Release Date: February 23rd, 1990
Directed by: Luca Bercovici
Written by: Luca Bercovici, Jefery Levy, Chris Ver Wiel
Music by: Hilary Bercovici, Osunlade, various
Cast: Dean Cameron, Toni Basil, Thomas Dolby, Tawny Fere, Susan Tyrrell, Bo Diddley, Tony Cox
Cannon Films, 87 Minutes
“Well, you can say that the night is full of danger, but you know, to the night, you’re not a stranger. You know what I mean?” – Phoebe
Man, this was a really weird but also kind of wonderful movie.
And sure, it’s cheesy as all hell but it’s got some real heart and is somewhat endearing. It’s also really cool seeing some seriously legit musicians in this, hamming it up to the max and looking like they were enjoying every minute of making this strange and lively movie.
I don’t even know if I can really consider this a cult classic. It’s not something that anybody talks about, even in circles of film fans that would love something as bonkers as this.
Basically, this is a horror comedy but it’s also a musical full of people like Toni Basil, Thomas Dolby and Bo Diddley. It’s also very much a product of its time and while for new viewers it will certainly feel extremely dated, it’s sort of a time capsule into the weirdest shit that entertainment had to offer as the ’80s shifted into the ’90s.
The movie’s main star is Dean Cameron, who I have enjoyed since first seeing him in Summer School when I was a kid. He always sort of played stoner type characters in C-level comedy films but I always thought of him as a solid, charismatic, comedic actor that probably deserved more rolls at a more mainstream level. I think the biggest thing he was in was Men At Work but he was also somewhat overshadowed by a stacked cast in that one.
Here, Cameron gets to shine and he even gets to perform some musical numbers with the band he throws together to impress the love of his centuries long vampire life.
While the story isn’t anything great, it’s hard not to get lost in this, as all the core characters are pretty entertaining. I especially liked Thomas Dolby in this, as he essentially plays the film’s villain, a new wave British dandy that doesn’t like this vampire kid trying to lure away the girl he sees as his own.
To enjoy this film, though, one probably has to really love the entertainment of its era, as well as pure goofiness. Since I fit that profile, this is a pretty good movie for me to throw on to mindlessly escape from the real world for an hour and a half.
Pairs well with: other really odd comedies of the ’80s and early ’90s, especially those with horror themes.
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