Published: July 31st, 2014 Written by: Gerry Conway, Stan Lee, David Michelinie Art by: Sal Buscema, Steve Ditko, Colleen Doran, Gil Kane, Erik Larsen, Todd McFarlane, Alex Saviuk
Marvel Comics, 501 Pages
When I was a kid and probably because I was a kid, nothing seemed cooler than Spider-Man getting cosmic powers. Basically, seeing him become a hero more akin to Superman was a neat idea and it felt like it upped the ante, as it also brought with it, bigger and badder villains than his typical foes.
However, this also happened during the Acts of Vengeance crossover event, which saw Marvel villains switch which heroes they would fight, thinking that taking on different heroes would give them a tactical advantage and catch the good guys off guard.
So with that, Spider-Man got to tie up with tougher foes anyway. However, these foes were the ones caught off guard by Spidey’s new cosmic abilities, which evolved from issue-to-issue and also surprised Spidey.
One thing that this short era of Spider-Man did was it shook up the series and made it kind of fresh. But sometimes, that isn’t the best thing to do. Especially, if something isn’t broken and Spider-Man comics in the late ’80s weren’t broken.
Reading this now, this saga is really a mixed bag. Some single issues collected within are entertaining while others just seem like they’re just not hitting the typical Spider-Man beats.
Still, this was cool to experience a second time, over three decades later. It’s not my favorite era of Spider-Man comics but it’s strange and different enough that long-standing Spidey fans who haven’t read it, might want to check it out.
Rating: 6.25/10 Pairs well with: other Spider-Man stories of the ’80s and early ’90s.
Original Run: November 19th, 1994 – January 31st, 1998 Created by: John Semper, Bob Richardson, Avi Arad, Stan Lee Directed by: Bob Richardson Written by: John Semper, various Based on:Spider-Man by Stan Lee, Steve Ditko Music by: Kussa Mahchi, Jeremy Sweet, Shuki Levy, Joe Perry, Shuki Levy, Kussa Mahchi, Udi Harpaz Cast: Christopher Daniel Barnes, Ed Asner, Jennifer Hale, Roscoe Lee Brown, Mark Hamill, Hank Azaria, Joseph Campanella, Martin Landau, Richard Moll, Don Stark, Dawnn Lewis, Majel Barrett, David Warner, Earl Boen
New World Entertainment Films, Genesis Entertainment, Marvel Enterprises, Fox, 65 Episodes, 23 Minutes (per episode)
After the success of the early ’90s X-Men cartoon on Fox, it was natural for the network to ask for more Marvel properties to adapt for their Saturday morning audience. The Spider-Man series was the longest running and most successful of these animated spinoffs.
While the X-Men show still stands as my favorite of these animated Marvel series, Spider-Man is a very, very close second and nearly as good.
The stories are generally well written and even if they have to take some liberties and alter the plots from the comics. This was due to time constraints and by trying to wedge in the debut of Venom really early in the series, which changes the overall timeline of events in Spider-Man’s life, greatly. Also, the showrunners probably wanted to get as many villains added into the mix, early on, so that each new episode felt fresh.
Spider-Man has a massive rogues gallery and this show utilized the core villains really damn well.
The tone of the cartoon is pretty perfect. Sure, there are cheesy and hokey bits in every episode because this is a kid’s cartoon but it does stay pretty true to the tone and style of the source material. Most importantly, it’s true to the characters and the writers obviously knew the Spider-Man mythos well.
I love this show and it’s still fun to have minimarathons of episodes. Honestly, to me, it’s one of the highlights of Disney+.
Rating: 8.25/10 Pairs well with: the other animated Marvel television series from the ’90s.
Published: 1991 Written by: Danny Fingeroth Art by: Al Milgrom
Marvel Comics, 103 Pages
I loved this series when it came out in 1991. My sixth grade friends and I couldn’t stop talking about it and we all thought the idea of the Sinister Syndicate was pretty cool, as they were a sort of B-level Sinister Six full of Spider-Man villains that usually don’t get as much airplay as the A-level baddies.
I wasn’t sure what to expect, reading this thirty years later, but I have to say that I was more than pleasantly surprised. This was a great story with a ton of twists, turns and backstabbery. The villains could barely get along enough to pull off one heist, so seeing them all play against one another was entertaining as hell. Each villain had their own objective and pretty quickly, those solo objectives created real friction.
This also has a few subplots that worked great.
To start, the deceased Ringer’s girlfriend is a part of the gang, as a getaway driver. However, she has revenge plans of her own and it’s neat seeing them unfold, as she sort of plays a classic femme fatale.
Also, The Kingpin gets involved and starts pulling some strings for his own reason. He adds to the chaos in a great way and plays everyone like pawns. Well, that is until a certain character surprisingly outwits him.
I liked the subplot about The Shocker too. He’s not officially in the Sinister Syndicate but he weaves in and out of the story while dealing with his overwhelming fear of Spider-Man, The Scourge and The Punisher.
Danny Fingeroth wrote a really cool, very layered and well executed story. Al Milgrom complimented that with beautiful art.
After revisiting this and loving it so much, I think I’m going to delve into its sequel soon, The Lethal Foes of Spider-Man. That one, I haven’t actually read.
Rating: 9/10 Pairs well with:The Lethal Foes of Spider-Man and The Superior Foes of Spider-Man.
I bought this game way back when it came out but I didn’t actually play it until this year, as I had spent about 18 months completely immersed in Conan Exiles and The Witcher 3. Between that, I also spent a lot of time playing hundreds of retro games on my RetroPie.
I can’t say that this was worth the wait, as it’s really just mediocre.
The graphics as far as how the city looks and the smoothness of gameplay are great but the characters’ designs certainly don’t blow me away. Also, most characters don’t look like how you’d expect them to and I’m not sure why. The game sort of ignores the comic book designs and tries to go with something more “realistic” and cinematic, akin to the films. I feel like it’s trying to meet the comics and the films somewhere in the middle but it fails at that.
As far as the gameplay goes, it’s fun but it’s way too similar to the Batman: Arkham City games. Granted, I love swinging through New York City and seeing the iconic sites but after really exploring for a day or so, even that gets old.
My real issue with the game is the story. I just don’t like it and it puts a lot of emphasis on villains that aren’t all that popular to begin with like Mister Negative. While I don’t mind the character, he is the primary antagonist for the first two acts of the story. While Norman Osborn is the mayor and Otto Octavius starts out as a good guy, there are still so many great, iconic Spider-Man villains they could’ve used as a focal point. Is Mister Negative even C-list?
I also heard all this noise about how many villains were going to be in this game and after playing through it, I’m completely underwhelmed. Sure, there are many baddies but it’s the cast of villains that they went with that are the problem. Plus, there are glaring omissions that are a bit baffling.
I get that you might not want to do a full fledged Hobgoblin or Venom story but the game could’ve introduced their normal selves, as both had interesting backstories that tie back to either Peter Parker’s personal life or the lives of his friends and allies.
Beyond that, Mary Jane is just kind of Plain Jane and she’s not even a model or actress. Instead, they made her an investigative reporter and her character is basically just ginger Lois Lane. Mary Jane is nothing like Lois Lane and this creative choice was just strange.
Speaking of MJ, I hate when this game makes you play as her or pre-Spider-Man Miles Morales. I bought this to be Spider-Man. Not his no superpowers having peeps. And there are just too many of these stupid side character sneaking missions.
Complaints aside, this is still a decent game that laid some groundwork to build off of. I’ll probably check out the sequel, if it’s ever made. I’ll also probably play the Miles Morales spinoff when it’s not still full-price.
The thing is, this could’ve been something great had they made it more loyal to the source material and not used a scrub that casual fans won’t know as the big bad for the first two-thirds of the game. Can you imagine if they made a Batman game and the main villain was someone like The Clock King?
Rating: 7/10 Pairs well with: its Miles Morales spinoff game, as well as other recent Marvel games and old Spider-Man games.
Published: April 11th, 2007 Written by: Mark Millar Art by: Steve McNiven
Marvel Comics, 196 Pages
I loved Civil War when I first read it over a dozen years ago. It reignited my interest in Marvel Comics and I stuck with a lot of the core stories that were born out of these events.
For those that don’t know, this pits two factions of superheroes against each other: one group led by Captain America and the other led by Iron Man. It would also go on to inspire the movie Captain America: Civil War, nine years later.
Cap’s group is against a new law that would force superheroes to give up their secret identities and become agents of the government. Iron Man agrees with the law, after a group of C-list heroes are responsible for the deaths of hundreds of children. Spider-Man, the third central character, starts the story on one side and then switches after certain events give him newfound clarity.
The story, the idea and its execution are near perfect. In fact, I’m not sure how this wasn’t a story idea before this, as it seems like a natural development for the superhero genre. Regardless, Mark Millar penned magic here and this is, hands down, one of the greatest mega events in comic book history.
Having just read two of DC’s massive Crisis events and seeing how they were massive clusterfucks, this is the complete antithesis of those and goes to show how much better Marvel is (or was) at bringing a massive group of characters together.
I also really enjoyed Steve McNiven’s art and it fit the tone well. McNiven was one of the top artists at the time and his talent was put to great use here.
My only negative takeaway is that this story should’ve been longer than seven issues. It felt like there was a lot more story to tell. But then again, there are literally dozens of Civil War tie-ins that you can read for more context and to see what other heroes were up to during this saga. From memory, a lot of them were also pretty good.
Rating: 9.5/10 Pairs well with: all the other Civil War crossover tie-in trade paperbacks, as well as The Death of Captain America.
Published: July 22nd, 2009 Written by: Mark Millar Art by: Tommy Lee Edwards
Marvel Comics, 146 Pages
This comic book was cool as hell!
It sort of reads like it’s a season of Stranger Things but where the small town is haunted by Marvel villains instead of weird shit from the Upsidedown. This also came out in the decade before Stranger Things, so it was kind of ahead of the curve but like Stranger Things, knew how to tap into ’80s nostalgia in a brilliant way.
But this was also written by Mark Millar, a true master of his craft.
What’s unique and cool about this comic is that it doesn’t take place in the Marvel Universe, it takes place in our universe.
The story follows a young boy in 1985. He is having issues like any normal ’80s kid dealing with divorced parents. He bonds with his father pretty strongly though, as they both have a deep love of comic books and are experts on Marvel lore. At the same time, Marvel villains start showing up in the real world because there are no heroes here to stop them.
Overall, this was a really neat idea and for the most part, I thought it was superbly executed.
1985 is incredibly imaginative but it really worked so well because the art fit the concept and the tone. While Millar deserves credit for a great story, Tommy Lee Edwards gave it so much more life than just words on paper. And his style works better for the setting than having that sort of standard Marvel art style.
This is one of those comics that I’m happy to have discovered as an adult but wish would have been around when I was a kid. If you know a kid that loves Marvel but they’ve never read this, I think that they’ll probably love the hell out of it.
Rating: 9/10 Pairs well with: the Stranger Things comics, as well as other Mark Millar stories.
Published: 1990 Written by: David Michelinie Art by: Erik Larsen, Terry Austin, Mike Machlan
Marvel Comics, 141 Pages
This story arc took place in The Amazing Spider-Man issue numbers 334 through 339. It was a follow up to the original Sinister Six story that Stan Lee and Steve Ditko gave us with the first ever Amazing Spider-Man annual way back in 1964.
What’s strange to me, is that it took so long for six of Spidey’s best villains to team-up again. However, with Kraven the Hunter being dead, this version of the group replaced him with Hobgoblin. But the team is still led by Doctor Octopus and also features Electro, Mysterio, the Vulture and the Sandman. However, in a bit of a twist, Sandman has gone straight and Octopus blackmails him into joining the group.
This story also features a lot of cameos from other villains and heroes but Spider-Man ultimately faces the Sinister Six on his own and at one point, he finally fights them all at once, which he didn’t do in the first story.
While the Dave Michelinie/Todd McFarlane era of The Amazing Spider-Man is heralded as one of the best of all-time, the Dave Michelinie/Erik Larsen era is also damn good and really just continues off of what Michelinie developed with McFarlane. This came out at the height of me reading Spider-Man comics. To me, this was an event bigger than any of those Infinity things and this wasn’t really even an event.
Reading this now, I almost have a deeper appreciation for it than I did as a kid in 1990. The plot is well constructed and it has a lot of layers to it. Also, there’s a few subplots that have their own interesting narratives. There’s much more here than Peter Parker’s Royal Rumble match with his rogues and it makes this a really rich tale with good character development and real depth.
Some of the plot points, like the bizarreness of Octavius’ scheme are baffling but even the questionable stuff is amusing and just makes me yearn for the early ’90s comic book storytelling style. Twenty-nine years later, I definitely see issues I didn’t as a kid but it in no way wrecks the experience that is this great arc.
Also at the time, I was a hardcore Erik Larsen fan. I first discovered his art on this title. While I always preferred McFarlane, through the eyes of an eleven year-old, Larsen was a comic art superstar. I loved how he drew Spidey and his iconic villains and I think it still looks great. While I respect Larsen and McFarlane for forming Image and coming out with their own comics, there’s that part of me that wished that they both would’ve stuck around and worked on Spider-Man books a bit longer, as I was just so in love with what they were doing at the time and wasn’t ready to let them hand it off to someone else. But then, Mark Bagley did do a fine job, as well.
All these years later, this was fun to pick up again. I was a little worried that I’d think it’d suck now but it brought me back to where I was, reading it for the first time in 1990. Sometimes picking up old comics is like opening a time capsule. With this one, I was happy to find that it was even better than I remembered it.
And now I can’t wait to revisit its sequel, The Revenge of the Sinister Six.
Rating: 9.25/10 Pairs well with: Stan Lee and Steve Ditko’s original Sinister Six story, as well as the sequel to this one, The Revenge of the Sinister Six. Also, anything from the Michelinie and Larsen run on The Amazing Spider-Man.
Published: November 7th, 2018 – January 30th, 2019 Written by: Donny Cates, Tini Howard, Vita Ayala, Matt Rosenberg Art by: various
Marvel Comics, 161 Pages
When the Marvel Knights line of comics were going strong, I wasn’t paying much attention. I was aware of them but it was the late ’90s and I wasn’t reading comic books as regularly, as I was entering my twenties and didn’t do much other than party hard and sleep little.
I have since gone back and read some of the stories from that alternate Marvel universe and I’ve liked a lot of them. So when I saw that this was coming out to commemorate the 20th anniversary, I had to check it out. Plus, one of the writers is Donny Cates, whose recent work I’ve loved and it heavily features Daredevil.
The premise was kind of cool and I did enjoy this overall. Although, it was problematic in regards to its pacing. This is due to there being too many writers chiming in over the six issues. Cates looked to be credited as the top writer for each chapter but he had different collaborators with each new installment of this miniseries.
The narrative flow was a bit off, as it took too long to get the action going. Once we get to where this needed to wrap up, it felt rushed and the twist finale seemed strange, out of place and too convenient.
There’s a MacGuffin device and all they have to do in the end is hit a button and fix everything. I love Cates but that’s just lazy, outdated 1960s comic book writing. It’s like a random wizard showing up at the end and casting a “fix it” spell, making everything that happened pretty pointless.
I was still glad that I read through this miniseries, as it featured a lot of characters I love. I can’t call it underwhelming but I did have expectations that I don’t feel were met.
Rating: 7.25/10 Pairs well with: old school Marvel Knights stuff and other recent works by Donny Cates.
Published: November 14th, 2013 Written by: Dan Slott Art by: Giuseppe Camuncoli, Ryan Stegman
Marvel Comics, 117 Pages
When I heard about this series before it came out, it sounded like a terrible idea and it seemed that my sentiment was also the majority’s. However, as the series rolled on, people really started talking it up and now it is considered by many to be a high point in the decade long run of Dan Slott on Spider-Man titles. So I figured that I’d give it a shot.
The reason why this was so controversial was because Otto Octavius a.k.a. Doctor Octopus put his mind into Peter Parker’s body and hijacked his life becoming Spider-Man and Peter Parker. Yeah, it sounds terrible on the surface and comes off as a cheap trick to try and deliberately stir up controversy for publicity’s sake. And really, that’s probably exactly what it was.
Controversial moments in comics usually turn out poor results in the long run or at least on the creative side. This is a rare example of it actually working and leading into a narrative and creative direction that fans liked. In fact, this series has since ended but fans are clamoring to see the Superior Spider-Man return in some form, especially after his involvement in the recent milestone issue The Amazing Spider-Man number 800.
I don’t know why this works, as it just seems weird and unbelievable even for comic books. But somehow, you know that this is a redemption story for Otto Octavius, even if his actions to put this in motion were rather heinous. His goal is to be the “superior” Spider-Man and also the superior Peter Parker. He wants to be the best version of both personas that he can possibly be.
Otto alters how Spider-Man operates in a way that is more efficient and he also strives to better Parker’s personal life by going back to school to get his PhD.
Another interesting part of the story is that Peter still exists as a ghost that is attached to Otto but Otto is still unaware of Parker’s presence and his constant commentary on how Otto is messing up his life and reputation.
I know that the premise may sound stupid or off-putting for old school Spider-Man fans but man, this really is a good read and I feel as if it is only going to get better as it finds its stride.
Rating: 7.5/10 Pairs well with: Other Superior Spider-Man collections and any of Dan Slott’s other Spider-Man titles.
Release Date: June 28th, 2017 (TCL Chinese Theatre premiere) Directed by: Jon Watts Written by: Jonathan Goldstein, John Francis Daley, Jon Watts, Christopher Ford, Chris McKenna, Erik Sommers Based on:Spider-Man by Stan Lee, Steve Ditko Music by: Michael Giacchino Cast: Tom Holland, Michael Keaton, Jon Favreau, Zendaya, Donald Glover, Tyne Daly, Marisa Tomei, Robert Downey Jr., Laura Harrier, Tony Revolori, Bokeem Woodbine, Logan Marshall-Green, Martin Starr, Gwyneth Paltrow, Chris Evans, Paul Rudd, Jennifer Connelly, Hannibal Buress, Kenneth Choi, Selenis Leyva
Columbia Pictures, Marvel Studios, Pascal Pictures, Sony Pictures, 133 Minutes
“You need to stop carrying the weight of the world on your shoulders.” – Aunt May
For lack of a better word, Spider-Man: Homecoming was amazing.
While it isn’t a perfect film, it is the best that any of the Avengers related properties have produced in awhile, minus the Guardians of the Galaxy movies.
Finally, we get a Spider-Man that looks and feels the appropriate age. Tom Holland was magnificent and a perfect choice to play Peter Parker and thus, Spider-Man. Tom Holland brought something special to the role and he was the first actor to truly feel like the Spider-Man of the comic books.
Bringing Spider-Man into the bigger universe that has already been established by Marvel was long overdue and thankfully, the famous webslinger fits right in. The chemistry between the young Holland and veteran Robert Downey Jr. was uncanny. I hope we get to see them come together more often in the future, even if Downey Jr. feels like his time as Iron Man is winding down. Ultimately, even if Avengers: Infinity War fails to deliver like its two predecessors, at least these guys will make it fun. Assuming they aren’t an afterthought with all the heroes that are getting squeezed into that picture.
Michael Keaton stole the picture, though. He played the villainous Vulture but only went by his real name: Adrian Toomes. It was cool seeing him play the bad guy and it was a stark contrast to him being the hero in the Tim Burton Batman films from 1989 and 1992. He was chilling and bad ass and was the best on-screen villain for Spidey since Willem Dafoe’s Green Goblin back in 2002. Keaton may have surpassed Dafoe overall but Dafoe was just pure intensity and a maniac, which worked really well for his character, fifteen years ago.
We also get other appearances by other Marvel characters. Jon Favreau returns as Happy Hogan, in his first appearance since the solo Iron Man films. Gwyneth Paltrow also makes an appearance as Pepper Potts. We even see Chris Evans in some really funny cameos as Captain America.
The film also gives a few small roles to some of my favorite people from television. Silicon Valley, Party Down and Freaks & Geeks‘ Martin Starr plays a teacher. Other teachers are played by Kenneth Choi from Last Man On Earth, Selenis Leyva from Orange Is The New Black and Hannibal Buress.
The plot of the film benefits from not being an origin story. Spider-Man already exists with his powers and how he got them is just casually mentioned and then the movie moves on. Everyone already knows the story, just like any future Batman films don’t need to show Bruce’s parents being murdered.
The movie is about Peter Parker becoming a hero. Not just a masked vigilante but truly learning and understanding what it takes to be a real Avenger. There is friction and tough love from his mentor Tony Stark and for good reason. This picture is really Spider-Man’s training wheels. It is his first big test to see if he has what it takes to stand alongside Iron Man, Captain America, Black Widow, Thor, Hulk and the others.
Everyone in the film did well with their roles. The story was entertaining and there was a good balance between action and the coming of age drama that fans can expect from a Spider-Man story. It doesn’t get bogged down in the romance side of things and Parker isn’t chasing either Gwen Stacy or Mary Jane in this version.
There is a good twist in regards to his romantic relationship in the film but that relationship is just used to add a bit more weight to the bigger story and the emotional and heroic development of our beloved main character.
Spider-Man: Homecoming may fall a bit short for some when compared to the first two Sam Raimi Spider-Man movies but I think it stands above them. It is more genuine and closer to the roots of the comic series, especially the old school stories. Plus, seeing him enter into a larger universe opens a lot of doors for what’s next for the spectacular wall crawler.
Also, comic book fans will probably be happy to see cameos from villains the Shocker, Scorpion and the antihero Prowler.
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