TV Review: The Umbrella Academy (2019- )

Original Run: February 15th, 2019 – current
Created by: Steve Blackman, Jeremy Slater
Directed by: various
Written by: various
Based on: The Umbrella Academy by Gerard Way, Gabriel Ba
Music by: Jeff Russo
Cast: Ellen Page, Tom Hopper, Emmy Raver-Lampman, David Castañeda, Robert Sheehan, Aidan Gallagher, Mary J. Blige, Cameron Britton, Colm Feore, Adam Godley, John Magaro

Borderline Entertainment, Dark Horse Entertainment, Universal Cable Productions, Netflix, 10 Episodes (so far), 45-60 Minutes (per episode)

Review:

When the first Umbrella Academy story came out in 2007, I was instantly captivated by it. It sucked me in, it was a lot of fun, it borrowed heavily from a few different things but ultimately, it was refreshing, unique and helped to reinvigorate my interest in comics at the time.

For years, I have heard that the comic was going to be adapted for live action. I just never really liked the thought of that, as it isn’t something that seems like it could be adapted in a good or effective way outside of its original medium.

Fast forward to late 2018 when I finally saw a trailer for its live action incarnation, this Netflix show. It didn’t get me enthused about it but I thought that there might be a chance that it can work, despite the obvious alterations that I picked up from that trailer.

Well, I don’t want to call this a bad show. It’s really just about what I expected it to be. It has good production value, good special effects for television and it fits well within the genre style. But it just feels like the same ol’ shit in a world where we now have superhero TV shows like we have soda options.

This may be your flavor, this may not be. While I love the comic’s flavor, this just seems like the dollar store generic version of that flavor.

The show has an identity crisis. It doesn’t seem to know what it wants to be or what it should be. It’s like Tim Burton and Wes Anderson had a baby in the worst way possible. The show also tries so hard to be cool that it isn’t. The humor doesn’t stick, the characters aren’t likable and it spends more time trying to wow you with its pop music selections than constructing a scene with any real craftsmanship.

A lot of the shots are done with a wide angle lens to the point that it’s as annoying as J. J. Abrams’ use of the lens flare effect in Star Trek. It’s like a high schooler that dreams of one day going to film school was given a camera and a budget and was told to go make his art, without any knowledge whatsoever of mise en scène.

The acting is also problematic for me. Everyone is just so emotionless and boring. Even when characters argue, it’s stale. The kid who plays Number 5 is pretty good though but he’s also not likable, so it’s hard to latch on to him and let him pull you through the muck.

I got about halfway through the first season and I gave up. Maybe it ends on a good note but time is precious and Netflix likes to drag its shows out to ungodly lengths. This is why I stopped caring about their Marvel shows outside of Daredevil.

This may appeal to some but I’m not sure who it is for. If you’re a fan of the comics, this probably won’t work for you. But that also doesn’t mean that the damage I see isn’t salvageable. Sometimes shows need a season to learn from their mistakes and move forward in a better way.

Rating: 6.25/10
Pairs well with: other modern comic book television adaptations.

Comic Review: The Umbrella Academy: Apocalypse Suite

Published: June 17th, 2008
Written by: Gerard Way
Art by: Gabriel Ba

Dark Horse Books, 178 Pages

Review:

It’s been over ten years since I’ve read this six issue miniseries but I wanted to revisit it (and it’s sequels), as the television adaptation is premiering on Netflix in a couple of weeks.

From what I remember, I was really fond of this series a decade ago. Having recently read some of Grant Morrsion’s run on Doom Patrol, I can see how that series had some influence on this one. Now this is not a knockoff or a wannabe Doom Patrol but it shares some narrative bits and kind of takes some stylistic cues from it.

Also, Gabriel Ba’s art style reminds me a lot of Mike Mignola’s work on his Hellboy comics. It’s not a replica of Mignola’s style but it hits some of the same notes.

This story arc introduces us to this team of heroes and their complicated personal lives. It explores their relationships well and, thankfully, doesn’t get bogged down by lengthy origin stories. That’s something that is really refreshing about this comic’s plot.

In a short amount of time, you understand the key players, their personalities and you end up really liking them. When I first read this story, I really wanted to jump into a second one but there was about a year’s wait for it. I definitely want to revisit that one soon, as well.

Also, The Umbrella Academy is now in the middle of its third story arc. It took almost a decade to get to it but I can’t wait to read it. I’m holding off though because I want all the single issues to come out first.

Rating: 8.5/10
Pairs well with: the other Umbrella Academy stories, as well as Grant Morrison’s run on Doom Patrol and the BPRD comics by Mike Mignola.