Release Date: December 26th, 1960 (UK)
Directed by: Terence Fisher
Written by: Alan Hackney
Music by: Alun Hoddinott
Cast: Richard Greene, Sarah Branch, Peter Cushing, Niall MacGinnis, Nigel Green, Oliver Reed (uncredited), Desmond Llewellyn (uncredited)
Yeoman Films Ltd., Hammer Films, 80 Minutes
“This is not a game, Madam, I’m dealing with criminals!” – Sheriff of Nottingham
I’m kind of shocked that this site is two months shy of its five-year anniversary and this is the first Robin Hood movie that I’ve reviewed! Damn, I’ve been slacking on one of my all-time favorite legendary characters! I must rectify it with this movie and many more in the coming months!
Anyway, I guess I’m glad that I started with one that I had never seen and one that was made by one of my all-time favorite studios, Hammer Films. It also features horror icon Peter Cushing and has smaller parts for Oliver Reed, Nigel Green and James Bond‘s original Q, Desmond Llewelyn.
This film’s Robin Hood is played by Richard Greene, who actually played the character in the British television show The Adventures of Robin Hood for four seasons, totaling 143 episodes! So for fans of that show, this film must’ve felt like a theatrical finale, despite other characters being recast.
I really liked Peter Cushing as the Sheriff of Nottingham and the only real shitty thing about that iconic character in this version of the story, is that he never gets to meet his end at the hands of Robin Hood. Instead, he’s murdered like a dog by his superior, who was just tired of listening to him obsess over Hood.
I thought that Richard Greene made a solid Robin Hood and since I’ve never actually watched his show, I might try and track it down. If I do, obviously, I’ll review it.
This was a thoroughly entertaining Robin Hood picture and I liked the sets, costumes and overall look of the presentation. Granted, being that this is from the UK, it’s easy to make the world of Robin Hood look right. Plus, they still have so many castles and old structures that it’s not difficult finding the right places out in the wild.
I was glad that Hammer’s most celebrated director, Terence Fisher, was able to dabble in this style of film, as he predominantly did horror for the studio.
In the end, this was a better than decent Robin Hood flick with good actors, a nice pace and an authentic look.
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