Also known as: Femmes en cage (France), Locked In (working title)
Release Date: May 19th, 1950 (New York premiere)
Directed by: John Cromwell
Written by: Bernard C. Schoenfeld, Virginia Kellogg
Based on: Women Without Men by Kellogg and Schoenfeld
Music by: Max Steiner
Cast: Eleanor Parker, Agnes Moorehead, Ellen Corby, Hope Emerson
Warner Bros., 96 Minutes
“Come on you tramps – line up for Christmas.” – Evelyn Harper
I discovered this film when it was featured on TCM’s Noir Alley. While I guess it fits the loose rules of what a noir can be, it is more of a “women in prison” movie but twenty years before those sort of pictures were made primarily for sexploitation.
I didn’t know what to expect but this was very dramatic and a better film than what I was anticipating.
The main character, Marie Allen, is sent to prison for a crime she was a part of because she was in love with a shady guy. That guy was killed and Marie was punished for the crime, being institutionalized while being pregnant. The film sees the timid and shy Marie have to adjust to a hard prison life. She plays things by the book and hopes to be paroled early. However, she is denied parole, her mother also rejects the responsibility of having to raise Marie’s baby until she gets out and everything in Marie’s life falls apart because she is trapped behind bars, completely and utterly powerless.
It is the way that the story unfolds, though, that makes everything work so well. You really feel for Marie and your heart breaks in certain scenes but like Marie, you develop a harder demeanor and are right along with her when you want to see her push back against a corrupt system that is failing at its job of rehabilitating those it locks away.
Caged is a fine film with a lot of layers. It’s superbly written and Eleanor Parker really put this film on her back and carried it.
It has nothing special in the realm of cinematography but it is clean and the camerawork is still very good. It doesn’t employ a strong chiaroscuro vibe like other film-noirs.
I was pleasantly surprised by Caged and I was certainly glad to discover it.
Pairs well with: A male prison noir Brute Force, as well as other noir films The Narrow Margin and Side Street.
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