Film Review: Amityville II: The Possession (1982)

Release Date: September 24th, 1982
Directed by: Damiano Damiani
Written by: Tommy Lee Wallace, Dardano Sacchetti
Based on: Murder In Amityville by Hans Holzer
Music by: Lalo Schifrin
Cast: James Olson, Burt Young, Rutanya Alda, Jack Magner, Diane Franklin, Moses Gunn, Leonardo Cimino, Ted Ross

Media Transactions, Estudios Churubusco Azteca S.A., Dino De Laurentiis Company, Orion Pictures, 104 Minutes

Review:

“If these walls could talk…they would shriek!” – tagline

I think that the original Amityville Horror will always be the best of the films that carry the Amityville name but I have to say that this one, because of how absolutely fucked up it is, is my personal favorite.

This features a new family moving into the immensely haunted, demonic house from the first film.

The father is played by Burt Young a.k.a. Paulie from the Rocky movies, which always weirdly fascinated me, as it’s hard to separate him from his most iconic role. And in this, he’s sort of the worst version of Paulie imaginable. Granted, most of that is due to the demonic influence of the house.

There is also the mother, an older brother and sister and a couple really young kids.

The older brother and sister have a weird incestuous vibe from the beginning and it’s actually hard to tell how much of that already existed or how much of it comes from the house. It’s an odd, taboo side plot that is supposed to make viewers feel uncomfortable and it is pretty effective, especially by the time they go full incest, as the brother falls deeper into demonic madness and the sister comes under the evil spell of the forces living inside her.

As religious horror goes, there is also a priest character that wants to save the family but doesn’t have the support of the church, as they find all of this to be too insane to believe.

This movie really goes much further into darkness than the original, as the end of the second act actually sees the oldest brother violently murder his entire family while being fully possessed. It’s an insanely fucked up sequence but it immediately makes the original tame by comparison. I’m sure the critics of the time hated just how gruesome this movie actually got.

The priest, even after the murders, still feels as if he must conquer the demonic energies in the house and with that, he is driven to save the possessed son.

The final showdown is really damn intense and the special effects are pretty fucking incredible for 1982. The effects make the finale work really well and it adds to the agony that both characters have gone through and are going through.

I can’t say that this is well acted or even well directed but it’s still an effective horror film that pushes the bar pretty far and succeeds at that without feeling like it jumped the shark. This could’ve very easily fallen into looking and feeling like cheap exploitation for the sake of shock value but it sort of maintains its humanity and leaves us with a truly heroic character that was willing to throw away his own soul to save a kid from Hell.

Rating: 6/10

Film Review: The Fog (1980)

Release Date: February 1st, 1980
Directed by: John Carpenter
Written by: John Carpenter, Debra Hill
Music by: John Carpenter
Cast: Adrienne Barbeau, Jamie Lee Curtis, Tom Atkins, John Houseman, Janet Leigh, Hal Holbrook, Nancy Loomis, Charles Cyphers, Buck Flower

Debra Hill Productions, AVCO Embassy Pictures, 89 Minutes

Review:

“I don’t know what happened to Antonio Bay tonight. Something came out of the fog and tried to destroy us. In one moment, it vanished. But if this has been anything but a nightmare, and if we don’t wake up to find ourselves safe in our beds, it could come again. To the ships at sea who can hear my voice, look across the water, into the darkness. Look for the fog.” – Stevie Wayne

I was never a huge fan of The Fog but for some reason, I like this film a lot more now. I did enjoy it when I was younger but it wasn’t something I felt the need to revisit as often as the typical slasher films of the day. This has slasher elements to it but it certainly is not a clone of Halloween, Friday the 13th or anything else similar.

This is a quintessential John Carpenter flick. It also stars just about all of his top dogs except Kurt Russell and Donald Pleasence. You do have Adrienne Barbeau, in what is my favorite role of hers, as well as Jamie Lee Curtis, Tom Atkins and Carpenter regulars Charles Cyphers and Nancy Loomis. The cast also boasts Hal Holbrook, who starred with Barbeau two years later in Creepshow. We also get to see Janet Leigh, Curtis’ real mother who is most remembered for Psycho.

The threat in this film is a mysterious fog that rolls into a small coastal California town. The fog carries some swashbuckling zombies that want their gold back. The nautical zombies don’t actually swashbuckle, instead they use their blades like a slasher would.

Barbeau plays a single mother who owns a lighthouse where she broadcasts over the radio. From atop the town, she can see the fog rolling in and tries to give the town a play-by-play on what is happening but ultimately, the ghosts come to haunt her as well.

I like this film a lot and I think it is underrated, even if it did get a crappy remake in 2005.

Unfortunately, the swashbuckling ghost zombies aren’t the most unsettling thing about the picture. Something about the Tom Atkins and Jamie Lee Curtis hookup was just bothersome to me. I like both actors but when this was made Curtis was 21 while Atkins was 44. As a 38 year-old man, I can’t even talk to a 25 year-old girl and find anything in common with her, just sayin’.

The Fog is a solid movie. It also has one of the best scores that John Carpenter has ever produced. It uses its fog and lighting effects perfectly and the monsters are damn cool.

Rating: 8/10

Film Review: Halloween III: Season of the Witch (1982)

Release Date: October 22nd, 1982
Directed by: Tommy Lee Wallace
Written by: Tommy Lee Wallace
Music by: John Carpenter, Alan Howarth
Cast: Tom Atkins, Stacey Nelkin, Dan O’Herlihy, Nancy Loomis, Jamie Lee Curtis (uncredited voice), Tommy Lee Wallace (uncredited voice)

Dino De Laurentiis Corporation, Debra Hill Productions, Universal Pictures, 98 Minutes

Review:

“I do love a good joke and this is the best ever: a joke on the children.” – Conal Cochran

*written in 2015.

Prepare to be scared shitless. Okay, maybe not shitless. But prepared to feel really uncomfortable, unsettled and really creeped out by this unique and bizarre film that truly is one of a kind.

This film currently has a rating of 4.4 on IMDb. That’s some bullshit and I think that the only reason it rates so low is because it is a film with the name Halloween on it and Michael Myers is nowhere to be found. Had this been its own film with its own name, it would probably not have some weird stigma or Michael Myers fanboy backlash. Then again, had it been called something else, it might not have survived as long as it has, simply because its existence is an enigma.

So why is this a Halloween film when it doesn’t feature Michael Myers or anything related to those stories?

Well, back in the day, John Carpenter didn’t even want to do the Halloween II that we got. His original plan for the series was to have a different story each year for each new film in the series. The studio however, wanted more Michael Myers and an agreement was reached that Carpenter would give them more Michael Myers and he would be allowed to make a third film in the series any way he saw fit. What resulted was confusion. Confusion that led to a big hiatus between this film and the fourth film, which ultimately, brought Michael Myers back to the franchise and saw him go on to star in every sequel and remake thereafter. In the end, this film gets an unfair bad rap and is usually skipped over by those having a Halloween marathon or sneered at when it pops up on AMC during the MonsterFest season. In fact, AMC may be ignoring it now too, as I haven’t seen it in the TV listings this year.

The thing is, this film is great. It is actually one of my favorite horror movies of all-time. I can’t come upon the Halloween season and not pop this into the DVD player. Actually, I’m sure I will catch shit for this, but I prefer this movie over all other films in the Halloween series. Yes, even more so than the 1978 classic that introduced the world to Michael Myers.

This film has the absolute best atmosphere of any film in the series. It is beyond creepy and as a kid, this terrified me much more than some guy in a mask walking around silently and slowly with a knife. There is just something more sinister to a child viewer (me) seeing another child in a film put on a Halloween mask that turns their head into a pile of bugs, worms and venomous snakes in a very painful way. Sorry, this is way more effective than another slasher film. And no, despite claims from everyone, Michael Myers was not the first slasher and the concept of Halloween was lifted from the original Black Christmas and what its director wanted to do with his plan for sequels – an anthology of films all associated with different holidays.

Tom Atkins plays the lead in Halloween III and is as great as always. He’s never a likable character really, he is just a solid actor that doesn’t try to be a hero, he is usually just a typical human male caught up in an inhuman or extraordinary situation.

Dan O’Herlihy (best known as the head of OCP in the original Robocop) is awesome as the evil Conal Cochran, the man who wants to kill the world’s children and pretty much everyone else. His tool of destruction is his best-selling Halloween masks. And although his motivations are never really made clear and his sinister plot never really explained in a way that makes much sense, you know that you are looking at pure evil and he embodies an almost satanic presence.

This film almost has a Lovecraftian vibe to it, mixed with that magic John Carpenter touch and a bit of dark science fiction. Even though Carpenter only produced this film, it promotes his visual style well and it is only enhanced by his majestic and eerie soundtrack.

4.4 on IMDb? People have no fucking taste.

Rating: 8.75/10
Pairs well with: the other Halloween films.

Film Review: Halloween (1978)

Release Date: October 25th, 1978
Directed by: John Carpenter
Written by: John Carpenter, Debra Hill
Music by: John Carpenter
Cast: Donald Pleasence, Jamie Lee Curtis, P.J. Soles, Nancy Loomis, Charles Cyphers

Compass International, Falcon Productions, Debra Hill Productions, 91 Minutes

Review:

“I met him, fifteen years ago. I was told there was nothing left; no reason, no conscience, no understanding; and even the most rudimentary sense of life or death, of good or evil, right or wrong. I met this six-year-old child with this blank, pale, emotionless face, and the blackest eyes… the devil’s eyes. I spent eight years trying to reach him, and then another seven trying to keep him locked up because I realized that what was living behind that boy’s eyes was purely and simply… evil.” – Dr. Loomis

I’m not a massive fan of Halloween, the original film, as most people are. While I have loved slasher movies since I was a kid, and while I love the Halloween franchise, as a whole, my first real love in horror was Freddy Krueger and A Nightmare On Elm Street, followed by Jason Voorhees and Friday the 13th.

In debates, hardcore Michael Myers fans always want to point out that he came first. Yes, he did debut before Freddy and Jason. But despite the public consensus, Myers was not the first slasher. He may have popularized the genre but Halloween wasn’t anything new, even in 1978. There was Black Christmas, a nice little slasher from Canada that came out in 1974 and was actually a better movie, in my opinion. The Italians, specifically Mario Bava and Dario Argento, were also making giallo films for well over a decade before Halloween and those were the prototype for the slasher pictures of the 70s and 80s.

Not to take anything away from the greatness of Halloween but it was hardly original. Although, it may have been a lot cooler, due to the look of Michael Myers, and that’s what made it a cultural phenomenon that people still embrace four decades later.

By slasher standards, however, Halloween really isn’t that good. I’m sorry but there are a lot better films in the genre. Most of the stuff that happens to build suspense is completely nonsensical and goofy when not seen through nostalgic goggles.

The thing that saves this film are the elements that work for it. Primarily, Donald Pleasenca as Dr. Loomis and “The Shape” a.k.a. Michael Myers are the real glue of this picture.

The film also benefits from its look, which is a testament to how talented John Carpenter was behind the camera. He captured mood and tone in just the right way. He also enhanced this picture with one of the most famous scores in horror film history. His theme for the film is still creepy as hell and will never not be included on people’s Halloween playlists for the rest of time.

Jamie Lee Curtis got her real start in this film but even though the character of Laurie Strode is highly regarded as a supreme scream queen, she doesn’t do much other than stab Myers in the eye with a coat hanger. She’s mostly a damsel in distress and only defends herself with animal instinct once she is cornered and completely exposed to the killer. She certainly wasn’t anything like the badass Nancy was from A Nightmare On Elm Street or some of the leading ladies from the Friday the 13th films.

I don’t want to sound like I am trashing Halloween, I do truly love the film. I just kind of see it for what it is. It was significant and popularized slasher films in the United States. It also doesn’t hurt that it is simply called Halloween.

I’m also that asshole that thinks that Halloween III, the one without Michael Myers, is far superior to any of the Myers films for the fact that it is truly horrific, original, bizarre and just a ball of wacky insanity. Plus, it has Tom f’n Atkins in it.

Rating: 7.25/10
Pairs well with: the other Halloween films.

Film Review: It (1990)

Release Date: November 18th & 20th, 1990
Directed by: Tommy Lee Wallace
Written by: Lawrence D. Cohen, Tommy Lee Wallace
Based on: It by Stephen King
Music by: Richard Bellis
Cast: Harry Anderson, Dennis Christopher, Richard Masur, Annette O’Toole, Tim Reid, John Ritter, Richard Thomas, Tim Curry, Jonathan Brandis, Seth Green, Emily Perkins, Olivia Hussey

Lorimar Productions, DawnField Entertainment, The Konigsberg & Sanitsky Company, Greeb & Epstein Productions, Warner Bros., ABC, 192 Minutes (original), 187 Minutes (DVD version)

Review:

“Kiss me, fat boy!” – Pennywise

When the announcement that a new It film was being made, fans on social media were all like, “What the hell? You can’t remake a classic!” Really?! A classic? Do people actually think that the original It was a good movie (or television miniseries, actually)? Do they really remember it? Or are they seeing it through nostalgic glasses, as they haven’t watched it since 1990 and just recall being terrified by Tim Curry as Pennywise the evil clown?

It really sucks. No, it really does. Then again, I have never been a huge Stephen King fan. I do enjoy the film adaptations of some of his work though but this one is a boring shitty mess littered with some atrocious special effects, even for 1990 TV miniseries standards.

There are only two cool things about this film.

The first is the cast. Most of the characters are made up of television actors that I like: John Ritter, Annette O’Tooler, Tim Reid, Harry Anderson, etc. The second is that Tim Curry is scary and sinister as Pennywise. However, Pennywise is sparsely used. He is such a good monster though, that you kind of beg for him to appear when he’s not on the screen but that’s really just because the rest of the movie is a chore to sit through.

The big monster at the end is just some stop motion animated giant crab spider thing with a glowing stomach. The effects used to create the monster are horrendous. And the heroes kill this massive armored beast by simply pushing it on its side and ripping out its intestines or something. If they would have just done that simple task as kids, I wouldn’t have had to waste so much time on this seventeen hour movie.

People that think that this long, drawn out, boring piece of shit is a good film are the type of people that buy Coldplay records and NCIS on DVD, even though it is streaming for free everywhere. It is an awful, dull and terrible miniseries. Its fans are awful, dull and terrible people.

Does It deserve to be run through the Cinespiria Shitometer? Oh, you bet your dumpy ass it does! So what we have here is a “Type 6 Stool: Fluffy pieces with ragged edges, a mushy stool.”

Rating: 2.5/10