and Stephen Sommers’ directing.
One takeaway from this and the previous movie, as well, is the fact that Oded Fehr’s Ardeth Bay is such a cool f’n character and even though The Rock became a massive star, I think that the producers should’ve probably given Fehr his own spinoff movie first.
Anyway, this is mostly more of the same but it does feel like it’s happening on a much larger scale. However, for some reason, when Imhotep is resurrected in this film, I guess the Ten Plagues of Egypt aren’t a factor anymore.
One doesn’t watch these sort of movies to be overly picky about details, though. This is just supposed to be fun, mindless escapism, which is something I praise a lot. This movie really works in that regard until the finale where we get PS1 graphics Dwayne Johnson.
Release Date: April 16th, 1999 (Portugal) Directed by: Stephen Sommers Written by: Stephen Sommers, Lloyd Fonvielle, Kevin Jarre Music by: Jerry Goldsmith Cast: Brendan Fraser, Rachel Weisz, John Hannah, Arnold Vosloo, Jonathan Hyde, Kevin J. O’Connor, Oded Fehr, Erick Avari, Stephen Dunham, Corey Johnson, Tuc Watkins, Omid Djalili, Aharon Ipale, Bernard Fox, Patricia Velásquez
Alphaville Films, Universal Pictures, 124 Minutes
“I only gamble with my life, never my money.” – Rick
I was a big fan of this movie when it originally came out. However, in the years since, it’s kind of gone down the memory hole due to its sequels and spinoffs, which each seemed to get worse. Also, the more I saw from Stephen Sommers, the more I disliked him as a director.
However, I wanted to see this with pretty fresh eyes, as its been nearly twenty years since I last watched it and a lot of the details have been lost. Granted, these details came rushing back to me, as I watched the picture again.
I loved this so much in 1999 because of three reasons.
The first is that I had been yearning for something Indiana Jones-like since that series ended ten years earlier with 1989’s Indiana Jones and the Last Crusade.
The second is that I have always loved the Universal Monsters franchise and this reboot of one of Universal’s classic monsters was something that got me really excited.
The third is that this starred Brendan Fraser as a lead in a blockbuster. I was a fan of the guy and loved watching him move up the Hollywood ladder since seeing him in the early ’90s in Encino Man and School Ties.
So seeing this now, I pretty much fell in love with it again. It also made me wish that Hollywood could just stop with the crap and make fun summer movies again. Sure, the occasional fun blockbuster comes out now and again but these things used to be really common and they were also made to entertain the audience and allowed them to get lost in the magic of Hollywood for a few hours. This reminded me of how big blockbusters coming to theaters were really big events in pop culture. It feels like that’s been gone for a few years and not just because of COVID; it started before that.
While I felt like the overall story, here, wasn’t particularly strong, it didn’t matter as much as the spectacle and scope of the film. This was ambitious for 1999 but it succeeded and probably much more than what was anticipated for it.
The special effects wowed audiences and they are mostly still good, even though some of it does look a wee bit dated. However, the big CGI heavy sequences still play well and nothing really pulls you out of the movie.
I really like the cast of this picture and thought that Brendan Fraser and Rachel Weisz were a good pairing with nice chemistry. I also thought that Fraser and John Hannah had solid camaraderie and it grows throughout the movie.
Arnold Vosloo was a pretty solid choice for Imhotep. He didn’t have to say anything but did a fine job acting with his facial expressions and body language. He was believable as an undead mummy trying to resurrect his long lost Anck-su-namun.
All in all, 1999’s version of The Mummy is much better than the recent Tom Cruise take on the franchise. I’m sure they’ll attempt yet another reboot in the future but this is a hard one to top outside of the 1932 original with the legendary Boris Karloff.
Also, this is the best movie that Stephen Sommers ever made, as everything went downhill from here.
Release Date: June 30th, 2021 (Madrid fan event premiere) Directed by: Cate Shortland Written by: Eric Pearson, Jac Schaeffer, Ned Benson Based on: Marvel Comics Music by: Lorne Balfe Cast: Scarlett Johansson, Florence Pugh, David Harbour, O-T Fagbenie, Olga Kurylenko, William Hurt, Ray Winstone, Rachel Weisz, Julia Louis-Dreyfus (cameo), Jeremy Renner (cameo, voice)
Truenorth Productions, Marvel Studios, Walt Disney Studios Motion Pictures, 134 Minutes
“[to Natasha and Yelena] You both have killed so many people. Your ledgers must be dripping, just gushing red. I couldn’t be more proud of you.” – Alexei Shostakov
I initially planned to see this in the theater but I was travelling for work when this came out and by the time I got caught up and was going to finally see it, it was gone. Also, I wasn’t going to pay an additional $29.99 to watch it on Disney+ when it would be free a few months later. That price tag is stupid, especially when HBO Max drops the new movies without any additional cost. But this isn’t a “bitch about how dumb and greedy Disney is” article, it’s a movie review about the long overdue first (and only) film about one of the greatest Marvel Cinematic Universe characters.
Sadly, this doesn’t live up to any hype one would have for it. Also, it’s five years too late and had it been made five years ago, it probably would’ve been a much better, much more coherent and much more entertaining picture.
Also, this proves that wedging a chapter in the MCU franchise into a previous point in the timeline, further fucks up and wrecks that timeline. Captain Marvel, Avengers: Endgame, Loki and probably some other things have also done this and created serious continuity issues, not to mention, altering characters in ways that don’t make sense or ruins them.
If you can completely turn your brain off and watch this without questioning anything, it’s probably an entertaining spy thriller. I can do that with many things but not with the nearly 30th entry into a thirteen year-old franchise that features a title character that has existed in eleven of those thirteen years.
There are so many problems with this movie like its terrible plot and incoherent logic, the fact that Black Widow is apparently made out of titanium, Taskmaster isn’t in anyway Taskmaster, the main villain is by far the worst in the franchise and it has the worst pacing and editing of any MCU movie.
I won’t harp on about how a small prop plane full of bullet holes can’t fly from Ohio to Cuba with S.H.I.E.L.D. in pursuit or how secret intel is sent to a safehouse used by many other people after its existence was made known to S.H.I.E.L.D., Hydra and everyone else. I won’t talk about how the entire movie was a string of plot conveniences and contrivances where if just one thing didn’t go smoothly, the entire story would’ve been fucked. I won’t grill the filmmakers about the stupidity of a secret flying fortress in a world with the MCU‘s technology, Tony Stark, Skrulls, Kree, satellites and Google f’n Earth. I won’t bring up physics or how the human body reacts to explosions, smashing into hard objects during free fall or how joints, muscles, nerves and nose cartilage work.
So since I won’t spend thousands of words on the stuff just mentioned, I will talk about how the characters never felt right. Natasha’s family felt forced and just wedged in to her personal mythos. Where were any of these people during the events of Infinity War and Endgame? Not to mention the twenty or so other Black Widows that Natasha freed at the end of the film. Mathematically, roughly half of those Widows would’ve survived Thanos’ snap and could’ve been helping Natasha, who was essentially running the show when half the world and its heroes disappeared. Ten-to-twelve Widows would’ve been really helpful in the first act of Endgame and twenty or more showing up for the final battle with Thanos could’ve been a hell of an advantage, especially a Taskmaster fighting on the side of good. Hell, we could’ve gotten a Captain America and Red Guardian team-up moment.
Additionally, we never really get to explore her time in the Black Widow program, which I’m pretty sure was something that everyone was anticipating. So here we have a character that’s appeared in at least half, if not most, of the MCU films and she doesn’t really have an origin story. There’s the ridiculous opening sequence in this movie and a credits montage but beyond that, everything we know about the character’s past is revealed through clunky dialogue. Dialogue which may or may not be reliable considering the villain is well… a fucking villain and Natasha and her sister Yelena have both had their minds altered on some level.
Getting to Taskmaster, I honestly don’t care that the character is a woman and out of respect for her gender, I’ll refer to her now as Taskmistress. My issue with the character was that other than being able to instantaneously learn from her opponents and mimic them, she wasn’t Taskmaster in any other regard. Taskmistress is a completely different character created from completely different circumstances, devoid of personality, devoid of style, missing the iconic skull face and thus, totally lacking the character’s charisma and coolness. Taskmistress is just generic super soldier cyborg lady. And what’s even more distressing is that she is clearly a man until the helmet comes off for what was meant to be a shocking reveal but was honestly, more expected than my cousin Lindsey getting pregnant again.
Look, I like this character and I like Scarlett Johansson and her commitment to this character over what may be a dozen movies now. The problem is that she deserved a movie earlier than this and she also deserved a better story than this. Hell, she probably should’ve had three movie by now, just like the boys on the Avengers team… well, except Hawkeye but that’s another sore subject with me.
Through this, I also liked Florence Pugh as Yelena and I don’t hate the idea of her taking the mantle if Johansson is truly done with it. However, her being sent on a mission to kill Hawkeye for “murdering” her sister is retarded, as the Avengers are more famous in their world than Scarlett Johansson is in ours. Yelena would’ve known that Hawkeye was her sister’s best friend and teammate, as the entire world knows that they’re both Avengers. Man, the MCU is run by idiots these days but just look at what Disney has done to Star Wars.
Before I go, I guess my last bone to pick is in regards to Red Guardian. So we’re supposed to accept that this guy is a smart badass that has high technical prowess and is somewhat on Captain America’s level as a fighter and hero. Yet he’s Fat Thor turned up to eleven with a Russian accent and communist tattoos that make him look like a Portland SJW angrily tweeting from a MacBook Pro in a corporate chain cafe sipping an $11 coffee and eating a $7 vegan muffin. I’m supposed to accept that this slobby juvenile idiot was his country’s Captain America and that he has actual smarts?
Anyway, I’m glad I just waited to watch this for free… or with my existing subscription. It’s not as bad as Captain Marvel was but it’s honestly in the same ballpark. Everything in this is pretty forgettable and as we’ve seen, none of it mattered to the bigger picture of the MCU. At least Captain Marvel set up some things. Not things I specifically want to see but it had more of an effect on the franchise. I guess this will tie directly to the Hawkeye television series but Yelena gunning for Clint Barton is fucking stupid for reasons I already explained.
Release Date: February 14th, 2013 (El Capitan Theare premiere) Directed by: Sam Raimi Written by: Mitchell Kapner, David Lindsay-Abaire Based on:Oz books by L. Frank Baum Music by: Danny Elfman Cast: James Franco, Mila Kunis, Rachel Weisz, Michelle Williams, Zach Braff, Bill Cobbs, Joey King, Tony Cox
Walt Disney, Roth Films, Curtis-Donen Productions, 130 Minutes
Being a fan of Walt Disney in general and a fan of L. Frank Baum’s Oz books, I figured I would check this film out. I wasn’t keen on Disney’s live-action Alice In Wonderland, a few years prior, but considering that this had a pretty decent cast and a different director, I gave it a shot. Besides, Walt Disney made magic with 1985’s Return to Oz, which is still one of the best, if not the best, interpretations of Baum’s work. Also, that film still has a level of creepiness to it that makes it just as unsettling as an adult, as it was when I first saw it as a child.
As far as this film goes, I’m really on the fence. There were scenes and sequences in the movie that were incredibly well done and parts where the writing was superb. Then it would quickly go the other way and give you situations that were beyond ridiculous, even for a CGI fairytale, as well as a huge level of confusion over the characters motivations and evolution throughout the film.
Michelle Williams and Rachel Weisz were pretty good in their roles. James Franco was decent but really grew into the role and took charge in the final act of the film. Zach Braff was great as Oz’s assistant in the prologue to the film and as the voice of Finley the flying monkey, a character that one could almost consider beloved had he had more screen time and had he been developed a bit more.
The biggest negative of this film was Mila Kunis. I found this surprising, as I usually like her in most things. However, her transformation to the Wicked Witch of the West was poorly done and her acting in the role went from completely uninteresting and vanilla to so over the top that she became cringe worthy every time she came on the screen.
A special shout out goes to Bill Cobbs, Tony Cox and Bruce Campbell. All three did great in their minimal roles. In Campbell’s case, it was really just a cameo.
The special effects weren’t great and the green screen work in many scenes was pretty deplorable. The evil flying monkeys looked odd and the world of Oz was too fantastical. Yes, it’s a fairytale but the world felt like a crude coloring book done by an angry three year-old who only had four crayons. It was like looking at some bad child art hanging up in a Pizza Hut.
The final battle, if you could call it that, was the highlight of the film and it really showcased the creative ability of director Sam Raimi. He and the writers found a great way to solve the problem of a mere mortal taking on two powerful wicked witches. The final act of the film was the best and it left me feeling some level of appreciation for what I spent two hours of my time watching.
All that being said, I would rather play the Temple Run game based off of this film than ever watch this movie again. In fact, that game is really what motivated me to finally watch this film a few years after its release.
You must be logged in to post a comment.