Published: 2005-2006 Written by: Geoff Johns Art by: Phil Jimenez
DC Comics, 241 Pages
I hated Crisis On Infinite Earths but I had hoped that this more modern version of it would’ve been more to my liking. I guess it is better but not by much because it falls victim to the same bullshit.
It’s overloaded with characters to the point that it’s difficult to follow and it just becomes a mega clusterfuck, trying to be larger than life while wedging a fuck ton of characters into double splash pages.
DC likes doing these big events that try to “reset” the multiverse and all they do is become overly complicated messes that ignore their own established rules because new writers don’t have time to read the old stuff or pay attention to it. In Geoff Johns’ defense, the event this is a spiritual sequel to was a convoluted shitstorm, so I don’t blame him for paying it no real mind.
If I’m going to try and look at the positives, there is really only one: the art by Phil Jimenez. It’s spectacular and it is lively and even if I don’t enjoy the story, it’s hard not to get caught up in the absolute beauty of Jimenez’s work. It’s stunning and even on those overcrowded splash pages, he fills the space magnificently and dynamically.
Apart from that, there’s not much to say. This isn’t as messy as its predecessor but it is still an over-sized shit meatball.
Rating: 5/10 – because of the art more than anything else. Pairs well with: other massive DC Comics events that are overloaded with characters.
Published: October 17th, 2017 Written by: Tom King, Joshua Williamson Art by: Jason Fabok, Howard Porter Based on:Watchmen by Alan Moore
DC Comics, 99 Pages
I haven’t started the big Watchmen-centric sequel series Doomsday Clock because I’m waiting for all the issues to come out first. Now that it is almost complete, though, I thought that I’d read the story that sets it up.
This was a four issue crossover that happened between the regular Bamtan and The Flash titles.
This also links back to the Flashpoint event and is kind of a bridge between that and Doomsday Clock. The main way it connects to the previous story is that it brings back the Thomas Wayne version of Batman. And in this story, Thomas Wayne’s Batman finally meets Bruce Wayne’s Batman.
Apart from the meeting of the two Batmen, the rest of this seems kind of pointless. It doesn’t really take you anywhere worthwhile other than also bringing back the Reverse Flash. But then you just see him die, rather quickly, due to some powerful being on the other side of a portal.
By the end of this, we still don’t know who or what that being is. And no actual Watchmen characters appear.
If you want to read this before Doomsday Clock, I don’t really think it’s necessary. Although, if you have Comixology Unlimited, it’s free to read there.
All this really did was make me want more of the Thomas Wayne Batman. I think he’s a cool character that can be explored more in the future and a Batmen team up would be kind of neat to see.
Rating: 6.25/10 Pairs well with:Flashpoint and Doomsday Clock.
Published: August 1st, 2017 Written by: Joshua Williamson Art by: Carmine Di Giandomenico, Jesus Merino
DC Comics, 163 Pages
I know I’ve said it before but I’m not a huge fan of Flash comics. I like the character and loved the TV show from 1990 but when it seems like he’s wrapped up in stories with a dozen other characters with the same powers, it’s boring. This is why I quit watching the modern TV show on the CW.
However, I have always enjoyed Flash’s Rogues because they present different types of challenges other than whether or not the fast guy can catch the other fast guy.
That being said, I picked this story arc up, leapfrogging over the first two volumes because it focuses on the Rogues.
Overall, I was really happy with this story. It was entertaining, fun and had a good plot with a nice twist worked in.
Now the Rogues story only covers about the first half of this collection but the followup story was also good.
Maybe I will give Joshua Williamson’s other arcs a read.
The thing is, I want to like the Flash but in modern times, the comic has the same issues that the television show does. But this story reminded me of Flash comics from the ’80s when I first checked out the character. Back when he’d fight Captain Cold, the Trickster, the Mirror Master and Gorilla Grodd a lot.
Rating: 7.5/10 Pairs well with: I’m assuming, Joshua Williamson’s other Flash stories.
Published: October 8th, 2013 Written by: Geoff Johns Art by: Andy Kubert
DC Comics, 166 Pages
This is the best Flash event that I’ve ever read. Granted, I’m not a hug Flash fan in the comics and I haven’t read a lot of his big events but this wasn’t bogged down by too much Speed Force bullshit, which is typically a bone of contention with me, as it’s used to explain every random ass weird thing that happens in modern Flash stories. It’s also why I lost interest in the TV show, which started out pretty damn good.
The Speed Force does play a factor here but it doesn’t make this a mental clusterfuck like the plot of The Flash: Rebirth.
And while The Flash does fight another speedster, this isn’t just about a guy with speed fighting another guy with speed because that shit also gets tiresome and is another reason why I stopped watching the show.
There are a lot of characters and the fact that this takes place in an alternate reality where things are different enough to make the world interesting, makes this feel different than the standard Flash event.
Granted, I wish this featured more of the regular rogues that aren’t speedsters but when most of those villains have become jokes, that was probably for the best. At least we get small cameos from Captain Cold and the Pied Piper, even if they don’t have much to do with the story.
The thing that makes this so good, is that it just grabs you and holds on. It’s a quick read, as it takes place over just five issues but there is a lot to absorb. But in the end, this will hit you in the feels from a few different angles and frankly, that took me by surprise. But the final moments in this made this whole journey worth it.
Geoff Johns is one of my favorite writers of the last decade or so and this is the first Flash story that I felt was on the same level as his best Green Lantern work. Plus, Andy Kubert’s art was incredible and it wasn’t too far of a departure from the style I’ve come accustomed to seeing in Johns’ biggest stories, which were mostly drawn by Ethan Van Sciver.
Flashpoint is an action packed and legitimately emotional ride through two men’s tragic journeys. It was well executed and a visually stunning piece of work.
Rating: 9/10 Pairs well with: the Geoff Johns era of The Flash, as well as other major Flash events.
Published: October 8th, 2013 Written by: Geoff Johns Art by: Ethan Van Sciver
DC Comics, 158 Pages
I love Geoff Johns work at DC Comics and I have always loved his collaborations with artist Ethan Van Sciver. Their work on Green Lantern got me back into comics during a time when I had sort of faded away from the medium due to no longer being as engaged by it.
Green Lantern: Rebirth was one of my favorite comic book stories of all-time. It made me love Hal Jordan and I was pulled in by Johns’ writing and Van Sciver’s wonderful art. Since I also liked Johns’ Flash stuff, I figured that The Flash: Rebirth would be something that I would also love. But sadly, it just didn’t do it for me.
The biggest problem that I have with Flash stories is the damn Speed Force. Also, in recent years, the Flash pocket of the larger DC universe is overloaded with too many characters with the same lame set of powers. There are so many damn speedsters that it’s really f’n redundant.
In an era where people are screaming for diversity, even though it has existed in comics for decades, maybe there should be a call for diversity in powers in the Flash titles. I mean, if you’re going to cram a dozen heroes and villains into a plot, why are they all similar? And why is that exciting? And to be frank, this is why I lost interest in The Flash TV show, which I loved when it started.
Anyway, the art in this is damn good but Van Sciver hits the right note stylistically speaking when it comes to how this era of DC felt. He was a premiere architect in DC’s visual style from 2007-2014 or so. This book lives up to the standard one should expect from his work but apart from that, there wasn’t much here for me to enjoy.
The premiere villain is the Reverse Flash, another f’n speedster. And really, this is all about the weird, mystical Speed Force that is capable of anything a writer needs it to do. I don’t know, Speed Force heavy stories bore me to tears and they’re hard to keep up with because it’s all pseudo-science mumbo jumbo made up on a whim to explain random ass shit. I prefer stories where one Flash takes on one of his many awesome rogues that aren’t speedsters.
This is probably really good if reading about a dozen speedsters and Speed Force stuff is your thing. For me, it numbed my brain and made it hard to get through.
And fuck… this had so many damn cameos. I felt like it partially existed just to wedge in as many characters as possible.
Rating: 5.5/10 Pairs well with: The Geoff Johns era of The Flash, as well as his era of Green Lantern.
Published: April 24th, 2018 Written by: Christopher Priest Art by: Diogenes Neves, Carlos Pagulayan, Jason Paz, Larry Hama
DC Comics, 132 Pages
This is the biggest storyline so far in the current Deathstroke series. It sees Deathstroke try to further atone for his past sins while becoming the leader of a new group he has formed with his children and a few former Teen Titans.
Also, Deathstroke and his team wear some pretty cool looking black and white costumes.
This has been the biggest and most popular story in the most recent and ongoing Deathstroke series. So once I got to this volume, I was really excited to jump in, especially with all the plot threads leading up to it being fresh in my mind. There are several characters that this series is trying to balance but it has done a good job, so far, of keeping things moving and flowing properly.
And sure, Deathstroke is often times overshadowed by other characters in his own series but it all ties directly to him and his journey since the current series started.
The biggest problem with this chapter, however, is that it doesn’t wrap up within this volume. The Defiance team’s story carries over into what will be the next installment, which isn’t released for a few more months. I’d like to jump into it while this is all fresh but I guess I’ll have to pickup a few of the single issues I’m missing to fill the few holes in my collection.
What I like about this though, is that it feels like a throwback to Cable coming into New Mutants and eventually forming X-Force. There are some parallels to it and it makes this feel like something I would have read in the early ’90s when I was first getting into comics at a deeper level.
This is capped off by a story that sort of interjects itself into the Defiance plot and forces the series to switch gears momentarily. But that story was really cool and pits Slade Wilson against several of DC’s top villains who are trying to test if he has turned over a new leaf or if he is still “evil” at his core.
This was a good collection but it leaves you hanging.
Rating: 8/10 Pairs well with: The other Deathstroke stories since DC’s Rebirth. Also, the current runs on Nightwing and Red Hood and the Outlaws.
Original Run: January 21st, 2016 – present Created by: Greg Berlanti, Marc Guggenheim, Andrew Kreisberg, Phil Klemmer Directed by: various Written by: various Music by: Blake Neely Cast: Victor Garber, Brandon Routh, Arthur Darvill, Caity Lotz, Franz Drameh, Ciara Renée, Falk Hentschel, Amy Pemberton, Dominic Purcell, Wentworth Miller, Matt Letscher, Maisie Richardson-Sellers, Nick Zano, Neal McDonough, John Barrowman
Berlanti Productions, DC Entertainment, Warner Bros., 33 Episodes (so far), 42-45 Minutes (per episode)
*originally written in 2016.
With the success of Arrow and The Flash, the CW had to put out another superhero show in that universe. Plus, those worlds were getting too big and they needed a place to ship off some of those characters. So why not make them into a team.
Add in time travel and we’ve essentially got a superhero version of Doctor Who. It also doesn’t hurt that they added a fan favorite actor from Doctor Who lore to lead this team through time and space.
The premise of the show is interesting but ultimately, we are left with the weakest of CW’s DC Comics television series. The show is enjoyable and it has some good moments but it all just feels like filler and the threat, as great as it is, just doesn’t seem that threatening overall.
Vandal Savage, who was introduced in a crossover event on The Flash and Arrow, is the main villain of the series. The problem with the show is that they either kill him or nearly kill him almost every episode but for some reason he keeps coming back or isn’t killed because the writers have to stretch him out over the whole twenty episode campaign. He just feels like a total pushover instead of the immortal evil bad ass he should be. And the characters’ motivation when they don’t finally just pull the trigger is laughable and some of the worst writing ever.
None of these people seem stable or even rational enough to pull off this very important mission. I also find it hard to believe that in all of space and time, this motley crew is the best that Rip Hunter could assemble for a mission that is sold as the most important mission in the entirety of this universe.
I enjoy Arthur Darvill as Rip Hunter and I have always been a fan of Brandon Routh’s Atom and Caity Lotz’s version of the Canary. Even the Prison Break reunion of Wentworth Miller and Dominic Purcell as Captain Cold and Heatwave is pretty enjoyable. Firestorm is okay and Hawkgirl is somewhat interesting but all in all, this crew just doesn’t hold it together as an ensemble.
It feels like a forced union, which it is in reality and in fiction, but there should still be more chemistry. It’s chemistry that has worked so well for The Flash and Arrow. That magic just isn’t recreated here. And maybe the writers, between three shows, are stretched too thin.
This isn’t a show that I plan to give up on. Depending upon what they do for the second season, this show could turn it around. I’d like to see more characters rotated in and out of this group as the show goes on. I think that would work at keeping it fresh. It may also solve the chemistry problem.
Some of these characters are great but after seeing them full-time, they may play better on a part-time basis.
Original Run: October 7th, 2014 – present Created by: Greg Berlanti, Andrew Kreisberg, Geoff Johns Directed by: various Written by: various Music by: Blake Neely Cast: Grant Gustin, Candice Patton, Danielle Panabaker, Rick Cosnett, Carlos Valdes, Tom Cavanagh, Jesse L. Martin, Keiynan Lonsdale, Victor Garber, Franz Drameh, Robbie Amell, Dominic Purcell, Wentworth Miller, Peyton List, John Wesley Shipp, Amanda Pays, Tom Felton
Bonanza Productions, Berlanti Productions, DC Entertainment, Warner Bros., 69 Episodes (so far), 40 Minutes (per episode)
*originally written in 2015.
In sixth grade, my favorite television show was The Flash. It was cancelled after one year but it was still the best comic book series put to television at the time. Well, 24 years later, the Flash returned to television again in another self-titled series.
The modern version of The Flash is a spin-off of CW’s Arrow. It goes on to further expand the DC Comics television universe and mythos and has thus, spun-off its own show debuting in the fall called Legends of Tomorrow.
Having now completed the first season of The Flash, I figured it was time to review it.
In short, this is the greatest comic book television show of all-time. Yes, Daredevil, which just debuted a month ago on Netflix is amazing. This however, this is lightning in a bottle – pun intended.
Something about The Flash is just magical. I can admit, maybe I am affected by nostalgia for my love of the original Flash series from years ago. And maybe that is magnified by the fact that the new Flash show features the stars of the original show. The thing is, everyone else I have talked to that has watched this show, regardless of their knowledge of the series from 1990, is pretty much in agreement that this is simply great.
Sure, the acting isn’t always fantastic, there is that typical CW romance thing going on and often times, the villains can be cheesy. But this is a television show based on comic books and if it took itself too seriously, it would be a train wreck like Gotham. (updated 2017 note: Luckily Gotham fixed that.)
The thing this show has going for it is heart. You can’t not care about these characters, their motivations and their world. When I watch Gotham, I really don’t care about anyone on that show. The Flash is the most human and heartfelt superhero show currently on television, if not of all-time.
The story arc of the first season was well orchestrated and ended perfectly. Everything throughout the year was well paced and while it fell victim to the “monster of the week” formula at times, it built a much larger universe and everything had a point to it. There wasn’t a lot of filler unlike a lot of episodes of Arrow this past season.
Where The Flash goes from here is anyone’s guess. I hope the momentum maintains going forward and that the show doesn’t go off the rails, as its predecessor Arrow has recently. I also hope that the quality isn’t effected by the new spin-off series. We shall see but the future looks bright.
Having now gotten through three seasons, the show unfortunately becomes redundant and derivative of its previous seasons. It sucks that it sort of nosedives, even if you still care about the people on the show. Season four I hope gets back to form. And we really don’t need another speedster as the season’s major villain.
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