Release Date: May 31st, 2019 Directed by: Daniel Minahan Written by: David Milch Music by: Reinhold Heil, Johnny Klimek Cast: Timothy Olyphant, Ian McShane, Molly Parker, Paula Malcomson, W. Earl Brown, Dayton Callie, Kim Dickens, Brad Dourif, Anna Gunn, John Hawkes, Leon Rippy, William Sanderson, Robin Weigert, Brent Sexton, Sean Bridgers, Franklyn Ajaye, Gerald McRaney, Keone Young, Jeffrey Jones, Don Swayze, Jade Pettyjohn, Cleo King, Peter Jason, Geri Jewell, Garret Dillahunt (cameo), Larry Cedar (cameo)
Red Board Productions, The Mighty Mint, HBO Films, 110 Minutes
Review:
“It’s a sad night. Something’s afire. Christ, I do have feelings.” – Al Swearengen
Man, I’m still a bit pissed that we never got a fourth season of Deadwood, especially with how the third season ended. We were told that there’d be a movie to followup the series, however, but that seemed to be an empty promise, as it was in limbo for well over a decade. Well, in 2018, they were finally able to get the key cast members back to revisit the Deadwood world once again.
While I still would’ve preferred a fourth season and felt like the followup to the George Hearst storyline needed more time to come to its proper and satisfying conclusion, this was still probably the next best thing, considering the long hiatus and frankly, it’s better than nothing, as we’re no longer left with an intense, unresolved cliffhanger.
Even though, this film came out thirteen years after the show ended, the story takes place ten years later. It lets us peek into the lives of all these great characters once again and it does a pretty good job of closing out some lingering issues and plot threads. But, unfortunately, these characters deserved more time, especially since there are so many of them that you care about and only 110 minutes to wedge all this story into.
I get it, it was a bit of a miracle that this actually, finally, got made. But it would’ve been a richer, better and more satisfactory story had it at least been a multi-part miniseries or even the length of half of a regular season. While I know that these shows and films are expensive to produce, Deadwood was iconic and even if it is wrapped up, for better or worse, it just left you needing more.
Still, this was damn enjoyable and every actor really stepped up and brought their A-game, returning to roles that none of them had played for nearly a decade and a half. In fact, many of them have grown and become even better with all the added experience they’ve gotten over their careers. Most of these actors have gone on to do many, great things and it was impressive that they were actually able to get most of them back.
I thought the story was really good and the best that could be done with the running time. There isn’t a dull moment in the film and it flies by. On the flipside of that, it doesn’t feel like too much is stuffed in either. Plus, it is fairly well-balanced between all the key characters. I even like that they were able to work in some of the minor characters without it feeling forced or just cheap fan service.
While this isn’t as great as a fourth season could have been, it at least gives fans some closure after all these years. Still, I’d always be down for more.
Rating: 8.75/10 Pairs well with: the Deadwood television series, which should probably be watched first.
Original Run: March 21st, 2004 – August 27th, 2006 Created by: David Milch Directed by: various Written by: various Music by: David Schwartz Cast: Timothy Olyphant, Ian McShane, Molly Parker, Jim Beaver, W. Earl Brown, Dayton Callie, Kim Dickens, Brad Dourif, Anna Gunn, John Hawkes, Jeffrey Jones, Paula Malcomson, Leon Rippy, William Sanderson, Robin Weigert, Sean Bridgers, Garret Dillahunt, Titus Welliver, Brent Sexton, Bree Seanna Wall, Josh Eriksson, Powers Boothe, Keith Carradine, Gerald McRaney, Keone Young, Ray McKinnon, Brian Cox, Sarah Paulson, Zach Grenier, Cleo King, Stephen Tobolowsky, Richard Gant, Alice Krige, Fiona Dourif, Kristen Bell
HBO’s Deadwood was ahead of its time. It only lasted for three seasons but luckily it stuck around that long. It also ended on sort of a cliffhanger and left you wanting to know what would happen after its final moments at the end of its stellar third season. Well, apparently HBO has announced that, ten years later, there is a movie on the way.
As for the show itself, it is really the first gritty and brutally realistic showcase of frontier life I had ever seen on television up to that point. It pulled no punches and went all out.
Now it did take some time to fall in love with. The first season moves a bit slow but by the time you get to the final episode of that season and see how the characters are changing and how they’ve evolved in a short time, it gets pretty compelling.
Timothy Olyphant and Ian McShane are perfect and their relationship is one of the most dynamic in television history. This was also both men at their absolute best. While Olyphant is the first billed star, Ian McShane seems to get more actual screen time and overall, is the more interesting character.
The rest of the cast is full of several well known and great actors. And every one of these characters has a great story surrounding them. Most shows with large ensemble casts suffer from questionable quality with certain characters, as there is always someone wedged into large shows that either doesn’t fit or has an awful plot thread going on. This doesn’t happen in Deadwood. In fact, as far as a character driven drama, it has some of the best character development I have ever seen in a show. Even the characters, who at first, feel somewhat generic, end up having a lot of layers to explore.
Now the show isn’t as beautiful and as vast feeling as the AMC’s big western show Hell On Wheels but it edges it out in regards to its large ensemble cast, all of whom are more interesting and complex than most of the characters on Hell On Wheels. Deadwood lacks in not being as visually epic as Hell On Wheels but it has more to sink your teeth into overall and it also takes place in a small camp and not an endless wide-open frontier. I like these shows pretty much the same but Hell On Wheels is a wee bit ahead simply because the rivalry between Bohannon and the Swede was incredible.
At the end of the day, Deadwood is one of the two best western shows I have ever seen. It is also one of the best HBO shows ever produced. It’s short run was unfortunate but the fact that this got on television to begin with is pretty awesome.
Rating: 9.5/10 Pairs well with:Hell On Wheels and because it shares a lot of actors with these shows, Fear the Walking Dead and Sons of Anarchy.
Original Run: May 22nd, 2016 – current Created by: Sam Catlin, Seth Rogen, Evan Goldberg Directed by: various Written by: various Based on:Preacher by Garth Ennis, Steve Dillon Music by: Dave Porter Cast: Dominic Cooper, Joseph Gilgun, Ruth Negga, Lucy Griffiths, W. Earl Brown, Derek Wilson, Ian Colletti, Tom Brooke, Anatol Yusef, Graham McTavish, Pip Torrens, Noah Taylor, Julie Ann Emery, Jackie Earle Haley
Woodbridge Productions, Short Drive Entertainment, Point Grey, Original Film, Kickstart Productions, KFL Nightsky Productions, AMC Studios, Sony Pictures Television, 23 Episodes (so far), 42-65 Minutes (per episode)
Review:
Preacher was a comic book series a lot of my friends have talked about for years. I never read it, actually, but I have always wanted to. After seeing the show, now two seasons into its run, I definitely want to pick up the comic series much sooner than later, even if I am two decades too late.
The show stars the always perfect Dominic Cooper. It also stars Oscar nominated actress Ruth Negga and the super entertaining Joseph Gilgun, as an Irish vampire. The show actually reunites Negga and Gilgun, who both starred in the awesome British show Misfits. Well, maybe not a real reuniting, as they were on that show a season apart.
One of the most surprising things about Preacher, when I first heard about it, was that it was being developed by Seth Rogen and Evan Goldberg. AMC did feel like the perfect home for this show though, due to how well it has handled another little comic book property, The Walking Dead.
Preacher follows a preacher who has a special power. He is able to use his voice to force people to do his bidding. He is joined by his crazy ex-girlfriend (Negga) and his new vampire sidekick (Gilgun). Initially, the show takes place in a small Texas town and pits Jesse Custer, the preacher, against an evil and psychotic villain, played by Jackie Earle Haley. Jesse discovers that God is missing, his hometown is destroyed and season two sees our trio head to New Orleans in search of God.
While The Walking Dead pushed the envelope of what you can show on television to new levels, Preacher pushes it even further. This is a really dark show. Dark to the point where even regular viewers of The Walking Dead might feel uncomfortable with Preacher. In fact, I’m not sure how this can exist and not be something that has to be on HBO, Showtime or Starz.
Overall, the show is pretty damn good. Sometimes it feels a bit drawn out, which is its only real weakness. The thing is, Preacher is so unique and bizarre that you’re never really sure where each episode will end up. As of now, it looks as if each season will have its own unique theme and environment. From what I’ve seen thus far, it doesn’t seem like it will be a show that will get stale or trapped in redundancy.
Preacher boasts some of the best actors on television and each season brings in other veteran actors with talent to match. Negga truly is an Oscar caliber performer but Cooper and Gilgun are right there with her from scene to scene.
Preacher is a show with serious gravitas but it isn’t for everyone. I can’t imagine that it could have a large audience, which is why it is such a unique experience and its existence in its current format, a bit puzzling. But over the years, television seems to be getting better and smarter as motion pictures continue to be dumbed down to the point that most are unwatchable.
This is a show that feels fresh and new and brings something to the table that no one has seen before. It doesn’t hurt that it is also a top quality effort by everyone involved, at every level.
I was a senior in high school when the first Scream came out. It was huge, especially due to kids my age. Well, mostly kids who were never really into horror or girls who were too terrified to watch something actually scary. This isn’t me taking shots at the film, it is just the reality of it.
Scream changed the horror genre forever. The problem, is that it essentially ruined it. I’ll explain more as I go on but let me get to my thoughts on each film.
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Scream (1996):
Release Date: December 18th, 1996 (Los Angeles premiere) Directed by: Wes Craven Written by: Kevin Williamson Music by: Marco Beltrami Cast: David Arquette, Neve Campbell, Courteney Cox, Matthew Lillard, Rose McGowan, Skeet Ulrich, Drew Barrymore, W. Earl Brown
Woods Entertainment, Dimension Films, 111 Minutes
Review:
“What’s your favorite scary movie?” – Ghostface
I didn’t like this film the first time I saw it when it came out. I thought it was cheesy, not scary and full of too many recognizable stars. Although, everyone else in the theater seemed to be terrified when Drew Barrymore got murdered in the beginning. But then, the audience for Scream is not the real horror fan audience. At least not by 70s, 80s and 90s standards.
The problem with having recognizable stars in horror, as well as a decent budget, is that it feels less real and authentic. It is similar to the use of bad CGI for blood splatter and monster effects in horror now. It separates you from the film by constantly reminding you that you are watching a production. I’m going to feel more for some girl I’ve never seen before, who I have only witnessed going through the horror on screen, than I will some girl that was whiny and moody on Party of Five for several years before this movie came out. Or a cast member of Friends who I would’ve loved to see killed off, yet somehow she survived to be in all four films.
Ghostface, the slasher in these films, is not scary. Maybe he was to the teen audience of 1996 but being a teen at that time, I thought he was shit. The mask is goofy, the cloak looks like it was stolen from the Spencer’s Halloween display and the wavy knife looked like something gimmicky that came with a 80s G.I. Joe toy.
The film was too polished, and just looked too Hollywood. Craven, before this, had been known for his grittiness.
The slasher genre and horror, in general, were pretty much ruined when the characters started discussing the rules of slasher films. The film parodied the genre it was in and put on blast the unspoken rules of horror. Maybe perceived as smart and cool at the time, and maybe it was just Craven’s way of saying “fuck you” to his competition, this approach killed horror going forward. Yes, Wes Craven, a guy who modernized horror in the 70s and 80s, killed it in the 90s.
Due to its success, Scream went on to kill horror even further. It was mimicked by every studio, horror was now free of sex, gore was minimal, it became PG-13 to pull in more teens, known stars were cast, budgets swelled and the rest is history.
Today, I don’t hate Scream. Even with how it altered everything, it is better than the modern horror films we’re stuck with. While Scream was the start of something bad, year after year, that bad has gotten worse. And that wasn’t Craven’s intention. I think he was really just focused on an idea and a concept. That concept ended up bringing an end to his own career, other than pumping out Scream sequels that got worse as time went on.
Rating: 7/10
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Scream 2 (1997):
Release Date: December 10th, 1997 (Hollywood premiere) Directed by: Wes Craven Written by: Kevin Williamson Music by: Marco Beltrami Cast: David Arquette, Neve Campbell, Courteney Cox, Sarah Michelle Gellar, Jamie Kennedy, Laurie Metcalf, Jerry O’Connell, Jada Pinkett, Liev Schreiber, Rebecca Gayheart, David Warner, Omar Epps, Portia de Rossi, Luke Wilson, Heather Graham, Tori Spelling, Joshua Jackson, Marisol Nichols
Konrad Pictures, Craven-Maddalena Films, Dimension Films, 120 Minutes
Review:
Scream 2 was a step down from the original but I like that Liev Schreiber got to be a bigger character. I was also glad they killed off Jamie Kennedy. And Aunt Jackie from Roseanne is in it.
The problem with Scream 2, which is made more than obvious in the opening scene, is that it feels like it has to compensate for its lack of black actors in the first film. In fact, the first film really featured no black actors and was thus, accused of being another “whitewashed” slasher picture.
Some people have criticized Jada Pinkett’s monologue about race in slasher films but I enjoyed it. She wasn’t wrong. And at least Craven put it in there to address some of these issues that were brought up after the success of the original film. Although, it did feel like overcompensation.
The film isn’t as good as the first. The reveal of who the killer is this time, is pretty underwhelming. The formula ran it’s course in the first movie and we were stuck with a picture where we were treading the same water without any new scenery. The ending brings with it a twist but it is more of a head-scratcher than a shocking reveal. It also starts the trend of building up a bigger backstory that isn’t necessary.
Neve Campbell’s mom was a slut and her sluttiness is a key factor into why her daughter and her friends have to suffer. And in the third film, her legacy of sluttiness goes back even further.
Rating: 5/10
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Scream 3 (2000):
Release Date: February 3rd, 2000 (Westwood premiere) Directed by: Wes Craven Written by: Ehren Kruger Music by: Marco Beltrami Cast: David Arquette, Neve Campbell, Courteney Cox, Patrick Dempsey, Scott Foley, Lance Henriksen, Matt Keeslar, Jenny McCarthy, Emily Mortimer, Parker Posey, Deon Richmond, Patrick Warburton
Konrad Pictures, Craven-Maddalena Films, Dimension Films, 117 Minutes
Review:
The third film ended the trilogy. Well, it was supposed to be a trilogy, where the fourth film years later, was to be the start of a second trilogy. The second trilogy never happened, so we ended up with a single quadrilogy. But, at the time, this was treated as the third and final act.
This was also, by far, the worst movie in the series. It takes the parodying itself shtick to the max. It takes place mostly on a Hollywood set where it gives you a movie within the movie, which is a tactic that is more annoying than clever.
Scream 3 adds the awful Jenny McCarthy to the cast, the typically cool Patrick Dempsey and the indy sweetheart Parker Posey. I almost feel bad seeing Posey plying her trade in this shit picture.
The killer reveal is stupid. It fleshes out the backstory more than anyone needs in a slasher film and the bad guy’s motivations are recycled horror trope schlock. There is nothing imaginative or original about any of this.
This film also loses sight of its whole purpose. In trying to be a clever series in constantly referring to the rules of horror, this one breaks its own rules – or it just doesn’t truly understand them. Especially in regards to what they say about the final film in trilogies, Scream 3 proves that these films have no balls. This is obvious when characters establish that “all bets are off” and “no one is safe”, yet for the third consecutive film, every major character survives. Additionally, the horror gore factor it tries to sell in the film is minimal, the sex factor in horror that this film constantly makes reference to, is nonexistent and everyone who understands the rules, continues to make the same dumb mistakes.
And the sole black character is reduced to a caricature but at least they didn’t “whitewash” this one after meeting their quota in part two.
Rating: 3/10
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Scream 4 (2011):
Release Date: April 11th, 2011 (TCL Chinese Theatre premiere) Directed by: Wes Craven Written by: Kevin Williamson Music by: Marco Beltrami Cast: David Arquette, Neve Campbell, Courteney Cox, Emma Roberts, Hayden Panettiere, Anthony Anderson, Alison Brie, Adam Brody, Rory Culkin, Marielle Jaffe, Erik Knudsen, Mary McDonnell, Marley Shelton, Nico Tortorella, Anna Paquin, Kristen Bell
Oh, there’s Emma Roberts! Why’s she in every thing horror-esque, lately? I don’t dislike her but I’m getting tired of seeing her play the same roles again and again. She’s actually okay and I’m certainly not as sick of her as I am of her Aunt Julia.
Anyway, here we go, years later. The main cast is still alive. Surprise, they live through the end because again, the Scream franchise has no balls.
There’s a bunch of false curveball beginnings to the film, all movies within the movie, which has gotten tiresome with the Scream series. I mean, fuck, has Wes Craven completely run out of ideas? Hire new writers, bro.
This film tries to establish the “new” rules of horror, as it takes place a decade after the previous film. Except, everyone knows that the new rules post-Scream are horrible and the genre has gotten awful.
The killers are predictable. More so than previous films, actually. The two killer formula has been used to death in this series and was only somewhat effective the first time around.
Also, from what I remember, no black people in this one. But there is the reference to gay people surviving horror movies and then a bad in-movie joke where a character being stabbed to death, claims he’s gay in hopes of getting a free pass. I’m not standing on a politically correct soapbox here but Craven isn’t doing himself any favors trying to branch out beyond his audience of straight white teens. I get the attempt at humor but it was juvenile and not that funny.
I’m getting tired of talking about these movies now.
In the end, this film sucks. Although it doesn’t suck as bad as Scream 3.
Release Date: September 4th, 2015 (Venice International Film Festival) Directed by: Scott Cooper Written by: Jez Butterworth, Mark Mallouk Based on: Black Mass by Dick Lehr, Gerard O’Neill Music by: Tom Holkenborg Cast: Johnny Depp, Joel Edgerton, Benedict Cumberbatch, Rory Cochrane, Kevin Bacon, Jesse Plemons, Corey Stoll, Peter Sarsgaard, Dakota Johnson, David Harbour, Adam Scott, Juno Temple, W. Earl Brown
Cross Creek Pictures, RatPac-Dune Entertainment, Warner Bros., 122 Minutes
Review:
*written in 2015.
“Take your shot, but make it your best. ‘Cause I get up, I eat ya.” – Whitey Bulger
Black Mass is the latest mobster biopic to come down the pipeline. What makes this one interesting is Johnny Depp wears a bunch of heavy make-up that looks odd and makes him look like the elderly love child of Ray Liotta and one of those reptilian aliens that I heard are taking over the U.S. government.
The film is directed by Scott Cooper, who also did the critically-acclaimed Crazy Heart and the mediocre Out of the Furnace. He also acted in an episode of The X-Files a long time ago. I wouldn’t say that this film brings back the bright shining star status Cooper had with his debut Crazy Heart but it isn’t a bad film by any means. It is more eventful than Out of the Furnace but unlike that film, I don’t care about any of the characters in Black Mass.
Depp’s portrayal of James “Whitey” Bulger is interesting and well executed for the material but there is a real lack of material there. There is no character building or development. What you have is a one-dimensional psycho on screen from the opening bell to the closing bell. His backstory is casually mentioned, his relationship with his friends and family is bland and he just feels like a cookie cutter bad guy in a cookie cutter mob film. I don’t care about Bulger, good or bad. I don’t sympathize with him or hate him. I should feel something, correct? And that is how it is for every character in this film.
For a movie boasting a cast of names like Depp, Benedict Cumberbatch, Kevin Bacon, Peter Sarsgaard, Joel Edgerton, Jesse Plemons, Adam Scott, Corey Stoll, Julianne Nicholson and Juno Temple – I expected more. Additionally, Rory Cochrane from Dazed and Confused and Empire Records has an integral role, as does Dakota Johnson, who I am not as familiar with but she is some sort of big deal because she was in Fifty Shades of Grey (hopefully that’s not all she’s going to be known for).
This film seems to be getting a lot of love from critics. I’m not sure why. It plays from scene-to-scene and has a logical and fairly fluid plot but there just isn’t a lot of suspense or build up. Everything is predictable. You know who is going to die and when, you know what this psycho is thinking. Realistically, shouldn’t the psycho surprise you? I know that this is a biopic but some of us don’t know the whole “Whitey” Bulger story and the film would benefit from giving us a few surprises instead of blatantly foreshadowing everything to the point of eliminating any real tension or drama in the movie.
Black Mass is more good than bad, even though I am being somewhat harsh. The thing is, it is pretty forgettable in the grand scheme of gangster movies. It is interesting enough to watch but it certainly isn’t a classic in the sense of Goodfellas, The Godfather, Scarface or even Depp’s 1997 film Donnie Brasco.
Release Date: October 14th, 1994 Directed by: Wes Craven Written by: Wes Craven Based on: characters by Wes Craven Music by: J. Peter Robinson Cast: Robert Englund, Heather Langenkamp, John Saxon, Miko Hughes, Tracy Middendorf, David Newsom, Fran Bennett, Wes Craven, Robert Shaye, Marianne Maddalena, Sam Rubin, Sara Risher, Nick Corri, Tuesday Knight, W. Earl Brown
New Line Cinema, 112 Minutes
Review:
Wes Craven’s New Nightmare is a sequel of sorts to the original series but it is also a standalone film. Reason being, it is supposed to exist in the real world, as Freddy Krueger evolves from being a monster on the screen to manifesting in the real world to terrorize Heather Langenkamp, the actress who played Nancy in the first and third films in the series.
The film is a reinvention of the Freddy Krueger mythos. This is why I am reviewing it as its own thing.
Freddy enters our world, after being killed off in the film series. He needs fear to exist and if no one is making movies, he will evolve beyond them. The premise is bizarre but it gives the franchise a bit more originality and energy to give the audience something compelling and new.
For some reason, Freddy has evolved physically, as well. His scars are very different, he sometimes wears a trench coat and he no longer wears a glove, as his claws have grown organically out of his hand. Additionally, he now has a razor on his thumb. He looks more primal overall but I’m not a big fan of the trench coat.
The film also feels more serious than any of the previous chapters. The ante is upped creatively and it brings more realism to a horror fantasy.
Langenkamp was great, playing herself and having to deal with her child being terrorized and her husband being murdered. Her husband in the film was played by her real life husband.
As for the kid, Miko Hughes was stellar. He was a good child actor in a time when many weren’t. Also, he is the youngest potential victim Freddy has ever gone after on screen.
There are less deaths than normal but the real world feel adds more to those scenes. There is just something sinister and wrong in the scene where the young kid sees his babysitter dragged across the ceiling and gutted by Krueger. Robert Englund as Freddy, was at his evil best.
Watching Heather have to protect her very young son from a monster she unknowingly helped create, is more interesting and emotional than watching another slasher film full of mostly unlikable teens getting slaughtered for the umpteenth time.
I don’t know if a sequel to this could have ever materialized and been as good. It was best that this formula only lasted for a single film. And ultimately, it was a really good film.
Release Date: April 7th, 2014 (Los Angeles premiere) Directed by: Ivan Reitman Written by: Rajiv Joseph, Scott Rothman Music by: John Debney Cast: Kevin Costner, Jennifer Garner, Denis Leary, Frank Langella, Tom Welling, Sam Elliott, Ellen Burstyn, Chadwick Boseman, Terry Crews, Kevin Dunn, W. Earl Brown
Being that tomorrow is the real 2014 NFL Draft, I figured that I should finally get to the theater to see the film Draft Day. Being a fan of Kevin Costner and sports movies in general means that I am a really big fan of sports movies starring Kevin Costner. Plus, this film also stars Denis Leary, Frank Langella, Terry Crews, Sam Elliott and a multitude of other stars I like in addition to countless cameos. It’s also directed by Ivan Reitman, who’s work filled my youth with joy – most notably Ghostbusters, Ghostbusters II, Twins, Stripes, Kindergarten Cop and Meatballs.
Now this is hardly Reitman’s best work and certainly not Costner’s best sports movie. That doesn’t mean that this wasn’t a worthwhile and enjoyable film. It was a fresh angle on football films and showed that the action behind the scenes is just as tough, heavy and stressful as it is on the filed, if not more so.
The film showcased the difficult job of being the general manager of a major sports franchise and the level of responsibility that comes with such a position. Kevin Costner did a great job with the material he was given and his presence added a level of respect and charisma to the role that a lesser actor wouldn’t have been able to bring.
Leary was great as the coach. I especially enjoyed the bit where he pretty much dissed the City of Cleveland for being a shithole compared to the wealthy lifestyle he had in Dallas – his previous coaching gig. Leary, along with Langella and Jennifer Garner, added some good depth to the cast. Chadwick Boseman who starred as Jackie Robinson in last year’s 42, did a good job as one of the potential draftees in the film. He was a natural fit and it was nice seeing him move on into a new role after his great performance in 42.
Overall, the film wasn’t great but it was fun and entertaining and certainly not dull or redundant. Sports films are a dime a dozen but this is one that stands a little bit above the average films in the genre. It’s no Rudy but it also isn’t The Replacements.
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Talking Pulp 
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