Tag Archives: The Shadow
Vids I Dig 874: Razörfist: Shadowcast No. 5 – ‘The Voodoo Master’ and ‘Voodoo’
Vids I Dig 858: Razörfist: The Shadowcast No. 4 – ‘The Shadow Strikes’ & ‘Death House Resecue’
Vids I Dig 850: Razörfist: The Shadowcast No. 3 – ‘Lingo’ and ‘Death to the Shadow’
Vids I Dig 843: Razörfist: The Shadowcast No. 2 – The Shadow & The Green Hornet: Dark Nights
Vids I Dig 835: Razörfist: The Shadowcast No. 1 – The Living Shadow
From the mists of mystery emerges The Shadowcast! In this first episode, we explore the origins of the Dark Avenger with the very first pulp story: THE LIVING SHADOW, and review The Knight of Darkness’s first film appearance in the rare 1931 DETECTIVE STORY MAGAZINE Film Shorts!
“Your life,” said the stranger’s voice slowly, “is no longer your own. It belongs to me now. But you are still free to destroy it. Shall we return to the bridge?”
“I don’t know,” blurted Vincent. “This is all like a dream; I don’t understand it. Perhaps I did fall from the bridge, and this is death that I am now experiencing. Yet it seems real, after all. What good is my life to anyone? What will you do with it?”
“I shall improve it,” replied the voice form the darkness. “I shall make it useful. But I shall risk it, too. Perhaps I shall lose it, for I have lost lives, just as I have saved them. This is my promise; like, with enjoyment, with danger, with excitement, and— with money. Life, above all, with honor. If I give it, I demand obedience. Absolute obedience. You may accept my terms, or your may refuse. I shall wait for you to choose.”
“I accept,” he said.
-‘The Living Shadow’ (Walter B. Gibson, 1931)
Vids I Dig 819: Razörfist: Reject Modernity; Embrace Pulp Heroism
Vids I Dig 642: Razörfist: Deeper Into ‘The Shadow’ – Razör vs. Comics
Vids I Dig 628: Razörfist: Enter ‘The Shadow’ – Razör vs. Comics
Film Review: The Shadow (1994)
Release Date: July 1st, 1994
Directed by: Russell Mulcahy
Written by: David Koepp
Based on: The Shadow by Walter B. Gibson
Music by: Jerry Goldsmith
Cast: Alec Baldwin, Penelope Ann Miller, John Lone, Peter Boyle, Ian McKellen, Jonathan Winters, Tim Curry, James Hong, Al Leong, Joseph Maher, Frank Welker (voice)
Bregman/Baer Productions, Universal Pictures, 108 Minutes
“I’ll be there… around every corner… in every empty room… as inevitable as your guilty conscience…” – The Shadow
The Shadow wasn’t shy about what it was trying to be. It was Universal’s answer to Warner Bros. massive success with Batman and Disney’s pretty popular Dick Tracy. It is almost like a blend of the two and I guess The Shadow was the right property to adapt at the time, if you wanted to marry both of those other franchises into one thing. Granted, it also throws in some Asian mysticism but ninjas and Oriental magic were pretty popular back then too.
I wouldn’t call the finished product a big success though. This film pretty much bombed, critics didn’t like it and it felt like it was trying too hard to be those other things that it wasn’t. It’s sad because The Shadow could have actually been a really great movie. It has so many things working for it that you almost have to try to make it not work.
Granted, this film is far from terrible and I like it quite a bit more than I dislike it. It’s just that those bad elements really held this motion picture back.
For starters, Alec Baldwin was boring as hell as the Shadow. He was dry, tried to come off as overly manly and sexy and it just felt silly. His Bela Lugosi illuminated eye trick when he was using his psychic shtick just didn’t work and I’m a huge fan of that method when used correctly. But maybe that only worked well in old black and white Universal Monsters pictures. His weird facial prosthetics also didn’t work for me and just made him look strange.
I also didn’t like John Lone as the villain, who is essentially a resurrected Genghis Khan. At least I think he was, his explanation was kind of weird and confusing. He kind of sounded like Tommy Wiseau with a little Asian flourish to his accent.
I did like the rest of the cast. Penelope Ann Miller was alluring as hell, Ian McKellen was delightful and Tim Curry stole the show, as he always does.
I also liked the score by Jerry Goldsmith. It was made to sound a lot like Danny Elfman’s scores for Batman and Dick Tracy but it wasn’t a total ripoff, it had a very strong Goldsmith vibe to it.
The look of the film was nice but it really was just an amalgamation of Tim Burton’s Gotham City and The City from Dick Tracy. It was actually New York and had the iconic landmarks but the night shots used sweeping cameras weaving around building’s ala Burton’s Batman and featured gargoyles with waterfalls coming out of their mouths and other things that didn’t seem very 1930s New York.
The film did its best to be exciting but it just wasn’t. It was as bland as Baldwin’s performance and to be honest, unlike similar films of the era, I never had the urge to go back and watch this until now. I have seen Batman and Dick Tracy and even The Rocketeer a few dozen times.
Although watching it now, I really liked the sequence during the final showdown in the hall of mirrors. It was a bit hokey but it still looked beautiful and was the best visual moment in the picture.
The Shadow isn’t a complete waste of a film. It’s less than two hours and is a decent time killer, especially if you’ve never seen it and are a fan of similar pictures and 1930s style.
Pairs well with: The two films it borrows heavily from: 1989’s Batman and 1990’s Dick Tracy.
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