Release Date: September 8th, 1993 (Los Angeles premiere)
Directed by: Tony Scott
Written by: Quentin Tarantino
Music by: Hans Zimmer
Cast: Christian Slater, Patricia Arquette, Dennis Hopper, Val Kilmer, Gary Oldman, Brad Pitt, Christopher Walken, James Gandolfini, Bronson Pinchot, Samuel L. Jackson, Michael Rapaport, Saul Rubinek, Conchata Ferrell, Chris Penn, Anna Thomson, Victor Argo, Tom Sizemore, Kevin Corrigan, Michael Beach, Ed Lauter (uncredited)
August Entertainment, Davis-Films, Morgan Creek Entertainment, 119 Minutes (theatrical), 121 minutes (unrated Director’s Cut)
“If there’s one thing this last week has taught me, it’s better to have a gun and not need it than to need a gun and not have it.” – Clarence Worley
Since I just revisited Natural Born Killers, a film written by but not directed by Quentin Tarantino, I figured that I’d also checkout the other one.
True Romance was directed by Tony Scott using a script that Tarantino sold in an effort to get enough money to make Reservoir Dogs. That being said, out of the two scripts he sold, this is the one that was translated to screen the best. Also, Tarantino doesn’t disown this film, as he does Oliver Stone’s Natural Born Killers.
I think that Scott’s directorial style mixed with Tarantino’s writing was a pretty good match. Granted, this also benefits from having an incredibly talented ensemble cast and one of Hans Zimmer’s most unique but incredibly effective musical scores.
Christian Slater and Patricia Arquette are f’n dynamite in this and despite the insanity of the circumstances they created, they were pretty believable, had superb chemistry and you really wanted these two kids, who had just found true love in each other, to make it though and have that “happily ever after” ending. They luckily succeed. Although, maybe they don’t but I’ll get into that towards the end of the review.
Beyond the two leads you’ve got so many notable people, many of which are in small roles or in the case of Val Kilmer, completely obscured to the point that you don’t even know that it’s him. The real standout scene in the film doesn’t even star the leads, though, it stars Dennis Hopper, who is only in a handful of scenes and Christopher Walken, who is only in this one iconic scene. And man, it’s one of the greatest scenes of Walken’s career. It happens midway through the film and it leaves you with a legitimate sense of dread, making you understand just how much trouble the young lovers are actually in.
The second most iconic scene in this is where Patricia Arquette enters her motel room alone to find James Gandolfini sitting in a chair clutching a shotgun. It’s an unnerving and extremely f’d up scene, as Gandolfini brutalizes Arquette. It’s a scene that Hollywood wouldn’t have the balls to do today due to how brutal it is. However, Arquette does get the upper hand in this ultraviolent fracas and makes Gandolfini pay in an even more brutal way.
That being said, this is an exceptionally violent film but those who have experienced Tarantino’s work, should know what they are getting into, even if the material is brought to life by another director.
So watching this film for the first time in a long time, I was left wondering about the ending. We see the young lovers leave behind the craziness that became their life for a bit. The closing moments show them on a beach with a child. All seems well and good.
However, I doubt that Christopher Walken’s very driven and cold mobster character isn’t just going to stop looking for them, especially after the crew he sent to catch and kill them were all taken out in a blaze of violence in the film’s finale. So there’s that bit of worry in the back of my head and it does leave the movie open for a sequel. However, I’d leave this alone and never attempt that. By this point, that ship has most definitely sailed, anyway.
True Romance is a great film, top-to-bottom. It’s built up a legitimate cult following over the years and being that Arquette’s Alabama is directly tied to Harvey Keitel’s Mr. White from Reservoir Dogs sets it in the same universe as that film and Pulp Fiction and just adds to the picture’s mystique and coolness.
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